(?) Clarinet Concerto in B♭. Double Concertos: (?) Clarinet Concerto in B♭. Double Concertos: |
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(?) Clarinet Concerto in B♭. Double Concertos: in E♭; B♭ |
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1 in G; No. 2 in d, "Fifths"; No. 3 in C, "Emperor" |
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104 in D, "London" |
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12 Deutsche Tänze, Hob IX/12 |
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12 German Dances, H IX:12 |
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12 Menuette, Hob IX/11 |
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12 Menuette, Hob IX/3 |
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12 Menuette, Hob IX/8 |
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2 Märsche (for Sir Henry Wood), Hob VIII/1 |
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20 Variations in G, Hob XVII/2 |
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4 Lieder. 12 English Songs |
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6 Easy Variations in C, Hob XVII/5 |
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6 English Psalms |
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6 Scherzandi |
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6 String Quartets, op. 33 |
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6 String Quartets, op. 9 |
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6 leichte Variationen in C, Hob XVII:5 |
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7 Last Words of Christ |
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7 Last Words of Our Saviour on the Cross |
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8 Notturni |
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A Pastoral Song |
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A Pastoral Song. She never told her love. O tuneful voice. The Lady’s Looking-glass. Sailor’s Song. Content. The Wanderer. The Mermaid’s Song |
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Abschiedslied. Das Leben ist ein Traum |
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Acide |
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Acide e Galatea: Overture |
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Acis and Galatea: Overture |
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Adagio Cantabile |
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Adagio in F, Hob XVII/9 |
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Adagio in F, Hob XVII:9 |
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Adagio in G |
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Adagio in G, Hob XV/22II |
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Adagios: in F, Hob XVII:9; in D, Hob XVII:7 |
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Airs, Variations, and Dances |
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Al tuo arrivo felice, Hob XXIVa:3 |
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Alfred, König der Angelsachsen: Chorus of the Danes |
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Alfred, König der Angelsachsen: Guardian Spirit’s Aria |
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Allegretto con variazioni in A, Hob XVII:A3 |
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Allegretto con variazioni in A, Hob XVII?A3 |
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Allegretto in G, Hob III/41IV |
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Allegretto in G, Hob III:41(IV) |
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Allegretto in G, Hob XVI:10 |
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Allegretto in G, Hob XVII/10 |
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Allegretto in G, Hob XVIi.10. Adagio in F, Hob XVII:9. Fantasia in C (Capriccio), Hob XVIIA |
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Andante and Variations in f |
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Andante and Variations in f, Hob XVII:6 |
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Andante and Variations in f. Piano Concerto in D, Hob XVIIM11 |
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Andante con variazioni in B♭, Hob XVII/12 |
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Andante con variazioni in D, Hob XVII/7 |
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Andante con variazioni in F |
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Andante con variazioni in f, Hob XVII/6 |
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Andante con variazioni in f, Hob XVII:6; Trumpet Concerto |
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Andante with Variations in f, Hob XVII/6 |
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Andante with variations in f |
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Andantes con variazioni: in f, Hob XVII:6; in B♭, Hob XVII:12; in D, Hob XVII:7 |
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Andantino (Allegretto) con variazioni in A, Hob XVII:8 |
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Andantino con variazioni in A, Hob XVII/8 |
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Aria con variazioni in C, Hob XVII/15 |
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Aria con variazioni in C, Hob XVII:15 |
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Arianna a Naxos |
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Arianna a Naxos: A che morir vorrei, H XXVIb:2 |
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Arianna a Naxos: Excerpts (orchestral version) |
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Arias |
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Arias and Cantatas |
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Arietta and Variations in A, H XVII: 2 |
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Arietta con 12 variazioni in A, Hob XVII/2 |
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Arietta con 12 variazioni in E♭, Hob XVII/3 |
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Ariettas con variazioni: in E♭, Hob XVII:3; Hob XVII:2 |
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Armida |
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Armida: Partì Rinaldo—Se pietade avete, oh Numi |
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Armida: Se dal suo braccio oppresso. Teco lo guida al campo |
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Arrangements: Will ye go to Flanders. The White Cockade. The bonnie wee thing. The dying bard to his harp. The rose bud. O can ye sew cushions. Flowers of Edinburgh. Soger Laddie. Sir Watkyn’s Dream. The Live Long Night |
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Auch die Sprödeste der Schönen |
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Baryton Trios, Hob XI: Nos. 80, 85, 14, 97, 59, 96. Adagio in D |
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Baryton Trios: No. 117 in F; No. 87 in a; No. 53 in G; No. 96 in b; No. 101 in C |
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Berenice, che fai |
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Berenice, che fai. Miseri noi, misera patria |
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Berenice, che fai: Excerpts |
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Berenice, che fai? |
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Bind Up Your Hair |
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Cantates pour les Esterházy |
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Canzonetten |
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Capriccio in G, Hob XVII/1, “Acht Sauschneider mussen seyn” |
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Cello Concerto |
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Cello Concerto No. 1 in C |
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Cello Concerto No. 1 in C, Walter Weiler, cond; Vienna Tonkünstler O; Live: 2/1970 |
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Cello Concerto No. 2 |
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Cello Concerto in C |
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Cello Concerto in C, Hob Vllb:1 ; Cello Concerto in D, Hob Vllb:4 (spurious); Cello Concertoin D, Hob Vllb:2 |
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Cello Concerto in D, Hob Vllb:2 |
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Cello Concertos: In C; in D. Symphony No. 13: Adagio cantabile |
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Cello Concertos: No. 1 in C |
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Cello Concertos: No. 1 in C, Hob VIIb:1; No. 2 in D, Hob VIIb:2 |
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Cello Concertos: No. 1 in C, HobVllb:1; No. 2 in D, Hob Vllb:2; Lo speziale: Overture |
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Cello Concertos: No. 1 in C; No. 2 in D |
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Cello Concertos: No. 1; No. 2 |
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Cello Concertos: No. 2 in D |
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Cello Concertos: in C, Hob. VII/b.1; in D, Hob. VIII/b.2 |
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Cello Concertos: in C, Hob. VIIb:1; in D, Hob. VIIb:2 |
