12 Deutsche Tänze, Hob IX/12 |
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12 Menuette, Hob IX/11 |
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12 Menuette, Hob IX/3 |
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12 Menuette, Hob IX/8 |
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2 Märsche (for Sir Henry Wood), Hob VIII/1 |
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20 Variations in G, Hob XVII/2 |
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6 Easy Variations in C, Hob XVII/5 |
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A Pastoral Song |
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A Pastoral Song. She never told her love. O tuneful voice. The Lady’s Looking-glass. Sailor’s Song. Content. The Wanderer. The Mermaid’s Song |
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Abschiedslied. Das Leben ist ein Traum |
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Adagio in F, Hob XVII/9 |
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Adagio in G |
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Adagio in G, Hob XV/22II |
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Airs, Variations, and Dances |
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Al tuo arrivo felice, Hob XXIVa:3 |
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Allegretto con variazioni in A, Hob XVII?A3 |
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Allegretto in G, Hob III/41IV |
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Allegretto in G, Hob XVII/10 |
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Andante and Variations in f |
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Andante con variazioni in B♭, Hob XVII/12 |
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Andante con variazioni in D, Hob XVII/7 |
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Andante con variazioni in f, Hob XVII/6 |
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Andante with Variations in f, Hob XVII/6 |
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Andante with variations in f |
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Andantino con variazioni in A, Hob XVII/8 |
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Aria con variazioni in C, Hob XVII/15 |
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Arianna a Naxos |
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Arianna a Naxos: Excerpts (orchestral version) |
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Arias and Cantatas |
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Arietta con 12 variazioni in A, Hob XVII/2 |
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Arietta con 12 variazioni in E♭, Hob XVII/3 |
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Arrangements: Will ye go to Flanders. The White Cockade. The bonnie wee thing. The dying bard to his harp. The rose bud. O can ye sew cushions. Flowers of Edinburgh. Soger Laddie. Sir Watkyn’s Dream. The Live Long Night |
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Auch die Sprödeste der Schönen |
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Baryton Trios: No. 117 in F; No. 87 in a; No. 53 in G; No. 96 in b; No. 101 in C |
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Berenice, che fai |
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Berenice, che fai: Excerpts |
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Berenice, che fai? |
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Bind Up Your Hair |
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Cantates pour les Esterházy |
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Capriccio in G, Hob XVII/1, “Acht Sauschneider mussen seyn” |
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Cello Concerto No. 1 in C |
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Cello Concerto in C |
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Cello Concerto in C, Hob Vllb:1 ; Cello Concerto in D, Hob Vllb:4 (spurious); Cello Concertoin D, Hob Vllb:2 |
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Cello Concertos: In C; in D. Symphony No. 13: Adagio cantabile |
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Cello Concertos: No. 1 in C |
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Cello Concertos: No. 1 in C, Hob VIIb:1; No. 2 in D, Hob VIIb:2 |
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Cello Concertos: No. 1 in C; No. 2 in D |
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Cello Concertos: No. 1; No. 2 |
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Cello Concertos: No. 2 in D |
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Cello Concertos: in C, Hob. VII/b.1; in D, Hob. VIII/b.2 |
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Cello Concertos: in C, Hob. VIIb:1; in D, Hob. VIIb:2 |
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Circe: Son pietosa, son bonina |
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Complete String Quartets |
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Concerto in D, Hob XVIII:11 |
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Concerto in E♭ |
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Concerto in F for Violin, Harpsichord, and Strings, Hob. Vlla:6 |
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Content |
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Das Leben ist ein Traum |
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Despair |
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Destatevi, o miei fidi, Hob XXIVa:2 |
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Dice benissimo. Un cor sì tenero |
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Die Jahreszeiten |
