"The Magic Horn." |
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// ratto dal serraglio: Tutte le torture |
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// re pastore: L'amerò, sarò costante |
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10 Variations on “Unser dummer Pobel meint.” 12 Variations on an Allegretto |
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10 ti lascio, oh cara, addio, K Anh 245 |
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12 Opera Overtures |
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12 Variations in C on Ah, vous-dirai-je, Maman |
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12 Variations on a Minuet by Johann Christian Fischer, K 179 (189a) |
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12 Variations on “Ah vous dirai-je, Maman.” 12 Variations on “La belle francoise” |
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12 Variations on “Ah, vous dirai-je, Maman,“ K. 265/30ÛC. 10 Variations on “Unser dummer Pobel meint, “ K. 455. Andante in F for Mechanical Organ, K. 616. Rondo in A minor, K. 511. Adagio in C for Glass Harmonica, K. 356/617a. Minuet in D, K. 3551576b. Gigue in G, K. 574. Adagio in B minor, K. 540 |
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12 Variations on “Je suis Lindor” by Antoine Laurent Baudron, K 354 (299a) |
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12 in F, K 332 |
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17 in B♭, K 458, "Hunt"; No |
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2-Piano Concerto, K 365 |
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2-Piano Sonata, K 448 |
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3 German Dances, K 605 |
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3 in G, K 156 |
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39 in E♭, K. 543 |
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4 Church Sonatas |
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4 German Dances |
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4 Lieder |
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4 Minuets, K 601 |
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5 Contredanses, K 609 |
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5 Variations in G |
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5 Violin Concertos |
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6 German Dances |
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6 German Dances, K 509 |
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6 German Dances, K 571 |
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6 Preludes and Fugues, K 404a |
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6 Viennese Sonatinas, K 439b |
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8 Variations on a Dutch Song. 6 Variations on “Salve tu, Domine.” 7 Variations on “Willem van Nassau.” 12 Variations on a Minuet by Johann Christian Fischer. 12 Variations on “Je suis Lindor.” 6 Variations on “Mio caro Adone” by Salieri. Londoner Skizzenbuch: 6 Pieces |
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8 Variations on a March from Gretry’s “Les mariages Samnites” |
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8 Variations on “Come un’agnello.” 8 Variations on “Ein Weib ist das herlichste Ding” |
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9 Variations in D, K 573 |
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9 Variations on "Lison dormait," K 264. Fantasy in c, K 475. Sonata in c, K. 457; PROKOFIEV: Piano Sonata No. 8 |
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9 Variations on a Minuet by Duport |
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9 Variations on a Minuet by Duport. Piano Sonata in D. Andante in F |
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9 Variations on a Minuet by Jean-Pierre Duport, K. 573 |
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A Chloë. La Jeune fille et la violette |
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A Musical Joke |
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A Musical Joke, K. 522 |
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A questo seno deh vieni. ..Or che il cielo, K. 374. Voi avete un cor fedele, K. 217. Ah, lo previdi!... Ah, t'invola, K. 272. Bella mia fiamma, K. 528*. Misero! o sogno, K. 431. Si mostra la sorte, K. 209. Clarice cara, K. 256. Va, dal furor portata, K. 21. Se al labbro mio non credi, K 29S |
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Abendempfindung |
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Abendempfindung an Laura |
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Abendempfindung, K. 523 |
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Abendempfindung. Dans un bois solitaire. Oiseau, si tous les ans. Schubert: Der Jüngling und der Tod. Heimliches Lieben. Lied der Mignon. Seligkeit. Die Forelle |
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Abendempfindung. Dans un bois solitaire. Oiseaux, si tous les ans |
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Abendempfindung. Das Veilchen. Warnung. Sehnsucht nach dem Frühling. Sei du mein Trost. Dans un bois solitaire |
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Abendempfindung. Oiseaux, si tous les ans. Dans un boire solitaire. An die Freude. An die Einsamkeit. Wie unglücklich bin ich. Komm, liebe Zither. Die Zauberer. An Chloe. Das Lied der Trennung. Das Veilchen. Ridente ìa calma. An die Freundschaft. Die Zufriedenheit. Des kleinen Friedrichs Geburtstag. Die kleine Spinnerin. An die Hoffnung. Als Luise die Briefe. Das Traumbild. Lied der Freiheit. Die Alte. Das Kinderspiel. Sehnsucht nach dem Frühlinge. Im Frühlingsanfang. Die ihr des unermesslichen Weltalls |
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Adagio and Allegro in F minor, K. 594 |
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Adagio and Allegro in f, K 594 |
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Adagio and Allegro, K 594 |
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Adagio and Fugue for String Quartet, K 546 |
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Adagio and Fugue in C Minor, K 426 |
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Adagio and Fugue in C Minor, K. 546 |
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Adagio and Fugue in C minor, K. 546 |
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Adagio and Fugue in c |
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Adagio and Fugue in c, K 426 |
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Adagio and Fugue in c, K 456 |
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Adagio and Fugue in c, K 546 |
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Adagio and Fugue in c, K 546/426 |
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Adagio and Fugue, K 546 |
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Adagio and Fugue, K. 546 |
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Adagio and Rondeau in c/C, K 617 |
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Adagio and Rondo In C Minor for Glass Armonica, Flute, Oboe, Viola, and Cello, K.617. Adagio In C for Glass Armonica, K. 356 |
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Adagio and Rondo for Glass Harmonica and String Quartet, K. 617 |
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Adagio and Rondo in C, K 617 |
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Adagio and Rondo in c, K 617 |
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Adagio and Rondo, K 617 |
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Adagio and Rondo, K. 617 |
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Adagio for Glass Harmonica or Clavier, K. 356 (617a) |
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Adagio for Glass Harmonica, K 356 |
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Adagio for Glass Harmonica, K 356/617a |
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Adagio for Piano in b, K 540 |
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Adagio in B Minor, K. 540. Piano Sonata No. 16 in Bb, K. 570 |
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Adagio in Bb for Two Clarinets and Three Basset Horns, K. 411 (with Philip Sibthorp, basset horn) |
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Adagio in B♭ for 2 Clarinets and 3 Basset-Horns, K 411 |
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Adagio in B♭, K 411 |
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Adagio in B♭, K.411 (arr. Raaf Hekkema) |
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Adagio in C for Glass Harmonica, K. 617a. Marche funèbre del Signore Maestro Contrapuncto in C Minor, K. 453a |
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Adagio in C, K 356 |
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Adagio in C, K 356 (617a) |
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Adagio in C, K 580a |
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Adagio in C, K 580a (arr. Wojciechowski) |
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Adagio in E |
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Adagio in E for Violin and Orchestra [Piano], K.261 |
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Adagio in E for Violin and Orchestra, K. 261 |
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Adagio in E, K 261 |
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Adagio in E, K. 261. Rondo in C, K. 373 |
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Adagio in F for Clarinet and Three Basset Horns, K. 580a. Adagio in Bb for Two Clarinets and Three Basset Horns, K. 411/484a |
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Adagio in F, K 206a |
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Adagio in F, K.410 (arr. Hekkema) |
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Adagio in G, K 580a (Arr. Lucarelli) |
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Adagio in b |
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Adagio in b, K 540 |
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Adagio in b, K 540; Rondo in D, K 485 |
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Adagio, K 261 |
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Adagio, K 411 |
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Adagio, K 540. Piano Concerto No. 27, K 595 |
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Adagio, K 546 |
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Adagio, K 580 |
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Adagio, K 580a |
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Adagio, K. 356 |
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Adagios: in F, K 94; in B♭, K 411 |
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Ah lo previdi. Ah se in ciel |
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Ah se in ciel, benigne stelle, K. 538. Chi sa, chi sa, quai sia, K. 582. Vado, ma dove, K. 583, Ch'io mi scordi di te... Non temer, amato bene, K. 490^. Per pietà, bell' idol mio, K. 78. Per quel paterno amplesso, K. 79. Bella mia fiamma, K. 528. Ah, lo previdi, K. 272. Misera, dove son, K. 369 |
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Ah se in ciel, benigne stelle. Vorrei spiegarvi, oh Dio! No, che non sei capace. Se tutti I mali miei. Popoli di Tessaglia.... lo non chiedo. Mia speranza adorata.. .. Ah, non sai. Alcandro, lo confesso.... Non so donde viene. Ma che vi fece, o stelle. . . . Sperai vicino |
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Ah! Spiegarti, oh Dio, K 178 |
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Ah, lo previdi ...Ah, t'Invola, K. 272. Ah, se In del, K. 538. Il ré pastore, K 208: L'amerò. Bella mia fiamma, K. 528, Alcandro, lo confesso.... Non so donde viene, K. 294. Voi avete un cor fedele, K 217 |
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Ah, lo previdi, K 272 |
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Ah, lo previdi, K 272 Voi avete, K 217 |
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Ahi cosa beggio…Vado, ma dove? |
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Al desio di chi t’adora, K 577 |
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Alla turca |
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Allegro and Andante in F, K 533; Rondo in F, K 494; Piano Sonata in B♭, K 570 |
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Allegro and Andante in F/Rondo in F, K 533/494 |
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Allegro and Rondo in F |
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Allegro in B, K 400; Allegro in g, K 312; Fantaisie in C, K 475; Fantaisie and Fugue in C, K 394; Marche funèbre, K 453; Adagio in g, K 540; Minuet in G, K355; Petite gigue in G, K 574; Fantaisie in d, K 397; Rondo in a, K 511; Variations on “Ah, vous dirai-je Maman, ” K 265 |
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Allegro in B♭, K 400, “Sophie und Constanza” |
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Allegro in B♭, K 516c |
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Allegro in B♭, K Anh. 91 (2 versions) |
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Allegro in B♭, K anh 91 (fin. Robert Levin) |
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Allegro in F, K 580b |
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Allegro in G, K Anh. 66 (fragment, completed Beyer) |
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Allegro in g (fragment), K 312 |
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Allegro in g, K 312 |
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Allegro inB♭ for Clarinet and Strings, K Anh 91 |
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Allegro molto |
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Allegro, K 400 |
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Alleluja |
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Alleluja, K. 165 |
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Alma grande e nobil core. Misero me! . . . Misero pargoletto. Così fan tutte: Ah, scostati! . . . Smanie implacabili; Temerari . . . Come scoglio |
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Als Luise die Briefe, K. 520. Un moto di gioia, K. 579 |
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An Chloe |
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An Chloe, K. 524. Das Traumbild, K: 530. Der Frühling, K. 597. Wie unglücklich bin ich, K. 147. Das Lied der Trennung, K. 519. Die Zufriedenheit, K. 369. Komm, liebe Zither, K. 351. Die betrogene Welt, K. 474. Liedder Freiheit, K. 506. Abendempfindung, K. 523. Ich würd' auf meinem Pfad, K. 390. Sei du mein Trost, K.391. Das Veilchen, K. 476. Sehnsucht nach dem Frühlinge, K. 596. Das kleinen Friedrichs Geburtstag, K. 529. Das Kinderspiel, K. 598 |
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An Chloë, K. 524. Abendempfindung, K. 523 |
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An Chloë, K. 524. Als Luise die Briefe, K. 520. Der Zauberer, K. 472. Komm, liebe Zither, K. 351. Sei du mein Trost, K. 391. Das Veilchen, K. 476. Die Alte, K. 517. Die Zufriedenheit, K. 473. Ein deutsches Kriegslied, K. 539. Trennungslied, K. 519. Dans un bois solitaire, K. 308. Un moto di gioia, K. 579. Lied der Freiheit, K. 506. Oiseaux, si tous les ans, K. 307. Ridente la calma, K. 152. Die kleine Spinnerin, K. 531. Sehnsucht nach dem Frühling, K. 596. Abendempfindung, K. 523. Eine kleine deutsche Kantate, K. 619 |
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An Chloë, K. 524. An die Hoffnung |
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An die Freude, K. 53 |
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An die Freude, K. 53. Ridente la calma, K. 152. Oiseaux, si tous les ans, K. 307. Dans un Bols solitaire, K. 308. Gotteslamm, K. 343. Komm, liebe Zither, K. 351. Sei du mein Trost, K. 391. Der Zauberer, K. 472. Die Zufriedenheit, K. 473. Das Veilchen, K. 476. Lied der Freiheit, K. 506. Die Verschweigung, K. 518. Lied der Trennung, K. 519. Als Luise die Briefe, K. 520. Abendempfindung, K. 523. An Chloe, K. 524. Das Traumbild, K. 530. Sehnsucht nach dem Frühlinge, K. 596. Der Frühling, K. 596. Das Kinderspiel, K. 598. Männer suchen stets zu naschen, K. 433. Un moto di gioia, K. 579 |
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Anas and songs by |
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Andante (arr. Saint-Saëns) |
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Andante Rondo (fragment) |
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Andante and 5 Variations, K 501 |
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Andante and Variations in G |
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Andante for Flute and Orchestra in C, K 315 |
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Andante for Flute, K 315 |
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Andante for a Musical Clock, K. 616 |
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Andante for a Small Organ Cylinder in F, K 616 |
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Andante in C |
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Andante in C for Flute and Orchestra, K. 315 (trans, for clarinet) |
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Andante in C for Flute and Orchestra, K. 315. Concerto No. 1 in G for Flute and Orchestra, K. 313. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Andante in C for Flute, K 315 |
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Andante in C, K 315 |
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Andante in F for a Musical Clock, K. 616 |
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Andante in F, K 616; Piano Sonata in C, K 330; Allegro in B♭, K 400 (completed by Abbé Stadler); Adagio in b, K 540; Piano Sonata in F, K 332; Fantasy in c, K 396 (completed by Abbé Stadler); Six Variations in F, K 398 |
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Andante in F, K. 616 |
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Andante in c, K 315 |
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Andante sostenuto aus der C-dur Sonate |
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Andante with Variations in G, K 501 |
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Andante, K 315 |
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Andante, K 540 |
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Andante, K 616 |
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Andante, K. 616 |
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Andantino in E♭, K 236 |
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Andantino, K 236 |
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Apollo et Hyacinthus, K 38 |
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Apollo et Hyacinthus, K. 36. Bastien und Bastienne, K. 50 |
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Apollo et Hyacinthus, K. 38 |
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Apollo et Hyacinthus: Iam pastor Apollo |
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Aria of Tamino |
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Arias |
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Arias and Songs by |
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Arias and duets by |
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Arias and songs by |
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Arias by |
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Arias from Così fan Tutte; Don Giovanni; Le Nozze di Figaro. Alcandro, lo confesso … Non so d’onde viene, K 512 |
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Arias from Le nozze di Figaro; La clemenza di Tito; Idomeneo; Lucio Silla |
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Arias from: Die Zauberflöte, Don Giovanni, and Così fan tutte Selection from; "Posthorn" Serenade, A Musical Joke, Piano Sonata No. 11, and Symphony No. 39 |
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Arias from: Lucio Silla. La finta semlice. Il sogno di Scipione. La finta gardiniera. Il rè pastore. Idomeneo. Don Giovanni. Cosi fan tutte. La Clemenza di Tito |
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Arias, duets, quartet, and songs by |
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Arias, duets, romances, and songs by |
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Arias, songs and duets by |
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Arias, songs, duets by |
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Arias, songs, duets, and trios |
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Arias/duets from: Le di Figaro |
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Arias: Al fato dan legge |
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Arias: Bella mia fiamma. Ch’io mi scordi di te? Ah, lo previdi. Così fan tutte: Come scoglio. Per pietà, ben mio |
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Arias: Così fan tutte: Donne mie, la fate a tanti |
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Arias: Die Zauberflöte, K. 620:0 zittre nicht... Zum leiden bin ich; Der Hölle Rache. Die Entführung aus dem Serail, K. 384: Ach, ich liebte; Traurigkeit; Martern aller Arten. Così fan tutte, K. 588: Temerari ... Come scoglio |
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Arias: Le nozze di Figaro: Non più andrai; Tutto è disposto . . . Aprite un po; Crudel! perchè finora |
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Arias: Misera, dove son, K. 369; Un moto di gioia, K. 579; Schon lacht der holde Frühling, K. 580 (Gruberova, with György Fischer conducting the Wiener Kammerorchester). Vado, ma dove, K. 583; Bella mia fiamma, K. 528; Nehmt meinen Dank, K. 383 (Te Kanawa, with Fishcer). Oie Entführing aus dem Serail, K. 384: Ha! wie will ich triumphieren (Jungwirth, with István Kertész conducting the Wiener Haydn-Orchester) |
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Arias: Ridente, la calma. Oiseaux, si tous les ans. Dans un bois solitaire. Die kleine Spinnerin. Als Luise die Briefe. Abendempfindung. Das Kinderspiel. Die Alte. Das Traumbild. Das Veilchen. Der Zauberer. Der Frühling. Das Lied der Trennung. Die Zufriendenheit. An Chloe. Sehnsucht nach dem Frühling |
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Arias: Rivolgete a lui lo sguardo |
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Arias: Secondate, aurette amiche |
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Arias: Un moto di gioia, K. 579. Le nozze di Figaro, K. 492: Giunse alf in il momento... Deh vieni, non tardar. Misero! O sogno, K. 431. Mentre ti lascio, K. 5J3 |
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Arias: Un’ aura amorosa |
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Arias: Va, dal furor portata, K 21; Or che il dover…Tali a cotanti sono, K 36; Si mostra la sorte, K 209; Con ossequio, con rispetto, K 210; Se al labbro mio con credi…Il cor dolente, K 295; Clarice cara mia sposa, K 256; Per pietà, non ricercate, K 420; Misero! O sogno…Aura, che intorno spiri, K 431 |
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Arias: from Lucio Silla. Die Zauberflöte, lire pastore. Mitridate. Die Entführung aus dem Serail. La clemenza di Tito, laide |
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Arias: from Lucio Silla. Die Zauberflöte. Il re pastore. Mitridate. Die Entführung aus dem Serail. La clemenza di Tito. Zaïde |
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Ariette from “Cosi fan tutte“ (arr. Perier) |
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Arlequinade (Music for a Carnival Pantomime, K. 446, and others) |
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Ascanio in Alba, K 111 |
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Ascanio in Alba, K. 111 |
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Ascanio in Alba, K. 111. Mass in C, K. 317 (“Coronation“) |
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Ascanio in Alba: Ah di sì nobil alma |
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Ascanio in Alba: Al mio ben mi veggio avanti |
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Ascanio in Alba: Al mio ben mi veggio avanti. Mitridate, re di Ponto: Venga pur, minacci e frema |
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Ascanio in Alba: Cara, lontano ancora; Al mio ben mi veggio; Ah, di sì nobil alma; Ballet music (reconstructed Safranov) |
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Ascanio in Alba: Ferma aspetta—Infelice affetti miei |
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Auf das Wohl aller Freunde, K508 |
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Ave Verum Corpus |
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Ave Verum Corpus, K. 618 |
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Ave Verum Corpus, S. 461a. Requiem, K. 626: Confutatis Maledictus; Lacrimosa (S. 550) |
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Ave verum |
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Ave verum corpus |
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Ave verum corpus, K 618 |
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Ave verum corpus, K. 618 |
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Ave verum corpus. Per questa bella mano |
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Ave verum corpus. Per questa bella mano, K 612 |
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Ave verum corpus. Regina coeli |
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Ave verum corpus. Vesperae solennes de confessore |
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Ave verum corpus. Vesperae solennes de confessore, K. 339.Laudate Dominum |
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Bandelterzett |
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Bassoon Concerto |
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Bassoon Concerto in B♭ |
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Bassoon Concerto in B♭, K 191 |
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Bassoon Concerto in B♭, K 191/186c |
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Bassoon Concerto, K 191 |
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Bassoon Concerto. Clarinet Concerto. Flute Concerto No. 1 in G, K 313 |
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Basta vincesti . . . Ah, non lasciarmi. La finta giardiniera: Và pure ad altri in braccio; Se l’augellin sen fugge |
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Bastien und Bastienne, K, 50. Two Songs with Mandolin: Die Zufriedenheit, K. 349; Komm, liebe Zither, K. 351 |
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Bastien und Bastienne, K. 50. Concert Arias: Per pietà, non ricercate, K. 420; Misero! O sogno, K. 431 |
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Bastien und Bastienne, K. 50. Opera and Concert Arias |
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Bastien und Bastienne: Overture, Die Entführung aus dem Serail: Overture |
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Bastien und Bastienne: Diggi, daggi, schurry, murry |
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Bastien und Bastienne: Overture |
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Bastlen und Bastienne, K. 50 |