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Cello Concertos: in C; D. Symphony No. 13 |
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Cello Duets: in G, Hob XII:1, in D, Hob XII: 3+5; in G, Hob. XII:4; in D, Hob. X:11 |
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Circe: Son pietosa, son bonina |
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Codiad yr Hedydd |
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Collected Works (incomplete) |
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Complete Music for Solo Keyboard |
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Complete Songs |
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Complete String Quartets |
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Concerto in D, Hob XVIII:11 |
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Concerto in E?: Concerto in E?: Allegro |
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Concerto in E♭ |
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Concerto in F for Violin and Harpsichord |
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Concerto in F for Violin, Harpsichord, and Strings, Hob. Vlla:6 |
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Concertos for 2 Lire organizzate: in C, Hob VIIh:1; in G, Hob VIIh:2; in G, Hob VIIh:3; in F, Hob VIIh:4; in F, Hob VIIh:5 |
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Content |
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Das Leben ist ein Traum |
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Der Apotheker |
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Despair |
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Destatevi, o miei fidi, Hob XXIVa:2 |
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Dice benissimo. Un cor sì tenero |
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Die Feuersbrunst |
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Die Jahreszeiten |
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Die Schöpfung |
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Die Schöpfung: Die Himmel erzählet die Ehre Gottes; Vor deiner Güt’, o Herr und Gott |
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Die Sieben letzten Worte |
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Divertimento |
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Divertimento a Tre |
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Divertimento in A♭, Hob XVI:46 |
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Divertimento in E♭ for 8 Winds, Hob 11:13 |
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Divertimento in E♭, Hob. XIV:1 |
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Divertimento, “Il maestro e lo scolari” |
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Divertimentos: I in D; II in G; III in C; IV in g; V in A; VI in D |
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Divertimentos: No. 1 in D |
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Divertimentos: No. 2 in A |
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Divertimentos: in A, Hob X:10; in B♭, op. 1/1 |
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Divertimentos: in B♭, Hob XV:38; in F, Hob XV:40 |
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Divertimentos: in F for 2 Violins, 2 English Horns, 2 Horns, and 2 Bassoons, Hob 11:16; in C for 2 Clarinets and 2 Horns, Hob 11:14; in E♭ for Clavicembalo, 2 Horns, Violin, and Cello, Hob XIV: 1; in D for 2 Flutes, 2 Horns, 2 Violins, and Bass, Hob II: 8 |
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Divertissement in B?, Hob ll: Divertissement in B?, Hob ll:B4 |
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Duet in D, VI:D1: Poco adagio |
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Duetti: in G, Hob. XII:1; in D, Hob. XII: 3+5; in G, Hob. XII:4; in D, Hob. X:11 |
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Early Keyboard Works |
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English and Scottish Songs |
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Eryri Wen |
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Fantasia (Capriccio) in C, Hob XVII: 4 |
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Fantasia in C, Hob XVII/4 |
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Fantasia in C, Hob XVII:4 |
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Fidelity |
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Flute Quartets, op. 5: No. 1; No. 3; No. 4; No. 5 |
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Flötenuhrstücke |
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Fortepiano Concertos: in G, Hob XVIII:4; in D, Hob. XVIII:11 |
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Give to God our thankful songs (arr. by William Gardiner of Poco adagio from String Quartet in C, op. 76/3) |
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Great Organ Mass, Hob XXII:4 |
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Guitar Quartet in D |
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Harmoniemesse, Hob XXII:14 |
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Harpsichord Concertos: in C, Hob XVIII:5; in F, Hob XVIII:7 |
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Harpsichord Concertos: in D, Hob XVIII:2 in F, Hob XVIII:3; in C, Hob XVIII:5 |
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Hob y Deri Danno |
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Horn Concerto No. 1 in D, Hob Vlld:3 |
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Horn Concerto No. 1. Keyboard Concerto in D, Hob. XVIII:2 |
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Horn Concertos: No. 1 in D; No. 2 in D. Trumpet Concerto in E♭ |
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Il maestro e lo scolare in F, Hob XVIIa/1 |
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Il mondo della luna: Che mondo amabile. Non aver di me sospetto |
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Il mondo della luna: Overture |
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Il ritorno di Tobia |
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Il ritorno di Tobia: Anna, m’ascolta! Orlando paladino: Aure chete, Verdi allori; Non partir, mia bella face |
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Insanae et vanae curae |
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Italian Arias |
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Keyboard Concertos: in D, Hob XVIII:11; in F, Hob XVIII:3; in D, Hob XVIII:2; in G, Hob XVIII:4 |
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Keyboard Concertos: in G, Hob XVIII:4; in D, Hob XVIII:11 |
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Keyboard Sonatas |
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Keyboard Sonatas (arr. Galbraith for 8-string guitar) Hob XVI:46; Hob XVI:47; Hob XVI:44; Hob XVI:2 |
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Keyboard Sonatas: No. 60 in C; No. 62 in E♭ |
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Keyboard Sonatas: in A♭, Hob XVI:46; in c, Hob XVI:20 |
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Keyboard Sonatas: in C, Hob XVI:48; in E♭, Hob XVI:49; in E♭, Hob XVI: 52 |
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Keyboard Sonatas: in D, Hob XVI:37; in G, Hob XVI:27; in C, Hob XVI:35; in F, Hob XVI:23 |
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Keyboard Sonatas: in F, Hob XVII:6; in E♭, Hob XVI:52 |
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Keyboard and Violin Concerto in F, Hob XVIII:6 |
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Kleine Orgelmesse, Hob XXII:7 |
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Kontretanz, Hob XXXI/c:17b |
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La fedeltà premiata |
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La fedeltà premiata: Di questo audace ferro. Mi dica, il mio signore. Sappi, che la bellezza |
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La fedeltà premiata: Overture |
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La vera constanza: Overture |
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La vera costanza: Non sparate . . . mi disdico |
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La vera costanza: Overture |
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Le pescatrici |
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Libera me, Domine |
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Lo speziale |
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Lo speziale: Overture |
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Lob der Faulheit. Gegenliebe. Trost unglücklicher Liebe. Die zu späte Ankunft der Mutter. O tuneful voice. Sailor’s song. Sympathy. The spirit’s song. Fidelity. Content. Piercing eyes. She never told her love |
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London Symphonies: No. 94 in G, "Surprise"; No. 101 in D, "Clock"; No. 102 in B♭ |
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London Trios: in D, Hob. IV:1; in G, Hob. IV:2; in G, Hob. IV:3; in G, Hob. IV:4 |
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Lord Nelson Mass. 4 Responsoria de Verabili. Ave regina |
