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Performer: BBC SO

ADAMS: My Father Knew Charles Ives (Review by Christopher Abbot)

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ADAMS: My Father Knew Charles Ives (Review by Robert Carl)

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ADAMS: The Dharma at Big Sur (Review by Christopher Abbot)

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ADAMS: The Dharma at Big Sur (Review by Robert Carl)

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ADAMS: The Dharma at Big Sur. My Father Knew Charles Ives (Review by Christopher Abbot)

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(WANT LIST PERFORMANCE)

ADAMS: The Dharma at Big Sur. My Father Knew Charles Ives (Review by Robert Carl)

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(WANT LIST PERFORMANCE)

ANDERSON: Alhambra Fantasy. Diptych. Khorovod. The Crazed Moon. The Stations of the Sun (Review by Colin Anderson)

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(FEATURE ARTICLE)

BACH: A Mighty Fortress Is Our God (arr. Damrosch) (Review by James Reel)

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BACH: Air on the G String (arr. Sargent) (Review by James Reel)

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BACH: Bist du bei mir? (arr. Klemperer) (Review by James Reel)

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BACH: Fantasia and Fugue in g (arr. Mitropoulos) (Review by James Reel)

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BACH: Herzlich tut mich verlangen (arr. Leinsdorf) (Review by James Reel)

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BACH: Ich ruf’ zu dir, Herr Jesu Christ (arr. Gui) (Review by James Reel)

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BACH: Jesu, Joy of Man’s Desiring (arr. Ormandy) (Review by James Reel)

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BACH: Le nozze di Figaro: Non so più; Voi che sapete (Review by Raymond Tuttle)

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(HALL OF FAME PERFORMANCE)

BACH: Sheep May Safely Graze (arr. Barbirolli) (Review by James Reel)

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BACH: Suite No. 6 (arr. Wood for full orch) (Review by James Reel)

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BACH: Toccata and Fugue in d (arr. Skrowaczewski) (Review by James Reel)

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BALAKIREV: Symphony No. 1 (Review by Peter J. Rabinowitz)

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BARTÓK: Concerto for Orchestra (Review by Barry Brenesal)

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BARTÓK: Piano Concertos... (Pierre Boulez) (Review by Paul Ingram)

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BAX: Symphony No. 2 (Review by Peter J. Rabinowitz)

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BEETHOVEN: Leonore Overture No. 3 (Review by Christopher Williams)

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BEETHOVEN: Missa solemnis (Review by Peter J. Rabinowitz)

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BEETHOVEN: Piano Concerto No. 5 in E♭, op. 73 (Review by Barry Brenesal)

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BEETHOVEN: Symphony No. 3 (Review by Christopher Abbot)

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BEETHOVEN: Symphony No. 4 (Review by Barry Brenesal)

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BEETHOVEN: Symphony No. 6, “Pastoral” (Review by Marc Mandel)

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BEETHOVEN: Symphony No. 6, “Pastoral” (Review by Mortimer H. Frank)

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BEETHOVEN: Symphony No. 9 (Review by Mortimer H. Frank)

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BENNETT: The Return of the Soldier: Film score (Review by Paul Ingram)

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BERG: Violin Concerto (Review by Christopher Williams)

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(HALL OF FAME PERFORMANCE)

BERG: Violin Concerto (Review by Robert Maxham)

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BERG: Violin Concerto (Review by Paul Ingram)

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BERLIOZ: Grande ouverture (Review by Adrian Corleonis)

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BERNSTEIN: Chichester Psalms (Review by Michael Fine)

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BERNSTEIN: Jeremiah (Symphony No. 1) (Review by James H. North)

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BERNSTEIN: Missa brevis (Review by Michael Fine)

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BERNSTEIN: Symphony No. 3, “Kaddish” (Review by Michael Fine)

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BERNSTEIN: The Age of Anxiety (Symphony No. 2). Divertimento (Review by James H. North)

