10 Variations on "La stessa, la stessissima," from Salieri’s Falstaff, WoO 73. Diabelit Variations, op. 120 |
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11 Bagatelles, op. 119 |
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11 Viennese Dances |
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12 Minuets. 12 Contradances. 12 German Dances |
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12 Variations on Mozart’s “Ein Mädchen oder Weibchen.” 7 Variations on Mozart’s “Bei Männern, welche Liebe fühlen.” 12 Variations on Handel’s “See the conqu’ring hero comes” |
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12 Variations on a Russian Dance from Wranitzky’s Ballet |
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12 Variations on “Ein Mädchen oder Weibchen, ” op. 66; 7 Variations on “Bei Männern, welche Liebe fühlen, ” WoO 46 |
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14 Variations on an Original Theme, op, 44. 10 Variations on "Ich bin der Schneider Kakadu," op. 121a |
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15 Waltzes. "Eroica" Variations and Fugue. Piano Sonata No. 31, op. 110 |
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2 Romances |
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32 Variations in c, WoO 80 |
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32 Variations on an Original Theme in c |
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32 Variations on an Original Theme in c, WoO 80 |
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33 Variations on a Waltz by Diabelli |
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33 Variations on a Waltz by Diabelli, op. 120 |
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33 Variations on a Waltz by Diabelli. 12 Variations on a Russian Dance from Wranitzky’s “Das Waldmädchen” |
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33 Variations on a Waltz by Diabelli. 32 Variations on an Original Theme |
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33 Variations on a Waltz by Diabelli. Piano Sonata No. 24 |
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33 Variations on a waltz by Diabelli. 12 Variations on a Russian Dance from Wranitzky’s “Das Waldmädchen” |
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4 Overtures: Leonore Nos. 1-3; Fidelio |
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4-Part Simple, Double, and Triple Fugues |
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6 Bagatelles, op. 126 |
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6 Bagatelles, op. 126/2, 3 |
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6 Ecossaises |
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6 German Dances |
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6 String Quartets, op. 18 |
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7 Variations on "Bei Männern, welche Liebe Fühlen," from Die Zauberflöte, WoO. 46.12 Variations on "See the conqu’ring hero comes" from Judas Maccabaeus, WoO. 45 |
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7 Variations on "God Save the King" |
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7 Variations on a Theme from Mozart’s Magic Flute |
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Adagio, WoO 33/1 |
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Adelaide |
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Adelaide. An die ferne Geliebte |
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Adelaide. An die ferne Geliebte. Ich liebe dich |
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Adelaide. Wonne der Wehmut. Der Kuss |
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Ah perfido! Fidelio: Abscheulicher, wo eilst du hin? |
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Ah! Perfido |
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Ah! perfido |
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Ah! perfido. Fidelio: Abscheulicher! |
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Ah, Perfido! |
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Allegretto in B♭, WoO 39 |
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Allegretto in B♭, WoO 39 |
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Allegretto in E♭, H48 |
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Allegretto in b, WoO 61 |
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Allegretto in c, Hess 69 |
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Allegretto in c, WoO 53 |
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An die Ferne Geliebte (arr. Liszt) |
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An die Ferne Geliebte, op. 98 |
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An die Hoffnung. Maigesang. Adelaide. Der Liebende. Klage. Neue Liebe, neues Leben. Sechs Lieder von Geliert. Aus Goethes Faust.Wonne der Wehmut. Sehnsucht. Das Liedchen von der Ruhe. An die Geliebte. An die ferne Geliebte |
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An die ferne Geliebte |
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An die ferne Geliebte. Adelaide |
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An die ferne Geliebte. Wonne der Wehmut. Neue Liebe, neues Leben |
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Andante favori |
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Andante favori, WoO 54 |
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Andante favori, WoO 57 |
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Andante in F, “Andante favori” |
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Années de pèlerinage, 2ème année—Italie: Sonetti 47, 104, and 123 del Petrarca |
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Arias and songs by |
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Arias by |
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Arias, duets, romances, and songs by |
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BACH Partita No. 2 in d: Chaconne |
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BACH Violin Partita No. 2: Chaconne |
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BACH Violin Partita No. 2: Sarabande |
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BEETHOVEN Violin Concerto |
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Bagatelle in c, WoO 52 |
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Bagatelles, op. 119 |
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Bagatelles, op. 126 |
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Bagatelles, op. 33 |
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Bagatelles, ops. 33, 119, 126 |
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Bagatelles: in c, WoO 52; op. 33; in C WoO 56; op. 119; op. 126 |
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Bagatelles: op. 33; op. 119; op. 126; in B♭, WoO 60; in a, “Für Elise” |
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Bitten. Die Liebe des Nächsten. Die Ehre Gottes aus der Natur. Gottes Macht und Vorsehung. Busslied |
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Calm Sea and Prosperous Voyage |