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L’anima del filosofo: Al tuo seno fortunate; Filomena abbandonata; Dov’è l’amato bene?—Del mio core il voto estremo |
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L’anima del filosofo: Chi spira e non sprea. Il pensier sta negli aggotti. Mai non sie inulto |
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L’anima del filosofo: Overture |
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L’incontro improvviso: Noi pariamo santarelli |
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L’infedeltà delusa: Non v’è rimedio |
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L’isola disabitata |
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L’isola disabitata: Chi nel cammin d’onore |
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L’isola disabitata: Overture |
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Maggie Lauder |
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March, “Royal Society of Musicians” |
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Mariazellermesse, Hob XXII:8 |
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Marsch, Hob VIII/3/3bis |
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Mass No. 10 in C, “Mass in Time of War” |
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Mass No. 5 in C, “Missa Cellensis” |
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Mass in B♭, Hob XXII:14, "Harmoniemesse" |
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Mass in B♭, “Harmoniemesse” |
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Mass in B♭, “Heiligmesse” |
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Mass in B♭, “Schöpfungmesse” |
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Mass in B♭, “Theresienmesse” |
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Mass in C, “Mass in Time of War” |
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Mass in Time of War. Alfred, King of the Anglo-Saxons: Incidental Music |
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Mass in d, “Nelson Mass” |
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Mass in d, “Nelsonmesse” |
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Mass in the Time of War |
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Masses (complete) |
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Masses: No 9, “Mass in Time of War”; No. 10, “Heiligmesse” |
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Masses: No. 13, "Schöpfungmesse" |
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Masses: No. 2, “Missa brevis”; No 3, “Missa Cellensis” |
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Masses: in B♭, “Creation” |
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Masses: in d, “Lord Nelson” |
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Mechanical Clock, 7 PM. Mechanical Clock, 9 PM |
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Minuet. March |
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Minuets, Hob IX:16 |
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Miseri noi, misera patria! |
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Missa Celensis, Hob. XXII:5 |
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Missa Cellensis |
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Missa Cellensis. Missa Sunt bona mixta malis |
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Missa Sancti Bernardi von Offida, “Heiligmesse” |
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Missa Sancti Bernardi von Offida, “Heligmesse” |
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Missa brevis Sancti Joannis de Deo, “Kleine Orgelmesse” |
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Missa brevis: Benedictus |
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Missa in Angustiis, Hob XXII:11, "Nelson" |
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Missa in angustiis, "Nelson Mass" |
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Missa in angustiis, “Nelsonmesse” |
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Missa in tempore belli, "Paukenmesse." Te Oeum in C, Hob XXIIIc:1 |
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Missa in tempore belli, “Paukenmesse” |
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Missa solemnis |
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Music by |
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Music for Flute Clock: March, Andante, and Allegro’ |
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Music of |
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No 14, "Harmoniemesse" |
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Non parti bell’idol mio-Berenice, che fai? |
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O Tuneful Voice |
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O Tuneful Voice. The Mermaid’s Song. Recollection. A Pastoral Song. Despair. Pleasing Pain. Fidelity. She Never Told Her Love. Sailor’s Song. The Wanderer. Sympathy. The Spirit’s Song. Piercing Eyes. Content. The Lady’s Looking Glass. Pensi a me sì fido amante. Un tetto umil. Das strickende Mädchen. Cupido. Der erste Kuss. Eine sehr gewöhnliche Geschichte. Die Verlassene. Al einst mit Weibes Schönheit. Der Gleischsinn. An Iris. An Thyrsis. Trost unglücklicher Liebe. Die Landlust. Die zu späte Ankunft der Mutter. Der schlaue und dienstfertige Pudel. Bald wehen uns des Frühlings Lüfte. Trachten will ich nicht auf Erden. Jeder meint, der Gegenstand. Lacher nicht, Mädchen. O liebes Mädchen, höre mich. Gegenliebe. Geistliches Lied. Auch die sprödeste der Schönen. O fleiss, ja wallend fleiss in Zähren. Zufriedenheit. Das Leben ist ein Traum. Lob der Faulheit. Minna. Auf meines Vaters Grab. Beim Schmerz, der dieses Herr durchwühlet. Abschiedslied. Gott, erhalte der Kaiser! |
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Oboe Concerto in C, Hob. VIIg:C1 (attrib.) |
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Oboe Concerto in C. Trumpet Concerto in E♭. Harpsichord Concerto in D |
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Organ Concertos: No. 1 in C, Hob XVIII:1; No. 2 in D, Hob XVIII:2 |
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Organ Concertos: in C, Hob XVIII:1,8,10 |
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Organ Concertos: in C, Hob XVIII:1; in C, Hob XVIII:8; in C, Hob XVIII:10 |
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Organ Concertos: in D, Hob XVIII:2; in C, Hob XVII:10 |
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Orlando paladino |
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Orlando paladino: Mille lampi d’accese faville. Ombre insepolte |
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Overture to an English Opera |
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Paris Symphonies: No. 82, “The Bear”; No. 83, “The Hen”; No. 84; No. 85, “The Queen”; No. 86; No. 87 |
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Parthia in E♭, Hob XVI:Es3 |
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Partita in E♭ for 8 Winds, Mob 11:12 |
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Partitas: in E, Hob XV:34; in f, Hob XV:f1; in A, Hob XV:35 |
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Philemon und Baucis |
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Piano Concertinos: in C, Hob. XIV:12; in G, Hob. XIV:13; in F, Hob. XVIII:F2; in C, Hob. XIV:11 |
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Piano Concerto In D (Paul Angerer, cond; Vienna CO) |
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Piano Concerto in D |
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Piano Concerto in D, H.VIII/2 |
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Piano Concerto in D, Hob XVIII:11 |
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Piano Concerto in D, Hob. XVIII: 11 |
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Piano Concertos: No. 4 in G, Hob XVIIL4; No. 3 in F, Hob XVIII:3; No. 11 in D, Hob XVIII.11 |
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Piano Concertos: in D, Hob. XVIII:11; in F, Hob. XVIII:3; in G, Hob. XVIII:4 |
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Piano Concertos: in D, Hob. XVIII:11; in G, Hob. XVIII:9; in D, Hob. XVIII:2 |
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Piano Concertos: in F, Hob |
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Piano Concertos: in F, Hob XVIII:3; in D, Hob XVIII:11; in G, Hob XVIII: 4; in G, Hob XVIII: 9 |
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Piano Concertos: in G, Hob. XVIII:4; in F, Hob. XVIII:7; in D, Hob. XVIII: 11; Piano Sonatas: No. 33 in c; No. 62 in E♭; No. 60 in C; Variations in f, Hob. XVII:6 |
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Piano Sonata No. 33 in c, Hob XVI:20 |
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Piano Sonata No. 44 in C |
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Piano Sonata No. 47 in b, H XVI:32 |
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Piano Sonata No. 49 in c#, Hob |
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Piano Sonata No. 49: Mvmt. 1 |
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Piano Sonata No. 50 in D |
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Piano Sonata No. 50 in D, Hob XVI:37 |
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Piano Sonata No. 60 in C |
