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Performer: Thomas Beecham

BACH: Keyboard Concerto in d, BWV 1052(arr. Reitz) (Review by Robert Maxham)

Conductor

BACH: Keyboard Concerto in f, BWV 1056: Largo (arr. Szigeti) (Review by Robert Maxham)

Conductor

BARTÓK: Contrasts (Review by Robert Maxham)

Conductor

BARTÓK: Portrait, op. 5/1 (Review by Robert Maxham)

Conductor

BAX: The Garden of Fand (Review by Richard A. Kaplan)

Conductor

BEETHOVEN: Symphony No. 2 (Review by James Miller)

Conductor

BEETHOVEN: Symphony No. 9 (Review by Richard A. Kaplan)

Conductor

BEETHOVEN: Symphony No. 9, “Choral” (Review by Raymond Tuttle)

Conductor

BEETHOVEN: Violin Concerto (Review by Robert Maxham)

Conductor

BERLIOZ: Grande ouverture (Review by Adrian Corleonis)

Conductor

BERLIOZ: Harold en Italie (Review by Adrian Corleonis)

Conductor

BERLIOZ: Le Corsaire. Les Troyens: Marche troyenne; Chasse royale et orage (Review by Adrian Corleonis)

Conductor

BERLIOZ: Le Corsaire: Ouverture (Review by Adrian Corleonis)

Conductor

BERLIOZ: Le Roi Lear (Review by Adrian Corleonis)

Conductor

BERLIOZ: Les Troyens:Marche troyenne (Review by Adrian Corleonis)

Conductor

BERLIOZ: Symphonie fantastique (Review by Adrian Corleonis)

Conductor

BIZET: Carmen Suite No. 1 (Review by Adrian Corleonis)

Conductor

BIZET: L'Artésienne Suite No. 1. L'Arlésienne Suite No. 2: L’Artésienne Suite No. 1. L’Arlésienne Suite No. 2: Minuet, Farandole (Review by Barry Brenesal)

Conductor

BIZET: Patrie (Review by Adrian Corleonis)

Conductor

BIZET: Roma: Carnaval (Review by Adrian Corleonis)

Conductor

BLOCH: Baal Shem (Review by Robert Maxham)

Conductor

BLOCH: Violin Concerto (Review by Robert Maxham)

Conductor

BLOCH: Violin Concerto (Review by Robert Maxham)

Conductor

BOCCHERINI: Overture in D (Review by Richard A. Kaplan)

Conductor

BRAHMS: Hungarian Dance No. 5 (arr. Joachim) (Review by Robert Maxham)

Conductor

BRAHMS: Symphony No. 2 (Review by James Miller)

Conductor

BRAHMS: Variations on a Theme by Haydn (Review by Richard A. Kaplan)

Conductor

BRAHMS: Violin Sonata No. 3 (Review by Robert Maxham)

Conductor

BUSONI: Piano Concerto (Review by Adrian Corleonis)

Conductor

CHABRIER: España (Review by Richard A. Kaplan)

Conductor

CHABRIER: España (Review by Adrian Corleonis)

Conductor

CHABRIER: Gwendoline: Overture (Review by Adrian Corleonis)

Conductor

CHABRIER: Joyeuse marche (Review by Adrian Corleonis)

Conductor

DELIUS: Appalachia (Review by Marc Mandel)

Conductor

DELIUS: Brigg Fair (Review by Adrian Corleonis)

Conductor

DELIUS: Dance Rhapsody No. 2 (Review by Adrian Corleonis)

Conductor

DELIUS: Florida Suite: Daybreak-Dance (rev., ed. Beecham) (Review by Adrian Corleonis)

Conductor

DELIUS: Irmelin: Act II orchestral arrangements (Review by Barry Brenesal)

Conductor

DELIUS: Irmelin: Prelude (Review by Adrian Corleonis)

Conductor

DELIUS: On Hearing the First Cuckoo in Spring. Summer Night on the River. A Song before Sunrise. Fennimore and Gerda: Intermezzo (arr. Fenby) (Review by Adrian Corleonis)

Conductor

DELIUS: Sleighride. Summer Evening (ed., arr. Beecham) (Review by Adrian Corleonis)

Conductor

DVOŘÁK: Legend No. 2 (Review by Marc Mandel)

Conductor

DVOŘÁK: Slavonic Dances: No. 1; No. 2 (Review by Robert Maxham)

Conductor

DVOŘÁK: Symphony No. 8 (Review by Paul Ingram)

Conductor

ELGAR: Variations on an Original Theme, “Enigma” (Review by Richard A. Kaplan)

Conductor

FALLA: Three-Cornered Hat: The Miller’s Dance (Review by Robert Maxham)