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Bella mia fiamma . . . Resta, o cara, K 528 (Ria Ginster, sop; 3/5/42) |
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Bella mia fiamma, addio . . . Resta, oh cara. Nehmt meinen Dank, ihr holden Gönner! |
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Bella mia fiamma, addio . . . Resta, o cara |
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Bella mia fiamma, addio!, K 528 |
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Bella mia fiamma, addio, K 528 |
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Bella mia fiamma. Vado, ma dove. Voi avete un cor fedele. Al desio di che t'adora. Nehmt meinen Dank. Le nozze di Figaro: Bella mia fiamma. Vado, ma dove. Voi avete un cor fedele. Al desio di che t’adora. Nehmt meinen Dank. Le nozze di Figaro: Porgi amor |
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Betulia liberata |
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Betulia liberata, K 118: Excerpts |
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Betulia liberata, K. 118: Terribile d'aspetto; To solo adoro. Le nozze di Figaro, K. 492: La vendetta. Così fan tutte, K. 584: Rivolgete a lui lo sguardo. Zaide, K. 344: Ihr mächtigen seht ungerührt; Wer hungrig bei der Tafel sitzt. La finta semplice, K. 51: Elle vuole ed io torrei; Con certe personne; Vieni, o mia Ninetta. Don Giovanni, K. 527: Madamina. Un bacio di mano, K. 541. lo ti lascio, K. 621a. Per questa bella mano, K. 612. Ich möchte wohl der Kaiser sein, K. 539 |
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Bona nox, bist a rechta Ox |
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Brüder, lasst uns lustig sein |
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CHAMBER MUSIC AT THE SALZBURG FESTIVAL 1956–1991 |
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Canon alla seconda, K 562c |
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Cantata, K 619 |
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Cantata: Die ihr des unermesslichen Weltalls Schöpfer |
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Canzonetta (“Deh vieni alla finestra“) from Don Giovanni |
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Capriccio in C, K 574 |
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Caro mio Druck und Schluck |
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Cassation in B♭, K 99 |
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Cassations: in G, K. 63; in B, K. 99 (63a). Adagio and Fugue in C, K. 546. |
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Cassations: in G, K. 63; in B♭, K. 99 |
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Cello Concerto in D, K 285d |
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Cello Concerto in D, K 314 (arr. by George Szell and Sergio Ciomei) |
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Cello Concerto in E |
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Cello Sonatas: in G, K 301; in F, K 376; in G, K 379 |
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Ch'io mi scordi di te, K. 505. Vado, ma dove, K. 583. Alma grande, K. 578. nehmt meinen Dank, K. 383. The Marriage of Figaro: Porgi amor; E Susanna non vien ... Dove sono; Non so più; Voi che sapete; Giunse alfin il momento ... Deh vieni, non tardar. Don Giovanni: Ah! fuggi il traditor; ln quali eccessi ... Mi tradì; Batti, batti, o bel Masetto; “Vedrai, carino; Crudele ... Non mi dir. Idomeneo: “Zeffiretti lusinghieri |
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Ch'io mi scordi di te—non temer, amato bene—Scene with Rondo, for Soprano, Obbligato Piano, and Orchestra, K. 505^. Concerto No. 1 in G for Flute and Orchestra, K. 313. Symphony No. 34 in C, K. 338 |
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Chamber Music with Winds |
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Chi sa qual sia. La clemenza di Tito: Deh, se piacer mi vuoi |
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Chi sa, chi sa, quai sia. Vado, ma dove? oh Dei! Ah, lo previdi!... Ah, t’invola... Deh non varcar. Alma grande e nobil core. Ch’io mi scordi dite? ... Non temer, amato bene |
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Church Sonata in B♭, K 68 |
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Church Sonata in D for Two Violin, Bass, and Organ, K. 144 (124a) |
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Church Sonata, K 274 |
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Church Sonatas |
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Church Sonatas Nos. 1–17. Andante in F, K 616 |
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Church Sonatas, K 67, 224 |
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Church Sonatas: in D, K 245; in G, K 274 |
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Church Sonatas: in D, K. 245; in A, K. 225; in D, K. 144; in G, K. 274; in Bb, K. 212; in Eb, K. 67; in Bb, K. 68; in D, K. 69; in G, K. 241; in C, K. 336; in F, K. 244; in C, K. 328; in F, K. 145; in F, K. 224. Adagio in B Minor tor Organ |
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Ch’io me scordi di te? ... Non temer, amato bene,K 505 |
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Ch’io mi scordi . . . Non temer |
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Ch’io mi scordi di te |
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Ch’io mi scordi di te, K 505 |
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Ch’io mi scordi di te/Non temer, amato bene |
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Ch’io mi scordi di te? . . . Non temer, amato bene |
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Ch’io mi scordi di te? . . . Non temer, amato bene |
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Ch’io mi scordi di te? Bella mia fiamma. Ah, lo previdi |
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Ch’io mi scordi di te? K 505 |
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Ch’io mi scordi di te…Non temer, amato bene, K 505 |
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Clarinet Concerto |
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Clarinet Concerto in A |
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Clarinet Concerto in A, K 622 |
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Clarinet Concerto in A, K 622; Horn Concerto No. 4 in E♭, K 495; Oboe Concerto in C, K 271k, “Ferlendis” |
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Clarinet Concerto in A. Clarinet Quintet in A |
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Clarinet Concerto, K 622 |
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Clarinet Concerto. Bassoon Concerto |
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Clarinet Concerto. Clarinet Quintet |
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Clarinet Concerto. Flute and Harp Concerto. Horn Concerto No. 4, K 495 |
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Clarinet Concerto. Oboe Concerto. Bassoon Concerto |
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Clarinet Concerto. Quintet for Piano and Winds |
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Clarinet Concerto. Symphony No. 41, “Jupiter” |
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Clarinet Concerto: Adagio |
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Clarinet Concerto; Quintet for Piano and Winds |
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Clarinet Quintet |
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Clarinet Quintet In A, K 581 |
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Clarinet Quintet in A |
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Clarinet Quintet in A, K 581 |
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Clarinet Quintet in A, K 581. Rondo in A, K 581a |
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Clarinet Quintet in A, K 591 |
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Clarinet Quintet in A, K. 581: Larghetto |
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Clarinet Quintet, K 581 |
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Clarinet Quintet, K. 581 |
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Clarinet Quintet. Piano Quartet. String Quartets, K 421, K 464 |
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Clarinet Quintet. Violin Sonatas (arr. André): in B♭, K 378; in E♭, K 380 |
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Clarinet Trio in E♭, K 498, "Kegelstadt" |
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Clarinet Trio in E♭, K 498, "Kegelstatt" |
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Clarinet Trio in E♭, K 498, “Kegelstatt” |
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Clarinet Trio in E♭, “Kegelstatt” |
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Clarinet Trio in Éb, K 498, "Kegelstatt": Rondeaux |
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Clarinet Trio, K 498 |
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Clarinet Trio, “Kegelstatt” |
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Clarinet Trio. Clarinet Quintet |
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Clavierstück in C, K 15s |
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Complete Church Sonatas (17) |
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Complete Church Sonatas: in C, K. 278; in C, K. 263; in F, K. 145; in C, K. 336; in B, K. 212; in E, K. 67; in B, K. 68; in A, K. 225; in D, K. 144; in G, K. 274; in D, K. 245; in D, K. 69; in G, K. 241; in C, K. 328; in F, K. 224; in C, K. 329 |
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Complete Masonic vocal music |
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Complete Organ Works |
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Complete Piano Duets |
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Complete Piano Duets, Volume 2 |
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Complete Piano Sonatas |
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Complete Piano Sonatas, Vol. 1 |
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Complete Piano Sonatas, Vol. 2 |
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Complete Piano Sonatas, Vol. 2 |
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Complete Piano Sonatas, Vol. 3 |
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Complete Piano Sonatas, Vol. 4 |
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Complete Piano Sonatas, Vol. 5 |
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Complete Piano Sonatas, Vol. 5 |
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Complete Piano Sonatas, Vol. 6 |
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Complete Piano Sonatas, Vol. 6 |
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Complete Piano Sonatas, Volume 1 |
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Complete Piano Sonatas, Volume 2 |
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Complete Piano Sonatas, Volume 3 |
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Complete Piano Sonatas, Volume 4 |
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Complete Piano Variations |
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Complete Quartets and Quintets for Strings |
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Complete Quartets for Flute and Strings: in D, K. 285; in G, K. 285a; in C, K. 285b, in A, K. 298 |
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Complete Quartets for Flute and Strings: in D, K. 285; in G, K. 285a; in C, K. 285b, in A, K. 298. Adagio and Rondo in C for Glass Armonica, Flute, Oboe, Viola, and Cello, K.61T |
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Complete Sacred Works |
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Complete Solo Piano Music, Vol. 10 |
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Complete Solo Piano Music, Vol. 7 |
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Complete Solo Piano Works |
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Complete Sonatas for Organ and Orchestra |
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Complete Songs |
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Complete String Quintets |
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Complete Variations for Piano |
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Complete Wind Concertos |
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Complete Works |
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Complete Works for Horn and Orchestra |
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Complete Works for Piano, Four-Hands |
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Complete Works for Piano, Four-hands, Volume II |
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Con ossequio, con rispetto, K. 210. Seal labbro mio non credi, K. 295. Si mostra la sorte, K. 209. Or che il dover ... Tali e contenti sono, K. 36. Per pieta, non ricercate, K. 420. Clarice cara, K. 256. Misero! O sogno... Aura, che intorno, K. 431. Va del furor portata, K. 21. Ah, più tremar non voglio, K. 71. Ridente la calma, K. 152.Eine kleine deutsche Kantate, K. 619 |
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Concerio in C for Flute, Harp, and Orchestra, K. 299. Andante in C for Flute and Orchestra, K. 315. Concerto in B for Bassoon and Orchestra, K. 191. Concerto No. 1 in G for Flute and Orchestra, K. 313 |
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Concert Arias |
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Concert Arias (complete) |
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Concert Arias: Ch’io mi scordi di te . . . Non temer, amato bene; Vado, ma dove; Alma grande e nobil core; Nehmt meinen Dank, ihr holden Gonner |
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Concert Arias: K 119; K 418; K 83; K 294; K 82; K 178 |
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Concert Arias: K 21; K 36; K 209; K 210; K 256; K 295; K 420; K 431 |
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Concert Arias: K 245; K 432; K 479; K 480; K 512; K 513; K 539; K 541; K 612; K 316 |
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Concert Arias: K 416; K 74b; K 88; K 70; K 368; K 419 |
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Concert Arias: K 505; K 578; K 374; K 486a; K 577; K 23; K 217; K 77; K 383 |
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Concert Arias: K 538; K 582; K 583; K 490; K 78; K 79; K 528; K 272; K 369 |
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Concert Arias: Misero! O sogno . . . Aura che intorno spiri, K 431 |
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Concert Rondo for horn |
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Concert Rondo in A for Piano and Orchestra, K. 386 (fragment). Sonata in D for Two Pianos, K. 448 (fragments) |
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Concert Rondo in D, K 382 |
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Concert Rondo in E♭, K 371 (completed Fritz Beyer) |
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Concert Rondo, K 382 |
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Concert and Opera Arias |
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Concert arias: Ch’io mi scordi di te?... Non temer, amato bene, K 505 |
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Concert arias: O temerario Arbace!.. . Per quel paterno amplesso, K 79 |
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Concertane in Bb for Clarinet, Bassoon, and Orchestra, K. 190 |
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Concertante Works for Flute and Orchestra |
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Concertinos for Violin and Orchestra: In F, K. 185; In Bb, K. 203; In A, K. 204; In G, K. 250 (“Haffner“) |
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Concerto In A for Clarinet and Orchestra, K. 622 |
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Concerto In A for Clarinet and Orchestra, K. 622^. Quintet In A for Clarinet and Strings, K. S81 |
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Concerto In Bi> for Bassoon and Orchestra, K. 191. Michael |
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Concerto In C for Flute, Harp, and Orchestra, K. 299. Sinfonia concertante in Eb for Violin, Viola, and Orchestra, K. 364. Symphony No. 16 In C, K. 128 |
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Concerto No. 1 for Flute and Orchestra: in G: K. 313 Wo. 2; in D, K. 314. Andante in C for Flute and Orchestra, K.315. Rondo in D for Flute and Orchestra, K.Anh.184 |
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Concerto No. 1 in Bb for Violin and Orchestra, K. 207. Adagio in E for Violin and Orchestra, K. 261. Sinfonia Concertante in Eb for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 1 in G for Flute and Orchestra, K. 313 |
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Concerto No. 1 in G for Flute and Orchestra, K. 313. Andante in C for Flute and Orchestra, K. 315. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto No. 1 in G for Flute and Orchestra, K. 313. Concerto in C for Oboe and Orchestra, K. 314. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto No. 1 in G, K. 313. Concerto No. 2 in D, K. 314. Andante in C, K. 315. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto No. 10 in £ for Two Pianos and Orchestra, K. 365. Mendelssohn: Concerto in E for Two Pianos and Orchestra |
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Concerto No. 12 in A for Piano and Orchestra, K. 414 |
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Concerto No. 12 in A for Piano and Orchestra, K. ? |
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Concerto No. 13 in C for Piano and Orchestra, K. 415 |
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Concerto No. 15 in B for Piano and Orchestra, K. 450 |
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Concerto No. 16 in D for Piano and Orchestra, K. 451“. Symphony No. 36 in C, K. 425 (“Linz“). Ch'io mi scordi di te—Concert Aria, K. 505. March in C, K. 408 |
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Concerto No. 17, K 453 |
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Concerto No. 2 in D for Flute and Orchestra, K. 314 . Concerto No. 19 in F for Piano and Orchestra, K. 459 . Exsultate, jubilate, K. 165 |
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Concerto No. 2 in D for Flute and Orchestra, K. 314. Andante in C for Flute and Orchestra, K. 315. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto No. 2 in D for Flute and Orchestra, K. 314. Sinfonia concertante in Eb for Flute, Oboe, Horn, Bassoon, and Orchestra, K. 297B |
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Concerto No. 2 in D for Violin and Orchestra, K.211. Rondos for Violin and Orchestra: in C; K. 373; in B, K. 269. Adagio in E for Violin and Orchestra, K. 261 |
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Concerto No. 2 in Eb for Horn and Orchestra, K. 417. ROSSINI (orch. Hermann Gemer): Prelude, Thème, et Variations for Horn and Orchestra |
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Concerto No. 2 in Eb for Horn and Orchestra, K.417 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 (Beethoven cadenzas) |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 (cadenzas by Magaloff) |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Divertimento No. 15 in Bb, K. 287 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Symphonies: No. 38 in D, K. 504 (“Prague“); No. 39 in Eb, K. 543 No.41 In C, K.551( “Jupiter“)- Overtures: La clemenza di Tito, K. 621; La finta giardiniera, K. 196; Le nozze di Figaro, K. 492^. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Three German Dances, K. 605. Requiem in D Minor, K. 626 |
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Concerto No. 21 in C for Piano and Orchestra, K. 467 (Stefan Askenase, piano) |
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Concerto No. 22 In Eb for Piano and Orchestra, K. 482 |
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Concerto No. 22 in Eb for Piano and Orchestra, K. 482. Rondo in A Minor, K. 511 |
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Concerto No. 22 in Eb for Piano and Orchestra, K. 482. Sinfonia concertante in Eb for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 22 in £ for Piano and Orchestra, K. 482. Sonata in C for Piano Four Hands, K. 521 |
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Concerto No. 23 in A for Piano and Orchestra, K. 488 |
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Concerto No. 23 in A for Piano and Orchestra, K. 488. Piano Sonata No. 13 in B“, K. 333 |
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Concerto No. 24 in C Minor for Piano and Orchestra, K. 491 |
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Concerto No. 24 in C Minor, for Piano and Orchestra, K. 491 |
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Concerto No. 24 in C minor for Piano and Orchestra, K. 491. Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“) |
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Concerto No. 25 in C for Piano and Orchestra, K. 503 |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“) |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Quartet No. 2 in G Minor for Piano and Strings, K. 478 |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Symphony No. 40 in O Minor, K. 55Cř. Serenade No. 6 in D, K. 239 (“Serenata Notturna“) |
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Concerto No. 25 in C for Piano and Orchestra, K. 503^. Symphony No. 40 in G Minor, K. 550 |
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Concerto No. 26 in D for Piano and Orchestra, K. 537 (“Coronation“). Fantasy In D Minor, K. 397. Piano Sonatas: No. 12 in F, K. 332; No. 17 in D, K. 576 |
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Concerto No. 26 in D tor Piano and Orchestra, K. 537 (“Coronation“) |
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Concerto No. 26 in Dior Piano and Orchestra, K. 537 (“Coronation“) |
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Concerto No. 27 in Bb for Piano and Orchestra, K. 595^ |
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Concerto No. 3 In G for Violin and Orchestra, K. 216 |
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Concerto No. 3 in G for Violin and Orchestra [Piano], K. 216: Adagio |
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Concerto No. 3 in G for Violin and Orchestra, K. 216 |
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Concerto No. 3 in G for Violin and Orchestra, K. 216 (Bruno Walter conducting the NBC Symphony Orchestra; 1951 ). Sonatas for Violin and Piano: in A, K. 305; in Eb, K. 380; in G, K. 301; in F, K. 377; in A, K. 526 (Andor Földes, piano; New York, 1943) |
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Concerto No. 3 in G for Violin and Orchestra, K.216'; Concertone in C for Two Violins and Orchestra, K. 19(ř |
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Concerto No. 4 In D for Violin and Orchestra, K. 218. (Landon Ronald conducting; recorded 1924) |
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Concerto No. 4 for Horn and Orchestra: Rondo (Dennis Brain, horn) |
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Concerto No. 4 in D for Violin and Orchestra, K. 218 |
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Concerto No. 4 in D for Violin and Orchestra, K. 218. Concerto No. 6 [sic] in Eb for Violin and Orchestra, K. 268 (attrib. Mozart). Fritz Kreisler, violin; Sir Malcolm Sargent conducting the London Philharmonic Orchestra |
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Concerto No. 4 in D for Violin and Orchestra, K. 218. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Symphony No. 35 in D, K. 385 (“Haffner“) |
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Concerto No. 4 in O for Violin and Orchestra, K. 218 |
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Concerto No. 4inD for Violin and Orchestra, K. 218 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 ("Turkish") |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish') |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkishy. Symphony No. 40 in G Minor, K. 550 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“) |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Adagio In E for Violin and Orchestra, K. 261. Rondo in Bb for Violin and Orchestra, K. 269. Rondo in C for Violin and Orchestra, K. 373 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Overtures: Die Zauberflöte, K. 620; Le nozze di Figaro, K. 492; Idomeneo, K.366 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Sonata in Bb for Violin and Piano, K. 378. Quintet in G Minor for Two Violins, Two Violas, and Cello, K. 516 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Sonatas for Violin and Piano. No. 34 (“No. 10“) in Bb, K. 378; No. 40 (“No. 15“) in Bb, K. 454 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Symphony No. 36 in C, K. 425 (“Linz“) |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“? |
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Concerto No. 5 in A for Violin and Orchestra, K. 291 (“Turkish“Y. Concerto No. 23 in A for Piano and Orchestra, K. 488. Sonata in A for Violin and Piano, K. 526. Piano Concerto No. 21 in C, K. 467: Andante (arr. Saint-Saëns) |
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Concerto No. 5 in A for Violin and Orchestra, K.219( “Turkish“) |
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Concerto No. 9 in Eb for Piano and Orchestra, K. 271 |
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Concerto No. 9 in Eb for Piano and Orchestra, K. 27V. Symphony No. 41 in C, K. 551 (“Jupiter“) |
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Concerto No. 9 in E♭ for Piano and Orchestra, K. 171 |
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Concerto [No. 10] in Eb for Two Pianos and Orchestra, K. 365 . Concerto No. 23 in A for Piano and Orchestra, K. 488 |
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Concerto [No. 10] in Eb for Two Pianos and Orchestra, K. 365. Concerto No. 12 in A for Piano and Orchestra, K. 414. Trio No. 4 in Bb for Piano, Violin, and Cello, K. 502 |
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Concerto [No. 10] in Eb for Two Pianos and Orchestra, K. 365. Concerto No. 22 in Eb for Piano and Orchestra, K. 482 |
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Concerto [No. 10] in Eb tor Two Pianos and Orchestra, K. 365. Concerto No. 22 in Eb for Piano and Orchestra, K. 482 |
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Concerto [No. 10] in E♭ for Two Pianos and Orchestra, K. 365. Concerto No. 19 in F for Piano and Orchestra, K. 459. Piano Sonata No. 16 in B♭, K. 570 |
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Concerto [No. 1] in G for Flute and Orchestra, K. 313. Concerto in C for Oboe and Orchestra, K. 314. Concerto in Bb for Bassoon and Orchestra, K. 191 |
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Concerto for 2 Pianos and Orchestra in Eb, K 365 |
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Concerto for 2 Pianos and Orchestra in E♭, K 365 |
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Concerto for 2 Pianos and Orchestra, K 365 |
