"The Rival Queens": Opera Arias and Duets |
|
1 in A, HWV 426; No |
|
2 in F, HWV 427; No |
|
3 Airs for 3 and 4 Horns |
|
3 in d, HWV 428; No. 4 in e, HWV 429; No |
|
5 in E, HWV 430 |
|
7 Sonatas for Flute and Continuo, op. 1 |
|
9 German Arias, HWV 202-210 |
|
9 German Arias. Trio Sonatas: in F, op. 2/4; in b, op. 2/1 |
|
A Grand Instrumental Procession. March |
|
A Song for St. Cecilia’s Day. Cecilia, volgi un sguardo |
|
Aci, Galatea e Polifemo: Ah! crude stelle . .  |
|
Aci, Galatea e Polifemo: Qui l’augel da pianta in pianta |
|
Aci, Galatea, e Polifemo, HWV 72 |
|
Aci, Galathea e Polifemo |
|
Acis and Galatea |
|
Acis and Galatea (1718) |
|
Acis and Galatea: As When the Dove |
|
Acis and Galatea: Happy We! Faramondo: Cara, tu mi accendi |
|
Acis and Galatea: Hush, Ye Pretty Warbling Quire |
|
Acis and Galatea: I rage, I melt, I burn! ...O ruddier than the cherry |
|
Acis and Galatea: O ruddier than the cherry |
|
Acis und Galatea |
|
Adagio. Largo |
|
Admeto |
|
Admeto, Rè di Tessaglia: Alma mia, dolce ristoro |
|
Admeto, re di Tessaglia |
|
Admeto: Amor, guai nuova fiamma . . . La tigre arde di sdegno |
|
Admeto: Introduzione |
|
Admeto: Orride larve . . . Chiudetevi, miei lumi |
|
Admeto: Overture |
|
Admeto: Sinfonia |
|
Agrippina |
|
Agrippina: Pensieri, voi mi tormentate; Bel piacere è godere fido amor! Alexander Balus: Calm thou my soul . . . Convey me to some peaceful shore |
|
Agrippina: Pur ritorno a rimirarvi; Vieni, o cara |
|
Ah! Che troppo ineguali |
|
Ahi, nelle sorte umane |
|
Ahi, nelle sorte umane, HWV 179; No, di voi non vo’ fidarmi, HWV 189; Caro autor di mia doglia, HWV 182a; Quel fior che all’alba, HWV 192; Conservate, raddoppiate, HWV 185; Tanti strali al sen mi scocchi, HWV 197; Va, speme infida, HWV 199; A mirarvi io son intento, HWV 178; Sono liete, fortunate |
|
Ahi, nelle sorte umane. Amor gioje mi porge. Caro autor di mia doglia. Nò, di voi non vo’ fidardi. Quando in calme ride il mare. Quel fior che all’alba ride. Và, và speme infida pur. Quel fior che all’alba ride. Se tu non lasci amore |
|
Air in F, HWV 411 |
|
Air in g, HWV 457 |
|
Al lampo dell’armi |
|
Alceste: Enjoy the sweet Elysian grove |
|
Alcina |
|
Alcina: Act III Sinfonia; Sta nell’Ircana; Mi lusingha il dolce affetto; Entrée des songes agréables; Verdi prati |
|
Alcina: Ah! Mio cor! Hercules: Where Shall I Fly? Agrippina: Pensieri, voi mi tormentate |
|
Alcina: Ah! Ruggiero . . . Ombre pallide |
|
Alcina: Credete al mio dolore |
|
Alcina: Excerpts |
|
Alcina: Gavotte-Sarabande; Menuet-Gavotte |
|
Alcina: Overture; Ballet Music |
|
Alcina: Overture; Pensa a chi geme |
|
Alcina: Sinfonia; Ah! mio cor; Sta nell’Ircana; Verdi prati; Ah! Ruggiero crudel . . . Ombre pallide |
|
Alcina: Sta nell’Ircana |
|
Alcina: Suite |
|
Alcina: Tornami a vagheggiar |
|
Alcina: Tornami a vagheggiar; Si, son quella!; Mi restano le lagrime |
|
Alcina: Un momento di contento |
|
Alcina: Verdi prati |
|
Alcina: Verdi prati, selve amene |
|
Alessandro Severo: Overture |
|
Alessandro: Lusinghe piu care |
|
Alexander Balus |
|
Alexander Balus: Fury with red sparkling eyes; O Mithra |
|
Alexander Balus: Hail wedded love |
|
Alexander Balus: Shall Cleopatra ever smile again? . . . O take me from this hateful light |
|
Alexanderi’s Feast: Revenge, revenge, Timotheus cries . . . Behold a ghastly band |
|
Alexander’s Feast |
|
Alexander’s Feast. Harp Concerto in B♭, op. 4/6 |
|
Alexander’s Feast: Give the vengeance due; The princes applaud. Samson: Thus when the sun from’s wat’ry bed; Total eclipse! Messiah: Comfort ye; Ev’ry valley |
|
Alexander’s Feast: Let’s imitate her notes above |
|
Alexander’s Feast: Revenge, Timotheus cries |
|
Alexander’s Feast: The many rend the skies |
|
Allegro in c, HWV 408 |
|
Allor ch’io dissi addio, HWV 80 |
|
Almighty power; Bless’d be the Lord . . . What though I trace |
|
Almighty power; Bless’d be the Lord... What though I trace |
|
Amadigi di Gaula |
|
Amadigi di Gaula: Ah, spietato |
|
Amadigi di Gaula: Desterò dall’empia Dite |
|
Amadigi: D’un sventurato amante . . . Pena tiranna |
|
Amadigi: Excerpts |
|
Amadigi: Sinfonia; D’un sventurato amante . . . Pena tiranna; Mi deride l’amante . . . Desterò dall’empia Dite; Addio, crudo Amadigi . . . Io già sento |
|
Amaryllis Suite: Sarabande |
|
Amor gioje mi porge |
|
And the glory of the Lord. Hallelujah Chorus. Worthy is the lamb |
|
Andante in a, HWV 412 |
|
Andante in d, HWV 409 |
|
Apollo e Dafne: Come rosa in su la spina |
|
Apollo e Dafne: Felicissima quest’alma |
|
Arcadian Duets |
|
Aria Tacero, pur che fedele |
|
Arianna in Creta, HWV 32 |
|
Arianna in Creta: Son quai stanco pellegrino |
|
Arianna: Sdegnata sei; O patria . . . Sol ristoro . . . Salda quercia; Qual leon; Ove son . . . Qui ti sfido |
|
Arias |
|
Arias and Sinfonias |
|
Arias and Songs from Operas and Oratorios |
|
Arias and duets by |
|
Arias and duets from: Allesandro. Admeto, Re di Tessaglia. Riccardo Primo, Re d’Inghilterra. Siroe, Re di Persia. Tolomeo, Re di Egitto |
|
Arias and scenes from: Guilio Cesare, Rodelinda, Tolomeo, Riccardo Primo, Orlando, and Flavio |
|
Arias and songs by |
|
Arias by |
|
Arias from Amadigi; Deidamia; Giulio Cesare; Lotario; Rodelinda; Scipione; Ariodante; Rinaldo; Radamisto |
|
Arias from: Agrippina; Amadigi |
