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Anthony Newman: Works for Organ

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Messiah College BrassCross: Luminosity

Michael Antonello: Collected Works

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

Serafin String Quartet: Selected Works

The Crossing: Selected Works

Thomas Murray: Symphonic Masterworks of Grieg & Franck

Varda Kotler: YouTube Channel


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Articles: Feature Articles from Issue 38_3

Editorial: Going with the Flow: High-Resolution Downloads and the Dawn of HD Streaming

FEATURE REVIEW: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Roberto McCausland Dieppa)

Wood- or Whirlwind Duo: A Conversation with John and Valarie Anderson of Jeanné, Inc.

FEATURE REVIEW: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Roberto McCausland Dieppa)

FEATURE REVIEW: REFLECTIONS (Valarie Anderson)

Interview with Stephen Emmerson

FEATURE REVIEW: REFLECTIONS (Valarie Anderson)

FEATURE REVIEW: MAHLER, GUSTAV: Symphony No. 2 (arr. for 2 pianos,... (Briely Cutting)

FEATURE REVIEW: RIPPER: Trio for Clarinet, Viola, and Piano... (Valarie Anderson)

FEATURE REVIEW: MAHLER, GUSTAV: Symphony No. 2 (arr. for 2 pianos,... (Briely Cutting)

FEATURE REVIEW: RIPPER: Trio for Clarinet, Viola, and Piano... (Valarie Anderson)

The Continuing Adventures of Pianist Joel Fan

FEATURE REVIEW: LARSEN, LIBBY; BAKER, CLAUDE; TOMASI (Eugene Rousseau)

Voices in the Wind: Flutist Leonard Garrison on recording contemporary works

FEATURE REVIEW: REFLECTIONS (Valarie Anderson)

FEATURE REVIEW: VOICES IN THE WIND (Leonard Garrison)

Who is Rich Barry? Ask Google

A Chat with James Ginsburg, Founder and President of Cedille Records

FEATURE REVIEW: RICH BARRY GUITARIST (Rich Barry)

Talking Piano with Catherine Gordeladze

FEATURE REVIEW: RICH BARRY GUITARIST (Rich Barry)

FEATURE REVIEW: AMERICAN RHAPSODY (Catherine Gordeladze)

Interview with Eric Berlin

FEATURE REVIEW: AMERICAN RHAPSODY (Catherine Gordeladze)

FEATURE REVIEW: FANTASTIQUE: Premieres for Trumpet and Wind Ensemble (Eric Berlin)

FEATURE REVIEW: AMERICAN RHAPSODY (Catherine Gordeladze)

Luisa Buchanan: Round Four

Steven Gross: Creating a Future for Solo and Duo Horn Repertoire

FEATURE REVIEW: MOZART: Piano Sonatas... (Luisa Guembes-Buchanan)

FEATURE REVIEW: CZECH-AMERICAN HORN DUO (Steven Gross)

FEATURE REVIEW: MOZART: Piano Sonatas... (Luisa Guembes-Buchanan)

FEATURE REVIEW: CZECH-AMERICAN HORN DUO (Steven Gross)

Plath Aftermath: An Interview with Composer Stephen Douglas Burton

A Conversation with Harpsichordist and Conductor Aapo Häkkinen

FEATURE REVIEW: BURTON, STEPHEN DOUGLAS: Symphony No. 2, “Ariel” (Christopher Keene)

FEATURE REVIEW: KRAUS, JOSEPH MARTIN: Overtures... (Aapo Häkkinen)

FEATURE REVIEW: BURTON, STEPHEN DOUGLAS: Symphony No. 2, “Ariel” (Christopher Keene)

FEATURE REVIEW: KRAUS, JOSEPH MARTIN: Overtures... (Aapo Häkkinen)

FEATURE REVIEW: BURTON, STEPHEN DOUGLAS: Symphony No. 2, “Ariel” (Christopher Keene)

FEATURE REVIEW: BACH, JOHANN SEBASTIAN: Harpsichord Concertos, BWV 1052,... (Aapo Häkkinen hpd)

A Few Moments With Christian Chamorel

A Chat with Clarinet Virtuoso Caroline Hartig

FEATURE REVIEW: MENDELSSOHN, FELIX: Piano Concertos Nos. 1 and 2... (Christian Chamorel)

FEATURE REVIEW: CARACLARINA: Caroline Hartig Plays Classical to... (Caroline Hartig)

FEATURE REVIEW: MENDELSSOHN, FELIX: Piano Concertos Nos. 1 and 2... (Christian Chamorel)

Interview with Composer Jerome Kitzke

Michael Ching’s “Genre-Bending” A Midsummer Night’s Dream

FEATURE REVIEW: KITZKE: The Green Automobile. The Paha... (Jerome Kitzke)

FEATURE REVIEW: CHING: A Midsummer Night’s Dream (Curtis Tucker)

FEATURE REVIEW: KITZKE: The Character of American Sunlight.... (Essential Music)

FEATURE REVIEW: CHING: A Midsummer Night’s Dream (Curtis Tucker)

Three Heads, Six Hands

No Second Fiddle: A Conversation with Pianist and Composer Andrew Clark

FEATURE REVIEW: KEYPUNCH (John McDonald)

FEATURE REVIEW: GROENEWEGEN: 24 Preludes (Andrew Clark)

FEATURE REVIEW: KEYPUNCH (John McDonald)

FEATURE REVIEW: GROENEWEGEN: 24 Preludes (Andrew Clark)

Playing What He Hears: Tobin Mueller

Mortality in Mind: The Requinauts of Michael Colina

Christoph Schlüren’s Symphonic Momentum

FEATURE REVIEW: COLINA: Requinauts (Ira Levin)

FEATURE REVIEW: DECLAMATORY COUNTERPOINT (Christoph Schluren)

FEATURE REVIEW: COLINA: Requinauts (Ira Levin)

Presenting ICSM Records

Discovering the Inspiring Sor Juana in Fort Worth: A Conversation with Daniel Crozier and Peter M. Krask

FEATURE REVIEW: BRAHMS, JOHANNES: Waltzes, op. 39... (Fiammetta Tarli)

FEATURE REVIEW: CROZIER: With Blood, With Ink (Timothy Myers)

FEATURE REVIEW: BRAHMS, JOHANNES: Waltzes, op. 39... (Fiammetta Tarli)

FEATURE REVIEW: CROZIER: With Blood, With Ink (Timothy Myers)

FEATURE REVIEW: BRAHMS, JOHANNES: Waltzes, op. 39... (Fiammetta Tarli)

FEATURE REVIEW: CROZIER: With Blood, With Ink (Timothy Myers)

Jeroen van Veen: The Maximal Minimalist Missionary

Sound Above All: A Conversation with Roberto McCausland Dieppa

FEATURE REVIEW: VAN VEEN: Minimal Preludes... (Jeroen Van Veen)

FEATURE REVIEW: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Roberto McCausland Dieppa)

FEATURE REVIEW: VAN VEEN: Minimal Preludes... (Jeroen Van Veen)

 

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