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Concerto for 2 Pianos in E♭ |
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Concerto for 2 Pianos, K 365 |
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Concerto for 2 Pianos, in E♭ |
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Concerto for 3 Pianos and Orchestra, K 242 |
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Concerto for 3 Pianos in F, K 242 |
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Concerto for Flute and Harp |
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Concerto for Flute and Harp. Andante in C, K 315 |
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Concerto for Flute and Harp. Symphony No. 31 in D, “Paris” |
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Concerto for Two Pianos and Orchestra: [No. 10] In Eb, K. 365. Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 20 in D Minor, K. 466?; No. 21 In C, K. 467; No. 24 In C Minor, K. 491; No. 27 in Bb, K. 595. Piano Sonatas: No. 12 in F, K. 332; No. 16 in Bb, K. 570. Rondo in A Minor, K. 511 |
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Concerto for Two Pianos in E♭, K 365 |
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Concerto for Two Violins in a, K 522: Allegro |
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Concerto in A Minor for Clarinet and Orchestra, K. 622 (with David Glazer, clarinet) |
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Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in A for Clarinet and Orchestra, K. 622 (with Bernard Walton clarinet). Sinfonia Concertante for Winds and Orchestra, K. 297b |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto in C for Oboe and Orchestra, K. 314. Concerto in B♭ for Bassoon and Orchestra, K. 191 |
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Concerto in A for Clarinet and Orchestra, K. 622. Quintet in A for Clarinet and Strings, K. 581 |
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Concerto in A for Clarinet and Orchestra, K. 622^. Concerto in Bb for Bassoon and Orchestra, K. 191. Concerto No. 1 in G for Flute and Orchestra, K. 313. Concerto in C for Oboe and Orchestra, K. 314. Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in Eb, K. 417; No. 3 in Eb, K. 447; No. 4 in Eb, K. 495 |
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Concerto in A for Clarinet and Orchestra, K.622. Concerto No. 25 in C for Piano and Orchestra, K. 503 |
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Concerto in A for Clarinet and Orchestra, K.622. Sonata in B for Bassoon and Cello, K. 292. Concerto in Bb for Bassoon and Orchestra, K. 191 |
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Concerto in B for Bassoon and Orchestra, K. 191 |
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Concerto in Bb for Bassoon and Orchestra, K. 19 |
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Concerto in Bb for Bassoon and Orchestra, K. 191 |
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Concerto in Bb for Bassoon and Orchestra, K. 191 . Concerto in C for Oboe and Orchestra, K. 314. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in Bb for Bassoon and Orchestra, K. 191. Concerto in C for Oboe and Orchestra, K. 314. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in B♭ , K 191 |
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Concerto in B♭ for Bassoon and Orchestra, K. 191 |
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Concerto in C for Flute, Harp, and Orchestra, K, 299^ . Concerto No. 12 in A for Piano and Orchestra, K. 414. Concerto No. 4 in D for Violin and Orchestra, K. 2W- |
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Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299 (297c). Symphonie Concertante in E for Flute, Oboe, Horn, Bassoon, and Orchestra, K. Anh, 1/9 (279b) (arr. Levin) |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Adagio and Rondo in C for Glass Harmonica, Flute, Oboe, Viola, and Cello, K.617. Quintet in Eb for Piano and Winds, K. 452 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto No. 9 in Eb for Piano and Orchestra, K. 271 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Die Zauberflöte, K. 620: Overture. Concerto No. 1 in G for Flute and Orchestra, K. 313 (“Dejean“). Symphony No. 32 in G, K. 318 (“Italian Overture“) |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Symphonies: No. 40 in G Minor, K. 550; No. 41 in C, K. 551 (“Jupiter“) |
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Concerto in C for Flute, Harp, and Orchestra, K. 299^. Sonatas for Flute and Piano, in C, K. 296;in F, K. 376 |
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Concerto in C for Flute, Harp, and Strings, K. 299. Les petit riens, K. 299b: Gavotte |
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Concerto in C for Oboe and Orchestra, K. 314 |
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Concerto in C for Oboe and Orchestra, K. 314 (285d) |
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Concerto in C for Oboe and Orchestra, K. 314. Concerto in Bb for Bassoon and Orchestra, K. 191. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto in C for Oboe and Orchestra, K. 314. Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in C lor Flute, Harp, and Orchestra, K. 299. Sinfonia Concertante for Flute, Oboe, Horn, Bassoon, and Orchestra |
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Concerto in D (after K 211 for violin, cadenzas by Jean-Pierre Rampal) |
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Concerto in D for Cello and Orchestra, K. 447 (arr. Cassado) |
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Concerto in D for Flute and Orchestra, K. 314. Concerto No. 9 in Eb for Piano and Orchestra, K. 271 |
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Concerto in D for Oboe and Orchestra, K. 314 |
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Concerto in D for Piano and Orchestra, K. 537 (“Coronatiorí'f. Piano Sonatas: No. 9 m D, K. 311; No. 12 in F, K. 332 |
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Concerto in D for Trumpet, Two Horns, Strings, and Continuo |
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Concerto in D for Violin and Piano, K Anh 56 (recon. Wilby) |
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Concerto in E for 2 Pianos, K 365 |
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Concerto in Eb for Two Pianos and Orchestra, K, 365. Concerto in F for Three Pianos and Orchestra, K. 242 (“London“) arranged for Two Pianos by Mozart |
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Concerto in Eb for Two Pianos and Orchestra, K. 365^. Serenade No. 7 in D, K. 250 (“Haffner“) |
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Concerto in Eb for Two Pianos and Orchestra, K. 365^. Sonata in D for Two Pianos, K. 448 |
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Concerto in E♭ for 2 Pianos, K 365 |
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Concerto in E♭ for 2 Pianos, K 365/316a. Sonata in D for 2 Pianos, K 448 |
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Concerto in E♭ for Two Pianos and Orchestra, K. 365 |
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Concerto in F K 242 for 2 Pianos |
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Concerto in F K 242 for 3 Pianos |
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Concerto in F for 3 Pianos, K 242 |
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Concerto in F for Oboe and Orchestra, K. 313. Concert Arias: Sperai vicino il lido, K. 368; Ah se in ciel, begigne stelle, K. 538 |
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Concerto in G for Flute and Orchestra, K. 313. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto in C for Oboe and Orchestra, K. 314 |
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Concerto-Rondo, K 382 |
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Concerto: No. 20 in D Minor for Piano and Orchestra, K. 466. Divertimento No. 15 in Bb, K. 287. Two Minuets, K. 568; K. 599. Three German Dances, K. 605 |
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Concertone for 2 Violins and Orchestra in C, K 190 |
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Concertone for 2 Violins and Orchestra, K 190 |
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Concertone in C |
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Concertone in C for Two Violins (Flutes) and Orchestra, K. 190 |
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Concertone in C for Two Violins (Flutes) and Orchestra, K. 190: Allegro spiritoso. Themes from The Magic Flute for Two Flutes |
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Concertone in C, K 190. Serenades: in G, K 525 “Eine Kleine Nachtmusik”; in D, K 239 “Serenata Notturna” ; in D, K 334 |
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Concertos No. 1 in G, for Flute and Orchestra: K. 313; No. 2 in D, K. 314 |
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Concertos No. 20 in D Minor, for Piano and Orchestra: K. 466; No. 21 in C, K. 467; No. 22 in Eb, K. 482; No. 23 in A, K. 488; No. 24 in C Minor, K. 491; No. 25 in C, K. 503; No. 26 in D, K. 537(“Coronation“); No. 27in Bb, K. 595 |
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Concertos by |
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Concertos for 2 Pianos: in F, K 242; in E♭, K 365 |
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Concertos for 3 Pianos: in F |
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Concertos for 3 Pianos: in d |
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Concertos for Flute and Orchestra. No. 1 in G, K. 313 ; No. 2 in D. K. 314. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313, No. 2 in D, K. 314 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315. Rondo in D for Flute and Orchestra, K. 184Anh |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315. Rondo in D for Flute and Orchestra, K. Anh. 184 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315. Rondo in D for Flute and Orchestra, K. Anh. 184 (arr. Hoffmeister) |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Concerto in C for Flute, Harp, and Orchestra, K. 299. Divertimento in D, K. 334: Rondo; Menuetto (arr. Galway). Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“) |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K.314. Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 3 In Eb, K. 447 |
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Concertos for Flute and Orchestra: No. 1 ¡n G, K. 313; No. 2 In D, K. 314. Andante In C for Flute and Orchestra, K. 315. Rondo In D tor Flute and Orchestra, K. 184e |
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Concertos for Harpsichord and Orchestra after J. C. Bach, K. 107, nos. 1-3 |
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Concertos for Harpsichord and Strings^. No. 1 in D, K. 107; No. 2 in G, K. 107; No. 3 in Eb, K. 107. Sonatas for Harpsichord and Violin: in Eb, K. 26; in D, K. 29; in Bb, K. 31. Five Minuets, K. 1-5. Klavierstück, K. 33b |
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Concertos for Horn and Orchestra': No. 1 in D, K. 412; No. 2 in Eb, K. 417; No. 3 in E♭, K. 447; No. 4 in Elf, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412 (with Rondo, K. 514); No. 2 in Eb, K. 417; No. 3 in Eb, K. 447; No. 4 in Eb, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412' ; No. 2 in Eb, K.417. No. 3 in Eb, K. 447' ; No. 4 in Eb, K. 495'. Concert Rondo in Eb for Horn and Orchestra, K. 371'. Fragment in E for Horn and Orchestra, K. 494a'. FLANDERS and |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in Eb, K. 417; No. 3 in Eb, K. 447; No. 4 in Eb, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in Eb, K. 417; No. 3 in Eb, K. 447; No. 4 in Eb, K. 495. Fragment in E for Horn and Orchestra, K.Anh.98 |
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Concertos for Horn and Orchestra: No. 2 in Eb, K. 417; No. 3 in Eb, K. 447. Concerto in C for Oboe and Orchestra, K. 314 (285df. Concerto in Bb for Basson and Orchestra, K. 191 186ef |
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Concertos for Horn and Orchestra: No. 3 in Eb, K. 447 . No. 4 in Eb, K. 495 |
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Concertos for Horn and Orchestra: No. 3 in Eb, K. 447; No. 4 in Eb, K. 495 |
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Concertos for Horn and Orchestra: No. 3 in Eb, K. 447; No. 4 in Eh, K. 495. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concertos for Oboe and Orchestra: [No. 1] in F, K. 313; [No. 2] in C, K. 314. Andante in C for Oboe and Orchestra, K. 315 |
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Concertos for Oboe and Orchestra: in C, K. 314/285d; in F, K. 313/285c; in F, K. 293/416f (fragment completed by Robert D. Levin). Andante in C for Oboe and Orchestra, K. 315/285e |
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Concertos for Oboe and Orchestra: in C, K. 314; in F, K. 313. Sinfonia Concertante in Eb for Oboe, Clarinet, Horn, Bassoon, and Orchestra, K. 297b |
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Concertos for Piano ana Orchestra: No. 9 , K. 271; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 26 in D, K. 537. Piano Sonatas: No. 8 in A Minor, K. 310; No. 17 in D, K. 576. Adagio in B Minor, K. 540 |
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Concertos for Piano and Orchestra: No, 9 in Eb, K. 271; No. 20 in D Minor, K. 466 . Piano Sonatas: No. 5 in G, K. 283; No. 11 in A, K. 331; No. 15 in C, K. 545 |
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Concertos for Piano and Orchestra: No. 1 in F, K. 37; No. 2 in Bb, K. 39; No. 3 in D, K. 40; No. 4 In G, K. 41 |
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Concertos for Piano and Orchestra: No. 1 in F, K. 37; No. 21 in C, K. 467; No. 25 in C, K. 503, |
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Concertos for Piano and Orchestra: No. 10 in Eb for Two Pianos, K. 365; No. 12 In A, K. 414; No. 14 in Eb, K. 449; No. 17 in G, K. 453; No. 19 in F, K. 459; No. 20 in D Minor, K. 466?; No. 27 in Bb, K. 595*. Rondo in D for Piano and Orchestra, K. 382. Rondo In A Minor for Piano, K.511 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413/387a; No. 12 in A, K. 414/385p; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 13 in C, K. 415. Quartet in Eb tor Piano, Violin, Viola, and Cello (arrangement of K. 452) |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 15 in B b, K. 450; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 22 in Eb, K. 484 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 18 in Bb, K. 456 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 19 in F, K. 549 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 21 in C, K. 467*; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 21 in C, K. 467; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414“ ; No. 14 in Eb, K. 449“ ; No. 20 in D Minor, K. 466“; No. 19 in F, K. 459; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 4W; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 13 In C, K. 415; No. 20 In D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 14 in E♭, K. 449 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 14 in Eb, K. 449' ; No. 23 in A, K. 486' ; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 14 in Eb, K. 449; No. 18 in Bb K. 456; No. 21 in C, K. 467. Music for Piano Solo |
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Concertos for Piano and Orchestra: No. 14 in Eb, K. 449; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 14 in Eb, K. 449; No. 26 in D, K. 537 (“Coronation“; cadenza by Paul Badura-Skoda) |
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Concertos for Piano and Orchestra: No. 14 in £, K. 44; No. 24 in C minor, K. 491. Rondo in D for Piano and Orchestra, K. 382 |
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Concertos for Piano and Orchestra: No. 15 In Bb, K. 450 ; No. 23 in A, K. 488; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 15 In Bb, K. 450, No. 23 In A, K. 488 |
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Concertos for Piano and Orchestra: No. 15 in Bb, K. 450; No. 16 In D, K. 451 |
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Concertos for Piano and Orchestra: No. 15 in Bb, K. 450; No. 16 in D, K. 451 |
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Concertos for Piano and Orchestra: No. 16 In D, K. 451; No. 20 In D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 16 in D, K. 451; No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 16 in D, K. 451; No. 25 In C, K. 503 |
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Concertos for Piano and Orchestra: No. 16 in D, K. 451; No. 8 in C, K. 246 (“Lutzow“); No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453 (Mozart Cadenzas); No. 20 in D Minor, K. 466 (Beethoven Cadenzas) |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453 (Mozart cadenzas); No. 20 in D Minor, K. 466 (Beethoven cadenzas) |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453^ ; No. 20 in D Minor, K. 466; No. 22 In Eb, K. 482*; No. 24 in C Minor, K. 491*; No. 25 in C, K. 503. Piano Sonatas: No. 10 In C, K. 330; No. 11 in A, K. 331. Rondo in D, K. 382. Fantasy in C Minor, K. 396. Fantasy in C Minor, K. 475. Romance in A, K. Anh. 205. Minuet in G, K. 1 (arr. Fischer) |
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Concertos for Piano and Orchestra: No. 17inG, K. 453* ; No. 15 in Bb, K. 450 |
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Concertos for Piano and Orchestra: No. 18 in B, K. 456; No. 24 in C minor, K. 491 |
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Concertos for Piano and Orchestra: No. 18 in Bb, K. 456; No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 18 in Bb, K. 456; No. 19 in F, K. 459. Concert Rondo in D, K. 382 |
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Concertos for Piano and Orchestra: No. 18 in Bb, K. 456; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 18 in D, K. 456'. No. 20 in D Minor, K. 466' ; No. 21 in C, K. 467; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 23 in A, K. 488. Rondo in A for Piano and Orchestra, K. 386 (arr. Mackerras-Badura-Skoda) |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K, 466; No. 13 in A, K.415 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466 (cadenzas by Beethoven) ; No. 23 In A, K. 488; No. 24 In C Minor, K. 491 (cadenza by Hummel); No. 25, in C, K. 503 (cadenza by Gieseking). Quintet in Eb for Piano and Winds, K. 4S2 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466 ; No. 21 in C, K. 467. Piano Sonata No. 12 in F, K. 332 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466, No. 17 in G, K. 453: Second Movement. Piano Sonata in F, K. 533/494 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 21 in C, K. 467. Rondo in D for Piano and Orchestra, K. 382 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 22 in Eb, K. 482 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 13 in C, K. 415 |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467) No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 46T ; No. 27 in B, K. 595. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“) |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482 (cadenzas by Britten) ; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 24 in C Minor, K. 491. Rondo in D for Piano and Orchestra, K. 382 |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488'; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488. No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 24 in C Minor, K. 491 (cadenza by Pletnev) |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 24 in C Minor, K.491 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491, No. 27 in B♭, K. 595. Rondo in A Minor, K. 511 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491; No. 3 in D, K. 40; No. 13 in C, K. 415 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491; No. 9 in Eb, K. 271 |
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Concertos for Piano and Orchestra: No. 25 in C, K. 503; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 25 in C, K. 503; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 26 in D, K. 537 ("Coronation"); No. 227 in B, K 595 |
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Concertos for Piano and Orchestra: No. 26 in D, K. 537; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 27 in Bb, K. 595^ ; No. 14 in Eb, K. 449. Ch'Io mi scordi di fe?—Scene with Rondo, K. 505 |
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Concertos for Piano and Orchestra: No. 5 In D, K. 175; No. 6 In B, K. 238. Rondo In D, K. 382 |
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Concertos for Piano and Orchestra: No. 5 in D, K. 175; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 5 in D, K. 175; No. 6 in Bb, K. 238. Rondo in D, K. 382 |
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Concertos for Piano and Orchestra: No. 6 in Bb, K. 239; No. 8 in C, K. 246; No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 7 in F, K. 242'; No. 10 in Eb, K. 365“; No. 15 in Bb, K. 450 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 11 in F, K. 413. Rondo in A, K. 386 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 13 in C, K. 415; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 9 in E. K. 271 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 9 in Eb, K. 271 |
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Concertos for Piano and Orchestra: No. 9 In Eb, K. 271 (“Jeunehomme“); No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 27 f ; No. 27 in Bb, K. 595* |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271 (“Jeunehomme“); No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 20 in D Minor, K. 466. Piano Sonatas: No. 5 in G, K. 283; No. 11 in A, K. 331; No. 15 in C, K. 545 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 27V ; No. 11 in F, K. 413; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: Nos. 20-27 |
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Concertos for Piano and Orchestra: Nos. 6 in Bb, K. 238; No. 18 in Bb, K. 456; No. 27 in Bb, K. 595. Zoltán Kocsis, piano |
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Concertos for Piano and Orchestra; No. 17 in G, K. 453; No. 18 in Bb, K. 456 |
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Concertos for Piano and Orchestra; No. 20 in D Minor, K. 466; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra^ : No. 21 in C, K. 467; No. 23 in A, K. 488; No. 27 in Bb, K. 595. Maurerische Trauermusik, K. 477. Symphony No. 40 in G Minor, K. 550 |
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Concertos for Piano and Orchestra^ ; No. 20 in D Minor, K. 466; No. 23 in A, K. 488 (with improvised vocal and piano preludes), Song for Amadeus (improvisation on second movement of Mozart's Piano Sonata No. 2 in F, K. 280) |
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Concertos for Piano and Strings, K. 107. arranged from Sonatas, op. 5, nos. 2-4, by J. C. Bach: No. 1 in D; No. 2 in G; No. 3 in Eb J. C. Bach: Keyboard Sonatas, op. 5: No. 2 in D; No. 3 in G; No. 4 in Eb |
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Concertos for Plano and Orchestra: No. 13 in C, K. 415 [387b]; No. 15 in Bb, K. 450 |
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Concertos for Plano and Orchestra: No. 9 in Eh, K. 271; No. 27 in Bb, K. 595 |
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Concertos for Two Pianos and Orchestra: [No. 10] in Eb, K. 365; [No. 7] in F, K. 242. Fugue in C Minor for Two Pianos, K. 426. Adagio and Fugue in C Minor for Strings, K. 546 |
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Concertos for Two Pianos: in E♭, K 365; in F, K 242 (arr. ?) |
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Concertos for Violin and Orchestra': No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“). Cassation in Bb, K. 99 |
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Concertos for Violin and Orchestra: No. 1 in B, K. 207; No. 4 in D, K. 218. Rondo in B for Violin and Orchestra, K. 269 |
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Concertos for Violin and Orchestra: No. 1 in Bb, K. 207; No. 2 in D, K. 211. Adagio in B for Violin and Orchestra, K. 261. Rondo in Bb for Violin and Orchestra, K. 269. Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 1 in Bb, K. 207; No. 2 in D, K. 211; No. 3 in G, K. 216; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish'). Rondo in Bb for Violin and Orchestra, K. 269. Rondo in C for Violin and Orchestra, K. 373. Adagio in E for Violin and Orchestra, K. 261. Sinfonia Concertante in Eb for Violin, Viola, and Orchestra, K. 364^. Concezione in C for Two Violins and Orchestra, K. 190* |
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Concertos for Violin and Orchestra: No. 1 in Bb, K. 207; No. 2 in D, K. 211; No. 3 in G, K. 216; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“). Adagio in E for Violin and Orchestra, K, 261. Rondo In Bb tor Violin and Orchestra, K. 261a (269). Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 1 in Bb, K. 207; No. 3 in G, K. 216; No. 7[attrib. Mozart] in D, K. 271a |
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Concertos for Violin and Orchestra: No. 2 in D, K. 21 ť; No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 2 in D, K. 211; No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 2 in D, K. 211; “No. 7“ in D, K. 271a (attrib. Mozart). Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 2; No. 3; No. 5 |
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Concertos for Violin and Orchestra: No. 3 In G, K. 216; No. 4 in D, K. 218 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“). Adagio in E for Violin and Orchestra, K.261. Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 7 in D, K. 271 (attrib.) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 21S ; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218 (two versions); No. 5 in A, K. 219 |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218 ; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 ("Turkish") |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“). Rondo in Bb for Violin and Orchestra, K. 269 |
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Concertos for Violin and Orchestra: No. 5 In A, K. 219 (“Turkish“); Aio. 7 in D, K. 271a (attrib. Mozart) |
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Concertos for Violin and Orchestra: No. 5 in A minor, K.219 (“Turkish“) ; No. 7 in D, K. 271a |
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Concertos for Violin and Orchestra: No. 5 in A, K. 219 (“Turkish“)^, No. 7 in D, K. 271a (attrib. Mozart) |
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Concertos tor Piano and Orchestra: No. 13 in C, K. 415 (ree. 1946); No. 22 in Eb, K. 482 (ree. 1945) |
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Concertos: No. 1 in D, K 412 (reconstructed by John Humphries); No. 2 in Ei?, K 417 (ed. Humphries); No. 3 in E♭, K 447; No. 4 in E♭, K 495 |
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Concertos: No. 1 in G, K. 313“; No. 2 in D, K. 314“ |
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Concertos: No. 20 in D Minor, K. 466; No. 21 in C, K. 467; No. 22 in Eb, K. 482; No. 23 in A, K. 488; No. 24 in C Minor, K. 491; No. 25 in C, K. 503; No. 26 in D, K. 537 (“Coronation“); No. 27 in Bb, K. 595 |