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Cello Sonata No. 2 in D |
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Cello Sonata No. 3 in A, op. 69 |
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Cello Sonata No. 3, op. 69 |
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Cello Sonata in A |
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Cello Sonatas (complete) |
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Cello Sonatas: No. 1 in F, op. 5/1; No. 2 in g, op. 5/2; No. 3 in A, op. 69; No. 4 in C, op. 102/1; No. 5 in D, op. 102/2 |
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Cello Sonatas: No. 1 in F; No. 2 in g; No. 3 in A; No. 4 in C; No. 5 in D. Variations: in G on a Theme by Handel; in F on “Ein Mädchen oder Weibchen”; on “Bei Männern” |
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Cello Sonatas: No. 1 in F; No. 2 in g; No. 3 in A; No. 4 in C; no. 5 in D |
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Cello Sonatas: No. 3 in A, op. 69 |
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Cello Sonatas: No. 5 in D, op. 102/2 |
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Cello Sonatas: Nos. 1–5 |
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Cello Sonatas: in E♭, op. 64 |
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Cello Sonatas: in F, op, 5/1; in g, op. 5/2; in F, op. 17, “Horn;” in A, op. 69; in C, op. 102/1; in D, op. 102/2 |
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Cello Sonatas: in F, op. 5/1; in A, op. 69; in D, op. 102/2 |
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Cello Sonatas: in F, op. 5/1; in g, op. 5/2; in A, op. 69; in C, op. 102/1; in D, op. 102/2 |
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Cello Sonatas: op. 69; op. 102/2 |
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Choral Fantasy (Sawallisch). Piano Concerto No. 4 (Hofmann/Ormandy). Symphony No. 5 (Stokowski) |
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Choral Fantasy, op. 80 |
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Christ on the Mount of Olives |
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Christus am Ôlberge, op. 85 |
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Christus am Ölberg. Leonore: Overture No. 2 |
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Christus am Ölberge |
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Christus am ölberge |
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Clarinet Trio in B♭ |
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Clarinet Trio in B♭, op. 11 |
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Clarinet Trio in B♭, op. 11, "Gassenhauer" |
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Clarinet Trio in E♭, op. 38 (after Septet in E♭, op. 20) |
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Clarinet Trio, op. 11 |
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Complete Piano Sonatas |
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Complete Piano Sonatas, Vol. 1 |
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Complete Piano Sonatas, Vol. 2 |
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Complete Piano Sonatas, Vol. 3 |
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Complete Piano Sonatas, Vol. 4 |
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Complete Piano Sonatas, Vol. 5 |
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Complete Piano Trios |
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Complete Works for Cello and Piano |
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Concerto In C, op. 56, “Triple” |
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Concerto In D for Violin and Orchestra, op. 61 |
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Concerto No. 3 In C Minor for Piano and Orchestra, op. 37 |
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Concerto for No. 5 in E♭ for Piano and Orchestra, op. 73 ("Emperor") |
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Concerto for Piano, Violin, and Cello |
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Concerto for Piano, Violin, and Cello in C |
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Concerto for Violin, Cello, and Piano, op. 56, “Triple Concerto” |
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Concerto for Violin, Cello, and Piano, “Triple Concerto” |
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Concerto in C, op. 56, “Triple Concerto” |
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Concerto in C, “Triple” |
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Concerto in D for Violin and Orchestra, op. 61. Concerto No. 3 in C Minor for Piano and Orchestra, op. 37 |
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Consecration of the House Overture |
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Consecration of the House Overture. Symphony No. 5 |
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Consecration of the House. Ruins of Athens: Overture; Marcia alla turca |
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Contradances, WoO 14 |
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Contretänze, WoO 14 |
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Coriolan Overture |
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Coriolan Overture. Egmont: Overture |
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Coriolan Overture. Name Day Overture. Egmont. Wellington’s Victory. The Ruins of Athens. The Consecration of the House. Leonore Prohaska. King Stephen. The Beautiful Shoemaker’s Wife. Tarpeja. Germania. The Triumph of Arches. Vesta’s Fire |
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Coriolan Overture. The Creatures of Prometheus: Overture |
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Coriolan Overture; Symphony No. 4; Symphony No. 5 |
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Coriolan: Overture |
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Country Dances, WoO 14 |
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Creatures of Prometheus. Music for a Knight’s Ballet. Gratulations Minuet |
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Creatures of Prometheus: Overture |
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Creatures of Prometheus: Overture; Finale |
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Creatures of Promethus: Excerpts |
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Cue in E. Minuet in B♭. Minuet-Scherzo in A. Pastorella in D. Presto in A (draft). Andante in E♭. Minuet and Trio in A♭. Fugue in b (from Bach’s WTC Part I) |
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DEBUSSY L’Enfant prodigue: Cortège and Dance |
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Der Zufriedene, op. 75, no. 6. Lied aus der Ferne, WoO. 137. Die Sehnsucht, WoO. 146. Der Wachtelschlag, WoO. 129. An die Hoffnung, op. 94. Der Kuß, op. 128. Die Liebe, op. 52, no. 6. Das Liedchen von der Ruhe, op. 52, no. 3. Abendlied untefm gestirnten Himmel, WoO. 150 |
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Des Kriegers Abschied. Abendlied |