|
Arias from: Giulio Cesare |
|
Arias from: Hercules |
|
Arias from: Jephtha |
|
Arias from: Ottone |
|
Arias from: Rodelinda |
|
Arias from: Samson |
|
Arias from: Serse |
|
Arias from: Theodora |
|
Arias, duets, quartet, and songs by |
|
Arias, scenes, and instrumental music from Admeto, Serse, Giulio Cesare, Radamisto, Rodelinda, Alcina, and Alexander’s Feast |
|
Arias, songs, duets, and trios |
|
Ariodante |
|
Ariodante: Act II Sinfonia; Scherza infida; Dopo notte |
|
Ariodante: E vivo ancora |
|
Ariodante: E vivo ancora . . . Scherza infida |
|
Ariodante: E vivo ancora? Theodora: As with rosy steps |
|
Ariodante: E vivo ancore. Theodora: As with rosy steps the morn |
|
Ariodante: Il mil crudel martoro |
|
Ariodante: Overture; Ballet Music |
|
Ariodante: Qui d’amor; Con l’ali di costanza; Scherza infida; Dopo notte |
|
Ariodante: Scherza infida in grembo al drudo |
|
Ariodante: Scherza, infida; Dopo notte |
|
Arioso |
|
Armida abbandonata |
|
Armida abbandonata, HWV 105 |
|
Armida abbandonata. Ah! che pur troppo e vero. Tra le fiamme. From Serse: Fronde tenere e belle . . . Ombra mai fu. Overture in D. Prelude in d. Violin Concerto in B♭ (Sonata No. 5). Chaconne in B♭ |
|
Armida abbandonata: Dietro l’orme fuggaci |
|
Arminio |
|
Arresta il passo, “Aminta e Fillide” |
|
Arrianna in Creta: Son quai stanco. Berenice, regina d’Egitto: Chi t’intende. Deidamia: M’hai resa infelice; Overture |
|
Arrival of the Queen of Sheba |
|
As pants the hart for cooling streams |
|
As with rosy steps |
|
Atalanta: Amarilli? . . . Amarilli? Oh Dei! che vuoi? Muzio Scevola: Vivo senz’alma, o bella |
|
Atalanta: Amarilli? Oh Dei! che vuoi? Muzio Scevola: Vivo senz’alma, o bella |
|
Atalanta: Overture |
|
Athalia |
|
Athalia: My vengeance |
|
Athalia: The mighty pow’r |
|
Athalia: Through the land |
|
Beishazzar: Destructive War; Oh sacred oracles of Truth |
|
Belshazzar |
|
Belshazzar: Great victor, at your feet I bow |
|
Belshazzar: Recall, o king, thy rash command |
|
Berenice, regina d'Egitto: Berenice, regina d’Egitto: Chi t’intende? Deidamia: Overture; M’hai resa infelice |
|
Berenice: Overture |
|
Berenice: Si, tra I ceppi |
|
Berenice: Si, tra I ceppi e le ritorte |
|
Berenice: Su, Megera; Si, tra i ceppi |
|
Birthday Ode for Queen Anne |
|
Cantata Ho fuggito amore |
|
Cantata, Mi palpita il cor: Ho tanti affanni in petto. Messiah: How beautiful are the feet; He that dwelleth in heaven . . . Thou shalt break them. Alexander Balus: O take me; Calm thou my soul. . . Convey me to some peaceful shore |
|
Cantata: Mi palpita il cor |
|
Cantatas |
|
Cantatas and Sonatas |
|
Cantatas: Agrippina condotta a morire, HWV 110 |
|
Cantatas: La Lucrezia; Armida abbandonata; Agrippina condotta a morire |
|
Cantatas: So Pleasing the Pain Is |
|
Cantatas: Tra le flamme. Notte placida e cheta |
|
Cantatas: Un’alma innamorata, HWV 173; Chi rapi la pace al core?, HWV 90; La Lucrezia, HWV 145 |
|
Capriccio in g, HWV 483 |
|
Care selve, aure grate, HWV 68 |
|
Caro autor di mia doglia |
|
Chaconne and Variations, HWV 435 |
|
Chaconne in G |
|
Chaconne in G (orch. Nicholson) |
|
Chaconne in G, HWV 435 |
|
Chaconne in G, HWV 435. Harpsichord Suites: in F, HWV 427; in f, HWV 433 |
|
Chaconne in g, HWV 486 |
|
Chaconnes in G: HWV 430/Anh; HWV 435 |
|
Chaconnes: in G, HWV 442; in F, HWV 485 |
|
Chandos Anthem No. 2 |
|
Chandos Anthems: No. 6, As Pants the Hart; No. 4, O Sing Unto the Lord a New Song;No. 11, Let God Arise |
|
Chi rapì la pace al core? HWV 90 |
|
Clarinet Concerto |
|
Clori, Tirsi e Fileno |
|
Clori, mia bella Clori |
|
Clori, mia bella Clori, HWV 92 |
|
Coelestis dum spirai aura. Laudate pueri, HWV 236 |
|
Concerti a 2 cori (arr. Raml): in F, HWV 333; F, HWV 335b; F, HWV 334. music for 2 horns and organ: Air in F, HWV 410 |
|
Concerti a due cori: No. 2; No. 1 ; No. 3 |
|
Concerti grossi, op 3: No 1 in B♭; No. 2 in B♭; No. 3 in G; No. 4 in F; No. 5 in d; No. 6 in D |
|
Concerti grossi, op. 6 |
|
Concerti grossi, op. 6/1–12 |
|
Concerti grossi, op. 6: No. 10 in d; No. 11 in A; No. 12 in b. Concerto grosso in C, "Alexander’s Feast" |
|
Concerti grossi, op. 6: No. 1 in G; No. 10 in d |
|
Concerti grossi, op. 6: No. 1 in G; No. 2 in F; No. 3 in e; No. 4 in a; No. 5 in D; No. 6 in g; No. 7 in B♭; No. 8 in c; No. 9 in F; No. 10 in d; No. 11 in A; No. 12 in b |
|
Concerti grossi, op. 6: No. 5 in D; No. 6 in g; No. 10 in d; No. 12 in b |
|
Concerti grossi, op. 6: No. 7 in B♭; No. 8 in c; No. 9 in F; No. 10 in d; No. 11 in A; No. 12 in b |
|
Concerti grossi, op. 6: Nos. 1–12 |
|
Concerti grossi: No. 6 in g; No. 7 in B♭; No. 8 in c; No. 9 in F |
|
Concerto Grosso In G minor, op. 6, no. 6, HWV 324 |
|
Concerto Grosso No. 1: Aria |
|
Concerto Grosso in D, op 6/5 |
|
Concerto Grosso in F, op. 6/2 |
|
Concerto Grosso, op. 3, no. 4; Watermusic: Bourée; Hornpipe |
|
Concerto Grosso, op. 6/5: Allegro |
|
Concerto No. 2 in B♭, op. 4 |
|
Concerto a 4 in d |
|
Concerto a due cori in B♭, HWV 332 |
|
Concerto a due cori in F. Concerto Grosso in g, op. 6/6 |
|
Concerto for Harp and Strings, op. 4/6 |
|
Concerto grosso in D, op. 3/6: Movement I |
|
Concerto grosso in G, op. 3/3 |
|
Concerto grosso, op. 6/10 |
|
Concerto grosso, op/ 6/3 |
|
Concerto grosso, “Alexander’s Feast” |
|
Concerto in A |