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Concertos: No. 27 in Bb for Piano and Orchestra, K. 595^ ; in A for Clarinet and Orchestra, K. 622 |
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Concertos: No. 4, K 218; No. 5, K 219, "Turkish"; No. 6, K 268 (attrib. Mozart) |
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Concertos: No. 7 in D, K 271a (attrib. Mozart); in D, K 294a, "Adelaide" (attrib. Mozart; composed M. Casadesus) |
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Concertos: [No. 10] in Eb for Two Pianos and Orchestra, K. 365. Concerto [No. 7] in F for Three Pianos and Orchestra, K. 242 (“London“) |
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Concertos: for Horn and Orchestra^. No. 1 in O, K. 412; No. 2 in Eb, K. 417; No. 3 in Eb, K. 447; No. 4 in Br, K. 495; in C for Oboe and Orchestra, K.314; in A for Clarinet and Orchestra, K. 622^ ;inBbtor Bassoon and Orchestra, K. Í9í ; for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in C, K. 314; in C tor Flute, Harp, and Orchestra, K. 299. Andante in G for Flute and Orchestra, K. 315^ |
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Concertos: in C for Oboe and Orchestra, K. 285d(Yves Poucel); No. 1 in D for Horn and Orchestra, K. 412 (Pierre Moraguès); No. 2 in E♭ for Horn and Orchestra, K. 417 (François Cagnon); No. 3 in E♭ for Horn and Orchestra, K. 447 (Moraguès); No. 4 in E♭ for Horn and Orchestra, K. 494 (Cagnon); Rondo de concert in E♭ for Horn and Orchestra, K. 371 (Moraguès); in C for Flute, Harp, and Orchestra, K. 299 (Catherine Cantin; Sylvie Perret); in A for Clarinet and Orchestra, K. 622 (Michel Arrignon); in B♭ for Bassoon and Orchestra, K. 191 (Jean-Claude Montac); No. 1 in G for Flute and Orchestra, K. 314 (Cantin) |
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Concertos: in E♭, K 268/K C 14.04; in A, K 622 |
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Confitebor. Laudate pueri. Ave verum. Quis te comprehendat. Pange lingua |
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Contra Dances, K. 609: No. 1 ; No. 3. German Dance, K. 605 |
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Contradances, K 603/1, 609/1, 609/4 |
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Contradances, K 609/1,3 |
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Contradances: K 123, 463, 462 |
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Contradanse |
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Contredances, K 609: excerpts |
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Contredances, K. 462: Nos. 1,5,6. German Dances, K. 600: Nos. 1,3; K. 605: No. 1 ; K. 586: No. 11 |
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Cor sincerum. Jesu, amor meus. Mens sancta Deo. Jesu dulcís memoria'. Mens sancta Deo. Offertorium "Salve Regina". Domine Deus salutis meae. Plasmator Deus Die Hoffnung dient zum Stabe |
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Coronation Mass, K. 317. Vesperae Solennes de Confessore, K. 339 |
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Cosi fan tutte |
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Cosi fan tutte (arr. Wendt) |
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Cosi fan tutte, K. 588 |
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Cosi fan tutte: Come scoglio; Per pietà |
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Cosi fan tutte: Ich erwähle mir den Muntern |
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Cosi fan tutte: Overture |
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Cosi fan tutte: Overture; Non siate ritrosi; Donne mie. Die Zauberflöte: Der Vogelfänger bin ich; In diesen heil'gen Hallen. Le nozze di Figaro: Overture; Vedrò, mentr'io sospiro. Don Giovanni: Madamina; Deh, vieni alla finestra; Finch'han dal vino. Mentre ti lascio, o figlia, K. 513. Un bacio di mano, K. 541 |
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Cosi fan tutte: Per pieta. Le nozze di Figaro: Dove sono |
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Cosi fan tutte: Rivolgete a lui lo sguardo (alternative aria) |
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Cosi fan tutti: Overture |
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Cost fan tutte: Un aura amorosa. Don Giovanni: Dalla sua pace; Il mio tesoro |
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Così dunque tradisci . . . Aspri rimorsi atroci, K 432 (421a) |
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Così dunque tradisci … Aspri rimorsi atroci, K 432 (421a) |
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Così dunque tradisci. Mentre ti lascio |
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Così fan Tutte, K. 588 |
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Così fan tutte |
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Così fan tutte, K. 588 |
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Così fan tutte, K. 588. Divertimento No. 15 in B. K. 287 |
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Così fan tutte, K. 588. Thamos, König in Ägypten, K. 34S |
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Così fan tutte, K. 588: Come scoglio; Per pieta. La clemenza dl Tito, K. 621: Deh, se piacer; Parto, parto; Non più di fiori. Le nozze di Figaro, K. 492: Porgi, Amor; Dove sono. Don Giovanni, K. 527: Non mi dir. Idomeneo, K. 366: Idol mio; Zeffiretti lusinghieri; D'Oreste, d'A]ace |
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Così fan tutte, K. 588: Come scoglio; Per pietà. Le nozze di Figaro, K. 492: Porgi amor; Dovè sono; Deh vieni non tardar. La clemenza di Tito, K. 621: Non più di fiori. Die Zauberflöte, K. 620: Ach, ich fühl's. Idomeneo, K. 366: Zeff iretti lusinghieri. Don Giovanni, K. 492: Mi tradì. Misera, dove son.. .Ah, non son io che parlo, K. 369. Alma grande e nobil core, K. 578 |
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Così fan tutte, K. 588: Excerpts |
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Così fan tutte, K. 588: Un'aura amorosa. Die Entführung aus dem Serail, K. 384: Konstanze... O wie ängstlich; Wenn der Freude Tränen fliessen; Ich baue ganz. La clemenza di Tito, K. 621: Se all'impero. Die Zauberflöte, K. 620: Dies Bildnis. Don Giovanni, K. 527: Dalla sua pace; Il mio tesoro. Idomeneo, K. 366: Non temer amato bene ; Fuor del mar |
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Così fan tutte. Solti/Chamber Orchestra of Europe |
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Così fan tutte: Ah guarda, sorella; Per pietà. Come Scoglio; Idomeneo: Padre, germani, addio; Se il padre perdei; Zeli ¡retti lusinghieri |
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Così fan tutte: Come scoglio |
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Così fan tutte: Come scoglio. Per pieta |
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Così fan tutte: Come scoglio; Per pietà |
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Così fan tutte: Come scoglio; Per pietà. Le nozze di Figaro: Porgi, amor, Dove sono. Idomeneo: D’Oreste, dAiace. Don Giovanni: Mi tradì quell’alma; Non mi dir. Bella mia fiamma, addio!, K 528 |
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Così fan tutte: Il core vi dono |
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Così fan tutte: In uomini. Ei parte . . . Per pietà. È amore un ladroncello |
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Così fan tutte: Overture |
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Così fan tutte: Overture (arr. Neukomm) |
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Così fan tutte: Rivolgete a lui lo sguardo |
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Così fan tutte: Secondate, aurette amiche |
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Così fan tutte: Selections. The Abduction from the Seraglio: Selections |
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Così fan tutte: Smanie implacabili |
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Così fan tutte: Smanie implacabili; E amore un ladroncello. Le nozze di Figaro: Non so più; voi che sapete. Don Giovanni: Batti, batti |
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Così fan tutte: Soave sia il vento |
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Così fan tutte: Temerari! ... Come scoglio. Idomeneo: Solitudini amiche ... Zeftiretti lusinghieri |
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Così fan tutte: Temerari. . . Come scoglio; Ei parte . . . Per pietà, ben mio |
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Così fan tutte: Un aura amorosa. Die Entführung aus dem Serail: Constanze, dich wiederzusehen. La finta semplice: Nelle guerre d'amore. Don Giovanni: Dalla sua pace. Idomeneo: Fuor del mar. La clemenza di Tito: Del più sublime soglio. Lucio Siila: Il desio di vendetta. Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Così fan tutte: Un aura amorosa. Don Giovanni: Il mio tesoro |
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Così fan tutte: Un’ aura amorosa (Fritz Busch, cond; Glyndebourne Festival 0) |
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Così fan tutte: Un’aura amorosa |
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Così fan tutte: V’adoro … Il core vi dono |
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Così fan tutte: Wind Music |
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Così fan tutti |
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Così fan tutti, K. 588 |
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Courante in E♭, K 399 |
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Cäcilien-Ode, K 591 (arr. of Handel’s HWV 75) |
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DVORAK: Symphony No. 5 in F, op. 76. Works of |
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Dances and Minuets: Five Minuets, K. 461; Six Contradances, K. 462; Two Quadrilles, K. 463; Six German Dances, K. 509; Contradance, K. 534 (“Das Donnerwetter“); Contradance, K. 535 (“La Bataille'); Contradance, K. 587 (“Der Sieg von Helden Koburg“); Six German Dances, K. 600; Two Contradances, K. 603; Three German Dances, K. 605 |
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Dans un Bois solitaire. Das Veilchen |
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Dans un bois solitaire |
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Dans un bois solitaire. Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte. Abendempfindung an Laura. Eine kleine deutsche Kantata |
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Das Alexander-Fest, K 592 (arr. of Handel’s HWV 76) |
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Das Butterbrot |
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Das Donnerwetter, K 534 |
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Das Traumbild. Dans un bois solitaire. Piano Variations on Salieri’s “Mio caro Adone.” An Chloë. Die Zufriedenheit. Abendempfindung an Laura |
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Das Veilchen |
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Das Veilchen (Alessandro Bond) |
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Das Veilchen, K. 476. Der Zauberer, K. 472. Als Luise die Briefe, K. 520. Abendempfindung, K. 523 |
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Das Veilchen, K. 476. Die Verschweigung, K. 518. Wie unglücklich bin ich, K. 147. Als Luise die Briefe, K. 520. Die kleine Spinnerin, K. 551. Sehnsucht nach dem Frühlinge, K. 596. Un moto di gioia, K. 579. Im Frühlingsanfang, K. 597. Die Alte, K. 517. Das Kinderspiel, K. 598. Warnung, K. 433. Die grossmütige Gelassenheit, K. 149. Ridente la calma, K. 152. An die Freundschaft, K. 148. Oiseaux, si tous les ans, K. 307. An die Einsamkeit, K. 391. Der Zauberer, K. 472. Die Zufriedenheit, K. 473. Lied der Freiheit, K. 506. Abendempfindung, K. 523 |
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Das Veilchen, K. 476. Zufriedenheit, K. 349. Komm liebe Zither, K. 351. Sehnsucht nach dem Frühling, K. 596 |
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Das Veilchen. An Chloe. Das Traumbild. Die betrogene Welt |
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Das gestöre Ständchen |
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Davidde Penitente, K. 469. Ave verum corpus, K. 618 |
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Davidde penitente, K 469 |
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Davidde penitente, K. 469. Missa Solemnis, K. 337 |
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Davidde penitente: A te, fra tanti affanni |
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Davidde penitente: Fra l’oscura, ombre funeste |
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Davidde penitente: Tra l’oscure ombre funeste |
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Davidde penitente: Tra l’oscure ombre funeste, K 469 |
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Davide penitente. Regina coeli |
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Der Kanarienvogel. Der Leirmann. Schlittenfahrt |
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Der Liebe himmlisches Gefühl, K 119 |
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Der Schauspieldirektor |
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Der Schauspieldirektor, K 486 |
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Der Schauspieldirektor, K. 486. Le nozze dl Figaro, K. 492: Overture. Opera and Concert Arias |
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Der Schauspieldirektor,K 486 |
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Der Schauspieldirektor: Overture |
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Der Sylphe des Friedens (Ridente la calma). Das Veilchen |
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Der Zauberflöte, K. 620 |
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Die Alte |
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Die Engfüríng aus dem Serail: O wie ängstlich; Im Morheland |
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Die Entf&uunl;hrung aus dem Serail: Konstanze, dich wiederzusehen; Wenn der Freude Tränen fliessen. Cosi fan tutte: Un aura amorosa |
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Die Entfuhrüng aus dem Serail |
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Die Entführung aus dem Serai: Hier soll ich dich denn sehen; Konstanze, dich wiederzusehen. Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Die Entführung aus dem Serail |
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Die Entführung aus dem Serail (arr. Wendt): Overture; Hier soll ich dich sehen; Ich gehe, doch rate ich dir; Durch Zärlichkeit und Schmeichen; Wenn der Freude Tränen fliessen; Ha, wie will triumphieren; Welche Wonne, welche Lust; Vivat Bacchus, Bacchus lebe |
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Die Entführung aus dem Serail, K. 384 |
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Die Entführung aus dem Serail, K. 384: Excerpts |
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Die Entführung aus dem Serail, K. 384: Highlights |
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Die Entführung aus dem Serail, K. 384: Martern aller Arten. Die Zauberflöte, K. 620: Ach, ich fühl's; O zittre nicht... Zum Leiden bin ich auserkoren; Der Hölle Rache. Idomeneo, K. 366:O smania!... D'Oreste, ď Aiace. Le nozze di Figaro, K. 492: E Susanna non vien ... Dove sono; Porgi amor. Don Giovanni, K. 527: in qualieccessi... Mi tradì. La clemenza di Tito, K. 621: Non più di fiori. Così fan tutte, K. 588: Temerari!... Come scoglio |
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Die Entführung aus dem Serail, K. 384: Overture |
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Die Entführung aus dem Serail, K. 384: Traurigkeit ward mir zum Lose; Martern aller Arten. Mitridate, K. 87: Lungi da te. Don Giovanni, K. 527: Don Ottavio, son morta ... Or sai chi l'onore; Calmatevi, idol mio... Non temer, amato bene, K. 505. Mìsera, dove son ... Ah! non son io che parlo, K. 369 |
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Die Entführung aus dem Serail. Don Giovanni. Die Zauberflöte |
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Die Entführung aus dem Serail: Ach, ich liebte; Traurigkeit ward mir zum Lose; Martern aller Arten. Don Giovanni: Non mi dir. La clemenza di Tito: Parto, parto |
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Die Entführung aus dem Serail: Donaueschingen Harmoniemusik |
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Die Entführung aus dem Serail: Hier soll ich denn sehen; O wie ängstlich; Wenn der Freunde Tranen fliessen; Welch ein Geschick (with Mimi Coertse, soprano). Die Zauberflöte: Dies Bildnis ist bezaubernd schön; Wo, willst du, kühner Fremdling, hin? (with Eberhard Wächter, baritone); Der, welcher wandert diese Strasse (with Gundula Janowitz, soprano; Hans Beirer, tenor; Alois Pernerstorfer, bass). Don Giovanni: Fuggi, crudele (with Lisa Della Casa, soprano); Dalla sua pace; I! mio tesoro (sung in German) |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen (Schreier) |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen. Le nozze di Figaro: In quegli anni. Così fan tutte: Tradito, schernito. Die Zauberflöte: Wie stark ist nicht die Zauberton |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen; Konstanze! dich Wiedersehen; Wenn der Freude Tränen fließen. Così fan tutte: Der Odem der Liebe. Die Zauberflöte: Wie stark ist nicht dein Zauberton. Per pietà non ricercate, K. 420 |
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Die Entführung aus dem Serail: Konstanze, dich wiederzusehen. Die Zauberflöte: Wie stark ist nicht dein Zauberton |
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Die Entführung aus dem Serail: Martern aller Arten. Don Giovanni: Non mi dir |
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Die Entführung aus dem Serail: Martern aller Arten; Welch ein Geschick (with Rudolf Schock, tenor). Le nozze di Figaro: Non so più cosa son; Che soave zefiretto (with Elisabeth Grümmer, soprano); Deh, vieni, non tardar. Die Zauberflöte: Zum Leiden bin ich auserkoren; Die Hölle Rache |
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Die Entführung aus dem Serail: Martern aller Artern (sung in Italian) |
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Die Entführung aus dem Serail: Martern aller arten (in Italian) |
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Die Entführung aus dem Serail: Martern aller arten (sung in Italian) |
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Die Entführung aus dem Serail: O wie ängstlich; Wenn der Freude. Don Giovanni: Dalla sua pace; Il mio tesoro. Così fan tutte: Un aura amorosa. Die Zauberflöte: Dies Bildnis |
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Die Entführung aus dem Serail: Overture |
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Die Entführung aus dem Serail: Overture; Hier soll ich dich den sehen; Ich baue ganz |
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Die Entführung aus dem Serail: Traurigkeit; Martern aller Arten. Lucio Siila: In un istante . . . Parto, m’affretto. Misera dove son |
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Die Entführung aus dem Serail: Tutte le torture |
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Die Entführung aus dem Serail: Vivat Bacchus, Bacchus lebe! Die Zauberflöte: Die Weisheitslehre dieser Knaben; Behwahret euch vor Weibertücken; Pamina, wo bist du |
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Die Entführung aus dem Serail: Welcher Kummer . . . Traurigkeit ward |
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Die Entführung aus dem Serail: Welcher Kummer herrscht in meine Seele. Ach, ich liebte, war so glücklich. Martern aller Arten |
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Die Entführung aus dem Serail: Welcher Kummer herrscht in meiner Seele . . . Traurigkeit; Martern alle Arten |
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Die Entführung aus dem Serail: Wer ein Liebchen hat gefunden; Ha! Wie will ich triumphieren. Don Giovanni: Madamina, il catalogo è questo; O statua gentilissima (with Alexander Svéd, baritone). Die Zauberflöte: O Isis und Osiris; In diesen heil'gen Hallen |
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Die Entführung aus dem Serail: Wie will ich trumphieren |
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Die Entführung aus dem Serall: Martern aller Arten. Le nozze di Figaro: Voi che sapete; Dove sono |
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Die Entführung aus dem Serall: Martern aller Arten. Zaide: Ruhe sanft. Don Giovanni: In quali eccessi... Mi tradì. Die Zauberflöte: Ach, ich fOhl's |
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Die Entführung aus der Serail: Overture |
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Die Entfürung aus dem Serail |
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Die Hochzeit des Figaro |
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Die Hochzeit des Figaro, K. 492 |
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Die Hochzeit des Figaro: Ich weiss nicht. Sagt, holden Frauen |
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Die Maurerfreude |
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Die Nacht ist finster |
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Die Schuldigkeit des ersten Gebots, K. 35 |
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Die Schuldigkeit des ersten Gebots, K. 35: Sinfonia; Mit Jammer muss Ich schauen |
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Die Schuldigkeit des ersten Gebots, K. 35^. Ave verum corpus, K. 618. Vespers, K. 339: Laudate Dominum. Exsultate, jubilate, K. 165. Inter natos mulierum, K. 72. Mass, K. 427: Laudamus te. Mass, K. 275: Benedictas. Regina coeli, K. 276 |
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Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) |
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Die Singstunde |
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Die Verschweignung |
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Die Verschweigung |
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Die Verschweigung. Das Lied der Trennung. Wie unglücklich bin ich nit. Sei du mein Trost |
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Die Zauberer |
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Die Zauberflote: Der Vogelfanger |
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Die Zauberflöte |
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Die Zauberflöte (arr. Heidenreich) |
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Die Zauberflöte (arr. Heidenreich) Die Entführung aus dem Serail (arr. Wendt) |
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Die Zauberflöte (arr. Joseph Heidenreich and Andreas Tarkmann). Cosi fan tutte (arr. Andreas Tarkmann) |
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Die Zauberflöte für Kinder |
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Die Zauberflöte, K. 620 |
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Die Zauberflöte, K. 620 (complete); Excerpts |
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Die Zauberflöte, K. 620. Die Entführung aus dem Serail, K. 384: Excerpts |
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Die Zauberflöte, K. 620: Dies Bildnis. Die Entführung aus dem Serail, K. 384: Ich baue ganz; Constanze, dich wiederzusehn; Wenn der Freude Tränen fHessen. Die Gärtnerin aus Liebe, K. 196: O geh' nicht fort. La clemenza di Tito, K. 621: Se all'impero. Cosi fan tutte, K. 588: Un'aura amorosa; Tradito, schernito. Don Giovanni, K. 527: Dalla sua pace; Il mio tesoro. Mitridate, K. 87: Quel ribelle e quell' ingrato. Idomeneo, K. 366: Vedrommi intorno; Torna la pace |
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Die Zauberflöte, K. 620: Dies Bildnis; Wie stark Is nicht dein Zauberton. Dle Entführung aus dew Serall, K. 304: Hier soll ich dich denn sehen; O wie ängstlich; Wenn der Freude Trinen Wessen; Ich baue ganz; Im Mohrenland. Don Giovanni, K. 527: Dalla sua pace; Il mio tesoro. Cosi fan tutte, K. 588: Un'aura amorosa; Ah, lo veggio; Tradito, schernito. La clemenza di Tito, K. 621: Del più sublime soglio; Ah, se fosse; Se all'impero |
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Die Zauberflöte, K. 620: Overture |
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Die Zauberflöte, K. 620: Overture '. Le nozze di Figaro, K. 492: Non so più cosa son, cosa faccio (with Rita Streich, soprano). Don Giovanni, K. 527: Madamina (with Donald Gramm, baritone). Concerto No. 3 in Eb for Hom and Orchestra, K. 447: Finale (with Philip Farkas, horn). Serenade No. 10 in Bb for Thirteen Instruments, K. 361. Symphonies: No. 28in C, K. 200; No. 31 in D, K. 297(“Paris“); No. 41 in C, K. 551 (“Jupiter“)“ |
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Die Zauberflöte: Ach ich fühl's |
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Die Zauberflöte: Ach ich fühls |
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Die Zauberflöte: Ach, ich fühl's (French) |
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Die Zauberflöte: Ach, ich fühl's (Tiana Lemnitz). Le nozze di Figaro: Deh vieni, non tardar (Elisabeth Schumann) |
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Die Zauberflöte: Ach, ich fühl's. Le nozze di Figaro: Porgi amor |
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Die Zauberflöte: Ach, ich fühl’s |
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Die Zauberflöte: Arias |
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Die Zauberflöte: Bei Männern (with Emmy Bettendorf, soprano); Ein Mädchen oder Weibchen |
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Die Zauberflöte: Bei Männern welche Liebe fühlen (Margherita Perras, soprano; Gerhard Husch, baritone; Hans Udo Müller conducting; ree. 1935) |
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Die Zauberflöte: Bei Männern; Ein Mädchen oder Weibchen |
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Die Zauberflöte: Bildnisarie. Don Giovanni: Dalla sua pace |
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Die Zauberflöte: Dein Bildnis ist bezaubernd schön |
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Die Zauberflöte: Der Hölle Rache |
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Die Zauberflöte: Der Hölle Rache (trans. Balsom) |
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Die Zauberflöte: Der Hölle Rache. Don Giovanni: Or sal che l'onore; Non mi dir. Lucio Siila: Dalla sponda tenebrosa. Vorrei spiegarvi, oh Dio, K. 418. Ah, se In ciel, benigne stelle, K. 538 |
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Die Zauberflöte: Der Hölle Rache. Le nozze di Figaro: Non so più; non più andrai; Act IV Finale |
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Die Zauberflöte: Der Vogelfänger bin ich ja |
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Die Zauberflöte: Die Bildnis ist bezaubernd schön |
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Die Zauberflöte: Die Hölle Rache |
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Die Zauberflöte: Die Weisheitslehre ... Wie stark ist nicht dein Zauberton |