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BOLCOM: Surprise! The Actor. Song of Black Max. Amor. Toothbrush Time. The Total Stranger in the Garden. George. At the last lousy moments of love (Review by Joel Kasow)

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BRAHMS: Paganini Variations, op. 35 (Review by Jerry Dubins)

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BRAHMS: Piano Concerto No. 1 in d (Review by Barry Brenesal)

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BRAHMS: Piano Concerto No. 1 in d (Review by Mortimer H. Frank)

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BRAHMS: Piano Concerto No. 2 (Review by Jerry Dubins)

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BRAHMS: Piano Concertos: No. 1 in d (Review by Jerry Dubins)

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BRAHMS: Symphonies: No. 4 in E Minor, op. 98 (Review by Jon Tuska)

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(HALL OF FAME PERFORMANCE)

BRAHMS: Tragic Overture (Review by Mortimer H. Frank)

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BRAHMS: Violin Concerto: Allegro giocoso (Review by Robert Maxham)

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BRAHMS: “Double Concerto” in a, op. 102 (Review by Jerry Dubins)

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BRITTEN: Love from a Stranger: Excerpts (Review by Paul Ingram)

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BRITTEN: Serenade for Tenor, Horn, and Strings (Review by Marc Mandel)

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BRITTEN: Sinfonia da Requiem (Review by Richard Burke)

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BRITTEN: The Prince of the Pagodas: Suite (Review by Barry Brenesal)

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BRITTEN: Violin Concerto (Review by Paul A. Snook)

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BRITTEN: Violin Concerto (Review by Robert Maxham)

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BRUCKNER: Symphony No. 5 In B♭ (Review by Henry Fogel)

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(HALL OF FAME PERFORMANCE)

BRUCKNER: Symphony No. 7 (Review by Robert McColley)

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BRUCKNER: Symphony No. 8 in e (Haas ed) (Review by Robert McColley)

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BRUCKNER: Symphony No. 9 (Review by Colin Anderson)

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BUSONI: Piano Concerto (Review by Adrian Corleonis)

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CAMILO: Piano Concerto (Review by Martin Anderson)

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CAMILO: Suite for Piano, Strings, and Harp (Review by Martin Anderson)

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CARTER: ASKO Concerto (Review by Robert Carl)

Want List Performance
(WANT LIST PERFORMANCE)

CARTER: Cello Concerto (Review by Robert Carl)

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(WANT LIST PERFORMANCE)

CARTER: Dialogues. Boston Concerto (Review by Robert Carl)

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(WANT LIST PERFORMANCE)

CARTER: Dialogues... (Oliver Knussen) (Review by Robert Carl)

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CARTER: Symphonia: sum fluxae pretium spei (Review by Robert Carl)

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CHAUSSON: Le roi Arthus (Review by Adrian Corleonis)

Want List Performance
(WANT LIST PERFORMANCE)

CHAUSSON: Le roi Arthus (Review by Joel Kasow)

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(WANT LIST PERFORMANCE)

CHAUSSON: Le roi Arthus, op. 23 (Review by Adrian Corleonis)

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(FEATURE ARTICLE)

CHAUSSON: Poème de l’amour et de la mer (Review by Joel Kasow)

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CHERUBINI: Anacréon: Overture (Review by Michael Fine)

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(WANT LIST PERFORMANCE)

CORNELIUS: The Barber of Baghdad: Overture (Review by Michael Fine)

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CORNELIUS: The Barber of Baghdad: Overture (Review by Michael Fine)

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(WANT LIST PERFORMANCE)

DE LOS ANGELES (Victoria de los Angeles) (Review by Raymond Beegle)

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DEBUSSY: Cinq poèmes de Charles Baudelaire: I IV (Review by Joel Kasow)

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DEBUSSY: Iberia (Review by Michael Ullman)

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DEBUSSY: Images: Ibéria (Review by Barry Brenesal)

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DEBUSSY: Nocturnes (Review by Barry Brenesal)