|
Concerto in B♭, op. 4/6 |
|
Concerto in d, HWV 309 (arr. Guilmant) |
|
Concertos for 2 Choirs, HWV 332–334 |
|
Coronation Anthems: Let thy hand be strengthened; Zadok the Priest, The King shall rejoice; My heart is inditing |
|
Coronation Anthems: Nos. 1–4 |
|
Coronation Anthems: Zadok the Priest; Let thy hand be strengthened; The King shall rejoice; My heart is inditing |
|
Coronation Anthems: Zadok the Priest; Let thy hand be strengthened; The King shall rejoice; My heart is inditing. Ode for the Birthday of Queen Anne |
|
Da quel giorno fatale, "Il delirio amoroso, " HWV 99 |
|
Dalla guerra amorosa. Orlando: Sorge infausta una procella |
|
Dances for Trombone Quartet |
|
Das zitternde Glänzen der spielenden Wellen. Künft’get Zeiten eitler Kummer. Meine Seele hört im Sehen. Süsser Blumen Ambraflocken. Die ihr aus dunkeln Grüften. In den angenehmen Büschen. Flammende Rose. Singe, Seele, Gott zum Preise. Süsse Stille, sanfte Quelle |
|
Deborah |
|
Deborah, HWV 51 |
|
Deborah: Where do thy ardours raise me; Smiling freedom, lovely guest |
|
Deidamia |
|
Delirio amoroso |
|
Delirio amoroso, HWV 99 |
|
Delirio amoroso: "Da quel giorno fatale," HWV 99 |
|
Dettingen Te Deum |
|
Dettingen Te Deum: Vouchsafe, O Lord |
|
Dietro l’orme fugaci: Armida abbandonata |
|
Dixit Dominus |
|
Dixit Dominus in g, HWV 232 |
|
Dolce mio ben, HWV 108 |
|
Dolce pur d’amor l’affanno |
|
Dramatic Solo Cantatas, etc |
|
Duets with Continuo |
|
Duets, Arias, and Overtures |
|
Duets: Poro: Caro amico amplesso! Perfidi! ite di Poro . . . Se mai più sarò geloso; Macedoni guerrieri . . . Se mai turbo il tuo riposo; Sinfonia to Act III; Lode agli Dei . . . Se mai turbo il tuo riposo |
|
Dunque sarà pur vero |
|
Ecce concipies |
|
Ecce quomodo moritur iustus |
|
Eracle |
|
Esther |
|
Esther (1732) |
|
Esther: Shall we of servitude complain? Turn not, o Queen |
|
Esther: Tune your harps to cheerful strains |
|
Esther: Who calls my parting soul |
|
Eternal Source of Light Divine. Let the Bright Seraphim |
|
Eternal Source of Light Divine: Kind Health descends |
|
Excerpts from: Oboe Sonata in f |
|
Excerpts from: Recorder Sonata in F |
|
Excerpts from: The Occasional Oratorio; Solomon; An Ode for St. Cecilia’s Day; Cecila, Cecilia, voglie un sguardo. The Choice of Hercules. L’Allegro, il Penseroso ed il Moderato. Deborah. Judas Maccabaeus. Birthday Ode for Queen Mary. Joshua. Alexander Balus. Samson. My Heart is Inditing |
|
Excerpts from: Violin Sonata in F |
|
Ezio |
|
Ezio: Caro padre |
|
Ezio: Se povero il ruscello |
|
Faramondo |
|
Faramondo: Caro, tu m’accendi |
|
Faramondo: Del destin non mi lagno . . . Caro, tu m’accendi |
|
Faramondo: Se ben mi lusinga; Virtù che rende. Acis and Galatea: Shepherd, what art thou pursuing? Joshua: Oh, who can tell? Siroe: Vedesti mai sul prato. Berenice: Nò, che servire altrui; Traditore. Semele: Where’er you walk |
|
Faramondo: Se ben mi lusinga; Voglio che sia |
|
Fernando |
|
Fifa |
|
Figli del mesto cor |
|
Figli del mesto cor, HWV 112 |
|
Flavio, Rè di Longobardi: Ricordati, mio ben |
|
Flavio, re de’ longobardi: Bel contento già gode quest’alma |
|
Flavio: Amor, nel mio penar; Rompo i lacci |
|
Flavio: Bel contento |
|
Flavio: Ricordati, mio ben |
|
Floridante |
|
Flute Sonata in b, HWV 367b |
|
Flute Sonata in b, HWV 376 |
|
Flute Sonatas: in a; in G; in e |
|
Fra pensieri quel pensiero |
|
Fra pensieri quel pensiero, HWV 115 |
|
Fugue a 4 in e |
|
Fugue in a, HWV 609 |
|
Fugue in g |
|
Fugue in g. Sonata in g, op. 2/5 & 6 |
|
Fugues: in g; in B♭; in c; in G. Voluntaries: in C; in g; in C |
|
German Arias: Meine Seele hört; Süsse Stille; Singe, Seele, Gott zum Preise/ Cantata fragment: Languia di bocca lusinghiera |
|
Giulio Cesare |
|
Giulio Cesare in Egitto |
|
Giulio Cesare in Egitto: Cara speme |
|
Giulio Cesare in Egitto: Caro! Bella!; Overture; Da tempeste |
|
Giulio Cesare in Egitto: Da tempeste; V’adoro, pupille; Che sento? Oh Dio!... Se pietà di me non senti |
|
Giulio Cesare in Egitto: Dall’ondoso periglio... Aure, deh, per pietà spirate |
|
Giulio Cesare in Egitto: Va tacito e nascosto; Al lampo dell’ armi; Dall’ ondoso periglio . . . Aure, deh, per pietà; Cara speme; L’angue offeso |
|
Giulio Cesare in Egitto:Va tacito e nascosto |
|
Giulio Cesare, HWV 17 |
|
Giulio Cesare: Al lampo; Aure, deh, per pieta; Priva son d’ogni conforto; Son nata a lagrimar |
|
Giulio Cesare: Cara speme |
|
Giulio Cesare: Da tempesta. Piangerò la sorte mia |
|
Giulio Cesare: Dall’ondoso periglio . . . Aure, deh! per pietà |
|
Giulio Cesare: Dall’ondoso periglio . . . Aure, deh, per pieta |
|
Giulio Cesare: Son nata a lagrimar |
|
Giulio Cesare: Svegliatevi nel core; Cara speme; L’angue offeso |
|
Giulio Cesare: Va tacito e nascosto |
|
Giulio Cesare: Vani sono I lamenti |
|
Giulio Cesare: V’adoro, pupille; Da tempeste il legno infranto |
|
Gloria |
|
Gloria in B♭ |
|
Grand Concertos (Concerti grossi), Vol. 3 |
|
Grand Concertos (Concerti grossi), op. 6: No. 1 in G; No. 2 in F; No. 3 in e; No. 4 in a. Concerto grosso in C, "Alexander’s Feast" |
|
Grand Concertos (Concerti grossi); op. 6: Vol. 2 |
|
Harp Concerto in B♭, op. 4/6. Organ Concerto in g/G, op. 4/1 |
|
Harp Concerto, op. 4/6 |
|
Harpsichord Suite in d, HWV 438 |
|
Harpsichord Suites, HWV 426–433 |