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Die Schöpfung |
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Die Schöpfung: Die Himmel erzählet die Ehre Gottes; Vor deiner Güt’, o Herr und Gott |
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Divertimentos: I in D; II in G; III in C; IV in g; V in A; VI in D |
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Divertimentos: No. 1 in D |
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Divertimentos: No. 2 in A |
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Divertimentos: in B♭, Hob XV:38; in F, Hob XV:40 |
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Divertimentos: in F for 2 Violins, 2 English Horns, 2 Horns, and 2 Bassoons, Hob 11:16; in C for 2 Clarinets and 2 Horns, Hob 11:14; in E♭ for Clavicembalo, 2 Horns, Violin, and Cello, Hob XIV: 1; in D for 2 Flutes, 2 Horns, 2 Violins, and Bass, Hob II: 8 |
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Fantasia in C, Hob XVII/4 |
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Fidelity |
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Great Organ Mass, Hob XXII:4 |
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Guitar Quartet in D |
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Harmoniemesse, Hob XXII:14 |
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Horn Concerto No. 1 in D, Hob Vlld:3 |
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Horn Concertos: No. 1 in D; No. 2 in D. Trumpet Concerto in E♭ |
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Il maestro e lo scolare in F, Hob XVIIa/1 |
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Il ritorno di Tobia |
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Insanae et vanae curae |
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Keyboard Concertos: in D, Hob XVIII:11; in F, Hob XVIII:3; in D, Hob XVIII:2; in G, Hob XVIII:4 |
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Keyboard Concertos: in G, Hob XVIII:4; in D, Hob XVIII:11 |
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Keyboard Sonatas |
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Keyboard Sonatas (arr. Galbraith for 8-string guitar) Hob XVI:46; Hob XVI:47; Hob XVI:44; Hob XVI:2 |
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Keyboard Sonatas: No. 60 in C; No. 62 in E♭ |
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Keyboard and Violin Concerto in F, Hob XVIII:6 |
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Kleine Orgelmesse, Hob XXII:7 |
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Kontretanz, Hob XXXI/c:17b |
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La fedeltà premiata |
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La fedeltà premiata: Overture |
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London Symphonies: No. 94 in G, "Surprise"; No. 101 in D, "Clock"; No. 102 in B♭ |
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London Trios: in D, Hob. IV:1; in G, Hob. IV:2; in G, Hob. IV:3; in G, Hob. IV:4 |
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Lord Nelson Mass. 4 Responsoria de Verabili. Ave regina |
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L’anima del filosofo: Overture |
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L’isola disabitata |
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L’isola disabitata: Overture |
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Maggie Lauder |
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Mariazellermesse, Hob XXII:8 |
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Marsch, Hob VIII/3/3bis |
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Mass No. 10 in C, “Mass in Time of War” |
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Mass No. 5 in C, “Missa Cellensis” |
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Mass in the Time of War |
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Masses (complete) |
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Masses: No 9, “Mass in Time of War”; No. 10, “Heiligmesse” |
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Masses: No. 13, "Schöpfungmesse" |
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Masses: No. 2, “Missa brevis”; No 3, “Missa Cellensis” |
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Masses: in B♭, “Creation” |
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Masses: in d, “Lord Nelson” |
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Mechanical Clock, 7 PM. Mechanical Clock, 9 PM |
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Minuets, Hob IX:16 |
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Miseri noi, misera patria! |
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Missa Celensis, Hob. XXII:5 |
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Missa Cellensis |
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Missa Cellensis. Missa Sunt bona mixta malis |
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Missa Sancti Bernardi von Offida, “Heiligmesse” |
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Missa brevis Sancti Joannis de Deo, “Kleine Orgelmesse” |
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Missa brevis: Benedictus |
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Missa in Angustiis, Hob XXII:11, "Nelson" |
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Missa in angustiis, “Nelsonmesse” |
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Missa in tempore belli, “Paukenmesse” |
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Missa solemnis |
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Music by |
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Music of |
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No 14, "Harmoniemesse" |