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DELIUS: Piano Concerto (Review by Richard A. Kaplan)

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DICKINSON: Organ Concerto (Review by Stephen Ellis)

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DICKINSON: Outcry (Review by Stephen Ellis)

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DICKINSON: Piano Concerto (Review by Stephen Ellis)

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DVOŘÁK: Cello Concerto in b, op. 104 (Review by Jerry Dubins)

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DVOŘÁK: Scherzo capriccioso. The Hero’s Song (Review by Jerry Dubins)

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DVOŘÁK: Symphony No. 5 in F (Review by Jerry Dubins)

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DVOŘÁK: Symphony No. 6 in D (Review by Jerry Dubins)

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DVOŘÁK: Symphony No. 8 (Review by Paul Ingram)

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DVOŘÁK: Symphony No. 9 (Review by Christopher Williams)

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ELGAR/PAYNE: Symphony No. 3 (Review by Joel Flegler)

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(FEATURE ARTICLE)

ELGAR/PAYNE: Symphony No. 3 (Review by Bernard Jacobson)

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(FEATURE ARTICLE)

ELGAR/PAYNE: Symphony No. 3 (Review by Lawrence A. Johnson)

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(FEATURE ARTICLE)

ELGAR/PAYNE: Symphony No. 3 (Review by Peter J. Rabinowitz)

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(FEATURE ARTICLE)

ELGAR/PAYNE: Symphony No. 3 (Review by Walter Simmons)

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(FEATURE ARTICLE)

ELGAR: Cello Concerto (Review by Mortimer H. Frank)

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ELGAR: Cello Concerto (Review by Bernard Jacobson)

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ELGAR: Enigma Variations (Review by Peter J. Rabinowitz)

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ELGAR: Froissart (Review by Richard Burke)

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ELGAR: The Spirit of England (Review by Peter J. Rabinowitz)

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ELKINGTON: Out of the Mist (Review by Peter J. Rabinowitz)

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GERHARD: Epithalamion (Review by Robert Carl)

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GERHARD: Epithalamion (Review by Benjamin Pernick)

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GERHARD: Piano Concerto (Review by Robert Carl)

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GERHARD: Piano Concerto (Review by Benjamin Pernick)

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GERHARD: Symphony No. 1. Violin Concerto (Review by Benjamin Pernick)

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GERHARD: Symphony No. 3, "Collages" (Review by Robert Carl)

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GERHARD: Symphony No. 3, "Collages" (Review by Benjamin Pernick)

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GERHARD: This Sporting Life: Suite (Review by Paul Ingram)

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GREENWOOD: There Will Be Blood (Review by Robert Carl)

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GRIEG: Piano Concerto in a (Review by Peter Burwasser)

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GRIEG: Piano Concerto (Review by Michael Fine)

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GRIEG: Spring. The Youth. At Rundarne. Goal. From Monte Pincio. The First Meeting. Hope. A Swan. Eros. I Love Thee (Review by Arthur Lintgen)

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GURNEY: War Elegy (Review by Peter J. Rabinowitz)

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HAYDN: Cello Concerto (Review by Mortimer H. Frank)

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HAYDN: Symphony No. 85, “La Reine” (Review by Barry Brenesal)

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JANÁČEK: Sinfonietta (Review by Peter J. Rabinowitz)

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JANÁČEK: Sinfonietta (Review by Paul Ingram)

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JOIE DE VIVRE (Amelia Farrugia) (Review by Joel Kasow)

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KELLY: Elegy for Strings, “In Memoriam Rupert Brooke” (Review by Peter J. Rabinowitz)

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LINDBERG: Aura (Review by Robert Kirzinger)

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LISZT: Piano Concertos: No. 2 in A (Review by Adrian Corleonis)

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LUTOSŁAWSKI: Chain 2 (Review by Robert Carl)

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LUTOSŁAWSKI: Partita for Violin and Orchestra (Review by Robert Carl)