|
Harpsichord Suites, HWV 426–433; Chaconne, HWV 235 |
|
Harpsichord Suites: No. 1 in A, HWV 426; No. 6 in f♯, HWV 431; No. 5 in E, HWV 430; No. 7 in g, HWV 432; No. 2 in F, HWV 427; No. 8 in f, HWV 433; No. 4 in e, HWV 429; No. 3 in d, HWV 428 |
|
Harpsichord Suites: No. 3 in d; No. 13 in B♭; No. 11 in d; No. 14 in G; No. 15 in d; No. 8 in f |
|
Have mercy upon me |
|
Hercules |
|
Hercules, HWV 60 |
|
Hercules: Act II Sinfonia; Dissembling, false, perfidious Hercules! . . . Cease, ruler of the day; Where shall I fly |
|
Hercules: Ah! think what ills |
|
Hercules: Jealousy, infernal pest |
|
Hercules: O Hercules! . . . The world, when day’s career; Then I am lost! . . . Then in myrtle shades; Ye lying omens, hence! . . . Begone, my fears; When beauty’s sorrows; O glorious pattern of heroic deeds! . . . Resign thy club; Cease, ruler of the day; Joys of freedom |
|
Hercules: Where shall I fly |
|
Hercules: Where shall I fly? |
|
Heroes and Heroines |
|
I know that my redeemer liveth |
|
I will magnify thee |
|
II trionfo del Tempo e della Verità |
|
IL TRIONFO DEL TEMPO E DEL DISINGANNO (1707 version) |
|
Il Gelsomino, HWV 164a |
|
Il duello amoroso |
|
Il pastor Fido: Minuet (arr. Beecham) |
|
Il pastor fido: Pour les Chausseurs I & II |
|
Il trionfo del Tempo e del Disinganno |
|
Il trionfo del Tempo e del Disinganno: Sonata in D |
|
Il trionfo del Tempo e del Disinganno: Un pensiero nemico. Come nembo che fugge. Lascia la spina |
|
Il trionfo del Tempo e del Disinganno: Urne voi |
|
Il trionfo del Tempo e del Disisnganno: Laschi la spina |
|
Il trionfo del tempo e del disinganno (1707 version) |
|
Imeneo, HWV 41 |
|
Imeneo: Overture |
|
In the Lord put I my trust |
|
Israel in Egypt |
|
Israel in Egypt (original version in 3 parts) |
|
Israel in Egypt (version in 3 parts) |
|
Israel in Egypt: But as for his people; The Lord is a man of war; Moses and the Children of Israel |
|
Israel in Egypt: Excerpts |
|
Israel in Egypt: The people shall hear |
|
Israel in Egypt: Their land brought forth frogs. Thou shalt bring them in |
|
Israel in Ägypten (version in 2 parts) |
|
Italian Cantatas |
|
Italian Cantatas: No. 1 |
|
Italian Cantatas: No. 13 |
|
Jephtha |
|
Jephtha: Heav’n smiles once more; His mighty arm; Waft her, angels |
|
Jephtha: Hide thou thy hated beams . . . Waft her, angels, through the skies |
|
Jephtha: Waft her, angels, through the skies; His mighty arm, with sudden blow |
|
Jeptha: These labours past |
|
Joseph and His Brethren: Jeptha: Overture; Waft Her, Angels through the Skies |
|
Joseph and His Brethren: Overture; Semele: Overture; Where e’er You Walk |
|
Joseph and His Brethren: Susanna: Overture; The Oak That for a Thousand Years |
|
Joseph: Sinfonia |
|
Joshua |
|
Joshua: O had I Jubal’s lyre |
|
Joshua: Oh peerless maid; Our limpid streams |
|
Joshua: Oh! Had I Jubal’s lyre |
|
Joshua: Oh! Had Jubal’s lyre |
|
Joshua: See the conquering hero comes |
|
Joshua: Up the dreadful steep ascending; Dull delay |
|
Judas Maccabaeus |
|
Judas Maccabaeus: Arm, arm ye brave |
|
Judas Maccabaeus: Arrival of the Queen of Sheba |
|
Judas Maccabaeus: Fall’n is the foe |
|
Judas Maccabaeus: How vain is man (Warwick Braithwaite, cond; Philharmonia 0) |
|
Judas Maccabaeus: I feel, I feel the Deity within Arm, arm, ye brave! Dettingen Te Deum: Vouchsafe, O Lord |
|
Judas Maccabaeus: Overture; See, the Conqu’r Hero Comes; Solomon: Overture; Will the Sun Forget to Streak |
|
Judas Maccabaeus: See, the Conquering Hero Comes |
|
Judas Maccabäus |
|
Julius Caesar: Excerpts |
|
Keyboard Suites, HWV 426–434; 436–441 |
|
Keyboard Suites: in d, HWV 428; in g, HWV 432; in d, HWV 437; in G, HWV 441 |
|
LEONCAVALLO I pagliacci ( 1934 recording). Arias and songs by |
|
La Lucrezia |
|
La Lucrezia, HWV 145 |
|
La Lucrezia. Armida abbandonata. Agrippina condotta a morire |
|
La Lucrezia: "O Numi eterni!" HWV 145 |
|
La Lucrezia: 3 Arias |
|
La Resurrezione: Disserratevi o porte d’Averno. Notte funesta… Ferma l’ali |
|
La resurrezione |
|
La resurrezione: Così la tortorella; Caro figlio! Rodelinda: Fatto inferno . . . Pastorello d’un povero armento |
|
La terra è liberata: Felicissima quest’alma & |
|
Larghetto |
|
Lascia ch’io pianga |
|
Let God arise |
|
Let God arise. My song shall be always. O praise the Lord with one consent |
|
Lotario |
|
Lotario: Overture; Quanto più fien tenaci. . . Schema in mar |
|
Lotario: Overture; Schema in mar. Partenopei lo ti levo. Ezio: Caro padre. Sosarme, re di Media: Dite pace; Vorrei, né pur saprei. Atalanta: Overture |
|
Lotario: Sommo rettor del cielo . . . D’una torbida sorgente |
|
Lungi da me pensier tiranno |
|
Lungi da voi, che siete poli, HWV 126c |
|
Lusignhe più Care |
|
L’Allegro ed il Penseroso |
|
L’Allegro, il Penseroso ed il Moderato |
|
L’Allegro, il Penseroso ed il Moderato, HWV55 |
|
L’Allegro, il Penseroso ed il Moderato: First and chief . . . Sweet bird |
|
L’Allegro, il Penseroso, ed il Moderato: As steals the morn |
|
L’Allegro, il Penseroso, ed il Moderato: Or let the merry bells ring round |
|
L’Allegro, il pensero so ed il moderato: As steals the morn upon the night |
|
Marches from: Atalanta; Joshua; Occasional Oratorio |
|
Marcia in F, HWV 346. organ works: Entrée in g, HWV 453.II |
|
Menuet in F, HWV 423 |
