: An die Sonne, D 439 (Review by Joel Kasow) | tenor |
: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | tenor |
: Das grosse Halleluja, D 442 (Review by Joel Kasow) | tenor |
: Das war ich, D 174A/450A (Review by Joel Kasow) | tenor |
: Der Entfernten, D 331 (Review by Joel Kasow) | tenor |
: Der Geistertanz, D 494 (Review by Joel Kasow) | tenor |
: Der Wanderer, D 489/493 (Review by Joel Kasow) | tenor |
: Des Mädchens Klage, D 389 (Review by Joel Kasow) | tenor |
: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | tenor |
: Entzückung, D 413 (Review by Joel Kasow) | tenor |
: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | tenor |
: Gott im Ungewitter, D 985 (Review by Joel Kasow) | tenor |
: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | tenor |
: Licht und Liebe, D 352 (Review by Joel Kasow) | tenor |
: Naturgenuss, D 422 (Review by Joel Kasow) | tenor |
: Ritter Toggenburg, D 397 (Review by Joel Kasow) | tenor |
: Schlachtgesang, D 443 (Review by Joel Kasow) | tenor |
: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | tenor |
: Zufriedenheit, D 501 (Review by Joel Kasow) | tenor |
: Zum Punsche, D 492 (Review by Joel Kasow) | tenor |
BACH-KOOPMAN: Markus-Passion, BWV 247 (Review by William Zagorski) | tenor
(FEATURE ARTICLE) |
BACH: Cantata No. 63 (Review by Ralph V. Lucano) | tenor |
BACH: Cantata No. 63 (Review by George Chien) | tenor |
BACH: Cantatas No. 76; No. 75; No. 190; No. 179; No. 59; No. 69; No. 50; No. 186; No. 104; No. 69a (Review by George Chien) | tenor |
BACH: Cantatas, Vol. 13: No. 1; No. 62; No. 96; No. 38; No. 93; No. 33; No. 133; No. 122; No. 92 (Review by George Chien) | tenor |
BACH: Cantatas, Vol. 15: 110 (Review by George Chien) | tenor |
BACH: Cantatas, Vol. 15: 3 (Review by George Chien) | tenor |
BACH: Cantatas, Vol. 16: 16 (Review by George Chien) | tenor |
BACH: Cantatas, Vol. 19: 193 (Review by George Chien) | tenor |
BACH: Cantatas, Vol. 1: No. 167; No. 7; No. 30; No. 75; No. 39; No. 20 (Review by George Chien) | tenor |
BACH: Cantatas, Vol. 1: No. 167; No. 7; No. 30; No. 75; No. 39; No. 20 (Review by George Chien) | tenor |
BACH: Cantatas: 118; 191 (Review by George Chien) | tenor |
BACH: Cantatas: 34 (Review by George Chien) | tenor |
BACH: Cantatas: No. 123 (Review by George Chien) | tenor |
BACH: Cantatas: No. 125 (Review by George Chien) | tenor |
BACH: Cantatas: No. 126 (Review by George Chien) | tenor |
BACH: Cantatas: No. 14 (Review by George Chien) | tenor |
BACH: Cantatas: No. 155 (Review by George Chien) | tenor |
BACH: Cantatas: No. 161 (Review by George Chien) | tenor |
BACH: Cantatas: No. 162 (Review by George Chien) | tenor |
BACH: Cantatas: No. 163 (Review by George Chien) | tenor |
BACH: Cantatas: No. 165 (Review by George Chien) | tenor |
BACH: Cantatas: No. 165 (Review by George Chien) | tenor |
BACH: Cantatas: No. 177 (Review by George Chien) | tenor |
BACH: Cantatas: No. 185 (Review by George Chien) | tenor |
BACH: Cantatas: No. 194 (Review by George Chien) | tenor |
BACH: Cantatas: No. 198, "Trauer-Ode" (Review by George Chien) | tenor |
BACH: Cantatas: No. 201 (Review by George Chien) | tenor |
BACH: Cantatas: No. 208, "Hunting" (Review by George Chien) | tenor |
BACH: Cantatas: No. 211, "Coffee" (Review by George Chien) | tenor |
BACH: Cantatas: No. 211, “Coffee Cantata” (Review by George Chien) | tenor |
BACH: Cantatas: No. 214 (Review by George Chien) | tenor |
BACH: Cantatas: No. 215 (Review by George Chien) | tenor |
BACH: Cantatas: No. 22 (Review by George Chien) | tenor |
BACH: Cantatas: No. 23 (Review by George Chien) | tenor |
BACH: Cantatas: No. 24 (Review by George Chien) | tenor |
BACH: Cantatas: No. 26 (Review by George Chien) | tenor |
BACH: Cantatas: No. 63 (Review by George Chien) | tenor |
BACH: Cantatas: No. 81 (Review by George Chien) | tenor |
BACH: Cantatas: No. 83 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 119 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 130 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 134 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 134a (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 180 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 20 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 44 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No. 73 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 10: No.101 (Review by George Chien) | tenor |