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LUTOSŁAWSKI: Piano Concerto (Review by Robert Carl)

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LUTOSŁAWSKI: Polish Christmas Carols (Review by Lynn René Bayley)

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LUTYENS: The Skull: Excerpts (Review by Paul Ingram)

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MAHLER: Das Lied von der Erde (Review by Christopher Abbot)

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MAHLER: Symphony No. 9 (Review by Christopher Abbot)

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MAHLER: Symphony No. 9 (Review by Colin Anderson)

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(WANT LIST PERFORMANCE)

MCPHEE: Tabuh-Tabuhan (Review by Barry Brenesal)

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MOZART: Horn Concerto No. 3 (Review by Marc Mandel)

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MOZART: Magic Flute: Overture (Review by Mortimer H. Frank)

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MUSGRAVE: Memento vitae (Review by Robert Kirzinger)

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MUSSORGSKY-STOKOWSKI: A Night on Bare Mountain (Review by Jon Tuska)

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(HALL OF FAME PERFORMANCE)

MUSSORGSKY-STOKOWSKI: Pictures at an Exhibition (Review by Jon Tuska)

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(HALL OF FAME PERFORMANCE)

PARRY: The Chivalry of the Sea (Review by Peter J. Rabinowitz)

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PIJPER: Symphony No. 3 (Review by Richard A. Kaplan)

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PROKOFIEV: Love for Three Oranges: Suite, op. 33b (Review by Christopher Williams)

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Poèmes de l’amour (Graham) (Review by Joel Kasow)

Want List Performance
(WANT LIST PERFORMANCE)

RACHMANINOFF: Piano Concerto No. 2 in c, op. 18 (Review by Barry Brenesal)

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RACHMANINOFF: Piano Concerto No. 3 (Review by Peter J. Rabinowitz)

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RAVEL: Le tombeau de Couperin (Review by Richard A. Kaplan)

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RAVEL: Shéhérazade (Review by Marc Mandel)

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RAVEL: Shéhérazade (Review by Joel Kasow)

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RODRIGO: Retablo de Navidad (Review by Lynn René Bayley)

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ROSSINI: La scala di seta: Overture (Review by Mortimer H. Frank)

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ROSSINI: Semiramide: Overture (Review by Colin Anderson)

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ROSSINI: Semiramide: Overture (Review by Henry Fogel)

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(HALL OF FAME PERFORMANCE)

ROUSE: Karolju (Review by Lynn René Bayley)

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RUDERS: Concerto in Pieces (Review by Paul Rapoport)

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RUDERS: Fairytale... (Stefan Solyom) (Review by Robert Carl)

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SAARIAHO: Graal Théâtre (Review by Robert Carl)

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SATIE: Daphénéo. Je te veux (Review by Joel Kasow)

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SATIE: La diva de l’empire (Review by Joel Kasow)

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SATIE: L’omnibus automobile (Review by Joel Kasow)

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SATIE: Tendrement (Review by Joel Kasow)

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SAWER: From Morning to Midnight: Suite (Review by Colin Clarke)

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SAWER: the greatest happiness principle (Review by Colin Clarke)

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SCHOENBERG: Cabaret Songs (Review by Joel Kasow)

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SCHUBERT: Symphony No. 8, “Unfinished” (Review by Peter J. Rabinowitz)

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SCHUBERT: Symphony No. 9 (Review by Michael Fine)

Want List Performance
(WANT LIST PERFORMANCE)

SCHUMANN: Piano Concerto in a (Review by Peter Burwasser)

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SCHUMANN: Piano Concerto (Review by Michael Fine)

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SCRIABIN: Piano Concerto (Review by Peter J. Rabinowitz)

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SHOSTAKOVICH: The Bolt: Excerpts (Review by Tom Godell)

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SHOSTAKOVICH: The Gadfly, op. 87: Romance (arr. Atovmian) (Review by Robert Maxham)

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SHOSTAKOVICH: Violin Concertos: No. 1; No. 2 (Review by Robert Maxham)