|
Menuet in d, HWV deest |
|
Menuett |
|
Messiah |
|
Messiah (1750) |
|
Messiah (1751) |
|
Messiah: Arias |
|
Messiah: But who may abide the day of His coming. How beautiful are the feet |
|
Messiah: But who may abide; If God be for us |
|
Messiah: Excerpts |
|
Messiah: Hallelujah |
|
Messiah: Hallelujah (Mackerras/Ambrosian Singers/English CO) |
|
Messiah: Hallelujah; For unto us a Child is born; Worthy is the Lamb that was slain—Amen |
|
Messiah: He was despised |
|
Messiah: I Know That My Redeemer Liveth. HAYDN: The Creation: With Verdure Clad |
|
Messiah: Larghetto |
|
Messiah: Overture |
|
Messiah: Pastoral Symphony |
|
Messiah: Rejoice Greatly; Come unto Him |
|
Messiah: Rejoice greatly |
|
Messiah: Rejoice greatly; I know that my Redeemer liveth |
|
Messiah: Thus saith the Lord . . . But who may abide; Why do the nations; Behold, I tell you a mystery . . . The trumpet shall sound |
|
Messiah: Thus saith the Lord...But who may abide; Why do the nations; The trumpet shall sound |
|
Mi palpita il cor |
|
Mi palpita il cor, HWV 132 |
|
Mi palpita il cor, HWV 132c |
|
Music by |
|
Music for Harpsichord |
|
Music for Harpsichord, Vol. 2 |
|
Music for Harpsichord, Vol. 3 |
|
Music for Horns and Organ |
|
Music for the Royal Fireworks |
|
Music for the Royal Fireworks (original version without strings). Concertos: in F, HWV 331/316; D, HWV 335a. Passacaille, Gigue, and Menuet (arr. Pinnock from HWV 399) |
|
Music for the Royal Fireworks. Largo (arr. Byfield) |
|
Music for the Royal Fireworks. Water Music |
|
Music for the Royal Fireworks. Water Music: Suites 1–3 |
|
Music for the Royal Fireworks: Suite |
|
Music for the Royal Fireworks: Suite (arr. Harty) |
|
Music of |
|
Muzio Scaevola: Ah dolce nome! Rodelinda: Vivi, tiranno! Dove sei, amato bene |
|
Muzio Scevola: Con lui volate; Ah, dolce nome |
|
My song shall be always |
|
Nel dolce dell’ oblio |
|
Nel dolce tempo. Vedendo Amor. Mi palpita il cor |
|
Nisi Dominus. Laudate pueri. I will magnify thee. O praise the Lord |
|
Nò, di voi non vo’ fidardi |
|
O be joyful in the Lord |
|
O come, let us sing unto the Lord |
|
O praise the Lord with one consent |
|
O sing unto the Lord a new song |
|
OMBRA MAI FU |
|
Oboe Concerto No. 1 in B♭: Allegro, HWV 301 |
|
Oboe Concerto in g |
|
Oboe Concerto in g. Trio Sonata in F |
|
Oboe Concertos: No. 1, HWV 302a; No. 2, HWV301; No. 3, HWV 287 |
|
Oboe Concertos: No. 1; No. 2a; No. 3. Largo in F, HWV 302b |
|
Oboe Sonatas: in F; in c; in B♭; in g |
|
Oboe Sonatas: in c, op. 1/8; in B♭, HWV 357; in F, "op. 1/5." Trio Sonata in B♭, HWV 380/1 |
|
Occasional Suite in D (arr. Pinnock from HWV 33 and 21) |
|
Ode for St. Cecelia’s Day |
|
Ode for St. Cecilia’s Day |
|
Opera Arias |
|
Opera Arias and Cantatas |
|
Opera Arias and Overtures, Vol. 2 |
|
Opera Arias and Overtures—2 |
|
Opera Arias, Vol. 1 |
|
Operatic Arias |
|
Operatic arias and scenes by |
|
Oratorio Airs and Opera Arias |
|
Oratorio Arias |
|
Orchestral and Instrumental Works |
|
Organ Concerto No. 13. Coronation Anthem, “Zadok the Priest” |
|
Organ Concerto No. 14 |
|
Organ Concerto No. 4: Allegro |
|
Organ Concerto in A, op. 7/2 |
|
Organ Concerto in F, op. 4/5 |
|
Organ Concerto in d: Adagio |
|
Organ Concerto in g, op. 4/1 |
|
Organ Concertos, op. 4 |
|
Organ Concertos, op. 4/1-5 |
|
Organ Concertos, op. 4/1-6; op. 7/1-4 |
|
Organ Concertos, op. 4: No. 4 in F; No. 2 in B♭; No. 3 in g; No. 6 in B♭; No. 5 in F; No. 1 in g |
|
Organ Concertos, op. 7/1-6 |
|
Organ Concertos, op. 7: No. 2 in a; No. 3 in Bb; No. 4 in d; No. 5 in g; No. 6 in Bb |
|
Organ Concertos: No. 1 in g, op. 4/1; No. 2 in B♭, op. 4/2; No. 3 in g, op. 4/3; No. 4 in F, op. 4/4 |
|
Organ Concertos: No. 1 in g; No. 2 in B♭; No. 3 in g; No. 4 in F; No. 5 in F; No. 6 in B♭; No. 13 in F, “The Cuckoo and the Nightingale”; No. 14 in A |
|
Organ Concertos: No. 1 in g; No. 3 in g; No. 10 in d; No. 14 in A. Harp Concerto in B♭ |
|
Organ Concertos: No. 14 in A; No. 15 in d; No. 16 in F |
|
Organ Concertos: No. 5 in F, op. 4/5; No. 6 in B♭, op. 4/6 |
|
Organ Concertos: No. 7 in B♭, op. 7/1; No. 8 in A, op. 7/2; No. 9 in B♭, op. 7/3; No. 10 in d, op. 7/4; No. 11 in g, op. 7/5; No. 12 in B♭, op. 7/6 |
|
Organ Concertos: No. 7 in B♭; No. 8 in A; No. 9 in B♭; No. 10 in d; No. 11 in g; No. 12 in B♭; No. 15 in d; No. 16 in F |
|
Organ Concertos: No. 7 in B♭; No. 9 in B♭; No. 10 in d; No. 12 in B♭ |
|
Organ Concertos: in g, op. 4, no. 1; in B♭, op. 4/2 |
|
Organ Concertos: op. 4, HWV 289-294; op. 7, HWV 306-311; No. 13 in F, HWV 295, “The Cuckoo and the Nightingale;” No. 14 in A, HWV 296a; No. 15 in d (after Telemann), HWV 304 |
|
Organ Concertos: op. 7/1–6; in F, “The Cuckoo and the Nightingale,” HWV 295 |
|
Organ concerto in B♭, op. 4/6 |
|
Orlando |
|
Orlando: Ah! Stigie larve! Ariodante: Dopo notte, atra e funesta |
|
Orlando: Arias |
|
Orlando: Fammi com-battere; E questa la mercede . . . Cielo! Se tu il consenti; Imagini funeste . . . Non fu gia men forte; Gia lo stringo; Ah Stigie larvel. . . Gia latra Cerbero . . . Vaghe pupille |
|
Orlando: Fammi combattere |
|
Orlando: Fammi combattere; Ah! Stigie larve |
|
Orlando: Fammi combattere; Cielo! Se tu il consenti |
|
Orlando: Finché prendi |
|
Orlando: O voi, del mio poter . . . Sorge infausta una procella |
|
