ADÈS: The Lover in Winter (Review by John Story) | countertenor |
ANONYMOUS: The last of the Queenes Maskes (Review by Brian Robins) | countertenor |
BACH: Cantatas, Vol. 12: No. 147 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 13: No. 64 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 14... (Masaaki Suzuki) (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 14: No. 109 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 14: No. 148 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 14: No. 48 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 14: No. 89 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 9: No. 167 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 9: No. 24 (Review by George Chien) | countertenor |
BACH: Cantatas, Vol. 9: No. 76 (Review by George Chien) | countertenor |
BACH: Cantatas, Volume 21: No. 190 (Review by George Chien) | countertenor |
BACH: Cantatas, Volume 21: No. 81 (Review by George Chien) | countertenor |
BACH: Cantatas, Volume 21: No. 83 (Review by George Chien) | countertenor |
BACH: Cantatas, Volume 22: No. 20 (Review by George Chien) | countertenor |
BACH: Cantatas, Volume 22: No. 7 (Review by George Chien) | countertenor |
BACH: Cantatas, Volume 22: No. 94 (Review by George Chien) | countertenor |
BACH: Cantatas: (Volume 18) No. 66 (Review by George Chien) | countertenor |
BACH: Cantatas: (Volume 19) No. 86 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 103 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 108 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 111 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 113 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 123 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 124 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 125 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 128 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 134 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 144 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 154 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 166 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 169; No. 170; No. 35; No. 200 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 172 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 181 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 183 (Review by Steven E. Ritter) | countertenor |
BACH: Cantatas: No. 28 (Review by Steven E. Ritter) | countertenor |
BACH: Cantatas: No. 33 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 37 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 40; No. 60; No. 70 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 42 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 6 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 62; No. 139; No. 26; No. 116 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 67 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 74 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 8 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 85 (Review by Steven E. Ritter) | countertenor |
BACH: Cantatas: No. 90 (Review by George Chien) | countertenor |
BACH: Cantatas: No. 91; No. 101; No. 121; No. 133 (Review by James Reel) | countertenor |
BACH: Cantatas: No.175 (Review by Steven E. Ritter) | countertenor |
BACH: Cantatas:(Volume 17) No. 153 (Review by George Chien) | countertenor |
BACH: Easter Oratorio, BWV 249 (Review by Brian Robins) | countertenor
(FEATURE ARTICLE) |
BACH: Easter Oratorio. Magnificat in D (Review by Brian Robins) | alto |
BACH: Magnificat in D, BWV 243 (Review by Brian Robins) | countertenor
(FEATURE ARTICLE) |
BACH: Sacred Cantatas, Vol. 10: No. 105; No. 179; No. 186 (Review by George Chien) | countertenor |
BACH: Secular Cantatas: No. 30a; No. 207 (Review by George Chien) | countertenor |
BACH: St. John Passion, BWV 245 (Review by Brian Robins) | alto |