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O Tuneful Voice |
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Oboe Concerto in C, Hob. VIIg:C1 (attrib.) |
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Orlando paladino |
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Overture to an English Opera |
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Partitas: in E, Hob XV:34; in f, Hob XV:f1; in A, Hob XV:35 |
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Piano Concertinos: in C, Hob. XIV:12; in G, Hob. XIV:13; in F, Hob. XVIII:F2; in C, Hob. XIV:11 |
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Piano Concerto in D |
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Piano Concerto in D, Hob. XVIII: 11 |
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Piano Concertos: in D, Hob. XVIII:11; in F, Hob. XVIII:3; in G, Hob. XVIII:4 |
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Piano Concertos: in G, Hob. XVIII:4; in F, Hob. XVIII:7; in D, Hob. XVIII: 11; Piano Sonatas: No. 33 in c; No. 62 in E♭; No. 60 in C; Variations in f, Hob. XVII:6 |
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Piano Sonata No. 49: Mvmt. 1 |
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Piano Sonata No. 50 in D, Hob XVI:37 |
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Piano Sonata No. 60 in C |
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Piano Sonata No. 60 in C, Hob XVI:50 |
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Piano Sonata in A♭ |
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Piano Sonata in E, Hob XVI:31 |
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Piano Sonata in E♭, Hob XVIN 52 |
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Piano Sonata, Hob XVI/52 |
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Piano Sonatas, Vol. 8 |
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Piano Sonatas. Piano Concertos |
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Piano Sonatas: No. 13 in G, Hob XVI:6; No. 39 in D, Hob XVI:24; No. 43 in E♭, Hob XVI:28; No. 53 in e, Hob XVI:34. Andante and Variations in f, Hob XVII:6 |
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Piano Sonatas: No. 31 in A♭, Hob XVI:46, No. 34 in D, Hob XVI:33; No. 29 in E♭, Hob XVI:45, No. 49 in c♯, Hob XVI:36, No. 35 in A♭, Hob XVI:43 |
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Piano Sonatas: No. 50 in C; No. 40 in G; No. 46 in A♭; No. 41 in b♭; No. 52 in E♭; No. 23 in F; No. 24 in D; No. 32 in b; No. 37 in D |
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Piano Sonatas: No. 50 in D; No. 35 in A♭; No. 48 in C; No. 46 in E; No. 6 in C |
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Piano Sonatas: No. 50; No. 35; No. 48; No. 46; No. 6 |
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Piano Trio No. 32 in A |
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Piano Trios, Vol. 2: in E♭, Hob XV:11; in e, Hob XV:12; in c, Hob XV:13; in A♭, Hob XV:14 |
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Piano Trios: No. 42 in E♭, Hob XV:30; No. 43 in C, Hob XV:27; No. 44 in E, Hob XV:28; No. 45 in E♭, Hob XVI:29 |
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Piano Trios: No. 43 in C; No. 44 in E; No. 45 in E♭; No. 26 in c |
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Piano Trios: in C, Hob XV:21; in E♭, Hob XV:22; in d, Hob XV:23 |
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Piano Trios: in D, Hob XV:16; in g, Hob XV:19 |
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Piercing Eyes |
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Pleasing Pain |
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Qual dubbio ormai, Hob XXIVa:4 |
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Recollection |
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Sailor’s Song |
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Scherzandos: Hob II/33–38 |
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Schöpfungmesse |
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Scottish Songs (for George Thomson), Vol. I |
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Scottish Songs (for George Thomson), Vol. II |
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Seven Last Words |
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Seven Last Words of Christ on the Cross (original) |
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Seven Last Words. String Quartets: in G, op. 77/1; in F, op. 77/2; in d, op. 103 |
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She never told her love |
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Sinfonia concertante |
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Sinfonia concertante in B♭ |
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Sinfonia concertante in B♭. Symphony No. 100 in G, “Military” |
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Sinfonia concertante, op. 84 |
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Solo e pensoso |
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Sonata No. 60 in C |
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Sonata No. 60 in C, H XVI:50 |
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Sonata in C, Hob XVI:50 |
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Sonata in D, Hob XVI:37 |
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Sonata in E♭, Hob 49 |
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Sonata in E♭, Hob xvi/52 |
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Sonatas: No. 11 in B♭; No. 20 in B♭; No. 32 in G Minor; No. 40 in E♭; No. 43 in E♭; No. 31 in A♭ |
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Sonatas: No. 45 in A, Hob XVI:30; No. 46 in E, Hob XVI:31; No. 43 in E♭, Hob XVI:28; No. 44 in F, Hob XVI:29; No. 52 in G, Hob XVI:39; No. 47 in b, Hob XVI:32 |