Orlando: Quando spieghi i tuoi tormenti |
|
Orlando: Sorge infausta |
|
Orlando: Sorge infausta una procella |
|
Overture in D |
|
Overture in D, HWV 337/338 |
|
Overture in D, HWV 337/339 |
|
Overture in D, HWV 424 |
|
Overture in d (arr. Elgar) |
|
Overture to Arianna: Minuet. Arias from Rodelinda and Alessandro (arr. for flute and continuo.) Acis and Galatea: Arias. Arias and songs by HAYM, BONONCINI, PASQUALI, GALLIARD, ANFOSSI, PIOZZI, GIARDINI, and NOFERI. Folk Songs. Folk Song and Dance Arrangements |
|
Overtures |
|
Overtures and Ballet Music: from Alcina, Ariodante, Berenice, Rodrigo, Agrippina, Solomon |
|
Parnasso in festa |
|
Partenope, HWV 27 |
|
Partenope: lo ti levo |
|
Partenza di G. B., HWV 168 |
|
Partita in d, HWV 448 |
|
Partì, l’idolo mio, HWV 147 |
|
Passacaglia in g, HWV 432 (arr Best) |
|
Pastorella vaga bella: Solo per voi |
|
Pastorella vagha bella |
|
Pieces arr. by various hands for banjo and other instruments by |
|
Poro, Rè dell’Indie: Caro amico amplesso! Se mai più sarò geloso; Se mai turbo il tuo riposo (aria and duet). Act III Sinfonia |
|
Prelude and Chaconne, HWV 442 |
|
Prelude and Toccata |
|
Prelude in F, HWV 567 |
|
Quando in calme ride il mare |
|
Quel fior che all’alba ride |
|
Qui l’augel di pianta in pianta |
|
Radamisto |
|
Radamisto: Ombra cara |
|
Radamisto: Passacaille; Giga |
|
Recorder Sonata in B♭ |
|
Recorder Sonatas: in g, HWV 360; in a, HWV 362; in C, HWV 365; in d, HWV 367a; in F, HWV 369; in B♭, HWV 377 |
|
Rinaldo |
|
Rinaldo, HWV 7a |
|
Rinaldo: Arias |
|
Rinaldo: Cara sposa |
|
Rinaldo: Cara sposa, amante care; Venti, turbini |
|
Rinaldo: Excerpts |
|
Rinaldo: Fermati—No, crudel; Dunque i lacci; Ah! crudel |
|
Rinaldo: Hear my weeping |
|
Rinaldo: Laschi ch’io pianga. Giulio Cesare: V’adoro pupille |
|
Rinaldo: Lascia chi’o pianga |
|
Rinaldo: Lascia ch’io pianga |
|
Rinaldo: Lascia ch’io pianga mia cruda sorte |
|
Rinaldo: Lascia ch’io pianga. Vo’ far guerra |
|
Rinaldo: Lascia ch’io piango |
|
Rinaldo: Ouverture; Lascia ch’io pianga; Sulla ruota di fortuna; Vò far guerra |
|
Rinaldo: Scherzano sul tuo volto |
|
Rinaldo: Scherzano sul tuo volto; Prelude; Cara sposa; Lascia ch’io pianga |
|
Rinaldo: Sinfonia; Cara sposa; Or la tromba (arr. William Babeli for solo hpd) |
|
Rinaldo: Venti, turbine, prestate |
|
Rinaldo: Venti, turbini; Cara sposa; Abbruggio, avvampo e fremo; E un incendio fra due venti; Ogni indugio d’un amante; Or la tromba; Tale stupor m’occupa; II Tricerbero umiliato |
|
Rindaldo: Cara sposa |
|
Rindaldo: Venti, turbine; Scherzano sul tuo volto |
|
Rodelinda |
|
Rodelinda, regina de’ Longobardi |
|
Rodelinda, regina de’ longobardi: Pompe vane di morte! . . . Dove sei, amato bene? Giulio Cesare in Egitto: Dall’ondoso periglio . . . Aure, deh, per pietà; Al lampo dell’armi |
|
Rodelinda: Fatto inferno è il mio petto; Pastorello di povero armento |
|
Rodelinda: Fatto inferno; Pastorello d’un povero armento |
|
Rodelinda: Flute Sonata in b, HWV 367a |
|
Rodelinda: Io t’abbraccio |
|
Rodelinda: Io t’abbraccio (Sutherland, Nafé) |
|
Rodelinda: Mio caro bene |
|
Rodelinda: Non ti bastò, consorte . . . Io t’abbraccio |
|
Rodelinda: Ombre, piante; Io t’abbraccio |
|
Rodelinda: Pompe vane . . . Dove sei |
|
Rodelinda: Pompe vane di morte . . . Dove sei, amato bene?; Vivi, tiranno |
|
Rodelinda: Pompe vane di morte! . . . Dove sei, amato bene? |
|
Rodelinda: Ritorna, o caro e dolce mio tesoro |
|
Rodelinde |
|
Rodrigo |
|
Royal Fireworks Music (arr. Harty) |
|
Royal Fireworks Music: Overture |
|
Sacred Arias and Orchestral Music |
|
Saeviat tellus inter rigores. Laudate pueri Dominum, HWV 237 Salve Regina. Dixit Dominus |
|
Salve Regina. O qualîs de coelo sonus |
|
Samson |
|
Samson: Hear, Jacob’s God; Let the Bright Seraphim |
|
Samson: Honour and Arms |
|
Samson: Honour and arms |
|
Samson: Honour and arms scorn such a foe |
|
Samson: Let the bright seraphim |
|
Samson: Overture; Let the Bright Seraphim |
|
Samson: To fleeting pleasures make your court; Let the bright Seraphim Rinaldo: Lascia ch’io pianga; Dunque, i lacci d’un volto . . . Ah! crudel |
|
Samson: Total eclipse; Did love constrain thee? Your charms to ruin led the way; Let but that spirit; Thus when the sun from’s wat’ry bed |
|
Saul |
|
Saul, HWV 53 |
|
Saul: Brave Jonathan; O Lord, whose mercies numberless |
|
Saul: Dead March |
|
Saul: Fell rage and black despair; O Lord, whose mercies numberless; Symphony; David’s harp solo; Sin not, of King; Fly, fly, malicious spirit fly; Menuet |
|
Saul: O Lord, whose mercies numberless |
|
Saul: O fairest of ten thousand fair; At persecution I can laugh |
|
Saul: Sinfonia; O Lord, whose mercies numberless |
|
Scherza infida |
|
Scipione: Scoglio d’immota fronte |
|
Se tu non lasci amore |
|
Semele |
|
Semele Where’er you walk |
|
Semele: Despair no more shall wound me; Your tuneful voice |
|
Semele: Endless pleasure; Myself I shall adore; O sleep, why dost thou leave me? Giulio Cesare: V’adoro, pupille; Se pietà di me non senti; Da tempeste il legno infranto |
|
Semele: Endless pleasure; Myself I shall adore; O sleep. Giulio Cesare: V’adoro, pupille; Se pietà; Da tempeste |
|
Semele: Iris, hence away |
|
Semele: Myself I shall adore. Endless pleasure, endless love |
|