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Piano Sonata No. 60 in C, Hob XVI:50 |
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Piano Sonata No. 62 |
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Piano Sonata in A♭ |
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Piano Sonata in C, Hob XVI: 48 |
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Piano Sonata in C, Hob XVI:50 |
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Piano Sonata in E |
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Piano Sonata in E, H XVI: 31, L46 |
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Piano Sonata in E, Hob XVI:31 |
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Piano Sonata in E♭, Hob XVIN 52 |
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Piano Sonata in E♭, L 59 |
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Piano Sonata, Hob XVI/52 |
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Piano Sonatas, Vol. 4 |
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Piano Sonatas, Vol. 7 |
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Piano Sonatas, Vol. 8 |
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Piano Sonatas, Vol. 9 |
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Piano Sonatas. Piano Concertos |
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Piano Sonatas: No. 1 in G, Hob. XVI:8; No. 11 in B♭, Hob. XVI:2; No. 12 in A, Hob. XVI:12; No. 16 in D, Hob. XVI:14; No. 40 in E♭, Hob. XVI:25; No. 56 in D, Hob. XVI:42; No. 31 in A♭, Hob. XVI:46; No. 33 in C Minor, Hob. XVI:20; No. 47 in B Minor, Hob. XVI:32 |
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Piano Sonatas: No. 10; No. 38; No. 42; No. 60 |
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Piano Sonatas: No. 13 in G, Hob XVI:6; No. 39 in D, Hob XVI:24; No. 43 in E♭, Hob XVI:28; No. 53 in e, Hob XVI:34. Andante and Variations in f, Hob XVII:6 |
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Piano Sonatas: No. 30; No. 33; No. 24; No. 32; No. 44 |
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Piano Sonatas: No. 31 in Ai?; No. 47 in b; No. 60 in C; No. 61 in D |
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Piano Sonatas: No. 31 in A♭, Hob XVI:46, No. 34 in D, Hob XVI:33; No. 29 in E♭, Hob XVI:45, No. 49 in c♯, Hob XVI:36, No. 35 in A♭, Hob XVI:43 |
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Piano Sonatas: No. 31; No. 47; No. 60; No. 61 in D |
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Piano Sonatas: No. 32 in g, Hob XVI.44; No. 54 in G, Hob XVI:50; No. 53 in e, Hob XVI:34; No. 58 in C, Hob XVI.48; No. 33 in c, Hob XVL20; No. 59 in E♭, Hob XVI.49; No. 60 in C, Hob XVI:50; No. 61 in D, Hob XVI:51; No. 62 in E♭, Hob XVI:52. Fantasia in C, Hob XVIL4 |
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Piano Sonatas: No. 33 in C, Hob xvi/20; No. 32 in g, Hob xvl/44; No. 53 in e, Hob xvi/34; No. 58 in C, Hob. xVI/48 |
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Piano Sonatas: No. 36 in C, Hob XVI:21; No. 38 in F, Hob XVI:23; No. 42 in G, Hob XVI:27; No. 48 in C, Hob XVI:35; No. 50 in D, Hob XVI:47; No. 33 in c, Hob XVI:20 |
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Piano Sonatas: No. 45 in A, Hob XVI:30; No. 46 in E, Hob XVI:31; No. 47 in b, Hob XVI:32; No. 31 in A♭, Hob XVI:46 |
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Piano Sonatas: No. 47 in b, Hob XVI:32; No. 50 in D, Hob XVI:37; No. 41 in A, Hob XVI:26; No. 49 in cf, Hob XVI:36; No. 59 in Eb, Hob XVI:49 |
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Piano Sonatas: No. 48 in C, Hob XVI:35; No. 49 in cs, Hob XVI:36; No. 50 in D, Hob XVI:37; No. 51 in E♭, Hob XVI:38; No. 52 in G, Hob XVI:39 |
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Piano Sonatas: No. 50 in C; No. 40 in G; No. 46 in A♭; No. 41 in b♭; No. 52 in E♭; No. 23 in F; No. 24 in D; No. 32 in b; No. 37 in D |
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Piano Sonatas: No. 50 in D, H XVI:37; No. 47 in b, H XVI:32; No. 38 in F, H XVI:23; No. 49 in cif, H XVI:36 |
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Piano Sonatas: No. 50 in D; No. 35 in A♭; No. 48 in C; No. 46 in E; No. 6 in C |
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Piano Sonatas: No. 50; No. 35; No. 48; No. 46; No. 6 |
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Piano Sonatas: No. 53 in e, Hob XVI:34; No. 50 in D, Hob XVI37 |
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Piano Sonatas: No. 53 in e, Hob XVI:34; No. 54 in G, Hob XVI:40; No. 55 in B♭, Hob XVI:41 ; No. 56 in D, Hob XVI:42; No. 57 in F, Hob XVI:47; No. 58 in C, Hob XVI:48 |
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Piano Sonatas: No. 53 in e, Hob XVI:34; No. 54 in G, Hob XVI:40; No. 56 in D, Hob XVI:42; No. 62 in E flat, Hob XVI:52 |
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Piano Sonatas: No. 62 in E♭, Hob XVI:52; No. 54 in G, Hob XVI:40; No. 55 in B♭, Hob XVI:41; No. 30 in D, Hob XVI:19 |
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Piano Sonatas: in E, Hob XVI:31; in D, Hob XVI:42; in C, Hob XVI:35; in e, Hob XVI:34; in A, Hob XVI:26; in E♭, Hob XVI:49; in D, Hob XVI:33; in G, Hob XVI:39; in C, Hob XVI:48 |
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Piano Sonatas: in E♭, Hob XVI:16; in A, Hob XVI:5; in E♭, Hob deest; in D, Hob XVI:14; in B♭, Hob XVI:2; in G, Hob XVI:6 |
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Piano Sonatas: in G, Hob XVI:6; in D, Hob XVI:37; in A, Hob XVI:30; in A♭, Hob XVI:46; in E♭, Hob XVI:52 |
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Piano Trio No. 28 in D, Hob XV:16 |
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Piano Trio No. 32 in A |
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Piano Trio in D |
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Piano Trio in G, H XV.25 |
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Piano Trio in G, Hob XV:25 |
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Piano Trio in G, Hob XV:25. String Quartet, op. 54/2: 2nd mvmt. 2 Zingarese (attrib. Haydn) |
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Piano Trio in f♯: Adagio cantabile |
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Piano Trios (Complete) |
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Piano Trios, Vol. 1 |
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Piano Trios, Vol. 2: in E♭, Hob XV:11; in e, Hob XV:12; in c, Hob XV:13; in A♭, Hob XV:14 |
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Piano Trios: No. 39 in G, Hob XV:25; No. 41 in e♭, Hob XV:31. No. 43 in C, Hob XV:27; No. 45 in E♭, Hob XV:29 |
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Piano Trios: No. 42 in E♭, Hob XV:30; No. 43 in C, Hob XV:27; No. 44 in E, Hob XV:28; No. 45 in E♭, Hob XVI:29 |
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Piano Trios: No. 43 in C; No. 44 in E; No. 45 in E♭; No. 26 in c |
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Piano Trios: in C, Hob XV:21; in E♭, Hob XV:22; in d, Hob XV:23 |
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Piano Trios: in D, Hob XV:16; in g, Hob XV:19 |
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Piano Trios: in D, Hob XV:24; in G, Hob XV:25, “Gypsy Rondo”; in f♯, Hob XV:26; in C, Hob XV:27 |
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Piano Trios: in E, Hob XV:28; in E♭, Hob XV:29; in E♭, Hob XV:30; in e♭, Hob XV:31 |
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Piano Trios: in F, Hob XV:2; in B♭, Hob XV:8; in F, Hob XV:6; in G, Hob XV:5; in E♭, Hob XV:10; in D, Hob XV:7; in A, Hob XV:9; in e, Hob XV:12; in E♭, Hob XV:11 |
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Piano Trios: in G, Hob XV:41; in F, Hob XV:37; in C, Hob XV:C1; in E♭, Hob XV:36; in g, Hob XV:1; in F, Hob XV:2 (period instruments) |
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Piano Trios: in e, Hob. XV:12; in C, Hob. XV:27; in G, Hob. XV:25; in E♭, Hob. XV:29 |
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Piano Trios: in f♯, Hob XV:26; in d, Hob XV:23; in E♭, Hob XV:22 |
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Piano Works |
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Piercing Eyes |
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Pleasing Pain |
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Pleasing Pain. The Mermaid’s Song. Pastoral Song. She never told her love. Jeder meint der Gegenstand. Lob der Faulheit. Liebeslied. Die Verlassene. Das strickende Mädchen. Recollection. Fidelity. The Wanderer. Sympathy. Content. The Spirit’s Song. Geistliches Lied. Trost unglücklicher Liebe. Das Leben ist ein Traum. 0 tuneful voice. Piercing Eyes. Despair. Sailor’s Song |
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Qual dubbio ormai, Hob XXIVa:4 |
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Quartet in E, op. 2/2 |
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Quartets, op. 55/1–3 |
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Quartets: op. 33/1–6; op. 42 |
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Recollection |
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Sailor’s Song |
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Sailor’s Song. Recollection. She Never Told Her Love. Piercing Eyes. Content |