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Diabelli Variations |
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Diabelli Variations, op. 120 |
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Diabelli Variations, op. 120 (two versions) |
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Diabelli Variations. Variations on an Original Theme in c |
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Diabelll Variations. Eroica Variations |
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Die Waldmachen, WoO 71 |
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Duo in E♭ for Viola and Cello "with Two Eyeglasses Obbligato," WoO 32 |
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Ecossaises in B |
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Egmont Overture |
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Egmont Overture (4/29/43). Piano Concerto No. 5 (Cor de Groot; 5/9/42) |
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Egmont Overture and Incidental Music, op. 84 |
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Egmont, op. 84 |
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Egmont: Die Trommel gerühret; Freudvoll und Leidvoll |
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Egmont: Freudvoll und leidvoll |
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Egmont: Klärchens Tod |
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Egmont: Overture |
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Egmont: Overture, op. 84 |
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Egmont: Overture. Septet. Symphony No. 7 |
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Egmont: Overture; Die Trommel gerühret |
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Egmont: Overture; Die Trommel gerühret; Freudvoll und Leidvoll |
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Eight Variations in C, WoO 67 |
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Elegischer Gesang |
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Elegischer Gesang, op. 118 |
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Elegy, op.118 |
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Fantasia in c, op. 80, “Choral Fantasy” |
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Fantasia in c, “Choral Fantasy” |
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Fantasia in g, op. 77 |
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Fantasy for Piano, Chorus, and Orchestra |
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Fantasy in c, “Choral Fantasy” |
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Fantasy in g, op. 77 |
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Fantasy in g. Piano Sonata No. 23, “Appassionata” |
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Fidelio |
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Fidelio. Leonore Overture No. 3 |
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Fidelio: Abscheulicher…Komm, Hoffnung |
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Fidelio: Abscheulischer! |
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Fidelio: In des Lebens Frühlingstagen (Seiffert) |
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Fidelio: Leonore Overture No. 3; Finale, Act II |
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Fidelio: Leonore Overture No. 3; Finale, Act II. Seiji Ozawa, cond; Deborah Polaski (Leonore); Johan Botha (Florestan); Thomas Hampson (Fernando); Falk Struckmann (Pizarro) |
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Fidelio: Now, now for my victory. If you don’t have any money |
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Fidelio: Overture |
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Fidelio: Overture. Egmont: Overture |
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Fugue in D, op.137 |
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Fugue, Hess 36 (arr. from Handel’s Solomon Overture) Piano Sonata, op. 14/1, Hess 34 (arr. Beethoven) |
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German Dances, WoO 8 |
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Goethe Lieder (7). Gellert Lieder (6), op. 48. Adelaide, op. 46. Andenken, WoO. 136 |
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Grosse Fuga |
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Grosse Fuge |
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Grosse Fuge (arr. Weingartner) |
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Grosse Fuge (trans. Gielen) |
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Grosse Fuge in B♭, op. 133 |
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Grosse Fuge, op. 133 |
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Grosse Fugue |
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Grosse fuge, op. 133 |
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Horn Sonata in F, op. 17 |
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Ich liebe dich. Neue Liebe, neues Leben. Wonne der Wehmut |
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In questa tomba oscura. T’intendo si, mio cor. Als die Geliebte sich trennen wollte. Seufzer eines Ungeliebten. Gegenliebe. Sehnsucht. An die Geliebte. Der Kuss. Maigesang. Adelaide |
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Irish Songs by |
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Irish, Welsh, and Scottish Songs |
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Klavierstück, WoO 54, "Lustig-Traurig" |
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Leonora Overture No. 3 |
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Leonore |
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Leonore (1806 version) |
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Leonore Overture No. 2 |
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Leonore Overture No. 2, op. 72a |
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Leonore Overture No. 3 |
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Leonore Overture No. 3 (Rehearsal Excerpt) |
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Leonore Overture No. 3. Coriolan Overture |
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Leonore Overture No. 3. Egmont: Overture |
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Leonore Overture No. 3: Rehearsal fragment |
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Leonore Overtures 1, 2, 3 |
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Leonore Overtures: No 1; No. 2 |
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Leonore Overtures: No. 1; No. 2 |
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Leonore Overtures: No. 1; No. 2; No. 3 |
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Leonore Overtures: No. 2; No. 3 |
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Leonore Overtures: Nos. 1–3 |
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Leonore Prohaska: Funeral March |
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Leonore. Fidelio |
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Leonore: Overtures Nos. 1, 2, 3 | |