Semele: Now all this scene . . . Where’er you walk; Oh sleep; Hence, Iris, hence away |
|
Semele: O sleep, why dost thou leave me?; Endless pleasure |
|
Semele: Were’er you walk |
|
Semele: Where’er you walk |
|
Semole: Where’er you walk |
|
Serse |
|
Serse: Del mio caro Bacco amabile |
|
Serse: Frondi tenere . . . Ombra mai fu |
|
Serse: Frondi tenere . . . Ombra mai fu. Hercules: Where shall I fly? Semele: Awake, Saturnia . . . Iris, hence away! Giulio Cesare in Egitto: Al lampo dell’armi; Dall’ondoso periglio . . . Aure, deh, per pietà; Priva son d’ogni conforto; Madre!. . . Son nata a lagrimar? |
|
Serse: Frondi tenere . . . Ombra mai fu. Semole: Where’er you walk. Saul: Such haughty beauties; Oh Lord, whose mercies numberless (with Frances Kelly, hp); Rodelinda, regina de’ Longobardi: Vivi, tiranno!; Con rauco mormorio (with Sara Fulgoni, sop) |
|
Serse: Frondi tenere e belle . . . Ombra mai fu |
|
Serse: Frondi tenere e belle . . . Ombra mai fu; Più che penso; Crude furie |
|
Serse: Gran pena è gelosia |
|
Serse: Gran pena è gelosia! Admeto: Alma mia, dolce ristoro |
|
Serse: Largo (arr. Reinhard) |
|
Serse: Ne men con l’ombre |
|
Serse: Ombra mai fu |
|
Serse: Ombra mai fù |
|
Serse: Se bramate d’amar; Frondi tenere e belle . . . Ombra mai fù |
|
Serse: Se bramate d’amar; Frondi tenere e belle . . . Ombra mai fù |
|
Silete venti |
|
Silete venti. Saeviat tellus. O qualis de coelo sonus. Coelestis dum spirat aura |
|
Silla |
|
Silla: Mio diletto, che pensi? . . . Sol per te, bell’idol mio |
|
Silla: Sol per te, bell’idol mio |
|
Sinfonia in B♭. Violin Concerto in B♭ |
|
Siroe, re di Persia |
|
Siroe, re di Persia, HWV 24 |
|
Siroe: Overture; Se il mio paterno amore; Gelido in ogni vena |
|
So Shall the Lute and Harp Awake |
|
Solo Cantatas and Opera Arias |
|
Solomon |
|
Solomon: Arrival of the Queen of Sheba |
|
Solomon: May no rash intruder |
|
Solomon: May peace in Salem . . . Will the sun forget to streak |
|
Solomon: Ouverture |
|
Solomon: Sinfonia; Arrival of the Queen of Sheba; May peace in Salem ever dwell . . . Will the sun forget to streak |
|
Solomon: Welcome as the dawn of day; Ev’ry joy that wisdom knows |
|
Son gelsomino, HWV 164a-b; Figli del mesto cor, HWV 112; Dolc’è pur d’amor l’affanno, HWV 109a-b; Clori degli occhi miei, HWV 91a-b; Ho fuggito Amore, HWV 118; Irene, idolo mio, HWV 120a-b; La solitudine: L’aure grate, HWV 121a-b; Nel dolce tempo, HWV 135 |
|
Sonata No. 7 in C. Sonata in a |
|
Sonata a 5 (Concerto) in B♭, HWV 288 |
|
Sonata da camera (after Violin Sonata in F, op. 1/12, HWV 370) |
|
Sonata for 2 Violins and Keyboard in g, op. 2/7 |
|
Sonata for Violin and Continuo in F, op. 1/12 |
|
Sonata for a Harpsichord with Double Keys, HWV 579 |
|
Sonata in C. Trio Sonata in F |
|
Sonata in F |
|
Sonata in a, op. 1/4 |
|
Sonata in c, op. 1/8 |
|
Sonata in e, HWV 374: Minuetto |
|
Sonata in g, HWV 364b |
|
Sonata in g, HWV 394 |
|
Sonatas for 2 Cellos and Piano: in g; in C |
|
Sonatas for Two Cellos: in g; in C |
|
Sonatas op 1: No. 1 in e |
|
Sonatas op 1: No. 10 in g |
|
Sonatas op 1: No. 11 in F |
|
Sonatas op 1: No. 12 in F |
|
Sonatas op 1: No. 14 in A |
|
Sonatas op 1: No. 15 in E |
|
Sonatas op 1: No. 2 in g |
|
Sonatas op 1: No. 3 in A |
|
Sonatas op 1: No. 4 in a |
|
Sonatas op 1: No. 5 in G |
|
Sonatas op 1: No. 6 in g |
|
Sonatas op 1: No. 7 in C |
|
Sonatas op 1: No. 8 in c |
|
Sonatas op 1: No. 9 in b |
|
Sonatas op 1: in F, “Hautb. Solo del Sr. Hendel” |
|
Sonatas: in D, HWV 371; in F, Walsh op. 1/12; in d, HWV 359a; in A, HWV 361; in g, HWV 364; in A, Roger op. 1/10; in E, Roger op. 1/12; in G, HWV 358 |
|
Sonatas: in D, HWV 378; in e, HWV 379, op. 1/1 a; in b, HWV 367b, op. 1/9; in G, HWV 363b, op. 1/5; in e, HWV359b, op. 1/1 |
|
Sonatas: in G, HWV 363b, op. 1/5; in e, HWV 379, op. 1/1a; in b, HWV 367b, op. 1/9; in e, HWV 359b, op. 1/1; ina, HWV 374, "Halle Sonata No. 1"; in e, HWV 375, "Halle Sonata No. 2"; in b, HWV 376, "Halle Sonata No. 3"; in D,HWV 378 |
|
Sonatas: in G, HWV 365; in a, HWV 367a; in C, HWV 369; in d, HWV 362; in F, HWV 377; in d, HWV 360 |
|
Sonatas: in G, op. 5/4; in B♭, op. 5/7; in g, op. 2/5 |
|
Sonatas: in a, HWV 362; in b, HWV 367; in C, HWV 365; in e, HWV 375; in B♭, HWV 377; in g, HWV 360; in F, HWV 369 |
|
Songs and Arias by |
|
Songs and arias by |
|
Sorgi il dì, "Aci, Galatea, e Polifemo": Qui l’augel da pianta in pianta, HWV 72 |
|
Sosarme, rèdi Media: O diva Ecate . . . Dite pace |
|
Sosarme: Per le porte del tormento |
|
Splenda l’alba in oriente. La Lucrezia. Mi palpita il cor. Carco sempre di gloria |
|
Splenda l’alba in oriente: La virtute è un vero |
|
Splende l’alba in oriente |
|
Suite No. 15: Air and Variations |
|
Suite No. 5, "The Harmonious Blacksmith" |
|
Suite for Harpsichord No. 3 in D |
|
Suite in D |
|
Suite in a, HWV 428 |
|
Suite in d, HWV 428: Air with 5 Variations. Chaconne in G with 21 Variations, HWV 435 |
|
Suite in d: Sarabande and Variations |
|
Suites: No |
|
Suites: No. 3 in d, HWV 428; No. 2 in F, HWV 427; No. 7 in g, HWV 432 |
|
Suites: Set 1: No. 6 in f♯, HWV 431; No. 7 in g, HWV 432; No. 8 in f, HWV 433; Set 2: No. 7 in B♭, HWV 440; No. 8 in G, HWV 441; No. 9 in G, HWV 442: Preludio |
|
Suites: in B♭, HWV 434; in E, HWV 430; in B♭, HWV 440; in d, HWV 437; in g, HWV 432 |
|