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Salve Regina in E, Hob XXIIIb:1 |
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Scena di Berenice. Il mondo della luna: Se la mia stella |
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Scherzandi: No. 1 in F, Hob II.33; No. 2 in C, Hob II.34; No. 3 in D, Hob II.35; No. 4 in G, Hob II.36; No. 5 in E, Hob II.37; No. 6 in A, Hob II.38 |
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Scherzandos: Hob II/33–38 |
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Schöpfungmesse |
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Scottish Songs (for George Thomson), Vol. I |
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Scottish Songs (for George Thomson), Vol. II |
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Serenade |
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Seven Last Words |
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Seven Last Words of Christ on the Cross |
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Seven Last Words of Christ on the Cross (original) |
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Seven Last Words. String Quartets: in G, op. 77/1; in F, op. 77/2; in d, op. 103 |
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She never told her love |
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She never told her love. Fidelity. Pleasing Pain. Piercing Eyes. Sailor’s Song |
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Sinfonia Concertante for Violin, Cello, Oboe, Bassoon, and Orchestra in B♭, Hob 1/105 |
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Sinfonia concertante |
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Sinfonia concertante in B♭ |
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Sinfonia concertante in B♭. Symphony No. 100 in G, “Military” |
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Sinfonia concertante, op. 84 |
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Sinfonia concertante. Violin Concertos: No. 1; No. 4 |
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Solo e pensoso |
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Sonata No. 48 in C |
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Sonata No. 60 in C |
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Sonata No. 60 in C, H XVI:50 |
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Sonata in C, H XVI:1 |
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Sonata in C, Hob XVI:50 |
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Sonata in D, Hob XVI:37 |
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Sonata in E♭, Hob 49 |
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Sonata in E♭, Hob XVI.49 |
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Sonata in E♭, Hob xvi/52 |
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Sonata in E♭, Hob. XVI:52 |
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Sonatas: No. 10 in C, Hob XVI:1; No. 2 in C, Hob XVI:7; No. 1 in G, Hob XVI:8; No. 3 in F, Hob XVI:9; No. 6 in C, Hob XVI:10; No. 4 in G, Hob XVI:G1; No. 7 in D, Hob XVII:D1; No. 14 in C, Hob XVI:3; No. 9 in D, Hob XVI:4 |
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Sonatas: No. 11 in Bb, Hob XVI:2; No. 12 in A, Hob XVM2; No. 13 in G, Hob XVI:6; No. 14 in C, Hob XVI:3; No. 15 in E, Hob XVI:13; No. 16 in D, Hob XVM4; No. 18 in E, Hob XVI:deest |
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Sonatas: No. 11 in B♭; No. 20 in B♭; No. 32 in G Minor; No. 40 in E♭; No. 43 in E♭; No. 31 in A♭ |
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Sonatas: No. 13 in G (Partita); Hob XVI:6; No. 35 in A♭, Hob XVI:43; No. 50 in D, Hob XVI:37; No. 53 in e, Hob XVI:34; No. 60 in C, Hob XVI:50; No. 62 in E♭, Hob XVI:52. Fantasia (Capriccio) in C, Hob XVII:4. Variations: in C, Hob XVil:5; in A, Hob XVII:2; in E♭, Hob XVII:3; in f, Hob XVII:6. Capriccio in G, Hob XVII:1, "8 Sauschneider müssen sein" |
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Sonatas: No. 19 in e, Hob XVI:47bis; No. 17 in Eft, Hob deest; No. 28 in D, Hob XVI:5a. Arietta con 12 Variazioni in A, Hob XVII:2. Allegretto in G, after Hob 111/41 (IV). Adagio in G, Hob XV:22 (IV) |
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Sonatas: No. 29 in E♭, Hob XVI:45; No. 33 in c, Hob XVI:20; No. 34 in D, Hob XVI:33; No. 35 in A♭, Hob XVI:43 |
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Sonatas: No. 35 in A♭, Hob XVI:43; No. 34 in D, Hob XVI:33; No. 12 in A, Hob XVI:12; No. 15 in E, Hob XVI:13; No. 59 in E♭, Hob XVI:49 |
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Sonatas: No. 45 in A, Hob XVI:30; No. 46 in E, Hob XVI:31; No. 43 in E♭, Hob XVI:28; No. 44 in F, Hob XVI:29; No. 52 in G, Hob XVI:39; No. 47 in b, Hob XVI:32 |
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Sonatas: No. 47 in b, Hob.XVI:32; No. 33 in c, Hob.XVI:20; No. 50 in D, Hob.XVI:37; No. 61 in D, Hob.XVI:51; No. 35 in A♭, Hob.XVI:43 |
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Sonatas: No. 5 in G; No. 38 in F; No. 60 in C; No. 33 in c |
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Sonatas: No. 55 in B♭, Hob XVI:41; No. 56 in D, Hob XVI:42; No. 54 in G, Hob XVI:40; No. 58 in C, Hob XVI:48; No. 59 in E♭, Hob XVI:49 |
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Sonatas: No. 57 in F, Hob XVI:47; No. 29 in E♭, Hob XVI:45; No. 61 in D, Hob XVI:51; No. 58 in C, Hob XVI:48; No. 53 in E minor, Hob XVI:34 |
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Sonatas: No. 60 in C, Hob XVI:50; No. 44 in F, Hob XVI:29; No. 51 in E♭, Hob XVI:38; No. 33 in c, Hob XVI:20 |
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Sonatas: in A, Hob.XVI/5; C, Hob.XVI/7; G, Hob.XVI/8; F, Hob.XVI/9; G, Hob.XVI/GI; D, Hob.XVI/DI; E♭, Landon 17; E♭, Landon 18. 20 Variations in G, Hob.XVII/2 |
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Sonatas: in C, Hob XVI:1; in C, Hob XVI:3; in D, Hob XVI:4; in C, Hob XVI:7; in G, Hob XVI:8; in e, Hob XVI:34; in D, Hob XVI:37; in g, Hob XVI:44; in A♭, Hob XVI:46 |
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Songs |
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Songs by |
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St. Bernard Mass. St. Nikolai Mass |
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Stabat Mater |
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Stabat mater |
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String Quartet No. 39 in C, op. 33/3, "Bird" |
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String Quartet in B♭, op. 2/6 |
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String Quartet in B♭, op. 76/4 |
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String Quartet in C, Hob. III:39, “The Bird” |
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String Quartet in C, op. 54/2 |
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String Quartet in C, op. 76/3: Poco adagio |
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String Quartet in C, “The Bird” |
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String Quartet in D, op. 2/5 |
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String Quartet in D, op. 20/4 |
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String Quartet in D, “The Frog” |
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String Quartet in E♭, op. 1, No. “0” |
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String Quartet in E♭, op. 64/6 |
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String Quartet in E♭, op. 76/6 |
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String Quartet in G, op. 54/1 |
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String Quartet in d, op. 42 |
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String Quartet in f, op. 20/5 |
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String Quartet, op. 64/5, “The Lark”: Vivace |
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String Quartets |
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String Quartets Nos. 17-22, op. 17/1-6, Hob lll:25-30 |
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String Quartets Vol. 5: Nos. 36-41, op. 50/1-6, Hob II 1:44-9 |
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String Quartets, Vol. 1: in C, op. 20/2; in C, op. 33/3; in G, op. 77/1 |
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String Quartets, Vol. 3: in F, op. 3/5 (attrib. Roman Hoffstetter); in E♭, op. 33/2, “Joke”; in E♭, op. 64/6; Quartet in B♭, op. 71/1 |
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String Quartets, Vol. 4: in f, op. 20/5; in E♭, op. 50/3; in C, “Emperor”; in E♭, op. 76/3 |
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String Quartets, Vol. 8: in E♭, op. 20/1; in B♭, op. 1/1; in B♭, op. 55/3; in B♭, op. 76/4, “Sunrise” |
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String Quartets, op. 1, Nos. 1-6 |
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String Quartets, op. 1/1–6 |
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String Quartets, op. 17/1–6 |
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String Quartets, op. 20 |
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String Quartets, op. 20: No. 2 in C; No. 5 in f; No. 6 in A |