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Sonatas: No. 47 in b, Hob.XVI:32; No. 33 in c, Hob.XVI:20; No. 50 in D, Hob.XVI:37; No. 61 in D, Hob.XVI:51; No. 35 in A♭, Hob.XVI:43 |
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Sonatas: No. 5 in G; No. 38 in F; No. 60 in C; No. 33 in c |
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Sonatas: No. 55 in B♭, Hob XVI:41; No. 56 in D, Hob XVI:42; No. 54 in G, Hob XVI:40; No. 58 in C, Hob XVI:48; No. 59 in E♭, Hob XVI:49 |
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Sonatas: No. 57 in F, Hob XVI:47; No. 29 in E♭, Hob XVI:45; No. 61 in D, Hob XVI:51; No. 58 in C, Hob XVI:48; No. 53 in E minor, Hob XVI:34 |
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Sonatas: No. 60 in C, Hob XVI:50; No. 44 in F, Hob XVI:29; No. 51 in E♭, Hob XVI:38; No. 33 in c, Hob XVI:20 |
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Sonatas: in C, Hob XVI:1; in C, Hob XVI:3; in D, Hob XVI:4; in C, Hob XVI:7; in G, Hob XVI:8; in e, Hob XVI:34; in D, Hob XVI:37; in g, Hob XVI:44; in A♭, Hob XVI:46 |
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Songs |
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Songs by |
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Stabat Mater |
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String Quartet in B♭, op. 2/6 |
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String Quartet in B♭, op. 76/4 |
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String Quartet in C, Hob. III:39, “The Bird” |
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String Quartet in C, op. 54/2 |
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String Quartet in C, “The Bird” |
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String Quartet in D, op. 2/5 |
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String Quartet in D, op. 20/4 |
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String Quartet in E♭, op. 1, No. “0” |
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String Quartet in E♭, op. 64/6 |
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String Quartet in E♭, op. 76/6 |
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String Quartet in G, op. 54/1 |
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String Quartet in d, op. 42 |
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String Quartet in f, op. 20/5 |
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String Quartet, op. 64/5, “The Lark”: Vivace |
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String Quartets Vol. 5: Nos. 36-41, op. 50/1-6, Hob II 1:44-9 |
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String Quartets, Vol. 1: in C, op. 20/2; in C, op. 33/3; in G, op. 77/1 |
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String Quartets, Vol. 3: in F, op. 3/5 (attrib. Roman Hoffstetter); in E♭, op. 33/2, “Joke”; in E♭, op. 64/6; Quartet in B♭, op. 71/1 |
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String Quartets, Vol. 4: in f, op. 20/5; in E♭, op. 50/3; in C, “Emperor”; in E♭, op. 76/3 |
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String Quartets, Vol. 8: in E♭, op. 20/1; in B♭, op. 1/1; in B♭, op. 55/3; in B♭, op. 76/4, “Sunrise” |
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String Quartets, op. 20 |
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String Quartets, op. 33: No. 1 in b; No. 2 in E♭, “Joke”; No. 5 in G |
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String Quartets, op. 50, Nos. 1–3 |
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String Quartets, op. 50, Nos. 4–6 |
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String Quartets, op. 54: No. 1 in G; No. 2 in C; No. 3 in E |
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String Quartets, op. 64: No. 1 in C; No. 2 in b; No. 3 in B♭ |
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String Quartets, op. 64: No. 4 in G; No. 5 in D, "Lark"; No. 6 in B♭ |
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String Quartets, op. 9 |
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String Quartets: 20/5; 33/3; 42 |
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String Quartets: 54/1; 54/2; 76/5 |
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String Quartets: in C, “Emperor”; in D, “Lark”; in g, “The Rider” |
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String Quartets: in D, op. 64/5, “Lark”; in d, op. 76/2, “Fifths”; in G, op. 77/1 |
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String Quartets: in D, op. 64/5; in C, op. 74/1 |
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String Quartets: in E♭, op. 33/2, “Joke”; in C, op. 33/3, “The Bird”; in d, op. 76/2, “Fifths” |
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String Quartets: in f, op. 20/5; in E♭, op. 33/2, "Joke"; in G, op. 54/1; in D, op. 64/5, "Lark"; in g, op. 74/3, "Rider"; in d, op. 76/2, "Fifths"; in G, op. 77/1. & |
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String Quartets: in g, op. 20/3; in C, op. 74/1; in G, op. 76/1 |
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String Quartets: op. 33/3, “The Bird” |
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String Quartets: op. 33; op. 42 |
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String Quartets: op. 42; op. 77/1; op 77/2; op. 103 |
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String Quartets: op. 71: No. 1 in B♭; No. 2 in D; No. 3 in E♭ |
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String Quartets: op. 71; op. 74 |
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String Quartets: op. 77/1; op. 77/2 |
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String Quartets: ops. 20/2 |