Susanna |
|
Susanna: When thou art nigh; To my chaste Susanna’s praise |
|
THE ORATORIO FOR CONCERTS |
|
Tamerlano |
|
Tamerlano: A dispetto |
|
Tamerlano: Amor da guerra e pace |
|
Tamerlano: Ciel e terra; Oh, per me lieto . . . Figlia mia . . . Tu, spietato |
|
Tamerlano: Figlia mia |
|
Tamerlano: Forte e lieto; Oh per me lieto, avventuroso giorno! |
|
Tamerlano: Overture; Chi vide mai. . . Benché me sprezzi |
|
Te Deum in D |
|
Te Deum, “Dettingen” |
|
Te Deum: Dignare, Domine |
|
Terpsichore: Chaconne |
|
Teseo: Addio, mio caro bene |
|
Teseo: Dolce riposo, ed innocente pace. Ira, sdegni, e furore . . . O stringerò nel sen |
|
The Arrival of the Queen ofSheba |
|
The Choice of Hercules |
|
The Complete Flute Sonatas |
|
The Essential Handel |
|
The King Shall Rejoice, “Dettingen Anthem” |
|
The Latin Motets (complete) |
|
The Lord is my light |
|
The Recorder Sonatas. Harpsichord Suite No. 7 in g |
|
The Water Music: Suite |
|
Theodora |
|
Theodora, HWV 68 |
|
Theodora: Ah! Whither should we fly . . . As with rosy steps; O bright example . . . Bane of virtue; The clouds begin . . . Defend her, Heav’n! Lord, to Thee each night and day; She’s gone, disdaining liberty . . . New scenes of Joy |
|
Theodora: Ah! Whither should we fly . . . As with rosy steps; O bright example . . . Bane of virtue; The clouds begin . . . Defend her, Heav’n! Lord, to Thee each night and day; She’s gone, disdaining liberty . . . New scenes of Joy |
|
Theodora: Angels, ever bright and fair |
|
Theodora: As with rosy steps |
|
Theodora: He saw the lovely youth |
|
Theodora: Ouverture |
|
Theodora: The raptured soul; Deeds of kindness; Kind Heaven; Sweet rose and lily |
|
Theodora: To thee, thou glorious son of worth; Streams of pleasure ever flowing |
|
Theodora: With darkness deep as is my woe |
|
Thine be the glory |
|
To Lonely Shades |
|
Toccata in g, HWV 586 |
|
Tolomeo: Inumano f ratei. . . Stille amare. Partenope: Rosmira, oh Dio!. . . Sento amor. Ch’io parta? Furibondo spira il vento |
|
Tolomeo: Se il cor ti perde |
|
Tra le fiamme, HWV 170 |
|
Tra le fiamme,HWV170 |
|
Tra le fiamme. Pensieri notturni di Filli. Il delirio amoroso. Figlio d’alte speranze |
|
Trio Sonata for Recorder and Violin in c, HWV 386a |
|
Trio Sonata in F, HWV 405 |
|
Trio Sonata in b, op. 2/1 |
|
Trio Sonata in d, op. 2/5 |
|
Trio Sonata in g, HWV 404 |
|
Trio Sonata, op. 5/4 |
|
Trio Sonatas for 2 Violins: in B♭, op. 2/3, HWV 388; in g, op. 2/5, HWV 390a |
|
Trio Sonatas, op. 5: No. 1 in A; No. 2 in D; No. 3 in e; No. 4 in G; No. 5 in g; No. 6 in F; No. 7 in B♭ |
|
Trio Sonatas: No. 1 in B♭; No. 2 in d; No. 3 in E♭; No. 4 in F; No. 5 in D; No. 6 in G; in g, op. 2/8 |
|
Trio Sonatas: in B♭, op. 2/3; in G, op. 5/4 |
|
Trio Sonatas: in F, HWV 389; in b, HWV 386 |
|
Trio Sonatas: in G, op. 5/4; in B♭, op. 2/3 |
|
Un sospir a chi si more. Un’alma innamorata. Lungi, lungi da me, pensier tiranno! Pensieri notturni di Filli. Udite il mio consiglio. Mi palpita il cor |
|
Un’ alma innamorata |
|
Utrecht Te Deum and Jubilate |
|
Va, speme infida pur; Troppo cruda, troppo fiera; Tanti strali al sen mi scocchi; Sono liete, fortunate; A miravi io son intento; Amor gioje mi porge; Se tu non lasci amore; Langue, geme, sospira e si lagna; Conservate, raddoppiate |
|
Variations, HWV 430 (arr. Karg-Elert) |
|
Vedendo Amor |
|
Venne volgia ad Amore |
|
Violin Sonata No. 4 |
|
Violin Sonata No. 4 in D |
|
Violin Sonata in D, HWV 371 |
|
Violin Sonata in D, op. 1/13 |
|
Violin Sonata in E, HWV 373 |
|
Violin Sonata in F |
|
Violin Sonata in g, HWV 364a |
|
Violin Sonata in E |
|
Violin Sonata, op. 1/12 |
|
Violin Sonatas |
|
Violin Sonatas, op. 1: No. 3 in A, HWV 361; No. 10 in g, HWV 368 (spurious); No. 12 in F, HWV 370 (spurious); No. 13 in D, HWV 371; No. 14 in A, HWV 372 (spurious); No. 15 in E, HWV 373 (spurious) |
|
Violin Sonatas: in A, HWV 372; in g, HWV 364a; in D, HWV 371; in A, HWV 361; in d, HWV 359a; in G, HWV 358; in F, HWV 370 |
|
Violin Sonatas: in A, op. 1/3; in g, op. 1/10; in F, op. 1/12; in D, op. 1/13; in A, op. 1/14; in E, op. 1/15 |
|
Và, và speme infida pur |
|
War March of the Priests. Water Music: Suite |
|
Water Music |
|
Water Music Suite (arr. Harty) |
|
Water Music Suites: No. 1 in F, HWV 348; No. 2 in D, HWV 349; No. 3 in G, HWV 350 |
|
Water Music. Music for the Royal Fireworks |
|
Water Music. Musick for the Royal Fireworks. Concerto Grosso in B♭, op. 3/2 |
|
Water Music. Sinfonias: in B♭, HWV 339; in B♭, HWV 347 |
|
Water Music: Adagio |
|
Water Music: Air; Hornpipe. Royal Fireworks Music: La Rejouissance |
|
Water Music: Hornpipe |
|
Water Music: Suite |
|
Water Music: Suite (arr. Harty/Szell) |
|
Water Music: Suite II |
|
Water Music: Suites 1, 2, and 3; Variant in F, HWV 331/1; Variant in F, HWV 331/2; Music for the Royal Fireworks, HWV 351 |
|
Water Music: Suites HWV 348, 349, 350 |
|
Water Music: Suites Nos.1-3 |
|
Water Music; Music for the Royal Fireworks |
|
Wedding Anthem for HRH Prince Frederick |
|
With Roving and with Ranging |
|
Wo se emendare jamás, HWV 140 |
|
Works by |
|
Works of |
|
Xerxes |
|
Xerxes: Largo |
|
Xerxes: Ombra mai fu |
|
Xerxes: Sinfonia |
|
Zadok the Priest |
|
“Dettingen” Te Deum |
|
“Oxford” Water Music |
|
“Oxford” Water Music: Suites in F, g, and D |
|