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String Quartets, op. 20: No. 1 in E♭; No. 3 in g; No. 4 in D |
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String Quartets, op. 33 |
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String Quartets, op. 33/1–6 |
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String Quartets, op. 33: No. 1 in b; No. 2 in E♭, “Joke”; No. 5 in G |
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String Quartets, op. 50, Nos. 1–3 |
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String Quartets, op. 50, Nos. 4–6 |
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String Quartets, op. 50: No. 1 in B♭; No. 2 in C; No. 3 in E♭ |
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String Quartets, op. 50: No. 4 in f♭; No. 5 in F; No. 6 in D |
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String Quartets, op. 54/1–3 |
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String Quartets, op. 54: No. 1 in G; No. 2 in C; No. 3 in E |
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String Quartets, op. 64: No. 1 in C; No. 2 in b; No. 3 in B♭ |
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String Quartets, op. 64: No. 4 in G; No. 5 in D, "Lark"; No. 6 in B♭ |
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String Quartets, op. 74 |
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String Quartets, op. 76 |
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String Quartets, op. 76: No |
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String Quartets, op. 76: No. 1 in G; No. 5 in D; No. 6 in E♭ |
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String Quartets, op. 76: No. 4, "Sunrise"; No. 5; No. 6 |
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String Quartets, op. 9 |
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String Quartets, op.50: No. 4 in f«; No. 5 in F; No. 6 in D |
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String Quartets: 20/5; 33/3; 42 |
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String Quartets: 54/1; 54/2; 76/5 |
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String Quartets: in C, op. 54/2; in G, op. 77/1; in d, op. 103 |
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String Quartets: in C, op. 76/3 ("Emperor") |
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String Quartets: in C, “Emperor”; in D, “Lark”; in g, “The Rider” |
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String Quartets: in D, op. 20/4; in E♭, op. 33/2 ("Joke"); in C, op. 33/3 ("Bird"); in f, op. 55/2 ("Razor"); in D, op. 64/5 ("Lark") |
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String Quartets: in D, op. 64/5, “Lark”; in d, op. 76/2, “Fifths”; in G, op. 77/1 |
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String Quartets: in D, op. 64/5; in C, op. 74/1 |
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String Quartets: in E♭, op. 33/2, “Joke”; in C, op. 33/3, “The Bird”; in d, op. 76/2, “Fifths” |
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String Quartets: in G, op. 64/4; in g, op. 74/3, “Rider”; in D, op. 76/5 |
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String Quartets: in d, op. 9/4; in E♭, op. 17/3; in G, op. 17/5 |
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String Quartets: in d, “Fifths”; in C, “Emperor”; in B♭, “Sunrise” |
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String Quartets: in f, op. 20/5; in E♭, op. 33/2, "Joke"; in G, op. 54/1; in D, op. 64/5, "Lark"; in g, op. 74/3, "Rider"; in d, op. 76/2, "Fifths"; in G, op. 77/1. & |
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String Quartets: in g, op. 20/3; in C, op. 74/1; in G, op. 76/1 |
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String Quartets: op 3/5; op 51; op 54/1,2; op. 64/3; op. 74/1,2; op. 77/1; op. 103 |
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String Quartets: op. 17 |
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String Quartets: op. 1; op. 2 |
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String Quartets: op. 33/3, "The Bird"; op. 64/5, "The Lark" |
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String Quartets: op. 33/3, “The Bird” |
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String Quartets: op. 33; op. 42 |
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String Quartets: op. 42; op. 77/1; op 77/2; op. 103 |
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String Quartets: op. 64/2; op. 77/1; op. 20/4 |
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String Quartets: op. 64/4; op. 74/3; op. 76/5 |
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String Quartets: op. 71 |
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String Quartets: op. 71: No. 1 in B♭; No. 2 in D; No. 3 in E♭ |
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String Quartets: op. 71; op. 74 |
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String Quartets: op. 77/1; op. 77/2 |
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String Quartets: op. 77; op. 103 |
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String Quartets: op. 9/6; op. 74/1; op. 50/6 |
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String Quartets: ops. 20/2 |
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String Trios: in D, Hob. XI:11; in C, Hob. V:16 |
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Sympathy |
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Symphonies (Complete) |
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Symphonies (complete) |
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Symphonies No. 1-104. Symphony "A." Symphony "B." Sinfonia concertante in B♭ |
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Symphonies Nos. 93–98 |
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Symphonies Nos. 99–104 |
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Symphonies, Vol. 10: No. 62; No. 63, "La Roxelane"; No. 70; No. 71; No. 73; No. 74; No. 75 |
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Symphonies: No. 1 in D; No. 2 in C; No. 3 in G; No. 4 in D; No. 5 in A |
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Symphonies: No. 100 in G, “Military”; No. 103 in E♭, “Drumroll” |
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Symphonies: No. 100, “Military”; No. 101, “Clock” |
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Symphonies: No. 100, “Military”; No. 101, “The Clock”; No. 102; No. 103, “Drumroll” |
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Symphonies: No. 101 |
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Symphonies: No. 101 in D, "Clock"; No. 103 in E♭, "Drum Roll" |
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Symphonies: No. 101 in D, "Clock"; No. 104 in D, "London" |
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Symphonies: No. 101 in D, “Clock”; No. 99 in E♭; No 104 in D, “London” |
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Symphonies: No. 101 in D, “The Clock”; No. 103 in E♭, “Drum Roll” |
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Symphonies: No. 101, “The Clock”; No. 102 |
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Symphonies: No. 102 in B♭; No. 104 in D, "London" |
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Symphonies: No. 103 in E♭, "Drumroll"; No |
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Symphonies: No. 103, “Drumroll” |
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Symphonies: No. 104, "London"; No. 94, "Surprise" |
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Symphonies: No. 104, “London” |
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Symphonies: No. 14 in A; No. 15 in D; No. 16 in B♭; No. 17 in F |
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Symphonies: No. 18 in G; No. 19 in D; No. 20 in C; No. 21 in A |
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Symphonies: No. 22 in E♭, “The Philosopher”; No. 44 in e, “Trauersymphonie”; No. 64 in A, “Tempora mutantur” |
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Symphonies: No. 22, “Philosopher”; No. 49, “La passione” |
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Symphonies: No. 22, “The Philosopher”; No. 90. Trumpet Concerto |
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Symphonies: No. 25; No. 42; No. 65 |
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Symphonies: No. 28 in A; No. 18 in G; No. 52 in c |
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Symphonies: No. 31, "With the Horn-Signal"; No. 72 |
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Symphonies: No. 31, “Hornsignal”; No. 45, “Farewell” |
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Symphonies: No. 32 in C; No. 33 in C; No. 34 in d |
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Symphonies: No. 37 in C; No. 38 in C; No 39 in g; No. 40 in F |
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Symphonies: No. 39 in g; No. 60 in C, "Il distratto" |
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Symphonies: No. 39; No. 45, “Farewell” |
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Symphonies: No. 41 in C; No. 44 in e, “Trauer;” No. 47 in G |
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Symphonies: No. 41 in C; No. 49 in f, “La passione”; No. 44 in e, “Trauer” |
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Symphonies: No. 42 in D, Hob I:42; No. 43 in E♭, Hob I:43, “Mercury”; No. 44 in e, Hob I:44, “Trauersinfonie” |