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SIBELIUS: Karelia Suite: Intermezzo; Alla marcia (Review by James Miller)

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SIBELIUS: Symphonies: No. 4 in a (Review by Richard A. Kaplan)

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SIBELIUS: Symphony No. 2 in D, op. 43 (Review by Colin Anderson)

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SIBELIUS: Symphony No. 2 (Review by James Miller)

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SIBELIUS: Symphony No. 2 (Review by Paul Ingram)

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SIBELIUS: Symphony No. 7 in C, op. 105 (Review by Michael Ullman)

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SIBELIUS: Tapiola (Review by James Miller)

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SIBELIUS: The Tempest: Excerpts (Review by James Miller)

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SIBELIUS: Tone Poems. Songs (Review by Richard A. Kaplan)

Want List Performance
(WANT LIST PERFORMANCE)

SKALKOTTAS: 36 Greek Dances (Review by Paul Rapoport)

Ensemble

SKALKOTTAS: 36 Greek Dances (Review by Martin Anderson)

Want List Performance
(WANT LIST PERFORMANCE)

SKALKOTTAS: 36 Greek Dances (Review by Colin Anderson)

Want List Performance
(WANT LIST PERFORMANCE)

SKALKOTTAS: The Return of Ulysses (Review by Paul Rapoport)

Ensemble

SKALKOTTAS: The Return of Ulysses (Review by Martin Anderson)

Want List Performance
(WANT LIST PERFORMANCE)

SKALKOTTAS: The Return of Ulysses (Review by Colin Anderson)

Want List Performance
(WANT LIST PERFORMANCE)

STRAVINSKY: Le Sacre du printemps (Review by Richard Burke)

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STRAVINSKY: Scenes de ballet (Review by Tom Godell)

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STRAVINSKY: Symphony of Psalms (Review by Michael Ullman)

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TAYLOR: Conflict and Consolation (Review by Phillip Scott)

Want List Performance
(WANT LIST PERFORMANCE)

TAYLOR: Piano trio. String Quartet No. 3 (Review by Phillip Scott)

Want List Performance
(WANT LIST PERFORMANCE)

TCHAIKOVSKY: Nutcracker: Act II (Review by Tom Godell)

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TCHAIKOVSKY: Piano Concerto No. 1 (Review by Peter J. Rabinowitz)

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TCHAIKOVSKY: The Sleeping Beauty (Review by James Miller)

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TIPPETT: Concerto for Double String Orchestra (Review by Paul Ingram)

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TURNAGE: Another Set-to (Review by Robert Carl)

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TURNAGE: Fractured Lines (Review by Robert Carl)

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TURNAGE: Silent Cities. Four-horned Fandango (Review by Robert Carl)

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VEALE: Violin Concerto (Review by Paul A. Snook)

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WAGNER: Die Meistersinger von Nürnberg: Prelude (Review by Robert McColley)

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WAGNER: Lohengrin: Act I Prelude (Review by Richard A. Kaplan)

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WAGNER: Tristan and Isolde: Prelude to Act I (Review by Robert McColley)

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WAGNER: Tristan und Isolde (Review by Andrew Quint)

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WAGNER: Wesendonck Lieder. Tristan und Isolde: Liebestod (Review by Arthur Lintgen)

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WAGNER: Wesendonck-Lieder (Review by Robert McColley)

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WALTON: Belshazzar’s Feast (Review by James Miller)

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WALTON: Cello Concerto (Review by Michael Fine)

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WALTON: Façade: Excerpts (Review by James Miller)

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WEBER-BERLIOZ: Invitation to the Dance (Review by Mortimer H. Frank)

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WHETTAM: Sinfonia intrepida (Review by Paul A. Snook)

Want List Performance
(WANT LIST PERFORMANCE)

WOOD, HUGH: Scenes from Comus (Review by James H. North)

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WOOD, HUGH: Symphony (Review by James H. North)

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