BACH: St. Matthew Passion (Review by Brian Robins) | countertenor |
BANISTER: Come unto these yellow sands. Where the bee sucks. Dry those eyes. Full fathom five. Give me my lute (Review by Brian Robins) | countertenor |
BLOW: God spake sometime in visions. How doth the city. The Lord is my shepherd. God is our hope and strength. I beheld, and lo! Turn thee unto me. Blessed is the man. Lift up your heads. O Lord, I have sinned. O give thanks. O Lord, thou has searched me out. Cry aloud and spare not. Lord, who shall dwell? I said in the cutting off of my days (Review by Brian Robins) | alto |
BLOW: I Was Glad (Review by Brian Robins) | countertenor |
BLOW: Lovely Selina (Review by Brian Robins) | countertenor |
BLOW: Venus and Adonis (Review by Brian Robins) | Cupid |
BOYCE: Lord, Thou Hast Been Our Refuge (Review by Brian Robins) | countertenor |
BUXTEHUDE: Das jüngste Gericht (Review by J. F. Weber) | alto |
BUXTEHUDE: Das jüngste Gericht (Review by J. F. Weber) | soprano |
BYRD: Rejoice unto the Lord. Ah silly Soul. An aged dame. O dear life. Come to me. Who likes to love. O that most rare breast. All as a sea. Ye sacred Muses. Constant Penelope. O God that guides. Lullaby. How vain the toils (Review by J. F. Weber) | countertenor |
CAMPION: Fair if you expect admiring (Review by Brian Robins) | countertenor |
COUPERIN: Leçons de ténèbres: Première Leçon; Deuxième Leçon; Troisième Leçon (Review by Laura Rónai) | countertenor |
COUPERIN: Magnificat (Review by Laura Rónai) | countertenor |
DANYEL: Can doleful notes. Rosa (Review by Brian Robins) | countertenor |
DOWLAND: In darkness let me dwell. Time stands still. Behold a wonder here (Review by Brian Robins) | countertenor |
GERMAN 17TH-CENTURY CHURCH MUSIC (Robin Blaze) (Review by J. F. Weber) | countertenor |
GREENE: Hearken unto Me, Ye Holy Children (Review by Bernard Jacobson) | Hercules |
GREENE: Hearken unto Me, Ye Holy Children (Review by Bernard Jacobson) | countertenor |
HANDEL: Alexander Balus: Hail wedded love (Review by James Reel) | countertenor |
HANDEL: Alexander’s Feast: Let’s imitate her notes above (Review by James Reel) | countertenor |
HANDEL: Belshazzar: Great victor, at your feet I bow (Review by James Reel) | countertenor |
HANDEL: Coronation Anthems: Zadok the Priest; Let thy hand be strengthened; The King shall rejoice; My heart is inditing. Ode for the Birthday of Queen Anne (Review by Bernard Jacobson) | countertenor |
HANDEL: Deborah: Where do thy ardours raise me; Smiling freedom, lovely guest (Review by James Reel) | countertenor |
HANDEL: Esther: Who calls my parting soul (Review by James Reel) | countertenor |
HANDEL: Eternal Source of Light Divine: Kind Health descends (Review by James Reel) | countertenor |
HANDEL: Jeptha: These labours past (Review by James Reel) | countertenor |
HANDEL: Joshua: Oh peerless maid; Our limpid streams (Review by James Reel) | countertenor |
HANDEL: Rodelinda, regina de’ Longobardi (Review by Bernard Jacobson) | Unulfo |
HANDEL: Saul: O fairest of ten thousand fair; At persecution I can laugh (Review by James Reel) | countertenor |
HANDEL: Solomon: Welcome as the dawn of day; Ev’ry joy that wisdom knows (Review by James Reel) | countertenor |
HANDEL: Susanna: When thou art nigh; To my chaste Susanna’s praise (Review by James Reel) | countertenor |
HANDEL: Tamerlano: Forte e lieto; Oh per me lieto, avventuroso giorno! (Review by Melanie Eskenazi) | countertenor |
HANDEL: The Choice of Hercules (Review by Bernard Jacobson) | Hercules |
HANDEL: Theodora (Review by Brian Robins) | Didymus
(FEATURE ARTICLE) |
HANDEL: Theodora: To thee, thou glorious son of worth; Streams of pleasure ever flowing (Review by James Reel) | countertenor |
HANDEL: Utrecht Te Deum and Jubilate (Review by Brian Robins) | countertenor |
JOHNSON, R.: Fantasia (Review by Brian Robins) | countertenor |
JOHNSON, R.: Full fathom five. Where the bee sucks (Review by Brian Robins) | countertenor |