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Symphonies: No. 44 in e, “Trauer”; No. 98 in B♭ |
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Symphonies: No. 44, "Trauer"; No. 45, "Farewell" |
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Symphonies: No. 44, "Trauer"; No. 45, "Farewell" ; No. 49, "La Passione" |
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Symphonies: No. 44, “Trauer”; No. 45, “Farewell”; No. 49, “La passione”; No. 55, “Schoolmaster” |
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Symphonies: No. 45 in f♯, Hob I:45, “Farewell” |
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Symphonies: No. 46 in B, Hob I:46 |
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Symphonies: No. 47 in G, Hob I:47 |
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Symphonies: No. 48 in C, Hob I:48, “Maria Theresia”; No. 49 in f, Hob I:49, “La passione”; No. 50 in C, Hob I:50 |
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Symphonies: No. 52 in c; No. 49 in f, “La passione”; No. 58 in F |
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Symphonies: No. 57 in D; No. 59 in A, “Fire”; No. 65 in A |
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Symphonies: No. 6 in D, “Le Matin”; No. 7 in C, “Le Midi”; No. 8 in G, “Le Soir” |
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Symphonies: No. 6 in D, “Le Matin”; No. 7 in C, “Le Midi”; No. 8 in G, “Le Soir” |
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Symphonies: No. 60, “Il distratto”; No. 61. Overture in D, Hob Ia: 7 |
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Symphonies: No. 62; No. 107, “A”; No. 108, “B” |
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Symphonies: No. 64 in A; No. 45 in f♯, "Farewell" |
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Symphonies: No. 7 in C, “Le midi”; No. 83 in g, “La poule”; No. 96 in D, “Miracle” |
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Symphonies: No. 70 in D; No. 71 in B♭; No. 73 in D “La Chasse” |
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Symphonies: No. 70 in D; No. 7I in B♭; No. 72 in D |
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Symphonies: No. 70; No. 73, “La Chasse”; No. 75 |
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Symphonies: No. 73 in D, “La Chasse”; No. 74 in E♭; No. 75 in D |
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Symphonies: No. 76 in E♭; No. 77 in B♭; No. 78 in c |
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Symphonies: No. 80 |
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Symphonies: No. 80 in d; No. 81 in G; No. 99 in E♭ |
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Symphonies: No. 80 in d; No. 83 in g, “La poule”; No. 84 in E♭; No. 87 in A; No. 88 in G; No. 89 in F |
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Symphonies: No. 80; No. 49, “La passione” |
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Symphonies: No. 82 in C, "The Bear"; No. 88 in G; No. 95 in c |
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Symphonies: No. 82 in C, “The Bear”; No. 88 in G; No 95 in c |
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Symphonies: No. 82 in c, “The Bear”; No. 83 in g, “The Hen”; No. 84 in E♭; No. 85 in B♭, “La Reine”; No. 86 in D; No. 87 in A |
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Symphonies: No. 83 “La poule;” No. 84; No, 85, “La reine” |
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Symphonies: No. 85, “La Reine”; No. 45, “Farewell” |
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Symphonies: No. 88 in G; No. 89 in F; No. 90 in C; No. 91 in E♭, No. 92 in G, “Oxford” |
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Symphonies: No. 88 in G; No. 92 in G; No. 94 in G |
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Symphonies: No. 88; No. 92, “Oxford”; No. 93; No. 94, “Surprise”; No. 95 |
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Symphonies: No. 88; No. 95 |
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Symphonies: No. 89; No. 88. Concertante for Violin, Cello, Oboe, Bassoon, and Orchestra |
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Symphonies: No. 9 in C; No. 10 in D; No. 11 in E♭; No. 12 in E |
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Symphonies: No. 91 in E♭; No. 92 in G, “Oxford” |
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Symphonies: No. 92 in G, “Oxford”; No. 104 in D, “London” |
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Symphonies: No. 92, “Oxford”; No. 94, “Surprise” |
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Symphonies: No. 93 in D; No. 94 in G, “Surprise;” No. 92 in G, “Oxford” |
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Symphonies: No. 93 in D; No. 94 in G, “Surprise”; No. 101 in D, “The Clock” |
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Symphonies: No. 93 in D; No. 94 in G, “Surprise”; No. 103 in E♭, “Drum Roll” |
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Symphonies: No. 93 in D; No. 96 in D “Miracle”; No. 98 in B♭ |
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Symphonies: No. 93, No. 101, “Clock” |
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Symphonies: No. 93; No. 95; No. 96 |
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Symphonies: No. 93; No. 96, “The Miracle”; No. 98 |
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Symphonies: No. 94 in G, "Surprise", No. 100 in G, "Military"; No. 104, "London," Cello Concertos: in C, Hob VIIb: 1; in D, Hob Vllb:2 |
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Symphonies: No. 94 in G, "Surprise"; No. 101 in D, "Clock"; No. 102 in B♭ |
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Symphonies: No. 94 in G, “Surprise;” No. 95 in c; No. 97 in C |
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Symphonies: No. 94, "Surprise"; No. 104, "London" |
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Symphonies: No. 94, “Surprise”; No. 96, “Miracle”; No. 97 |
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Symphonies: No. 95; No. 103, "Drum Roll"; No. 104, "London" |
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Symphonies: No. 95; No. 97; No. 101, "Clock" |
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Symphonies: No. 96, “Miracle”; No. 101, “The Clock”; No. 1 |
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Symphonies: No. 96, “Miracle”; No. 97 |
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Symphonies: No. 96, “The Miracle”; No. 88; No. 60, “Il distratto” |
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Symphonies: No. 97 in C; No. 102 in B♭ |
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Symphonies: No. 98; No. 99; No. 100,“Military” |
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Symphonies: No. 99 in E♭; No. 101 in D, “The Clock” |
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Symphonies: Nos. 82 – 87, “Paris” |
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Symphonies: Nos. 82–87, “Paris”; No. 88; Nos. 93–104, “London” |
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Symphonies: Nos. 93–98 |
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Symphony No. 100 |
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Symphony No. 100 in G, “Military” |
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Symphony No. 100, “Military” |
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Symphony No. 101 |
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Symphony No. 101 in D ("The Clock") |
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Symphony No. 101 in D, “The Clock” |
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Symphony No. 101, “The Clock” |
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Symphony No. 103 in E♭ ("Drumroll") |
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Symphony No. 103, "Drumroll"; No. 104, "London" |
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Symphony No. 103, “Drumroll” |
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Symphony No. 104 |
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Symphony No. 104 in D, “London” |
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Symphony No. 104, "London" |
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Symphony No. 104, “London” |
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Symphony No. 12 in E |
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Symphony No. 22 |
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Symphony No. 26, “Lamentation” |
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Symphony No. 39 |
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Symphony No. 44, “Trauer” |
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Symphony No. 45, “Farewell”: Finale |
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Symphony No. 48 (5/20/1993) |
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Symphony No. 53, "L’Impérial" |
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Symphony No. 76 |
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Symphony No. 76 in E♭ |
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Symphony No. 83, "The Bear" |
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Symphony No. 83, “La poule” |