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Die Zauberflöte: Dies Bildnis |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Schmidt) |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön. Cosi fan tutte: Un'aura amorosa. Don Giovanni: Dalla sua pace; Il mio tesoro. Die Entführung aus dem Serail: Hier soll ich dich denn sehen, Konstanze; In Mohrenland gifangen war |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön; Wie stark ist doch dein Zauberton |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön; Wie stark ist nicht die Zauberton. Don Giovanni: Dalla sua pace; Il mio tesoro |
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Die Zauberflöte: Dies bildnis |
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Die Zauberflöte: Ein Mädchen oder Weibchen |
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Die Zauberflöte: Ein Mädchen oder Weibchen; Der Vogelfänger bin ich ja; Bei Männern, welche Liebe fühlen |
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Die Zauberflöte: Excerpts from Acts I and II. Erna Berger, soprano (Queen of the Night); Maria Reining, soprano (Pamina); Josef von Manowarda (Sarastro). Live performance: December 4, 1941 |
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Die Zauberflöte: Gli angui d'inferno. * |
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Die Zauberflöte: In diesen heil'gen Hallen |
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Die Zauberflöte: In diesen heil’gen Hallen |
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Die Zauberflöte: Nos. 1,15,17, (arr. for two flutes) |
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Die Zauberflöte: O Isis und Osiris |
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Die Zauberflöte: O Isis und Osiris. Die Entführung aus dem Serail: Wer ein Liebchen hat gefunden; Vivat Bacchus (with Walther Ludwig) |
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Die Zauberflöte: O Isis und Osiris. Don Giovanni: Fin ch'han dal vino; Deh vieni alla finestra |
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Die Zauberflöte: O Isis und Osiris. Don Giovanni: Finch'han dal vino |
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Die Zauberflöte: O Isis und Osiris; Bei Männern welche Liebe fühlen. Don Giovanni: Finch'han dal vino; Deh, vieni alla finestra; Là ci darem la mano. Le nozze di Figaro: Se a caso madama; Se vuol ballare; Non più andrai; Porgi amor; Crudeli perchè finora; Dove sono |
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Die Zauberflöte: O Isis und Osiris; Der Hölle Rache |
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Die Zauberflöte: O Isis und Osiris; In diesen heil'gen Hallen. Die Entführung aus dem Serail: Wer ein Liebchen hat gefunden; Solche hergelaufne Laffen; Ha! wie will ich triumphieren |
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Die Zauberflöte: O Zitt're nicht... Zum Leiden bin ich auserkoren (in Italian) |
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Die Zauberflöte: O zittre nicht. Der Hölle Rache |
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Die Zauberflöte: O zittre nicht; Der Hölle Rache. Le nozze di Figaro: Porgi amor |
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Die Zauberflöte: O, zittre nicht; Der hölle Rache |
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Die Zauberflöte: Overture |
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Die Zauberflöte: Overture (3/5/42) |
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Die Zauberflöte: Overture; O Isis und Osiris (Sarastro's aria); Der Hölle Rache (Queen of the Night's aria). Requiem, K. 626: Tuba mirum. Exsultate, Jubilate, K. 165: Alleluia. Ave verum corpus, K. 618. Le nozze di Figaro: Non più andrai (Figaro's aria). Rondo alla turca, from K. 331. Adagio and Fugue in C Minor, K. 546. Theme and Five Variations in G, K. 501. Adagio and Allegro In F Minor, K. 594 |
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Die Zauberflöte: Overture; Queen of the Night’s Vengeance Aria |
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Die Zauberflöte: Pa-Pa-Pa-Papagena |
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Die Zauberflöte: Pa-Pa-Pa-Papagena! |
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Die Zauberflöte: Pa-Pa-Papagena |
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Die Zauberflöte: Papageno/ Papagena Duet. Don Giovanni: La ci darem la mano |
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Die Zauberflöte: Qui sdegno non s'accende |
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Die Zauberflöte: Transcriptions |
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Die Zauberflöte: Within these holy portals (2). Le nozze dl Figaro: Se vuol ballare, signor contino (2). Don Giovanni: Deh, vieni, alla finestra; Madamina, il catalogo |
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Die Zauberflöte; Overture |
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Die Zauberföte: Dies Bildnis ist bezaubernd schön. Zaide: Ja, nun lass das Schicksal |
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Die entführung aus dem Serail: Ach ich liebte. Martern aller arten |
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Die verstellte Gärtnerin: Nach der Welschen Art und Weise |
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Die zauberflöte: “Ein mädchen oder weibchen”. Le nozze di Figaro: “Aprite un po’ gli occhi”. Così fan tutte: “Rivolgete a lui lo sguardo” |
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Difficile lectu mihi Mars |
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Dir, Seele des Weltalls |
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Discovering Così fan tutte: An Interactive Journey into the World of Mozart’s Opera (additional CD-ROM) |
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Divertimenti, K 136–138 |
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Divertimenti, K 246, 334 |
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Divertimenti: No. 11 in D, K 251; No. 17 in D, K 334 |
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Divertimenti: No. 15 in B♭, K 287; No. 7 in D, K 205; in D, K 136; No. 17 in D, K 334; No. 10 in F, K 247 |
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Divertimenti: in C, K. 187; in C, K. 188; in F, K. 138. Serenade No. 12 in C Minor, K. 388 |
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Divertimento In Bb, K. 254. Trios: In G, K. 496; In Bb, K. 502; In E, K. 542; In C, K. 548; In G, K. 564 |
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Divertimento No. 11 in D for Two Violins, Viola, Double Bass, Oboe, Horn, and Bassoon, K. 25 V. Quartet in F for Oboe, Violin, Viola, and Cello, K. 370. Adagio in C for English Horn, Violin, Viola, and Cello, K. 580A. Quintet in Eb for Horn, Violin, Two Violas, and Cello, K. 407“ |
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Divertimento No. 11 in D for Two Violins, Viola, Double Bass, Oboe, Horn, and Bassoon, K. 251 (“Nannerl-Septett“). Quartet in F for Oboe, Violin, Viola, and Cello. K. 370. Adagio in C Minor for English Horn, Violin, Viola, and Cello, K. 580a. Quintet in Eb for Horn, Two Violins, Viola, and Cello, K. 407 |
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Divertimento No. 11, K 251 |
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Divertimento No. 14 in B♭, K 270, arranged for wind quintet |
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Divertimento No. 14: Allegro molto; Presto (arr. Baines) |
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Divertimento No. 15 in Bb for Violin and Orchestra, K. 287 |
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Divertimento No. 15 in Bb, K. 287. Ein musicalischer Spass in F, K. 522 |
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Divertimento No. 15 in B♭, K 287: Theme and Variations; Minuet |
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Divertimento No. 15 in B♭, K. 287. Serenade No. 13 in G, K. 525 ("Eine kleine Nachtmusik") |
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Divertimento No. 15, K 247: Tema con variazioni; Menuetto |
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Divertimento No. 17 in D, K. 334. Serenade No. 6 in D, K. 239 ("Serenata notturna") |
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Divertimento No. 17 in D. Oboe Quartet in F |
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Divertimento No. 17, K. 334: Menuet |
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Divertimento No. 17: Minuet |
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Divertimento No. 17in D, K. 334: Minuet |
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Divertimento No. 17inD, K. 334: Minuet |
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Divertimento No. 2, K 131 |
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Divertimento No. 3 in F, K 138 |
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Divertimento No. 4, K. 229A: Rondo |
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Divertimento for Violin, Viola, and Cello, K 563 |
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Divertimento in B, K 287 |
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Divertimento in Bb, K. 137 |
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Divertimento in Bb, K. 137. Andante and Five Variations, K. 501. Adagio and Allegro, K. 594. Orgelstück in F Minor, K. 608. Andante in F for Organ, K. 616 |
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Divertimento in Bb, K. 287. Serenade in G, K. 525 (“Eine kleine Nachtmusik') |
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Divertimento in B♭ for Violin, Viola, and Cello, K Anh 229 (439b) |
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Divertimento in B♭, K 254 |
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Divertimento in C for Two Flutes, Three Trumpets in C, Two Trumpets in D, and Timpani, K. 187; Divertimento in C for Two Flutes, Three Trumpets in C, Two Trumpets in D, and Timpani, K. 188 |
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Divertimento in C, K 188 |
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Divertimento in D for Two Violins, Two Violas, Double Bass, Flute, Bassoon, and Four Horns, K. 131. Menuett in Eb for Two Violins, Double Bass, Two Oboes, and Two Horns, K. 122. A Musical Joke in F for Two Violins, Viola, Double Bass, and Two Horns, K. 522. Divertimento in Eb for Two Violins, Viola, Double Bass, Two Clarinets, and Two Horns, K. 113 |
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Divertimento in D for Two Violins, Viola, Double bass, and Two Horns, K. 334^. Quintet in D for Two Violins, Two Violas, and Cello, K. 577. Andante for Mechanical Organ, K. 616. Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola, and Cello, K. 617 |
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Divertimento in D, K 136 |
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Divertimento in D, K 205 |
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Divertimento in D, K. 131. Cassation in B", K. 99 |
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Divertimento in D, K. 136 |
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Divertimento in D, K. 334: Menuetto |
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Divertimento in E for Violin, Viola, and Cello, K. 563. Duos for Violin and Viola: in G, K. 423; in B, K. 424 |
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Divertimento in Eb for String Trio, K. 563 |
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Divertimento in Eb for Violin, Viola, and Cello, K. 563 |
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Divertimento in E♭, K 113 |
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Divertimento in E♭, K 563 |
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Divertimento in E♭, K 563. Duo in B♭, K 424 |
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Divertimento in F, K 138 |
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Divertimento in F, K. 138 |
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Divertimento in F, K. 213. Die Zauberflöte (arrangement for flute and clarinet) |
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Divertimento, E. 439b |
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Divertimento, K 113 |
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Divertimento, K 251 |
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Divertimento, K 334: Minuet |
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Divertimento, K 563 |
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Divertimentos (originally for two basset horns/clarinets and bassoon or three basset horns.): Wo. 2, K. 439b: Allegro; Wo. 4, K. 439b; Adagio; Allegretto. Wo. 3, K. 439b: Menuet. BACH-RECHTMAN (all originally for keyboard): Prelude, BWV 936. Anna Magdalena Bach Notebook II: Menuett, Anh. 114. Menuett, Anh. 132. Trio, BWV 929. Invention (Sinfonia), BWV 797. Suite, BWV 821: Sarabande. Fuga, BWV 952. English Suite Now. 3, BWV 808: Gavotte II (Musette) |
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Divertimentos for 2 Horns and Strings: in F, K 247; in B♭, K 287; in D, K 334 |
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Divertimentos for 3 Basset Horns in B♭ K Anh 229 (439b): Nos. 1, 2, 4 |
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Divertimentos for Basset Horns: No. 2, K. 439b; No. 3, K. 439b. Five Duos, K. 487 |
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Divertimentos for Two Oboes, Two Bassoons, and Two Horns: in F, K. 213; in ß, K. 240; in E, K. 252; in F, K. 253; in B. K. 270 |
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Divertimentos for Two Violins, Viola, Cello, and Two Horns: No. 17inD, K. 334 (320b); No. 10 in F, K. 247 |
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Divertimentos, Volume 5: No. 15 in B♭, K. 287; No. 7 in D, K. 205 |
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Divertimentos, Volume 7: In D, K. 131; in Eb, K. 113; in F, K. 522 (“A Musical Joke'). Minuet in Eb, K. 122 |
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Divertimentos: In D, K. 136; No. 17 in D, K. 334 |
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Divertimentos: No. 1 in D, K. 136; No. 2 in B“, K. 137; No. 3 in F, K. 138. Adagio and Fugue in C minor, K. 546 |
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Divertimentos: No. 1 in E♭, K 113; No. 10 in F, K 247; No. 15 in B♭, K 287; No. 17 in D, K 334 |
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Divertimentos: No. 17 in D, K 334 (320b); in F, K 138 (125c) "Salzburg Symphony No. 3"; in B♭,K137 (125b) "Salzburg Symphony No. 2"; in D, K 136 (125a) "Salzburg Symphony No. 1" |
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Divertimentos: No. 17 in D, K. 334 (320b); in B, K. 137 (125b) |
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Divertimentos: No. 17 in D, K. 334; No. 7 in D, K. 205. March in D, K. 290 |
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Divertimentos: No. 17 in D, K. 334; in D, K. 136. March in D, K. 445 |
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Divertimentos: Nos. 1–4; Nos. 6–17 in D. Marches: in D, K 290/167AB; in C, K 214; in F, K 248; in D, K 251 |
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Divertimentos: Nos. 1–5, K 439 |
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Divertimentos: [No. 11] in D, K. 251; in B. K. 137; in E“, K. 113 |
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Divertimentos: in B, K. 186; in E, K. 166; in E. K. Anh. 226; in B", K. Anh. 227 |
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Divertimentos: in D, K 136; B♭, K 137; F, K 138; Sinfonia Concertante in E♭, K 364 |
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Divertimentos: in D, K 136; in B, K 137; in F, K 138 |
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Divertimentos: in D, K 136; in B♭, K 137; in F, K 138 |
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Divertimentos: in D, K. 131; in Eb, K. 113. Menuett in Eb, K. 122. A Musical Joke in F, K. 522 |
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Divertimentos: in D, K. 136; No. 17 in D, K. 334 |
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Divertimentos: in D, K. 136; in Bb, K. 137; in F, K. 138; Twelve German Dances |
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Divertimentos: in D, K. 136; in Bb, K. 137; in F, K. 138; [No. 11] in D, K. 251 |
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Divertimentos: in D, K. 136; in B♭, K. 137, in F, K. 138. Serenade No. 13 in G, K. 525 ("Eine kleine Nachtmusik") |
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Divertimentos: in Eb, K. 113; in D, K. 334. March in D, K. 445 |
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Divertimentos: in F, K 247; in D, K 334 |
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Dixit et Magnificat, K. 193. Missa brevis in D, K. 194. Missa brevis in F, K. 192. Sancta Maria, mater dei, K. 273 |
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Dle Zaubernöte: Dies Bildnis; Soll ich dich, Teurer, nicht mehr seh'n (with Eipperle and Hann). Die Entführung aus dem Serail: Hier soll ich dich denn sehen; Wenn der Freude Tränen fliessen; Welch win Geschick (with Erna Berger, soprano) |
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Don Giovanni |
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Don Giovanni (Prague and Vienna Versions) |
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Don Giovanni (arr. Triebensee) |
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Don Giovanni (arranged for wind octet by Josef Triebensee) |
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Don Giovanni (with Cesare Valletti, tenor; Herbert von Karajan conducting; Salzburg 1960): Ma quai mai s'offre, oh Dei; Or sai chi l'onore; Non mi dir |
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Don Giovanni Wind Band Music |
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Don Giovanni, K. 527 |
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Don Giovanni, K. 527. Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Die Zauberflöte: Overture |
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Don Giovanni, K. 527. Le nozze di fígaro, K. 492. Die Zauberflöte, K. 620 |
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Don Giovanni, K. 527. Requiem in D Minor, K. 626 |
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Don Giovanni, K. 527. Thamos, King of Egypt, K. 345 |
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Don Giovanni, K. 527: Excerpts |
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Don Giovanni, K. 527: Non mi dir. Die Entüfhrung aus dem Serail, K. 384: Martern aller Arten (sung in Italian) |
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Don Giovanni, K. 527: Or sai chi l'onore; Non mi dir. Alma grande e nobil core, K. 578. Ah, lo prevedi, K. 272. Ah, se in ciel, K. 538. Misera, dove sono, K. 369. Davidde penitente, K. 469: Tra l'oscure ombre funeste. // Sogno di Scipione, K. 126: Ah, perché cercare deggio |
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Don Giovanni, K. 527: Overture . Bella mia fiamma, addio, K. 528. Concerto in A for Clarinet and Orchestra, K. 622. Symphony No. 38 in D, K. 504 (“Prague“) |
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Don Giovanni, K. 527: Overture. Motet: Ergo Interest, An Quis, K. 143/73a. Vesperae Solennes De Confessore, K. 339: Laudate Dominum . Coronation Mass, K. 317: Agnus Dei . Il Re Pastore, K. 208: L'amerò, Sarò costante. Concerto No. 2 in D for Violin and Orchestra, K. 211. Symphony No. 31 in D, K. 297 (“Paris“) |
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Don Giovanni. Le nozze di Figaro |
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Don Giovanni. Le nozze di Figaro. Die Zauberflöte |
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Don Giovanni. Madamina, il catalogo è questo |
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Don Giovanni. Sérénade |
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Don Giovanni. The Abduction from the Seraglio |
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Don Giovanni: A te, fra tanti affanni |
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Don Giovanni: Batti, batti |
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Don Giovanni: Batti, batti, o bel Masetto |
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Don Giovanni: Dalia sua pace; Il mio tesoro |
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Don Giovanni: Dalla sua pace |
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Don Giovanni: Dalla sua pace (O) |
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Don Giovanni: Dalla sua pace. Così fan tutte: Un aura amorosa. Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Don Giovanni: Dalla sua pace. Die Zauberflöte: Dies Bildnis |
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Don Giovanni: Dalla sua pace. Il Mio Tesoro: Excerpts (Tauber's final performance at Covent Garden, September 27, 1947) |
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Don Giovanni: Dalla sua pace; Il mio tesoro |
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Don Giovanni: Dalla sua pace; Il mio tesoro. Così fan tutte: Un'aura amorosa |
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Don Giovanni: Deh vieni alla finestra |
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Don Giovanni: Deh vieni alla finestra; Finch'han dal vino. Le nozze di Figaro: Se vuol ballare; Non più andrai |
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Don Giovanni: Deh, vieni alla finestra |
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Don Giovanni: Deh’ vieni alla finestra (trans. Backhaus) |
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Don Giovanni: Don Giovanni, a cenar teco |
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Don Giovanni: Don Giovanni, a cenar teco m’invitasi! |
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Don Giovanni: Don Ottavio, son morta! . . . Or sai chi l’onore; Or sai chi l’onore (Version 2 with orch); Non mi dir |
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Don Giovanni: Excerpts |
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Don Giovanni: Excerpts. Zubin Mehta, cond; Thomas Hampson (Don Giovanni); Ferruccio Furlanetto (Leporello); Edita Gruberova (Anna); Soile Isokoski (Elvira); Michael Schade (Ottavio) |
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Don Giovanni: Feinsliebchen, komm ans Fenster. Die Zauberflöte: Bei Männern; Ein Mädchen oder Weibchen |
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Don Giovanni: Fin ch’han dal vino |
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Don Giovanni: Finch' han dal vino |
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Don Giovanni: Finch' han dal vino; Deh, vieni alla finestra |
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Don Giovanni: Finch'han del vino; Deh! vieni alla finestra |
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Don Giovanni: Folget der Heissgeliebten; Welch ein graunvolles Bild (with Elisabeth Grfimmer, soprano). Die Entführung aus dem Serail: Konstanze, dich wiederzusehen |
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Don Giovanni: Il mio tesero |
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Don Giovanni: Il mio tesord. Die Entführung aus dem Serail: Ha! Wie will ich triumphiered |
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Don Giovanni: Il mio tesoro |
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Don Giovanni: Il mio tesoro (Richard Tauber) |
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Don Giovanni: Il mio tesoro; La ci darem la mano |
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Don Giovanni: Il mio tesoro; Ridente la calma |
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Don Giovanni: In quali eccessi . . . Mi tradi |
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Don Giovanni: In quali eccessi . . . Mi tradi quell’alma ingrata; Crudele? . . . Non mi dir |
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Don Giovanni: In quali eccessi. . . Mi tradì; Batti, batti, o bel Masetto |
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Don Giovanni: La ci darem (Eberhard Waechter; Graziella Sciutti) |
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Don Giovanni: La ci darem la mano. Le nozze di Figaro: Sull' aria |
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Don Giovanni: La cl darem la mano (with Irmgard Seefried, soprano); Act II, sc. 1 (with Sena Jurinac, soprano, Erich Kunz and Walter Berry, baritones); Act II, sc. 5 (with Sena Jurinac, Erich Kunz, and Ludwig Weber, bass). Le nozze di Figaro: Non più andrai |
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Don Giovanni: Là ci darem |
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Don Giovanni: Là ci darem la mano |
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Don Giovanni: Là ci darem la mano (with Emilia Corsi, soprano) |
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Don Giovanni: Là ci darem la mano (with Lucy Crowe) |
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Don Giovanni: Là ci darem la mano (with Nicolai Ghiaurov, bass) |
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Don Giovanni: Ma qualmai s'offre … Fuggi, crudele, fuggi!; Don Ottavio, son morta!… Or sai chi l'onore; Crudele? Ah no, mio bene … Non mi dir, bell'idol mio. Le nozze di Figaro: Voi che sapete |
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Don Giovanni: Madamina |
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Don Giovanni: Madamina! |
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Don Giovanni: Madamina! Il catalogo e questo |
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Don Giovanni: Madamina!, il catalogo è questo. The Magic Flute: Ein Mädchen oder Weibchen; Papagena! Weibchen, Taubchen (with Alda Noni, soprano) |
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Don Giovanni: Madamina, il catalogo è questo |
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Don Giovanni: Madamina, il catalogo è questo; Ah, pietà, signori miei; Di rider finirai... O statua gentilissima (with Nicolai Ghiaurov and Dimiter Petkov, basses) |
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Don Giovanni: Madamina, il catalogo è questo; Deh vieni alla finestra; Fin ch’han dal vino |
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Don Giovanni: Madamina, il catalogo é questo |
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Don Giovanni: Madamina; Deh, vieni alla finestra; Finch’han dal vino |
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Don Giovanni: Mi tradi quell’alma; Non mi dir |
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Don Giovanni: Minuet |
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Don Giovanni: Minuet. Rondo alla Turca (two versions). Sonata No. 9 In D, K. 311 (incomplete) |
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Don Giovanni: Non mi dir |
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Don Giovanni: Non mi dir, bell' idol mio |
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Don Giovanni: Non mi dir, bell’idol mio |
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Don Giovanni: Non mi dir; Or sai chi l’onore |
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Don Giovanni: Nur ihrem Frieden; Folget der Heissgeleibten |