KNÜPFER: Sacred Music (Review by Martin Anderson) | countertenor
(FEATURE ARTICLE) |
KNÜPFER: Vom Himmel hoch, da komm ich her. Was mine Gott will, das gescheh allzeit. Wenn mein Stündlein vorhanden ist. Ach Herr, strafe mich nicht in deinem Zorn. Quaemadmodum desiderai cervus. Super flumina Babylonis. Jesus Christus, unser Heiland. Die Turteltaube lässt sich hören (Review by Martin Anderson) | countertenor
(FEATURE ARTICLE) |
LAWES, H.: A Tale out of Anacreon (Review by Brian Robins) | countertenor |
LAWES, H.: Amarillis, by a spring (Review by Brian Robins) | countertenor |
LAWES, H.: Amidst the myrtles (Review by Brian Robins) | countertenor |
LAWES, H.: Cease you jolly shepherds (Review by Brian Robins) | countertenor |
LAWES, H.: From the heav’ns (Review by Brian Robins) | countertenor |
LAWES, H.: In quel, gelato core (Review by Brian Robins) | countertenor |
LAWES, H.: Love’s Sweet Repose (Review by Brian Robins) | countertenor |
LAWES, H.: Now, now Lucasia (Review by Brian Robins) | countertenor |
LAWES, H.: Oh sweet woods (Review by Brian Robins) | countertenor |
LAWES, H.: Oh, that joy (Review by Brian Robins) | countertenor |
LAWES, H.: Slide soft, you silver floods (Review by Brian Robins) | countertenor |
LAWES, H.: Sweet echo (Review by Brian Robins) | countertenor |
LAWES, H.: Sweet, stay awhile (Review by Brian Robins) | countertenor |
LAWES, H.: The Angler’s Song (Review by Brian Robins) | countertenor |
LAWES, H.: When shall I see? (Review by Brian Robins) | countertenor |
LAWES: Gather your rosebuds (Review by Brian Robins) | countertenor |
LAWES: I laid me down (Review by Brian Robins) | countertenor |
LAWES: Oh, let me still and silent lie (Review by Brian Robins) | countertenor |
LAWES: Oh, my Clarissa (Review by Brian Robins) | countertenor |
LAWES: When man for sin (Review by Brian Robins) | countertenor |
LAWES: Why so pale and wan. He that will not love. I’m sick of love. Gather ye rosebuds (Review by Brian Robins) | countertenor |
LOCKE: The delights of the bottle (Review by Brian Robins) | countertenor |
PURCELL: Lulliburlero (Review by Brian Robins) | countertenor |
PURCELL: Odes for Saint Cecilia's Day: Odes for Saint Cecilia’s Day: Hail bright Cecilia; Welcome to All the Pleasures (Review by Brian Robins) | countertenor |
PURCELL: Riggadoon (Review by Brian Robins) | countertenor |
PURCELL: Sefauchi’s Farewelí. ’Tis Nature’s voice. Be welcome then, great Sir. By beauteous softness (Review by Brian Robins) | countertenor |
PURCELL: Song Tune (2) (Review by Brian Robins) | countertenor |
REGGIO: Arise, ye subterranean Winds (Review by Brian Robins) | countertenor |
SCHELLE: Lobe den Herrn. Wohl den, der den Herren fürchtet Aus der Tiefen. Herr, lehre uns bedenken. Gott, sende dein Licht. Komm, Jesu, komm. Christus, der ist mein Leben. Christus ist des Gesetzes Ende. Von Himmel kam der Engel Schar (Review by Brian Robins) | countertenor
(FEATURE ARTICLE) |
SCHELLE: Sacred Works (Review by Brian Robins) | countertenor
(FEATURE ARTICLE) |
UNLEY: The Song of Moses. Let God Arise (Review by David Johnson) | alto |
VIVALDI, RUGGIERI (Robert King) (Review by Michael Carter) | countertenor
(HALL OF FAME PERFORMANCE) |
VIVALDI: Confitebor tibi, Domine, RV 596 (Review by Brian Robins) | countertenor |
VIVALDI: Deus tuorum militum, RV 612 (Review by Brian Robins) | countertenor |
VIVALDI: Gloria, RV 589 (Review by Brian Robins) | countertenor |
VIVALDI: In turbato mare, RV 627 (Review by Brian Robins) | countertenor |
VIVALDI: Nisi Dominus, RV 803 (Review by Brian Robins) | countertenor |
VIVALDI: Non in pratis aut in hortis, RV 641 (Review by Brian Robins) | countertenor |
VIVALDI: O qui coeli terraeque seren-itas, RV 631 (Review by Brian Robins) | countertenor |
VIVALDI: Sacred Music, Vol. 5 (Review by Brian Robins) | countertenor |
VIVALDI: Stabat mater, RV 621 (Review by Brian Robins) | countertenor |