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Symphony No. 85, “La Reine” |
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Symphony No. 86 |
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Symphony No. 86, “Paris” |
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Symphony No. 88 |
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Symphony No. 88 (10/2/97) |
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Symphony No. 88 in G |
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Symphony No. 88. Sinfonia concertante in B♭ |
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Symphony No. 88: Finale |
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Symphony No. 91 |
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Symphony No. 92 |
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Symphony No. 92 in G, "Oxford" |
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Symphony No. 92, "Oxford" |
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Symphony No. 92, “Oxford” (1/21/1970) |
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Symphony No. 93 |
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Symphony No. 94, “Surprise” |
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Symphony No. 95 |
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Te Deum |
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Te Deum in C, Hob XXIIIc:2 |
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Te Deums: No. 1; No. 2 |
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The "London" Symphonies (Nos. 93-104) |
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The "Paris" Symphonies (Nos. 82-87) |
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The 55 Sonatas. Capriccio in G, Hob XVII:1 |
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The 7 Last Words of Christ |
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The 7 Last Words of Christ on the Cross |
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The Battle of the Nile, Hob XXVb:4 |
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The Battle of the Nile: Blest Leader, H XXVIb:4 |
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The Complete Piano Sonatas, Vol. 1 |
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The Creation |
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The Creation (sung in English) |
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The Creation: In Native Worth |
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The Creation: Mit Staunen sieht das Wunderwerk; Nun beut die Flur das frische Grün; Auf starkem Fittige |
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The Heavens are telling |
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The London Symphonies |
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The Lone Vale |
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The Mermaid’s Song |
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The Mermaid’s Song. Recollection. Despair. Pastoral Song. Pleasing Pain. Fidelity. The Wanderer. Tuneful Voice. The Spirit’s Song. Eine sehr gewöhnliche Geschichte. Die Verlassene. An Thyrsis. Die Landlust. Liebeslied. Die zu späte Ankunft der Mutter. Blodau’s Grug |
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The Mermaid’s Song. Sailor’s Song. Pastoral Song. The Creation: Gabriel’s Recitative and Aria |
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The Seasons |
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The Seasons: Ländler |
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The Seven Last Words |
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The Seven Last Words of Christ |
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The Seven Last Words of Christ on the Cross |
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The Seven Last Words of Christ on the Cross (trans. Anon) |
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The Seven Last Words of Our Savior on the Cross |
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The Seven Last Words, op. 51 |
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The Shepherd’s Song |
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The Spirit’s Song |
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The Spirit’s Song, Hob XXV1a:4 |
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The Wanderer |
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Theresienmesse |
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Trios for 2 Flutes and Cello: Hob IV:1–4, “London Trios” |
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Trios for Fortepiano, Flute, and Cello, Hob XV:15–17 |
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Trios: in A, Hob XV: 18; in g, Hob XXV: 19. Two Italian Duets, Hob XXVa:1 & 2 |
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Trios: in G, Hob XV:15; in D, Hob XV:16; in F, Hob XV:17 |
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Tros y Garreg |
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Trumpet Concerto |
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Trumpet Concerto in C |
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Trumpet Concerto in E♭ |
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Un cor sì tenero in petto forte. Dice benissimo chi si marita |
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Up in the Morning Early |
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VARIATIONS |
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Variationen über die Hymn “Gott erhalte Franz, den Kaiser” |
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Variationen über “Gott erhalte Franz, den Kaiser, ” Hob III/77II |
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Variations in F, Hob XVI:6 |
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Variations in G on “Gott erhalte den Kaiser” |
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Variations in f, Hob XVII:6. Piano Sonatas: No. 48 in C, Hob XVI:35, No. 59 in E♭, Hob XVI:49; No. 33 in c, Hob XVI:20 |
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Variations in f. Un piccolo divertimento. Piano Sonata in C, Hob XVI:50 |
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Variations of the Imperial Anthem |
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Variations on God Preserve the Kaiser |
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Variations on a Minuet in E♭, Hob II:24 |
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Variations on the Imperial Anthem |
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Variations: in G on “Gott erhalte den Kaiser”; in f, Hob XVII:6 |
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Violin Concerto No. 1 |
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Violin Concerto No. 4 in G, H Vlla:4 |
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Violin Concerto No. 4. Symphony No. 92, “Oxford” |
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Violin Concerto in A, H VIla/3 |
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Violin Concerto in C |
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Violin Concerto in G |
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Violin Concerto in G, Hob VIIa:4 |
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Violin Concertos, Hob. VIIa: No. 4; No. 3; No. 1 |
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Violin Concertos: No. 1 in C |
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Violin Concertos: No. 1 in C; No. 4 in G |
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Violin Concertos: No. 3 in A; No. 4 in G |
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Violin Concertos: No. 4 in G |
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Violin Concertos: in A, "Melk," Hob Vlla:3; in C, Hob Vlla:1; in G, Hob Vlla:4 |
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Violin Concertos: in C, Hob VIIa:1; in A, Hob VIIa: 3; in G, Hob VIIa: 4 |
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Violin Sonata in G, Hob XV:32 |
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Violin and Harpsichord Concerto in F, Hob. XVIII:6 |
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Violin and Organ Concerto in F, Hob XVIII:6 |
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What art expresses |
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Will Ye Go to Flanders |
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Wind Partitas: in E♭, Hob II/41; in B♭, Hob II/42; in B♭, Hob II/43; in B♭, Hob II/46; in F, Hob II/F7 |
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Works by |
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Works of |
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XVI/36: Minuet. Deutsche Tanz No. 5. Harpsichord Concerto in D, Hob. XVI11/11 |
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XVIII:11 |
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XVIII:3; in G, Hob |
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XVIII:4; in D, Hob |
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Y Cymry Dedwydd |
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Zwanzig Variationen in G, Hob XVII:2 |
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“Paris” Symphonies” Nos. 82–87 |
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