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Don Giovanni: Nur ihrem Frieden; Folget der Heissgeliebten |
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Don Giovanni: Or sai chi l'onore; Non mi dir |
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Don Giovanni: Or sai chi l’onore; Non mi dir |
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Don Giovanni: Or sai, chi l'onore; Non mi dir. i |
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Don Giovanni: Or sai, chi l’onore; Non mi dir |
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Don Giovanni: Overture |
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Don Giovanni: Overture (LPO) |
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Don Giovanni: Overture. Symphony No. 35 in D, K 385. Piano Concerto No. 12 in A, K 414: Mvts 2 and 3. Die Zauberflöte: Overture. The Abduction from the Seraglio: Overture |
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Don Giovanni: Overture; Notte e Giorno; La ci darem la mano; Fin ch'han dal Vino. Die Zauberflöte: Du Jüngling, schön and liebevoll; Der Vogelfänger bin ich ja; O Isis und Osiris; Der Hölle Rache |
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Don Giovanni: Quel casinetto è mio . . . Là ci darem la mano |
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Don Giovanni: Restati quà…Per questa tue manine |
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Don Giovanni: Serenade |
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Don Giovanni: Serenata |
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Don Giovanni: Sextet from Act II (Renée Fleming, soprano; Kiri Te Kanawa, soprano; Hei-Kyung Hong, soprano; Jerry Hadley, tenor; Bryn Terfel, baritone; Julien Robbins, baritone) |
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Don Giovanni: Vedrai, carino |
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Don Giovanni: Vedrai, carino; Mi tradì |
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Don Giovanni: “Io crudel?…Non mi dir” (in German). Così fan tutte: “Come scoglio”;“ Per pieta”; “Seinen armen eil’ich entgegen”. Die zauberflöte: “Ach, ich fühls” |
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Don Giovanni: “Or sai che l’onore”. La clemenza di Tito: “Parto, parto”. Così fan tutte: “Come scoglio”. Le nozze di Figaro: “Dove sono” |
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Double Piano Concerto in E♭, K365 |
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Dove sono |
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Duets for Flute and Oboe on Arias from Don Giovanni, Le nozze di Figaro, Die Entführung aus dem Serail, and Die Zauberflöte |
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Duets for Flutes on Selections from Die Zauberflöte and Die Entführung aus dem Serail |
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Duettino concertante (arr. Busoni). Fugue in c. Concerto for 2 Pianos in E♭ |
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Duo In Bb lor Two Violas da Gamba, K. 292 |
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Duo in B for Two Clarinets, K. 484d (420), Adagio in F for Clarinet and Three Basset Horns, K.580a, Adagio in B Two Clarinets and Three Basset Horns, K. 439b, No. 1, Six Nocturnes for Singers and Three Basset Horns, K. 436, 439, 549, 437, 438, 439a, Divertimento in F for Three Basset Horns, K. 439b, No. 4 |
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Duo in Bb for Violin and Viola, K. 424. Divertimento in Eb, K. 563 |
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Duo in G, K 423 |
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Duos for Violin and Viola: No. 1 in G, K 423 |
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Duos for Violin and Viola: No. 1 in G, K 423; No. 2 in B♭, K 424 |
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Duos for Violin and Viola: No. 1 in G, K. 423; No. 2 in Bb, K. 424 |
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Duos for Violin and Viola: No. 1 in G; No. 2 in B♭ |
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Duos for Violin and Viola: No. 2 in B♭, K 424 |
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Duos for Violin and Viola: in G, K 523; in B♭, K 524 |
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Early Keyboard Works |
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Early Symphonies |
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Early Symphonies, Volume 1. Symphonies: No. 1 in Eb, K. 16; No. 5 in Bb, K. 22; No. 6 in F, K. 43; No. 10 in G, K. 74; in G, K. 45a (“Old Lambach“) |
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Early Symphonies, Volume One |
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Eight Variations on a Dutch Song by Christian Ernst Graf, K. 208. Sonata Movement in Bb, K. 400. Fugue in G Minor, K. 401. Seven Variations on “Willem Van Nassau,“ K. 25. Klaviersuite in C, K. 399. Twelve Variations on a Minuet by Johann Christian Fischer, K. 179. Sonata in G Minor, K. 32. Allegro. Capriccio in C, K. 395. Twelve Variations on “Je suis Undor, “ K. 354 |
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Ein Musikalischer Spass, K 522 |
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Ein musikalischer Spass |
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Ein musikalischer Spass, K. 522 |
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Ein musikalischer Spass. Mithridate: “Lungi da te” |
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Eine Kleine Nachtmusik, K 525 |
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Eine kleine Freimaurer-Kantate |
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Eine kleine Gigue in G |
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Eine kleine Gigue in G, K 574 |
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Eine kleine Gigue, K 574 |
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Eine kleine Nachtmusik |
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Eine kleine Nachtmusik, K 525 |
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Eine kleine Nachtmusik. Adagio and Fugue in c, K 546 |
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Eine klein» Freimaurer-Kantate, K. 623. Maurergesang, K. 623a. O Helliges Band, K. 148. Maurerische Trauer-musik, K. 477. Zerfllesset heut; gellebte Brüder, K. 483. Ihr unsre neuen Leiter, K. 484. Dir, Seele des Weltalls, o Sonne, K. 429. Gesellenreise, K. 468. Eine kleine deutsche Kantate, K.619. Kantate die Maurerfreude. K. 471 |
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Entführung aus dem Serail: Im Mohrenlan; Hier soll ich dich denn sehen; Konstanze, dich wiederzusehen |
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Epistle Sonatas |
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Epistle Sonatas, K 278, K 329 |
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Ergo interest, K 143 |
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Essen und Trinken |
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Excerpts from operas by |
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Excerpts from: Zaide; Die Zauberflöte; Don Giovanni |
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Excerpts: A Robert Bloom Birthday Party (with Robert Sherman, Julius Baker, Bernard Greenhouse, Susan Starr, and Sara Lambert Bloom, WQXR, May 1988) and A Conversation with Robert Bloom on his 80th Birthday (with Andre Bernard, WNYC-FM, May 1988) |
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Exsultate Jubilate: Alleluia |
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Exsultate Jubilate: Alleluia. Le nozze di Figaro: Non so più cosa son |
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Exsultate jubilate, K 165 |
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Exsultate jublilate, K 165 |
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Exsultate, Jubilate |
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Exsultate, Jubilate and other sacred music |
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Exsultate, Jubilate!, K. 165. Idomeneo: II padre adorato. Ascanio in Alba: Cara, lontano ancora. La clemenza di Tito: Parto, parto |
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Exsultate, Jubilate, K 165 |
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Exsultate, Jubilate, K. 165 |
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Exsultate, Jubilate, K. 165. Opera Arias |
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Exsultate, Jubilate: Allelujah |
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Exsultate, jubilate |
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Exsultate, jubilate (Sills/Ormandy). Piano Concerto No. 17, K 453 (Richter/Ormandy) |
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Exsultate, jubilate, K 165 |
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Exsultate, jubilate, K. 165 |
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Exsultate, jubilate, K. 165. Arias |
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Exsultate, jubilate, K. 165. Symphony In F, K. 75 |
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Exsultate, jubilate, K. 165. Voi avete un cor fedele, K. 217. Vado, ma dove, K. 583. Chi sa, chi sa, qual sia, K. 582. Nehmt meinen Dank, K. 383. Bella mia fiamma, K. 528. Mitridate, K. 87: Lungi da te. Zaide, K. 344: Ruhe sanft |
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Exsultate, jubilate. Betracht dies Herz. Die Schuldigkeit des ersten Cebots: Em ergrimmter Löwe; Hat der Schöpfer dieses Leben |
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Exsultate, jubilate. Concert arias |
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Exsultate, jubilate. Vesperae solemnes de confessore. Ave verum corpus |
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Exsultate, jubilate. Voi avete, un cor fedele. Vado, ma dove? Oh Dei. Chi sà, chi sà, qual sia. Nehmt meinen Dank. Bella mia fiamma, addio. Zaide: Exsultate, jubilate. Voi avete, un cor fedele. Vado, ma dove? Oh Dei. Chi sà, chi sà, qual sia. Nehmt meinen Dank. Bella mia fiamma, addio. Zaide: Ruhe sanft, mein holdes Leben. Mitridate, rè di Ponto: Lungi da te |
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Exsultate, jubilate’ Piano Quartet No. 1 in g, K 4782 |
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Exsultate, jubliate: Alleluja (Max Walmer, pn—Birmingham, AL 4/30/68) |
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Exsultate. jubilate, K. 165. Arias |
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Exultate jubilate |
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Exultate, Jubilate, K. 165 |
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Exultate, Jubilate, K. 165. Ch'io mi scordi di te?, K. 505. Ave verum corpus, K. 618. Vesperae solennes de Confessore, K. 339: Laudate Dominum |
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Exultate, jubilate, K. 165. Die Entführung aus dem Serail: Martern aller arten (Alberto Erede conducting). Don Giovanni: Two Arias (Karl Böhm conducting) |
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Fantaisie in C Minor, K. 476. Ten Variations on “Unser dummer potei meint“ from La Recontre imprévue on Les Pèlerins de la Meque by Gluck, K. 455. Twelve Variations on “La Belle Françoise,“ K. 353/300f. Piano Sonata No. 11 in A, K. 331/3001 |
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Fantasia and Fugue in C, K 394 |
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Fantasia in C Minor, K. 396 |
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Fantasia in C Minor, K. 475. Piano Sonata No. 14 in C Minor, K. 457 |
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Fantasia in C Minor, K. 475; Piano Sonata No. 14 in C Minor, K. 457 |
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Fantasia in C, K 395 |
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Fantasia in D Minor, K. 385g (397f |
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Fantasia in D Minor, K. 397 |
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Fantasia in D Minor, K. 397. Nine Variations on a Minuet by Duport, K. 573 |
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Fantasia in D Minor, K. 397. Six Variations on "Salve tu, Domine" from the Opera 7 Filosofi imaginarii' by Paisiello, K. 398. Twelve Variations on "Ah, vous dirai-je, Maman," K. 265. Rondo in A Minor, K. 511. Nine Variations on a Menuett by Duport, K. 573. Adagio in B Minor, K. 540 |
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Fantasia in F Minor, K. 594 |
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Fantasia in F Minor, K. 608 |
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Fantasia in F Minor, K. 608. Fantasia in F Minor, K. 594. Andante in F, K. 616. Adagio and Rondo in C, K. 617. Inträda and Fugue in C, K. 399. Fugue in G Minor, K. 401. Gigue in G, K. 574. Adagio and Fugue in C Minor, K. 546. Allegro in G, K. 443. Fugue in G Minor, K. 154. Fugue in Eb, K. 153. Adagio in C, K. 356. Ave verum (arr. Franz Liszt). Benedictus (arr. Novello) |
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Fantasia in F minor, K. 608 |
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Fantasia in F, K. 608. Andante in F, K. 616 |
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Fantasia in F, K. 608. Fantasia in F, K. 594. Andante in F, K. 616. Overture in C, K. 399. Gigue, K. 574. Adagio in C, K. 536 [sic]. Fugue in G Minor, K. 154. Fugue in Eb, K. 153. Fugue in G Minor, K. 401 |
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Fantasia in c |
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Fantasia in c, K 396 |
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Fantasia in c, K 396 (compl. Stadler) |
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Fantasia in c, K 396 (completed M. Stadler) |
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Fantasia in c, K 475 |
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Fantasia in c. Sonata in B♭, K 333 |
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Fantasia in d |
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Fantasia in d, K 397 |
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Fantasia in d, K 397 (2 versions) |
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Fantasia in d, K 397. Piano Sonata in D, K 576 |
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Fantasia in f (arr. Busoni) |
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Fantasia in f and F |
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Fantasia in f for Musical Clockwork, K 608 (arr. Busoni) |
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Fantasia in f, K594 |
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Fantasia, K. 608. Andante, K. 616. Adagio, Allegro, Adagio, K. 594. Epistle Sonatas: in F, K. 244; in G, K. 241; in C, K. 328; in Eb, K. 67; in G, K. 274; in D, K. 144; in F, K. 145; in D, K. 245; in C, K. 336 |
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Fantasias in F minor, K. 594; K. 608 |
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Fantasias in c: K 475; K 396/385f. Piano Sonata in B♭, K 333. Divertimento No. 17 in D (arr. Friedman) |
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Fantasias: K 608; K 594 |
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Fantasias: in C Minor, K. 396; in D Minor, K. 397. Rondos: in D, K. 485; in A Minor, K. 511 |
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Fantasias: in c, K 396; in d, K 397; in c, K 475 |
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Fantasias: in d, K 385g; in c, K 475 |
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Fantasias: in d, K 397; in c, K 475 |
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Fantasias: in f, K 608 (arr. Busoni); in f, K 594 |
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Fantasie in D Minor, K. 397 |
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Fantasie in D minor, K. 397 |
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Fantasie in c, K 475 |
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Fantasie in c, K 475. Sonatas: No. 14 in c, K 457; No. 15 in F, K 533 |
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Fantasie in f, K 594 |
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Fantasies by |
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Fantasies: in C Minor, K. 396; in D Minor, K. 397; in C Minor, K. 475. Piano Sonata No. 14 in C Minor, K. 457. Rondo in A Minor, K.511. ANON. (L. MOZART?): La Tartine de beurre |
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Fantasies: in D Minor, K. 397; in C Minor, K. 396; in C Minor, K. 475. Piano Sonata No. 14 in C Minor, K. 457. Adagio in B Minor, K. 540 |
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Fantasies: in c, K 475; in c, K 396; in d, K 397 |
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Fantasies: in c, K 475; in c, K 396; in d, K397 |
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Fantasy No. 4 in c. Piano Sonatas Nos. 12, 14 |
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Fantasy and Fugue in C, K 394 |
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Fantasy and Fugue in C, K. 394 |
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Fantasy and Sonata in c, K 475/457. Adagio in b, K 540 Sonata in a, K 310. Fantasy in d, K 397 |
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Fantasy for a Mechanical Organ, K. 608 |
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Fantasy in C Minor, K. 396. Fantasy in D Minor, K. 397. Rondo in A Minor, K. 511. Fantasy in C Minor, K. 475. Sonata No. 14 in C Minor, K. 457 |
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Fantasy in C Minor, K. 475 |
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Fantasy in C Minor, K. 475. Adagio in B Minor, K. 540. Piano Sonata No. 13 in Bb, K. 333 |
|
Fantasy in C Minor, K. 475. Piano Sonata No. 14 in C Minor, K. 457. Rondo in A Minor, K. 511. Fantasy in C Minor, K. 396. Fantasy in D Minor, K. 397. Adagio in B Minor, K. 540 |
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Fantasy in C Minor, K. 475. Plano Sonata No. 14 in C Minor, K. 457 |
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Fantasy in C. Adagio in a, K 540 |
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Fantasy in D Minor, K 397 |
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Fantasy in D Minor, K. 297. Sinfonia Concertante, K. 364: Andante (second movement)'- |
|
Fantasy in D Minor, K. 397 |
|
Fantasy in D Minor, K. 397. Andante in F, K. 616. Adagio in B Minor, K. 540. Rondo in D, K. 485 |
|
Fantasy in D Minor, K. 397. BEETHOVEN -.Rondo in G, op. 51, no. 2 |
|
Fantasy in D Minor, K. 397. Sonata Movement in G Minor, K. 312. Rondo in F, K. 494 (first version). Fantasy in C Minor, K. 475. Sonata No. 4 in Eb, K. 282. Eight Variations on “Ein Weib ist das herrlichste Ding,“ K. 613. Sonata No. 10 in C, K. 330: Andante cantabile |
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Fantasy in F Minor, K. 608 |
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Fantasy in O Minor, K. 397 |
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Fantasy in c, K 396 |
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Fantasy in c, K 475 |
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Fantasy in c, K 475. Rondo in D, K 485. Adagio in b, K 540 |
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Fantasy in c, K 475; Sonata in c, 457 |
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Fantasy in d, K 397 |
|
Fantasy in d, K 397 |
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Fantasy in f |
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Fantasy in f, K 608 |
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Fantasy, K 397 |
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Fantasy, K 475 |
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Figaro: Ezio Pinza (Figaro); John Brownlee (Count Almaviva); Bidú Sayão (Susanna); Eleanor Steber (Countess Almaviva); Jarmilla Novotná (Cherubino); Marita Farell (Barbarina); Irra Petina (Marcellina); Salvatore Baccaloni (Dr. Bartolo); Alessio De Paolis (Don Basilio); John Garris (Don Curzio); Louis D’Angelo (Antonio) (161:35) Live: New York 1/29/1944 |
|
Five Divertimenti in Bb for Clarinet, Oboe, and Bassoon, K. 439b (K. Anh. 229). Divertimento for Wind Trio on Mas from “The Marriage of Figaro“ and “Don Giovanni.“ Cassation in Eb for Oboe, Clarinet, Horn, and Bassoon, K. Anh. CA. í J |
|
Five Violin Concertos. Two Rondos. Adagio |
|
Flute Concerto No. 1 in G, K 313/285c |
|
Flute Concerto No. 1, K 313 |
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Flute Concerto No. 1, in G, K 313 |
|
Flute Concerto No. 1. Bassoon Concerto. Clarinet Concerto |
|
Flute Concerto No. 2 |
|
Flute Concerto No. 2 (Hubert Barwahser; 3/5/42) |
|
Flute Concerto No. 2 in D |
|
Flute Concerto No. 2 in D, K 314 |
|
Flute Concerto No. 2, K 314 |
|
Flute Concerto in D |
|
Flute Concerto, K 313 |
|
Flute Concertos: Flute and Harp Concerto |
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Flute Concertos: No. 1 in D, K 313; No. 2 in D, K 314 |
|
Flute Concertos: No. 1 in G, K 313 |
|
Flute Concertos: No. 1 in G, K 313; No. 2 in D, K 314 |
|
Flute Concertos: No. 1 in g, K 313; No. 2 in d, K 314 |
|
Flute Concertos: No. 2 in D, K 314 |
|
Flute Concertos: No. 2 in D; No. 1 in C. Symphony No. 41, “Jupiter” |
|
Flute Concertos: Nos. 1–2. Flute and Harp Concerto, K 299 |
|
Flute Concertos: in G, K 313; in D, K 314 |
|
Flute Quartet No. 1, K 285 |
|
Flute Quartet No. 3, K 285b |
|
Flute Quartet in D, K. 285: II, Adagio; III, Rondeau : Allegretto (with Stern, Accardo, Rostropovich) |
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Flute Quartet, K 285: Adagio |
|
Flute Quartets (complete) |
|
Flute Quartets: K 284a; K 285b |
|
Flute Quartets: Nos 1–4 |
|
Flute Quartets: Nos. 1–4 |
|
Flute Quartets: Nos. 1–4. Oboe Quartet in F |
|
Flute Quartets: in D, K 285; in G, K 285a; in A, K 298; in C, K 285b |
|
Flute Quartets: in D, K 295; in G, K 285a; in C, K Anh. 171 (K 285b); in A, K 298; Clarinet Quintet in A, K 581 |
|
Flute Quartets: in D, KV 285; in G, KV 285a; in A, KV 298; in C, KV Anh. 171 |
|
Flute Quartets: in D; in A; in C; in G |
|
Flute Quartets: in G, K 285a; in A, K 298 |
|
Flute Sonatas: in C, K 14; in A, K 12; in B♭, K 10; in G, K 11; in F, K 13; in B♭, K 15 |
|
Flute and Harp Concerto in C, K 299 |
|
Flute and Harp Concerto, K 299 |
|
Flute and Harp Concerto. Clarinet Concerto |
|
Flute and Harp Concerto. Flute Concertos: No. 1 in D, K 313; No. 2 in D, K 314 |
|
Flute and Harp Concerto. Horn Concertos Nos. 1-4. Rondo for Horn and Orchestra in D, K 514 |
|
Four Notturni |
|
Four Preludes for String Quartet, K. 405, nos. 2-5 |
|
Four Quartets for Flute, Violin, Viola, and Cello. Trio in E♭ for Piano, Clarinet, and Viola, K. 498 ("Kegelstatt") |
|
Fragments and Unfinished Works for Piano, Two Pianos, and Piano Four-Hands |
|
Fragments: in E♭, K 370b (recon. Humphries); in E, K 494a (ed. Humphries) |
|
Freimaurer Kantaten und Lieder |
|
Fuge in c, K 546 |
|
Fugue for 2 Pianos in c, K 426 |
|
Fugue in G Minor, K. 401 |
|
Fugue in G minor, K. 401 |
|
Fugue in c, K 426 |
|
Fugue in g, K 401 |
|
Fugues, K 405 |
|
Gallimathias musicum, K. 32. Cassation in S“, K. 99. Divertimento in F, K. 138 |
|
Gavotte (arr. Auer) |
|
Gehn ma’n Prada |
|
German Dance, “Sleigh Ride” |
|
German Dances, K 509 |
|
German Dances, K 605 |
|
German Dances: K 600/1, 2, 5; K 602/3; K 605/2, 3 |
|
Gigue in G |
|
Gigue in G, K 574 |
|
Giovanni: Ezio Pinza (Don Giovanni); Alexander Kipnis (Leporello); Rose Bampton (Donna Anna); Jarmilla Novotná (Donna Elvira); Bidú Sayão (Zerlina); Charles Kullman (Don Ottavio); Mack Harrell (Masetto); Norman Cordon (Il Commendatore) (168:47) Live: New York 3/7/1942 |
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Gloria in excel-sis |
|
God Is Our Refuge. Misericordias Domini. Venite populi. Ave verum corpus |
|
Grabmusik, K. 42. Kommet her, K. 146. Ave verum corpus, K. 618. Sub tuum praesidium, K. 198. Exsultate, jubilate, K. 165. Regina coeli, K. 127 |
|
Grabmusik, K. 42: Betracht dies Herz |
|
Grabmusik, K. 42: Betracht dies Herz. Vespørae, K. 231: Laudate Dominum. Mass in C minor, K. 427: Et incamatus est. Exsultate, Jubilate, K. 165. Litaniae Lauretanae, K. 195: Agnus Dei. Davidde penitente, K. 469: Fra l'oscure ombre funeste. Vesperae, K. 339: Dulcissimum convivium. Mass in C, K. 317: Agnus Dei |
|
Grabmusik: Betracht dies Herz |
|
Gran Partita in B♭, K 361 (arr. Schwencke for oboe, violin, viola, cello, and piano) |
|
Grand Sestetto Concertante in Eb for Two Violins, Two Violas, and Two Cellos [after Sinfonia Concertante in E b for Violin, Viola, and Orchestra, K. 364]. Duos for Violin and Viola': No. 1 in G, K. 423; No. 2 in Bb, K. 424 |
|
Grande Sestetto Concertante (anonymous transcription of K. 364) |
|
Grande Sextet Concertante (after Sinfonia Concertante, K 364) |
|
Great Mass in C Minor, K. 427 |
|
Great Mass in C Minor, K. 427. Ave verum corpus, K. 618 |
|
Great Mass in C Minor, K. 427. Epistle Sonatas: K. 67; K. 329 |
|
Great Mass in C Minor, K. 427. Exsultate, jubilate, K. 165. Ave verum corpus, K. 618 |
|
Great Mass in C Minor, K. 427. Mass in C, K. 317 (“Coronation“). Vesperae solemnes de confessore, K. 339. Missa solemnis In C Minor, K. 139 (“Waisenhausmesse“). Exsultate, jubilate, K. 165. Requiem, K. 626 |
|
Great Mass in C Minor, K. 427. Meistermusik, K. 477 |
|
Great Mass in C Minor, K. 427. Requiem, K. 626. Kyrie, K. 341 |
|
Great Mass in C Minor, K. 427. Vesperae solennes de Confessore, K. 399: Laudate Dominum |
|
Great Mass in C minor, K. 427 |
|
Great Mass in c |
|
Great Mass in c, K. 427 |
|
Guardate! Questo non piccol libro . . . Madamina, il catalogo è questo. Deh! Vieni alla finestra |
|
Hai già vinta la causa! . . . Vedrò, mentr’io sospiro |
|
Harpsichord Concertos after J. C. Bach, K 107 |
|
Harpsichord Concertos: Nos. 1–4; in D, K 107/1; in G, K 107/2; in E♭, K 107/3. Piano Concertos: Nos. 5–27. Rondos for Piano and Orchestra: in A, K 386; in D, K 382 |
|
Heiterkeit und leichtes Blut |
|
Horn Concerto Movement, K 494a |
|
Horn Concerto No. 1 in D, K 386b |
|
Horn Concerto No. 3 |
|
Horn Concerto No. 3 in E♭ |
|
Horn Concerto No. 4 |
|
Horn Concerto No. 4 (Barry Tuckwell, hn. 1/7/1973) |
|
Horn Concerto No. 4 in E♭, K 495 |
|
Horn Concerto No. 4: Rondo |
|
Horn Concerto in E |
|
Horn Concerto in E♭, K 447 |
|
Horn Concertos |
|
Horn Concertos Nos. 1-4. Rondo in E♭ (fragment); K 371 |
|
Horn Concertos Nos. 1–4. Horn Concerto, K 370b/371 |
|
Horn Concertos: No. 1 in D, K 412 (with Rondo, K 514, completed by Süssmayr); No. 2 in E , K 417; No. 3 in E , K 447; No. 4 in E , K 495 |
|
Horn Concertos: No. 1 in D, K 412; No. 2 in E♭, K 417; No. 3 in E♭, K 447; No. 4 in E♭, K 495 |
|
Horn Concertos: No. 1 in D, K 412; No. 2 in E♭, K 417; No. 3 in E♭, K 447; No. 4 in E♭, K 495; Fragments: in E♭, K 370b; in E, K 98a |
|
Horn Concertos: No. 1 in D; No. 2 in E♭; No. 3 in E♭; No. 4 in E♭ |
|
Horn Concertos: No. 1E♭, K 412 (with Andante from Horn Quintet in E♭, K 407); No. 2 in E♭, K 417; No. 3 in E♭, K 447; No. 4 in E♭, K 495 |
|
Horn Concertos: Nos. 1–4. Notturno for 4 Orchestras |
|
Horn Concertos: Nos. 1–4. Rondo in E♭, K 371 |
|
Horn Concertos: Nos. 3, 4 |
|
Horn Concertos: in D, K 412; in E♭, K 417; in E♭, K 447; in E♭, K 495; Fragment in E♭, K 494a; Rondo in E♭, K371 |
|
Horn Concertos: in E♭, K 447; in E♭, K 447 |
|
Horn Duos, K 487: No. 1; No. 3 |
|