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String Trios: in D, Hob. XI:11; in C, Hob. V:16 |
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Sympathy |
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Symphonies No. 1-104. Symphony "A." Symphony "B." Sinfonia concertante in B♭ |
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Symphonies Nos. 93–98 |
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Symphonies Nos. 99–104 |
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Symphonies, Vol. 10: No. 62; No. 63, "La Roxelane"; No. 70; No. 71; No. 73; No. 74; No. 75 |
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Symphonies: No. 1 in D; No. 2 in C; No. 3 in G; No. 4 in D; No. 5 in A |
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Symphonies: No. 100 in G, “Military”; No. 103 in E♭, “Drumroll” |
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Symphonies: No. 100, “Military”; No. 101, “Clock” |
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Symphonies: No. 101 |
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Symphonies: No. 101 in D, "Clock"; No. 104 in D, "London" |
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Symphonies: No. 101 in D, “Clock”; No. 99 in E♭; No 104 in D, “London” |
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Symphonies: No. 101, “The Clock”; No. 102 |
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Symphonies: No. 103, “Drumroll” |
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Symphonies: No. 104, “London” |
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Symphonies: No. 14 in A; No. 15 in D; No. 16 in B♭; No. 17 in F |
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Symphonies: No. 18 in G; No. 19 in D; No. 20 in C; No. 21 in A |
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Symphonies: No. 22 in E♭, “The Philosopher”; No. 44 in e, “Trauersymphonie”; No. 64 in A, “Tempora mutantur” |
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Symphonies: No. 31, “Hornsignal”; No. 45, “Farewell” |
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Symphonies: No. 37 in C; No. 38 in C; No 39 in g; No. 40 in F |
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Symphonies: No. 39; No. 45, “Farewell” |
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Symphonies: No. 41 in C; No. 44 in e, “Trauer;” No. 47 in G |
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Symphonies: No. 42 in D, Hob I:42; No. 43 in E♭, Hob I:43, “Mercury”; No. 44 in e, Hob I:44, “Trauersinfonie” |
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Symphonies: No. 44 in e, “Trauer”; No. 98 in B♭ |
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Symphonies: No. 44, “Trauer”; No. 45, “Farewell”; No. 49, “La passione”; No. 55, “Schoolmaster” |
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Symphonies: No. 45 in f♯, Hob I:45, “Farewell” |
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Symphonies: No. 46 in B, Hob I:46 |
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Symphonies: No. 47 in G, Hob I:47 |
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Symphonies: No. 48 in C, Hob I:48, “Maria Theresia”; No. 49 in f, Hob I:49, “La passione”; No. 50 in C, Hob I:50 |
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Symphonies: No. 52 in c; No. 49 in f, “La passione”; No. 58 in F |
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Symphonies: No. 6 in D, “Le Matin”; No. 7 in C, “Le Midi”; No. 8 in G, “Le Soir” |
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Symphonies: No. 6 in D, “Le Matin”; No. 7 in C, “Le Midi”; No. 8 in G, “Le Soir” |
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Symphonies: No. 7 in C, “Le midi”; No. 83 in g, “La poule”; No. 96 in D, “Miracle” |
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Symphonies: No. 70 in D; No. 71 in B♭; No. 73 in D “La Chasse” |
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Symphonies: No. 70 in D; No. 7I in B♭; No. 72 in D |
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Symphonies: No. 73 in D, “La Chasse”; No. 74 in E♭; No. 75 in D |
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Symphonies: No. 76 in E♭; No. 77 in B♭; No. 78 in c |
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Symphonies: No. 80 |
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Symphonies: No. 80 in d; No. 83 in g, “La poule”; No. 84 in E♭; No. 87 in A; No. 88 in G; No. 89 in F |
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Symphonies: No. 82 in C, "The Bear"; No. 88 in G; No. 95 in c |
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Symphonies: No. 82 in C, “The Bear”; No. 88 in G; No 95 in c |
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Symphonies: No. 82 in c, “The Bear”; No. 83 in g, “The Hen”; No. 84 in E♭; No. 85 in B♭, “La Reine”; No. 86 in D; No. 87 in A |
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Symphonies: No. 83 “La poule;” No. 84; No, 85, “La reine” |
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Symphonies: No. 88 in G; No. 89 in F; No. 90 in C; No. 91 in E♭, No. 92 in G, “Oxford” |
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Symphonies: No. 88 in G; No. 92 in G; No. 94 in G |
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Symphonies: No. 88; No. 92, “Oxford”; No. 93; No. 94, “Surprise”; No. 95 |
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Symphonies: No. 88; No. 95 |
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Symphonies: No. 89; No. 88. Concertante for Violin, Cello, Oboe, Bassoon, and Orchestra |
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Symphonies: No. 9 in C; No. 10 in D; No. 11 in E♭; No. 12 in E |
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Symphonies: No. 91 in E& |