BACH: Complete Cantatas, Vol. 6 (Review by George Chien) | tenor |
BACH: Easter Oratorio, BWV 249 (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
BACH: Easter Oratorio. Magnificat in D (Review by Brian Robins) | tenor |
BACH: Magnificat in D, BWV 243 (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
BACH: Magnificat in E♭, BWV 243a (Review by George Chien) | tenor |
BACH: Magnificat (Review by Ralph V. Lucano) | tenor |
BACH: Mass in b (Review by George Chien) | Want List Performance
(WANT LIST PERFORMANCE) |
BACH: Mass in b (Review by George Chien) | tenor |
BACH: Sanctus in D, BWV 238 (Review by George Chien) | tenor |
BACH: Sanctus, BWV 238 (Review by Ralph V. Lucano) | tenor |
BACH: St. John Passion (Review by J. F. Weber) | tenor |
BACH: St. Matthew Passion (Review by Brian Robins) | tenor |
BACH: St. Matthew Passion (Review by Brian Robins) | tenor |
BEETHOVEN: Irish, Welsh, and Scottish Songs (Review by Henry Fogel) | tenor |
BEETHOVEN: Womankind. The Sweetest Lad Was Jamie. The Kiss, Dear Maid. Come Draw We Round a Cheerful Ring. Come Fill, Fill, My Good Fellow. On the Massacre of Glencoe. What Shall I Do to Shew How Much I Love Her? The Farewell Song. The Lovely Lass of Inverness. Oh! Thou Art the Lad of My Heart, Willy. The Dream. The Pulse of an Irishman. The Return to Ulster. Constancy. To the Aeolian Harp. Since Greybeards Inform Us that Youth Will Decay. The Parting Kiss. Wife, Children, and Friends. Again, My Lyre. God Save the King! The Vale of Clwyd. The Monks of Bangor’s March. Faith fu’ Johnie. The Soldier’s Dream (Review by Henry Fogel) | tenor |
BERLIOZ: L’Enfance du Christ (Review by Adrian Corleonis) | Récitant |
BERLIOZ: L’Enfance du Christ (Review by Haig Mardirosian) | Want List Performance
(WANT LIST PERFORMANCE) |
BLOW: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley) | tenor |
BOCCHERINI: D’ASTORGA Stabat Mater (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
BOCCHERINI: Stabat Mater, op. 61 (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
CAMPRA: Notus in Judea Deus. De profundis. Exaudiat te Dominus (Review by Brian Robins) | tenor |
CAMPRA: Requiem: Introit (Review by Brian Robins) | tenor |
CHARPENTIER, M-A: Divertissements, Airs, and Concerts (Review by Brian Robins) | countertenor |
CHARPENTIER, M-A: La Pierre philosophale, H 501. Tristes désertes H 469. Rentrez, trop indiscrets soupirs, H 464. Quoi! Je ne verrais plus, H 461. Ah, qu’ils sont courts, H 442. Charmantes fleurs, H449b. Quoi! rien ne peut, H 462. En vain rivaux assidus, H 452. Ah! qu’on est malheureux, H 443. Ah! laissez-moi rêver, H 441. Non, non, je ne l’aime plus, H 455. Sans frayeur dans ce bois, H 467. Auprès du feu, H 446. Ayant bu du vin clairet, H 447. Fenchon, la gentille Fenchon, H 454. Dispute des bergers, H 484. Concert pour quatre parties de violes, H 545 (Review by Brian Robins) | countertenor |
CHARPENTIER: Judicium Salomonis (Review by Brian Robins) | countertenor |
CHARPENTIER: Messe pour les trépassés (Review by Brian Robins) | tenor |
CHARPENTIER: Motet pour les trépassés (Review by Brian Robins) | tenor |
CHARPENTIER: Motet pour une longue offrande (Review by Brian Robins) | countertenor |
CHARPENTIER: Prose des morts (Review by Brian Robins) | tenor |
CHARPENTIER: Te Deum (Review by Brian Robins) | tenor |
CROFT: What art thou? (Review by Lynn René Bayley) | tenor |
DESMAREST: Motets (Review by Brian Robins) | tenor |
DESMAREST: Usquequo Domine. Lauda Jerusalem. Domine, ne in furore (Review by Brian Robins) | tenor |
GALUPPI: Laetatus sum. Nisi Dominus. Lauda Jerusalem (Review by Brian Robins) | Want List Performance
(WANT LIST PERFORMANCE) |
GALUPPI: Laetatus sum. Nisi Dominus. Lauda Jerusalem (Review by Brian Robins) | tenor |
GURNEY: A Cradle Song. 5 Elizabethan Songs (Review by Martin Anderson) | tenor |