Conductor

FAURÉ: Dolly Suite (Review by Adrian Corleonis)

Conductor

FAURÉ: Pavane, op. 50 (Review by Adrian Corleonis)

Conductor

FRANCK: Le chasseur maudit (Review by Richard A. Kaplan)

Conductor

FRANCK: Symphony in d (Review by Adrian Corleonis)

Conductor

GRIEG: In Autumn (Review by Jerry Dubins)

Conductor

GRÉTRY: Zémire et Azor: Ballet Suite (Review by Richard A. Kaplan)

Conductor

HANDEL: Amaryllis Suite: Sarabande (Review by Marc Mandel)

Conductor

HANDEL: Israel in Egypt: But as for his people; The Lord is a man of war; Moses and the Children of Israel (Review by Richard A. Kaplan)

Conductor

HANDEL: Solomon (Review by Barry Brenesal)

Conductor

HANDEL: Violin Sonata in D, op. 1/13 (Review by Robert Maxham)

Conductor

HAYDN: Symphonies Nos. 93–98 (Review by James H. North)

Conductor

HAYDN: Symphonies Nos. 99–104 (Review by James H. North)

Conductor

HAYDN: The Seasons (Review by James H. North)

Conductor

HUBAY: Scènes de la Csárda: Hungarian Rhapsody (Review by Robert Maxham)

Conductor

KODÁLY: Háry János: Intermezzo (Review by Robert Maxham)

Conductor

LALO: Symphony in g (Review by Adrian Corleonis)

Conductor

LISZT: Die Loreley (Review by Richard A. Kaplan)

Conductor

MASSENET: The Last Sleep of the Virgin (Review by Barry Brenesal)

Conductor

MENDELSSOHN: A Midsummer Night’s Dream: Overture (Review by Richard A. Kaplan)

Conductor

MENDELSSOHN: Songs without Words: No. 44; No. 45 (Review by Marc Mandel)

Conductor

MENDELSSOHN: Symphony No. 4, "Italian" (Review by Michael Fine)

Conductor

MENDELSSOHN: Violin Concerto in e (Review by Robert Maxham)

Conductor

MENDELSSOHN: Violin Concerto (Review by Robert Maxham)

Conductor

MILHAUD: Le Printemps (Review by Robert Maxham)

Conductor

MILHAUD: Saudades do Brasil: Corcovado (Review by Robert Maxham)

Conductor

MILHAUD: Saudades do Brasil: Sumare (Review by Robert Maxham)

Conductor

MOZART: Clarinet Concerto. Bassoon Concerto (Review by Bernard Jacobson)

Conductor

MOZART: Die Entführung aus dem Serail (Review by Alan Swanson)

Conductor

MOZART: Divertimento No. 15 in B♭, K 287: Theme and Variations; Minuet (Review by Marc Mandel)

Conductor

MOZART: Mass in c, K 427: Kyrie (Review by Richard A. Kaplan)

Conductor

MOZART: Mass in c, K 427: Qui tollis (Review by Richard A. Kaplan)

Conductor

MOZART: Requiem (Review by George Chien)

Conductor

MOZART: Symphonies: No. 29, K 201 (Review by Peter J. Rabinowitz)

Conductor

MOZART: Symphonies: No. 35, K 385, "Haffner" (Review by Peter J. Rabinowitz)

Conductor

MOZART: Symphonies: No. 38, K 504, "Prague" (Review by Peter J. Rabinowitz)

Conductor

MOZART: Symphony No. 35, “Haffner” (Review by Richard A. Kaplan)

Conductor

MOZART: Symphony No. 40 (Review by Richard A. Kaplan)

Conductor

MOZART: Symphony No. 41 in C, K 551, "Jupiter" (Review by Bernard Jacobson)

Conductor

MOZART: Violin Concertos: No. 4 (Review by Robert Maxham)

Conductor

PAGANINI: Caprices: No. 9; No. 2 (Review by Robert Maxham)

Conductor

PROKOFIEV: Violin Concerto No. 1 (Review by Robert Maxham)

Conductor

PROKOFIEV: Violin Concerto No. 1 (Review by Robert Maxham)

Conductor

PUCCINI: La Bohème (Review by Bob Rose)

Conductor

RIMSKY-KORSAKOV: Symphony No. 2, “Antar” (Review by Marc Mandel)

Conductor

ROSSINI: La cambiale di matrimonio (Review by James Miller)

Conductor

ROSSINI: La gazza ladra (Review by James Miller)

Conductor

ROSSINI: Semiramide (Review by James Miller)

Conductor

ROSSINI: William Tell: Overture (Review by Marc Mandel)

Conductor

SAINT-SAËNS: Le rouet d’Omphale (Review by Adrian Corleonis)