Horn Quintet in E♭, K 407 |
|
Horn Quintet in E♭, K 407. Piano Quartet in g, K 478. Clarinet Quintet in A, K 581 |
|
Horn Quintet, K 407 |
|
Horn Quintet. 12 Duos for 2 Horns, K 487/2-5, 7-9, 12 |
|
Hornbone Concertos: No. 4, K 495; No. 3, K 447; No. 1, K 412/514; No. 2, K 417 |
|
II re pastore, K. 208 |
|
IL sogno di Scipione |
|
Idomeneo |
|
Idomeneo re di Creta |
|
Idomeneo, K. 336 |
|
Idomeneo, K. 366 |
|
Idomeneo, K. 366: Highlights |
|
Idomeneo, K. 367: Gavotte |
|
Idomeneo, King of Crete |
|
Idomeneo, re di Creta |
|
Idomeneo, re di Creta, K 466 |
|
Idomeneo, re di Creta, K. 366 |
|
Idomeneo, rè di Creta |
|
Idomeneo, rè di Creta, K 366 |
|
Idomeneo: Ballet Music |
|
Idomeneo: D'Oreste, d'Ajace! |
|
Idomeneo: D’Oreste, D’Aiace |
|
Idomeneo: Fuor del mar (Hermann Jadlowker). Don Giovanni: Dalla sua pace (Richard Tauber). Cosi fan tutte: Un aura amorosa (Felix Senius); Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Jacques Urlus); Wie stark (Urlus) |
|
Idomeneo: Gentle zephyrs, soft caressing. Thanks be to you, o gracious patrons |
|
Idomeneo: Il padre adorato |
|
Idomeneo: Non ho colpa e mi condanni; Il padre adorato (with John Pritchard conducting the London Philharmonic Orchestra; ree. August 17, 1964) |
|
Idomeneo: Non ho colpa; March of the Priests; Il padre adorato |
|
Idomeneo: Non pìu di fiori |
|
Idomeneo: Non temer, amato bene (Araiza) |
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Idomeneo: Oh smania! oh furie!...D’Oreste, dAiace; Idol mio |
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Idomeneo: Overture |
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Idomeneo: Overture; Ah qual galido orror . . . Il padre adorato |
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Idomeneo: Overture; Ah qual gelido … Il padre adorato |
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Idomeneo: Overture; Marcia; Passepied; Pas seul de Monsieur Legrand; Largo |
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Idomeneo: Overture; Parto, ma tu ben mio |
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Idomeneo: Padre, germani, addio |
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Idomeneo: Quando avran . . . Padre, germani |
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Idomeneo: Quando avran fine omai . . . Padre, germani, addio! Don Giovanni: Non mi dir |
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Idomeneo: Radunate i Troiani (with Gundula Janowitz); Ah qual gelido orror; Spiegarti non poss'io (with Janowitz); Padre mio caro padre |
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Idomeneo: Siagge romite ... Il padre adorato (with Richard Lewis); Padre, mio caro padre ... Ceda natura |
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Idomeneo: Solitudini amiche . . . Zeffiretti lusinghieri |
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Idomeneo: Tutte nel cor vi sento |
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Idomeneo: Zeffiretti lusinghieri |
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Idomeneo: Zeffretti |
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Il pastor Fido: L’amerò sarò costante |
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Il re pastore |
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Il re pastore, K. 208: Si spande al sole in faccia; Se vincendo vi rendo felici. La finta giardiniera, K. 196: Ah non partir... Già divento freddo. Don Giovanni, K, 527: Dalla sua pace; Il mio tesoro. Cosi fan tutte, K.431: Un'aura amorosa; In qual fiero contrasto ... Tradito, schernito. Die Zauberflöte, K. 620: Dies Bildnis. La clemenza di Tito, K. 621: Se all'impero. Misero! O sogno, K. 431 |
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Il re pastore: Aer tranquillo e di sereni; L’amerò sarò costante |
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Il re pastore: Overture |
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Il rè pastore: L’amerò, sarò costante |
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Il sogno di Scipione |
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Il sogno di Scipione: Biancheggia |
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In un istante .. |
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Instrumental works and arrangements of works by |
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Inter natos mulierum, K 72 |
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Io ti lascio, K Anh 245 |
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K 583 |
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Keyboard Concertos Nos. 1-4, K 37, 39-41 |
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Klavierstücke in F, K 33b |
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Kleier Trauermarsch in c |
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Kleiner Trauermarsch in c, K 354a |
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Kom rna] |
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Komm, liebe Zither |
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Konzertsatz in E♭ |
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Krönungsmesse, K. 317. Missa Solemnis, K. 337. Epistle Sonatas, K. 329, 336 |
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Kyrie for 5 Sopranos |
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Kyrie in D Minor, K. 341. Dixit et Magnificat in C, K. 193. Missa Brevis in Bb, K. 275. Litaniae Lauretanae B.M.V. in D, K. 195 |
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Kyrie in d, K 341 |
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Kyrie, K 341 |
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Kyries and Vespers |
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L'amerò, sarò costante. Le nozze di Figaro: Deh vieni, non tardar |
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La Betulia liberata: Overture |
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La Betulia liberata: Qual nocchier |
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La Betulia liberata: Quell nocchier che in gran procella |
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La Betulia liberate |
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La Clemenza di Tito |
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La Clemenza di Tito: Overture (trans. Mauro Giuliani, 1812). The Marriage of Figaro: Overture (trans. Alexander Heeser, 1835) |
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La Clemenza di Tito: Overture; Del più sublime soglio; Ah, se fosse intorno al trono; Se’all’ impero |
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La Clemenza di Tito: Parto, parto |
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La clemenza di Tito |
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La clemenza di Tito (arr. Triebensee) |
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La clemenza di Tito (arr. Triebensee): Excerpts |
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La clemenza di Tito, K. 621 |
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La clemenza di Tito, K. 621: Overture. Serenade in G, K.525 (“Eine kleine Nachtmusik“) |
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La clemenza di Tito: Come ti piace imponi |
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La clemenza di Tito: Ecco il punto . . . Non più di fiori vaghe catene; Deh, per questo istante soio |
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La clemenza di Tito: Marcia |
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La clemenza di Tito: Non più di fiori |
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La clemenza di Tito: Non più di fiori; March; Deh, per questo istante sole |
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La clemenza di Tito: Non più di fiori; Parto, parto |
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La clemenza di Tito: Overture |
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La clemenza di Tito: Overture (arr. Neukomm) |
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La clemenza di Tito: Overture (transcribed by Mauro Giuliani, 1812). Le nozze di Figaro: Overture (transcribed by Alexander Heeser, 1835) |
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La clemenza di Tito: Overture; Deh per questo istante solo; Parto, ma tu ben mio |
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La clemenza di Tito: Overture; Deh per questo istante solo; Parto, parto, ma tu ben mio |
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La clemenza di Tito: Parto! Parto; Deh, per questo istante solo |
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La clemenza di Tito: Parto, ma tu ben mio |
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La clemenza di Tito: Parto, ma tu, ben mio; Deh, per questo istante solo |
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La clemenza di Tito: Parto, parto |
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La clemenza di Tito: Parto, parto, ma tu ben mio |
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La clemenza di Tito: Parto, parto. Cosi fan tutte: Smanie implacabili |
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La clemenza di Tito: Parto, parto. Così fan tutte: Come scoglio; In uomini. Le nozze di Figaro: Voi che sapete; Deh vieni. Don Giovanni: Batti, batti. Ch'io mi scordi di te, K. 505 (with András Schiff, piano) |
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La clemenza di Tito: Parto, parto. Così fan tutte: Smanie implacabili |
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La finta giardinera |
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La finta giardiniera |
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La finta giardiniera, K. 196 |
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La finta giardiniera: A maiden's is an evil plight. Le nozze di Figaro: You who have knowledge; Oh come, do not delay |
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La finta giardiniera: Der verliebte Italiener. Le nozze di Figaro: Bravo, signor padrone … Se vuol ballare; Non più andrai; Tutto è disposto … Aprite un po' quegli occhi. Don Giovanni: Deh vieni alla finestra; Finch' han dal vino. Cosi fan tutte: Donne mie, la fate a tanti. Zaide: Nur mutig, mein Herze. Die Zauberflöte: Der Vogelfänger bin ich ja; Ein Mädchen oder Weibchen; Papagena! Papagena! (with Ute Selbig, soprano). Mentre ti lascio, o figlia, K. 513. Un bacio di mano, K. 541 |
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La finta giardiniera: Overture |
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La finta giardiniera: Va’pure ad altri in braccio |
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La finta semplice, K 51 |
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La finta semplice, K. 51 |
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La finta semplice, K. 51: Ella vuole ed io torrei. Le nozze di Figaro, K. 492: Se vuol ballare; Non più andrai; Aprite un po' quegli occhi; Hai già vinto la causa. Don Giovanni, K. 527: Madamina, il catalogo è questo; Finch' han dai vino; Deh! Vieni alla finestra. Così fan tutte, K. 588: Rivolgete a lui lo sguardo; Donne mie, la fate a tanti. Un bacio di mano, K. 541. Per questa bella mano, K. 612 |
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La finta semplice: Amoretti |
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La finta semplice: Che scompiglio, che flagello. Le nozze di Figaro: Voi che sapete. La clemenza di Tito: Deh per questo istante solo; Parto, ma tu ben mio. Mitridate, re di Ponto: Già dagli occhi. La finta giardiniera: Va pure ad altri in braccio. Così fan tutte: Ah, scostati... Smanie implacabili |
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La nozze di Figaro: Deh vieni non tardar; Tutto è disposto: l'ora dovrebbe esser vicina___Aprite un poco gli occhi. Die Zauberflöte: Ach ich fühl's.. Idomeneo: Solitudini amiche, aure amorose. Don Giovanni: Mi tradì |
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La violetta. Don Giovanni: Dalla sua pace |
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Larghetto and Adagio in E♭ for 2 Pianos, KV deest. Fantasia in c, K 475 |
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Larghetto and Allegro in E♭ |
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Last 4 String Quartets |
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Laudate Dominum |
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Laut verkünde unsre Freude |
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La‚t uns mit geschlungen Händen, K 623 |
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Le Nozze di Figaro |
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Le Nozze di Figaro. Carol Vaness, Kathleen Battle, Frederica von Stade, Thomas Allen, Ruggero Raimondi. (192 minutes) 12/14/1985 |
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Le Nozze di Figaro: : excerpts |
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Le Nozze di Figaro: Deh vieni, non tardar. Die Zauberflöte: Ach, ich fühls |
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Le Nozze di Figaro: Dove sono |
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Le Nozze di Figaro: Non so più; Voi che sapete |
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Le Nozze di Figaro: Overture |
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Le Nozze di Figaro: Overture (LPO) |
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Le Nozze di Figaro: Overture. German Dances, K 571, K 600, K 602, K 605 |
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Le clemenza dl Tito, K.621 |
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Le nozze Di Figaro |
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Le nozze de Figaro, K. 492 |
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Le nozze de Figaro, K. 492. Così fan tutte, K. 588. Don Giovanni, K. 527. Die Entführung aus dem Serail, K. 384. Mitridate, re di Ponto, K. 74. La clemenza di Tito, K. 621. Idomeneo, re di Creta, K. 366. Der Schauspieldirektor, K. 486. Die Zauberflöte, K. 620. La tinta semplice, K. 46a. Bastien und Bastienne, K. 46b. Lucio Silla, K. 135 |
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Le nozze de Figaro: Dove sono. Die Zauberflöte: Ach, ich f ühl's |
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Le nozze de Figaro: Voi che sapete; Non so più. Don Giovanni: Ah chi mi dice mai; Là ci darem la mano; Ah, fuggi il traditor; Vedrai, carino; In quali eccessi ... Mi tradì. Così fan tutte: Smanie implacabili; È amore un ladroncello. La clemenza di Tito: Parto, parto; Deh per questo; Non più di fiori |
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Le nozze di Figaro |
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Le nozze di Figaro |
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Le nozze di Figaro (arr. Wendt) |
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Le nozze di Figaro, K 492 |
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Le nozze di Figaro, K. 492 |
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Le nozze di Figaro, K. 492: Excerpts |
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Le nozze di Figaro, K. 492: Non so più cosa son; Voi che sapete; Deh! Vieni, non tardar. Così fan tutte, K. 588: È Amore un ladroncello. Don Giovanni, K. 527: Vedrai, carino. La clemenza di Tito, K. 621: Parto, parto; Deh, per queste istante solo; Non più di fiore. Alma grande e nobile core, K. 578. Chi sa qual sia, K. 582; Ch'io mi scordi date... Non temer, amato bene, K. 505 |
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Le nozze di Figaro, K. 492: Overture. Symphony No. 35 in D, K. 385 (“Haffner“). Concerto in Bb for Bassoon and Orchestra, K. 797. Divertimento No. 15 in Bb, for Strings and Two Horns, K. 287 |
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Le nozze di Figaro, K. 492: Se vuol ballare; Non più andrai; La vendetta; Vedrò mentr'io sospiro; Aprite un po' quegli occhi. Don Giovanni, K. 527: Fin ch'han dal vino; Ho capito; Madamina; Deh vieni alla finestra; Metà di voi qua vadano. Così fan tutte, K. 588: Donne mie, la fate a tanti. Die Zauberflöte, K. 620: In diesen heil'gen Hallen; Der Vogelfänger bin ich; Ein Mädchen oder Weibchen. Rivolgete a lui lo sguardo, K. 584 |
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Le nozze di Figaro. Don Giovanni. Cosi fan tutte |
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Le nozze di Figaro. Don Giovanni. Lucio Siila. La finta giardiniera. La clemenza di Tito |
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Le nozze di Figaro: Al desio di chi t’adora |
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Le nozze di Figaro: Aprite un po’ quegli occhio |
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Le nozze di Figaro: Cinque...dieci...Se a caso madama; Se vuol ballare; Un moto di gioia; Crudeli perché finora |
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Le nozze di Figaro: Crudel, perchè finora |
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Le nozze di Figaro: Deh vieni non tardar |
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Le nozze di Figaro: Deh vieni, non tardar |
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Le nozze di Figaro: Deh, vieni non tardar |
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Le nozze di Figaro: Deh, vieni, non tardar |
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Le nozze di Figaro: Dove sono |
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Le nozze di Figaro: Excerpts from acts I and IV (with Alison Hagley, soprano). MAHLER. Kinder-totenlieder. WAGNER. Tannhäuser: Wie Todesahnung Dämmrung deckt die Lande ... O du mein holder Abendstern. Die Meistersinger von Nürnberg: Was duftet doch der Flieder |
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Le nozze di Figaro: Final scene (Lella Cuberli, sop; Joan Rodgers, sop; Cecilia Bartoli, mez; Michele Pertusi, bs; Ferruccio Furlanetto, bs; 2/2,7,12/1992) |
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Le nozze di Figaro: Giunse alfin . . . Deh vieni. Voi che sapete. Non so più. Giunse alfin . . . Al desio |
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Le nozze di Figaro: Hai gia vinta la causa! Cosí fan tutte: Rivolgete a lui lo squardo |
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Le nozze di Figaro: Hai già vinta la causa! |
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Le nozze di Figaro: Hai già vinta la causa. Così fan tutte: Donne mie la fate a tanti. Don Giovanni: Deh vieni ali finestra; Finch' han dal vino |
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Le nozze di Figaro: Hai già vinta la causa... Vedrò mentr'io sospiro. Don Giovanni: Deh vieni alla finestra; Fin ch'han del vino |
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Le nozze di Figaro: Highlights. Don Giovanni: Highlights |
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Le nozze di Figaro: Non più andrai (Paul Schoeffler, baritone; Wilhelm Loibner). Die Zauberflöte: Ach, ich fühl's (Maria Reining, soprano; Knapperts-busch) |
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Le nozze di Figaro: Non più andrai ; Aprite un po' quegli occhi. Don Giovanni: Madamina! |
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Le nozze di Figaro: Non più andrai. Don Giovanni: Deh, vieni alla finestra; Madamina, il catalogo è questo. Così fan tutte: Rivolgete a lui lo sguardo. Die Zauberflöte: Der Vogelfänger bin ich ja |
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Le nozze di Figaro: Non più andrai. Don Giovanni: Madamina. Die Zauberflöte: In diesen heil'gen Hallen. Aicandro, lo confesso, K. 294. Per questa bella mano, K. 612. Un bacio di mano, K. 541. Rivolgete a lui lo sguardo, K. 584. Così dunque tradisci, K. 432. Mentre ti lascio, K. 513 |
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Le nozze di Figaro: Non più andrai. Don Giovanni: Madamina; Là ci darem la mano. Die Zauberflöte: Der Vogelfänger bin ich ja; Ein Mädchen oder Weibchen |
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Le nozze di Figaro: Non più andral |
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Le nozze di Figaro: Non so più |
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Le nozze di Figaro: Non so più cosa son |
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Le nozze di Figaro: Non so più cosa son; Porgi, amor |
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Le nozze di Figaro: Non so più cosa son; Voi che sapete |
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Le nozze di Figaro: Nur zu flüchtig (Dove sono) |
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Le nozze di Figaro: Nur zu flüchtig; Wenn die sanften Abendlüfte (with Irma Beilke, soprano) |
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Le nozze di Figaro: Oiseaux, si tous les ans; Voi che sapete |
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Le nozze di Figaro: Overture |
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Le nozze di Figaro: Overture (2/23/65). Symphony No. 39 in Eb, K. 543 (2/23/65) |
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Le nozze di Figaro: Overture. Abduction from the Seraglio: Overture. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“) |
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Le nozze di Figaro: Overture. Divertimento in D, K. 136: Presto |
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Le nozze di Figaro: Overture. Sinfonia Concertante in Eh for Wind and Orchestra, K. 297b. La finta giardiniera: Overture. Symphony No. 25 in G Minor, K. 183 |
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Le nozze di Figaro: Overture; Non più andrai |
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Le nozze di Figaro: Porgi Amor; Crudel perchè finora (with Heinrich Schlusnus, baritone); Deh vieni non tardar. Don Giovanni: La ci darem la mano (with Schlusnus) |
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Le nozze di Figaro: Porgi Amor; Dove sono |
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Le nozze di Figaro: Porgi Amor; Dove sono. Die Zauberflöte: Ach, ich fuhl's |
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Le nozze di Figaro: Porgi amor |
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Le nozze di Figaro: Porgi amor (Elisabeth Schwarzkopf) |
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Le nozze di Figaro: Porgi amor, Dove sono |
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Le nozze di Figaro: Porgi amor. Così fan tutte: Per pietà. Don Giovanni: In quali eccessi ... Mi tradì |
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Le nozze di Figaro: Porgi amor. Die Zauberflöte: Ach ich fühl's |
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Le nozze di Figaro: Porgi amor; Deh vieni, non tardar; Voi che sapete; Crudel, perchè finora (with Heinrich Schlusnus, baritone). Don Giovanni: La ci darem la mano (with Schlusnus). Die Zauberflöte: Bei Männern welche Liebe fühlen (with Schlusnus) |
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Le nozze di Figaro: Porgi amor; Dove sono |
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Le nozze di Figaro: Porgi amor; Dovè sono. Die Zauberflöte: Bei Männern (with Karl Schmitt-Walter, baritone) |
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Le nozze di Figaro: Porgi, Amor; E Susanna non vien! . . . Dove sono |
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Le nozze di Figaro: Porgi, amor |
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Le nozze di Figaro: Porgi, amor; Deb vieni, non tardar; Non so più. Die Entführung aus dem Serail: Welche Wonne; Traurigkeit; Ach ich liebte. Za’ide: Ruhe sann. Cosi fan tutte: Una donna a quindici anni. La clemenza di Tito: S’altro che lacrime. Don Giovanni: Batti, batti; Vedrai, carino. Die Zauberflöte: Ach, ich fühl’s; Bald prangt, den Morgen zu verkünden |
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Le nozze di Figaro: Se vuol ballare |
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Le nozze di Figaro: Se vuol ballare (Giuseppe de Luca, baritone) |
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Le nozze di Figaro: Se vuol ballare. Don Giovanni: Serenade. Die Zauberflöte: O Isis und Osiris; In diesen heil'gen Hallen |
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Le nozze di Figaro: Se vuol ballare; Aprite un po' gli occhi. Die Entführung aus dem Serail: Ah! che voglio trionfare. Don Giovanni: Madamina, il catalogo è questo; Fin ch'han dal vino; Deh! Vieni alla finestra. Die Zauberflöte: Possenti numi |
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Le nozze di Figaro: Se vuol ballare; Aprite un po’ quegl’occhi; Non più andrai |
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Le nozze di Figaro: Se vuol ballare; La vendetta; Non più andrai; Voi, che sapete; Susanna, or via sortite; Dove sono; Aprite un po' quegli' occhi; Deh vieni, non tardar. Don Giovanni: Madamina; Là ci darem la mano; Or sai chi l'onore; Dalla sua pace; Finch'han dal vino7; Batti, batti, o bel Masetto; Ah taci, ingiusto core!; Deh vieni alla finestra; Metà di voi qua vandano; Il mio tesoro |
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Le nozze di Figaro: Sinfonia. Marcia |
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Le nozze di Figaro: Vedrò mentr'io sospiro. Don Giovanni: Là ci darem la mano (with Anny Schlemm, soprano) |
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Le nozze di Figaro: Venite, inginocchiatevi; Deh vieni, non tardar; Porgi amor; Dove sono. Ch'io mi scordi di te... Non temer, amato bene, K. 505 |
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Le nozze di Figaro: Voi che sapete |
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Le nozze di Figaro: Voi che sapete. Don Giovanni: Batti batti, o bel Masetto |
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Le nozze di Figaro: Voi che sapete. Don Giovanni: Batti, batti |
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Le nozze di Figaro: Voi che sapete. Don Giovanni: Batti, batti, o bel Masetto (two versions) |
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Le nozze di Figaro: Voi che sapete; Giunse alfin . . . Deh vieni, non tardar; Porgi, amor |
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Le nozze di Figaro: Voi che sapete; Non so più. Don Giovanni: Vedrai, carino. Die Zauberflöte: Ach, ich fühl's. Cosi fan tutte:, In uomini, in soldati. Exsultate, jubilate, K. 165: Alleluia |
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Le nozze di Figaro: Voi, che sapete |
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Le nozze di Figaro: Voi, che sapete. Don Giovanni: Là ci darem la mano; Fin ch'han dal vino. Die Zauberflöte: Pa-Pa-Pa-Papagena...' |
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Le nozze di Figaro: Wenn die sanften Abendlüfte |
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Le nozze di Figaro: È Susanna non vien!... Dove sono |
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Le nozze di Figaro: “Deh vieni, non tardar”. Vesperae solennes de Confessore: “Laudate Dominum” |
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Le nozze di Figaro: “Dove sono” |
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Le nozze di Figaro: “Dove sono”;“ Porgi amor”( in German) |
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Le nozze di Figaro; Die Zauberfiöte |
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Le nozze di Figaro; Sull aria ... Che soave zeffiretto |