GURNEY: An Epitaph. The fields are full. Down by the sally gardens. The Cloths of Heaven. The Singer. I will go with my father a-ploughing (Review by Martin Anderson) | tenor |
GURNEY: Epitaph in Old Mode. You are my sky. All night under the moon. The folly of being comported. By a bierside. Severn Meadows. In Flanders. Even such is time. Ha’nacker Mill. Bread and Cherries. Most Holy Night. Desire in Spring. Nine of the clock (Review by Martin Anderson) | tenor |
GURNEY: Severn Meadows (Review by Martin Anderson) | tenor |
HANDEL: Acis and Galatea (Review by Bernard Jacobson) | Acis |
HANDEL: Ahi, nelle sorte umane, HWV 179; No, di voi non vo’ fidarmi, HWV 189; Caro autor di mia doglia, HWV 182a; Quel fior che all’alba, HWV 192; Conservate, raddoppiate, HWV 185; Tanti strali al sen mi scocchi, HWV 197; Va, speme infida, HWV 199; A mirarvi io son intento, HWV 178; Sono liete, fortunate (Review by Bernard Jacobson) | tenor |
HANDEL: Alexander’s Feast (Review by Henry Fogel) | tenor |
HANDEL: Arcadian Duets (Review by Bernard Jacobson) | tenor |
HANDEL: L’Allegro, il Penseroso ed il Moderato (Review by Bernard Jacobson) | tenor |
HANDEL: Saul (Review by Bernard Jacobson) | High Priest |
HANDEL: Saul (Review by Bernard Jacobson) | Want List Performance
(WANT LIST PERFORMANCE) |
HANDEL: Saul (Review by Brian Robins) | Want List Performance
(WANT LIST PERFORMANCE) |
HANDEL: Saul (Review by Bernard Jacobson) | Witch of Endor |
HANDEL: Saul, HWV 53 (Review by Brian Robins) | High Priest |
HANDEL: Solomon (Review by Joel Kasow) | Want List Performance
(WANT LIST PERFORMANCE) |
HANDEL: Solomon (Review by Bernard Jacobson) | Zadok |
HANDEL: Solomon (Review by Bernard Jacobson) | the High Priest |
HANDEL: Theodora (Review by Brian Robins) | Septimius
(FEATURE ARTICLE) |
HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley) | tenor |
LALANDE: Te Deum, S 32 (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
LALANDE: Venite, exultemus, S 58 (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
LANIER: Hero and Leander (Review by Tom Moore) | tenor |
LANIER: Weep no more my wearied eyes. Neither sighs, nor tears. Stay silly heart. Hero’s complaint to Leander. Come, thou glorious object of my sight. Amorosa pargoletta. Qual musico gentil. Do not expect to hear. Fire, fire. Mark how the blushful morn. No more shall meads be deck’d with flowers. Like hermit poor (Review by Tom Moore) | tenor |
LOCKE: Psyche (Review by Brian Robins) | tenor |
LULLY: Persée (Review by Brian Robins) | Persée |
LULLY: Persée (Review by Brian Robins) | Want List Performance
(WANT LIST PERFORMANCE) |
PURCELL: Dido and Aeneas (Review by Brian Robins) | Sailor |
PURCELL: Dido and Aeneas (Review by Michael Ullman) | Sailor |
PURCELL: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley) | tenor |
RAMEAU: Dardanus (Review by Barry Brenesal) | Dardanus |
RAMEAU: La Guirlande (Review by Brian Robins) | Myrtil |
RAMEAU: Les Fêtes d’Hébé (Review by David Johnson) | Le Ruisseau |
RAMEAU: Les Fêtes d’Hébé (Review by David Johnson) | Lycurgue |
RAMEAU: Les Fêtes d’Hébé (Review by David Johnson) | Momus |
RAMEAU: Les boréades (Review by Barry Brenesal) | Abaris |
RAMEAU: Les indes galantes (Review by Brian Robins) | Valère |
RAMEAU: Zéphire (Review by Brian Robins) | Myrtil |
SCARLATTI, A.: Oratorio per la Santissima Trinità (Review by Brian Robins) | Infedeltà |
VIVALDI: Anima del cor mio (Review by John Story) | tenor |
VIVALDI: Atenaide (Review by Barry Brenesal) | Leontino |
VIVALDI: Chi s’oppone e miei voleri (Review by John Story) | tenor |
VIVALDI: Dixit Dominus (Review by Brian Robins) | Want List Performance
(WANT LIST PERFORMANCE) |
VIVALDI: Dixit Dominus, RV 807 (Review by Brian Robins) | tenor |
VIVALDI: La verità in cimento: Mi fé reo l’amor d’un figlio (Review by John Story) | tenor |
VIVALDI: Quando serve alla ragione (Review by John Story) | tenor |
VIVALDI: Sei tiranna se un ben fedel (Review by John Story) | tenor |
WECKMANN: Sacred Concertos: Hon spricht, deer Herr hat mich verlassen (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
WECKMANN: Sacred Concertos: Weine nicht, es hat überwunden (Review by Brian Robins) | tenor
(FEATURE ARTICLE) |