Conductor

SCHUBERT: Symphony No. 3, D 200 (Review by Michael Fine)

Conductor

SCHUMANN: Piano Concerto (Review by Richard A. Kaplan)

Conductor

SIBELIUS: En Saga, op. 9 (Review by Barry Brenesal)

Conductor

SIBELIUS: Festivo, op. 25/3 (Review by Barry Brenesal)

Conductor

SIBELIUS: Finlandia, op. 26 (Review by Barry Brenesal)

Conductor

SIBELIUS: Lemminkaïnen’s Return, op. 22/4 (Review by Barry Brenesal)

Conductor

SIBELIUS: Pelléas et Mélisande: Suite (Review by Richard A. Kaplan)

Conductor

SIBELIUS: Symphonies: No. 4 in a (Review by Richard A. Kaplan)

Conductor

SIBELIUS: Symphonies: No. 4; No. 7. Suites: Pelléas et Mélisande, op. 46; Swanwhite, op. 54 (Review by Robert McColley)

Conductor

SIBELIUS: Symphonies: No. 6 in C (Review by Richard A. Kaplan)

Conductor

SIBELIUS: Symphony No. 2 (Review by Paul Ingram)

Conductor

SIBELIUS: Symphony No. 4 in a, op 63 (Review by Barry Brenesal)

Conductor

SIBELIUS: Symphony No. 7 (Review by Richard A. Kaplan)

Conductor

SIBELIUS: Tapiola, op. 112 (Review by Robert McColley)

Conductor

SIBELIUS: Tapiola. The Oceanides (Review by Richard A. Kaplan)

Conductor

SIBELIUS: The Bard, op. 64 (Review by Barry Brenesal)

Conductor

SIBELIUS: The Tempest: Dance of the Nymphs (Review by Robert McColley)

Conductor

SIBELIUS: The Tempest: Excerpts (Review by Richard A. Kaplan)

Conductor

SMETANA: The Bartered Bride (Review by Bob Rose)

Conductor

STRAUSS: Don Quixote (Review by Bart Verhaeghe)

Conductor

STRAUSS: Don Quixote (Review by Richard A. Kaplan)

Conductor

STRAUSS: Ein Heldenleben (Review by Bart Verhaeghe)

Conductor

STRAUSS: Elektra (Review by James Miller)

Conductor

STRAUSS: Le bourgeois gentilhomme (Review by Bart Verhaeghe)

Conductor

STRAUSS: Metamorphosen (Review by Bart Verhaeghe)

Conductor

STRAVINSKY: Duo concertant (Review by Robert Maxham)

Conductor

STRAVINSKY: Mavra: Chanson russe (Review by Robert Maxham)

Conductor

STRAVINSKY: Pastorale (Review by Robert Maxham)

Conductor

TARTINI: Violin Concerto in d, D 45 (Review by Robert Maxham)

Conductor

TCHAIKOVSKY: Eugene Onegin: Waltz (Review by Barry Brenesal)

Conductor

TCHAIKOVSKY: Nutcracker: Suite No. 1 (Review by Barry Brenesal)

Conductor

TCHAIKOVSKY: Symphony No. 4 (Review by Marc Mandel)

Conductor

TCHAIKOVSKY: Symphony No. 4 (Review by Barry Brenesal)

Conductor

TCHAIKOVSKY: The Nutcracker Suite, op. 71A (Review by Michael Fine)

Conductor

THE ART OF CONDUCTING: GREAT CONDUCTORS OF THE... (John Barbirolli) (Review by Peter J. Rabinowitz)

Conductor

VERDI: Otello (Review by Bob Rose)

Conductor

VERDI: Otello (Review by Lynn René Bayley)

Conductor

WAGNER: Das Rheingold: Entry of the Gods into Valhalla (Review by Marc Mandel)

Conductor

WAGNER: Der fliegende Holländer: Overture (Review by Richard A. Kaplan)

Conductor

WAGNER: Die Meistersinger: Prelude to Act 3 (Review by Richard A. Kaplan)

Conductor

WAGNER: Lohengrin: Act I Prelude (Review by Richard A. Kaplan)

Conductor

WAGNER: Overture; Venusberg Music (Review by Barry Brenesal)

Conductor

WAGNER: Tannhäuser (Review by Barry Brenesal)

Conductor

WAGNER: Tristan und Isolde: Prelude and Liebestod (Review by Richard A. Kaplan)

Conductor

WAGNER: Wesendonck-Lieder (Review by Richard A. Kaplan)

Conductor

WARLOCK: Capriol Suite: Basse Danse; Pavane; Mattachins (Review by Robert Maxham)

Conductor

WEBER: Der Freischütz: Overture (Review by Marc Mandel)

Conductor

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