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Le nozze dl Figaro, K. 492 |
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Le nozze dl Figaro: Hal già vinta la causa. Cosi fan tutte: Rivolgete a lui lo sguardo. Don Giovanni: Finch'han dal vino |
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Le nozze dl Figaro: Vedrò mentr'io sospiro. Don Giovanni: Madamina. // flauto magico: Qui sdegno non s'accende |
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Le nozze dl Figaro: Voi che sapete. Cosi fan tutte: Sorella, cosa dici?... Prenderò quel brunettino (with Irmgard Seefried, soprano); Passegiamo anche noi... li cor vi dono (with Rolando Panerai, baritone) |
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Le nozze äl Figaro: Overture |
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Le nozzedi Figaro: Porgi amor (Elisabeth Schwarzkopf) |
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Le nozzi di Figaro: Deh vieni non tardar |
|
Les Noces de Figaro |
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Les Noces de Figaro: Viens, cher amant. La Flûte enchantée: Ah! |
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Les Petits Riens, K. 10: Pantomime |
|
Les Petits Riens: selections |
|
Les Petits riens—Ballet Music, K. 229b. Three German Dances, K. 605. Five Contradances, K. 609. Contradance, K. 534. Three Marches, K. 383; K. 383f; K. 385a. Four Minuets, K. 601. Two Minuets, K. 585, no. 5; K. 585, no. 8. Two German Dances, K. 536, no. 6; K. 567, no. 3. Minuet with Country Dance, K. 463, no. 1 |
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Les petits riens, K 299 |
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Les petits riens, K. 299b: Overture; Nos. 2-4, 6, 7, 9,10,12. Concerto in C for Flute, Harp, and Orchestra, K. 299. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“) |
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Les petits riens. Serenade in B♭: Adagio. Divertimento in D |
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Les petits riens: Overture |
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Les petits riens—Ballet Music, K. 299b. Concerto No. 1 in G for Flute and Orchestra, K. 313. Concert Arias: Voi avete un cor fedele, K. 217; Ah, lo previdi... Ah, t'invola agl'occhi miei, K. 272. Symphony No. 31 in D, K. 297 (“Paris“) |
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Lieber Freistädtler |
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Lied zur Gesellenreise. Die betrogene Welt |
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Lieder |
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Lieder . Concert Arias |
|
Lieder and Piano Pieces |
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Lieder: Ridente ia calma, K. 152. Oiseaux, si tous les ans, K. 307. Dans un bois solitaire, K. 308. Die kleine Spinnerin, K. 531. Als Luise die Briefe, K. 520. Abendempfindung, K. 523. Das Kinderspiel, K. 598. Die Alte, K. 517. Das Traumbild, K.530. Das Veilchen, K. 476. Der Zauberer, K. 472. Im Frühlingsanfang, K. 597. Das Lied der Trennung, K. 519. Die Zufriedenheit, K. 349. An Chloe, K. 524. Sehnsucht nach dem Frühlinge, K. 596. Arias: Ch'io mi scordi di te, K. 505 (with Alfred Brendel, piano). Vado, ma dove, K. 583. Alma grande e nobil core, K. 578. Nehmt meinen Dank, K. 383 |
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Lieder: Ridente la calma; Oiseaux, si tous les ans; Dans un bois solitaire; Die kleine Spinnerin; Als Luise die Briefe; Abendempfindung; Das Kinderspiel; Die Alte; Das Traumbild; Das Veilchen; Der Zauberer; Im Fruhlingsanfang; Das Lied der Trennung; Die Zufriedenheit; An Chloe; Sehnsucht nach dem Fruhling |
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Litaniae Lauretanae, K 109 |
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Litaniae de venerabili altaris Sacramento, K 243 |
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Litaniae de venerabili altaris sacramento, K 243 |
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Litaniae de venerabili altarls sacramento, K. 243. Regina coeli, K. 127 |
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Lodron Night Music—Divertimentos: No. 10 in F, K. 247; No. 15 in B♭, K. 287 |
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Loretomesse, K 275 |
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Lucia Silla: Overture; Idomeneo: Ballet Music; Serenade in D, K 203; March in C, K 408/1; Symphony No. 28 in C, K 200; Two Minuets, K 463; March in D, K 237; Bella mia, K 528; Andante for Flute and Orchestra in C, K 315; Ombra felice, K 255; Rondo concertante for violin and orchestra, K 260; Mentra ti lscio, o flglia, K 513; Masonic Funeral Music, K 477; Non piu, tutto ascolta, K 490 |
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Lucio Siila |
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Lucio Siila: Ah, corri, vola...Quest’improvviso tremito |
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Lucio Siila: Il tenero momento |
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Lucio Siila: li tenero momento |
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Lucio Silla |
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Lucio Silla, K. 135 |
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Lucio Silla. Die Entführung aus dem Serail. La clemenza di Tito |
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Lucio Silla: Dunque sperar poss’io . . . Il tenero momento; Ah, se a morir mi chiama |
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Lucio Silla: Dunque sperar … Il tenero momento; Ah se a morir mi chiama |
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Lucio Silla: Fra i pensier |
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Lucio Silla: Overture |
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Lucio Silla: Se l’empio Silla, o padre . . . D’elisia in sn m’attendi |
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Lucio Silla: “In un istante”; “Parto, m’affretto”. Idomeneo: Ballet Music |
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Ländler, K. 603 (arr. Ries). Piano Sonata No. 4 in Eb, K. 282: Adagio (arr. Friedberg) |
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M. HAYDN Concertino in B♭, P 52/5 |
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Magic Flute: Ach ich fühls |
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Magic Flute: Overture |
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Magic Flute: “Der Hölle Rache” |
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Mailänder Streichquartette (Milanese String Quartets), K. 155-160 |
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March In D, K. 237. Contredances: In Bb, K. 610; In G, K. 123. Six Minuets, K. 164. Six Ländlerische, K. 606. Fantasia for Cylinder Organ, K. 608 |
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March No. 9 in D, K. 335, no. 1. Serenade No. 9 in D, K. 320 (“Posthorn“)*. March No. 10 in Ü, K. 335, no. 2. Symphony No. 32 in G, K. 318 |
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March in C |
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March in C, K 408 |
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March in C, K 408/1 |
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March in C, K 408/3 |
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March in D, K 249 |
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March in D, K 290 |
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March in D, K. 189. Serenade in D, K. 185. March in D, K. 62. Serenade in D, K. 100 |
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March in D, K. 237. Serenade No. 4 in D, K. 203. Contredance, K. 610. Six Minuets, K. 164. Contredance, K. 123. Six “Ländlerische,“ K. 606. Fantasia for Cylinder Organ, K. 608 |
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March in D, K. 249. Serenade No. 7 in D, K. 250 (“Haffner“) |
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March in D, K. 62. Serenade No. 1 in D, K. 100. Four Contredances, K. 101. March in D, K. 215. Serenade No. 5 in D, K. 204 |
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March in F, K. 248. Divertimentos: in F, K. 247; in D, K. 251 |
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March, K 189 |
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March-Divertimento in D, K 445/K 334; 6 German Dances, K 606 |
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March. Le nozze di Figaro: |
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Marche funebre del Sig.r Maestro Contrapunto |
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Marche funèbre del Sign. Maestro Contrapunto in C, K 453a |
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Marche funèbre, K 453a |
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Marche in C, K 408 |
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Marche turque |
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Marches, K 408: No. 1 in C; No. 2 in D; No. 3 in C |
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Marches: in D, K 335; in D, K 445 |
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Marches: in D, K. 62; in D, K. 189; in C, K. 214; in D, K. 215; Idomeneo, re di Creta, K. 366; no. 8, no. 14, no. 25; in D, K. 237; in F, K. 248; in D, K. 249; Le nozze di Figaro, no. 23; in D, K. 335; in C, K. 408, no. 1; in D, K. 408, no. 2; in C, K. 408, no. 3; in D, K. 445 |
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Marriage of Figaro: Non sò più; Voi, che sapete |
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Marriage of Figaro: Now your days |
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Marriage of Figaro: Overture |
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Marriage of Figaro: Un moto di gioia |
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Marsch der Priester |
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Masonic Funeral March, K 477 |
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Masonic Funeral Music |
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Masonic Funeral Music K. 477“ |
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Masonic Funeral Music, K 477 |
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Masonic Funeral Music, K. 477 |
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Masonic Funeral Music: March |
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Mass No. 16 in C, K 317, “Coronation” |
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Mass in C (“Coronation“). Mass in C Minor. Requiem |
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Mass in C Minor, K. 427 |
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Mass in C Minor, K. 427 (417a) (reconstructed and supplemented by Helmut Eder) |
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Mass in C Minor, K. 427: Kyrie; Gloria in excelsis; Qui tollis peccata mundi; Quoniam |
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Mass in C Minor: Laudamus Te |
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Mass in C minor, K. 417 |
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Mass in C minor, K. 427 |
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Mass in C minor, K. 427 (“Great Mass“) |
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Mass in C, K 317 “Coronation” |
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Mass in C, K 317, "Coronation" |
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Mass in C, K 317, "Coronation" |
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Mass in C, K 317, “Coronation” |
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Mass in C, K 317: Gloria; Benedictus |
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Mass in C, K. 317 (“Coronation“) |
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Mass in C, K. 317 (“Coronation“). Ave verum corpus, K. 618. Solemn Vespers of a Confessor, K. 339. Exsultate, jubilate, K. 165 |
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Mass in C, K. 317 (“Coronation“). Exsulate, jubilate, K. 165. Vesperae solennes de confessore, K. 339 |
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Mass in C, K. 317 (“Coronation“). Mass in C, K. 259 (“Orgelsolo“)- Exsultate, jubilate, K. 165 |
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Mass in C, K. 317("Coronation") |
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Mass in C, K. 317(“Coronation"). Grabmusik, K. 42?. Church Sonatas: in F, K. 244; In Eb, K. 67; in C, K. 329? |
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Mass in C, K. 317(“Coronation“). Exsultate, jubilate, K. 165. Ave verum corpus, K. 618 |
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Mass in C, K. 66 (“Dominicus-Messe“). Missa brevis in G, K. 49 |
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Mass in C, K. 66 (“Dominicus“). Mass in C Minor, K. 427: Aria “Et incarnatus est“ |
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Mass in C, “Coronation” |
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Mass in C, “Credo” |
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Mass in C. K. 317 ("Coronation"). Missa (in C) in Honorem Ssmae Trinitatis, K. 167. Four Nocturnes, K. 439, K. 437, K. 346, K. 549 |
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Mass in D, K 194 |
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Mass in c |
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Mass in c (completed Schmitt, Gardiner) |
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Mass in c (ed. Robbins Landon) |
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Mass in c, (rev. Langrée) |
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Mass in c, K 427 |
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Mass in c, K 427 (reconst. Eder) |
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Mass in c, K 427: Kyrie |
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Mass in c, K 427: Qui tollis |
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Mass in c, K. 427 |
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Mass in c, “Great” |
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Mass in c: Et incarnatus est |
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Mass in c: Laudamus te |
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Mass movements, K 33, 89, 90, 223, 322, 323, 341. Litanies, K 109, 125, 195, 243. Vespers, K 321, 339. Also 22 shorter works |
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Mass, K 427: Excerpts |
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Masses, K 49, 65, 66, 139, 140,167, 192,194, 220, 257, 258, 259, 262, 275, 317, 337, 427. Requiem, K 626 |
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Masses: in G, K. 49 ; in D Minor, K. 65/61a; in F, K. 192/186P; in D, K. 194/186^; In C, K. 220/196Ö (“Spatzen-1716536')^, in C, K. 258 (“Piccolominimesse'Y; in C, K. 259 (“Organ Solo Mass“); in Bb, K. 2751272tí |
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Maurerische Trauermusik |
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Maurerische Trauermusik, K 447 |
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Meandro, lo confesso. Le nozze de Figaro: Non più andrai |
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Mentre ti lascio, o figlia, K 513 |
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Menuet and Trio in C, K 485a |
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Menuet from the Opera “Don Giovanni“ (arr. Metzger). Petite pièce, tirée de l'operette “Die Zauberflöte“ der Mr. Mozart (arr. Neefe) |
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Menuet in D, K 355 |
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Menuet, K. Id. Menuet, K. 1f. Allegro, K. 15a |
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Menuetto and Trio in C, K 409/3838f |
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Menuetto in D, K 398/K576b |
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Mia speranza adorata ... Ah non sai quai pena sia, K. 416.Voi avete un cor fedele, K. 217. No, che non sei capace, K. 419. Ma che vi fece... Sperai vicino il lido, K. 368 Misera, dove son ... Ah, non son io che parlo, K. 369. A questo seno deh vieni... Or che il cielo a me ti rende, K. 374. Vorrei spiegarvi, oh Dio, K. 418. Ah se in ciel, benigne stelle, K. 538 |
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Mia speranza adorata ... Ah, non sai, quai pena sia il doverti, K. 416. Non curo l'affetto, K. 74. Fra cento affanni, K. 88. A Berenice ... Sol nascente, K. 70. Ma, che vi fece ... Sperai vivino il lido, K. 368. No, no, che non sei capace, K. 419 |
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Minuet (arr. Burmester) |
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Minuet in D, K 355 |
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Minuet in D, K 355; 6 Variations on an Allegretto. Andante fur eine Walze in eine kleine Orgel |
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Minuets, K 601 |
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Minuetto |
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Minuetto and Trio, K 409 |
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Minuetto in D, K 355 |
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Minuetto, K 338 (fragment) |
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Misera, dove son!. . . Ah! non son io, K 369 |
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Misera, dove son? Le nozze di Figaro: Giunse alf in il momento . . . Al desio di chi t’adora. Der Liebe himmlisches Gefühl (orch. Beyer) |
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Misericordias Domini, K 222 |
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Misero! O sogno . . . Aura che intorni spiri |
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Misero! O sogno, K 431 |
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Misero! O songo. Si mostra la sorte. Cosi fan tutte: Un aura amorosa. Don Giovanni: Dalla sua pace; Il mio tesoro. La clemenza di Tito: Se all'impero, amici Dei. Il re pastore: Si spande al sole in faccia. Idomeneo: No ho colpa, e mi condanni; Per pietà non ricercate. La finta giardiniera: Già divento freddo freddo; Ridente la calma |
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Missa Solemnis in C Minor, K. 139/47a (WaisenhausmesseY. Exsultate, jubilate, K. 165/158a |
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Missa Solemnis in C, K. 337 |
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Missa Solemnis in C, K. 337. Litaniae de venerabili altaris sacramento, K. 125. Regina coeli, K. 276 |
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Missa Solemnis in C, K. 66 (“Domenicus“). Vesperae de Dominica, K. 321 |
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Missa Solemnis. Regina caeli, K 108 |
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Missa Solemnls In C, K. 337. Splendente te, K.Anh. 121 |
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Missa brevis in C, K. 258. Missa longa in C, K. 262 |
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Missa brevis, K 192 |
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Missa brevis, K 275 |
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Missa brevis, K. 65. Miserere, K. 85. Sanda Maria, K. 273. Alma Dei creatoris, K. 277. Missa brevis, K. 194. Ave verum corpus, K. 618. Misericordias Domini, K. 222 |
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Missa longa in C, K. 262. Internates mulierum, K. 72. Te Deum, K. 141. Venite populi, K. 260. Regina coeli, K. 276. Ave verum corpus, K. 618 |
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Missa solemnis in C, K. 337. Regina Coeli in C, K. 276. Missa brevis in C, K. 257 (“Credo Mass“) |
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Missa solemnis in C, K. C1.20 |
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Missa solemnis in C. Church Sonatas, K 329, 336 |
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Missa solemnts in C Minor, K. 139 (47a) (“Waisenhausmesse“). Misericordias Domine, K. 222 (205a). Inter natos mu Herum, K. 72 (74f). Sancta Maria, mater Dei, K. 273. Venite populi, K. 260 (248a). Ave verum corpus, K. 618 |
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Missae breves |
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Mitridate, K. 87: Venga pur, minacci e frema; Ah, giacché ... Son reo; Vadasi... Già dagli occhi; Va, l'error. Ascanio in Alba, K. 111: M mio ben mi veggio; Perchè tacer... Cara, lontano ancora; Ah di si nobii alma. La Betulia liberata, K. 118: Prigionier che far ritorno; Parto inerme. Ombra felice, K. 255. lo ti lascio, K. Anh. 245 |
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Mitridate, Re di Ponto |
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Mitridate, re di Ponto |
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Mitridate, re di Ponto: Lungi da te, mio bene |
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Mitridate, re di Ponto: Venga pur, minacci e frema; Va, va, Terror mil palesa: Ah giacché son tradito ... son reo; Vadasi... già dagli occhi. Ombra felice ... lo ti lascio, K. 255 |
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Mitridate, re di Ponto: Venga pur, minacci e frema; Vadasi—O ciel. . . Già dagli occhi. Ombra felice!.. . lo ti lascio, K 255 |
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Mitridate, rè di Ponto, K 87 |
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Mitridate, rè di Ponto, K 87/74a |
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Mitridate, rè di Ponto, K. 87 |
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Mitridate: Lunga da te |
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Mitridate: Overture (allegro); Overture (andante grazioso); Overture (presto); Marcia |
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Mitridate: Venga pur, minacci e frema |
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Mitridate: Venga pur, minacci e frema; Già dagli occhi |
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Mlssa solemnis In C Minor, K. 139 (“Waisenhausmesse“). Mass In C, K. 257 (“Credo-Mass“) |
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Modulierendes Praeludium, K 284a |
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Modulierendis Präludium, K deest |
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Motets and Offertories |
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Movements from quartets by |
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Movements in d, G, D, K 442 |
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Music Of |
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Music by |
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Music for Clarinets and Basset Horns |
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Music for Piano, Four-Hands |
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Music of |
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Mystery solo |
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Männer suchen stets zu naschen, K 433 (416c) |
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Nehmt meinem Dank, K. 383 (with Alceo Galliera conducting the Philharmonia Orchestra) |
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Nehmt meinen Dank, ihr holden Gönner! K 383 |
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Nehmt meinen Dank. Exsultate, jubilate. Mia speranza adorata!...Ah non sai quai pena sia. Ch’io mi scordi di te?...Non temer, amato bene (with Maria Joâo Pires, pn) |
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Nine Variations in Dona Theme by Duport, K. 573 |
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No, no che non sei capace. Alcandro, lo confesso . . . Non sò, d’onde viene. Vorrei spiegarvi, oh Dio. Ah, se in ceil, benigne stelle. Mia speranza adorata . . . Ah, non sai qual pena sia. Popoli di Tessaglia . . . Io non chedo. Nehmt meinen Dank, ihr holden Gönner |
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No, no, che non se capace, K 419; Alcandro, lo confessore, K 294; Vorrei spiegarvi, oh Dio, K 418; Ah se in ciel, K 538; Mia speranza adorata, K 416; Popoli di Tessaglia!, K 316/300b; Nehmt meinem dank, K 383 |
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No. 1 in Eb, K. 67; No. 2 in Bb, K. 68; No. 3 in D, K. 69; No. 4 in D, K. 144; No. 5 in F, K. 145; No. 6 in Bb, K. 212; No. 7 in F, K. 224; No. 8 in A, K. 225; No. 9 in G, K. 241; No. 10 in F, K. 224; No. 11 in D, K. 245; No. 12 in C, K. 263; No. 13 in G, K. 274; No. 14 in C, K. 278, No. 15 in C, K. 328; No. 16 in C, K. 329; No. 17 in C, K. 336 |
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No. 5: Adagio |
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Nocturnes: Due pupille amabili; Se lontan, ben mio, tu sei; Ecco quell fiero istante; Mi lagnerò tacendo; Luci care, luci belle; Più non si trovano |
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Non so d’onde viene, K 294 |
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Non temer amato bene, K 490 |
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Notturno for 4 Orchestras, K 286 |
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Notturno in D for 4 Orchestras, K 286 |
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Notturno, K 286 |
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Nun Liebes Weibchen, K592a |
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Nun, liebes Weibchen, K 625 (592a) |
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O du eselhafter Martin |
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Oboe Concerto |
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Oboe Concerto in C |
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Oboe Concerto in C, K 271k/314 |
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Oboe Concerto in C, K 314 |
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Oboe Concerto, K 314 |
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Oboe Concerto. Concerto for Flute and Harp: Andantino |
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Oboe Concerto. Flute and Harp Concerto. Clarinet Concerto |
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Oboe Quartet |
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Oboe Quartet in F |
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Oboe Quartet in F, K 370 |
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Oboe Quartet in F. Adagio, K 580a |
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Oboe Quartet, K 370 |
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Oboe Quartets: K 370; in F (after K 496) |
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Oboe Quartets: in F, K 370; B♭, K 285b (arr. Fuchsia from Flute Quartet in C). Adagio for English Horn, Violin, Viola, and Cello in C, K 580a (Anh. 94) (ed. Raymond Meylan). Divertimentoin D, K 251 |
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Oboe Quintet in c, K 406a |
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Oboe Sonatas: in F, K 376; in G, K 379; in B♭, K 378 |
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Ocrer in Eb, K. deest. Sextet in Bb, K. 439b, no. 3. Partita in Eb, K. deest |
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Oh, what bitter grief is mine, K. 14T. Ridente la calma, K. 152 | |
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