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ANONYMOUS: Fantasia a 5 (Review by Brian Robins)
countertenor
ANONYMOUS: O death rock me asleep. Come tread the paths. My little sweet darling. Born is the Babe. Complain with tears. Fie, fie, my fate. In paradise (Review by Brian Robins)
ANONYMOUS: Salve regina (Review by James Carson)
AWAKE, SWEET LOVE (James Bowman) (Review by J. F. Weber)
BACH: St. John Passion, BWV 245 (Review by Brian Robins)
BRITTEN: A Midsummer Night’s Dream (Review by Michael Fine)
Oberon
BRITTEN: Down by the Salley Gardens. I know a bank (Review by James Carson)
BURGON: A Vision (Review by William Zagorski)
BURGON: Merciless Beauty (Review by William Zagorski)
BURGON: The Calm (Review by William Zagorski)
BURGON: Voices from "The Calm" (Review by William Zagorski)
BYRD: Consort Songs. Fantasia a 6 (II) (Review by Brian Robins)
BYRD: In Nomine a 4 (Review by Brian Robins)
BYRD: Quis me statím. Wretched Albinus. Rejoice unto the Lord. Fair Britain Isle. Triumph with pleasant melody. Lullaby. Ye Sacred Muses (Review by Brian Robins)
DOWLAND: If my complaints could passions move (Review by James Carson)
GANT: Epitaph for Salomon Pavey (Review by James Carson)
GRECHANINOV: Vespers, op. 59... (Stephen Layton) (Review by Martin Anderson)
HANDEL: Admeto, re di Tessaglia (Review by Bernard Jacobson)
Trasimede
HANDEL: Aria Tacero, pur che fedele (Review by James Carson)
HANDEL: Ariodante (Review by Ralph V. Lucano)
Polinesso
HANDEL: Birthday Ode for Queen Anne (Review by Michael Carter)
countertenor(HALL OF FAME PERFORMANCE)
HANDEL: Cantata Ho fuggito amore (Review by James Carson)
HANDEL: Esther (1732) (Review by Ron Salemi)
Ahasuerus
HANDEL: Julius Caesar: Excerpts (Review by Bernard Jacobson)
Ptolemy
HANDEL: My song shall be always (Review by Michael Carter)
alto(HALL OF FAME PERFORMANCE)
HANDEL: O come, let us sing unto the Lord (Review by Michael Carter)
HANDEL: O praise the Lord with one consent (Review by Michael Carter)
HANDEL: Saul (Review by Ralph V. Lucano)
David
HANDEL: Silla (Review by Bernard Jacobson)
Silla
HANDEL: Te Deum in D (Review by Michael Carter)
HANDEL: Wedding Anthem for HRH Prince Frederick (Review by Michael Carter)
HOLST: The Perfect Fool: Ballet Music (Review by Peter J. Rabinowitz)
HOLST: The Planets (Review by Peter J. Rabinowitz)
HOWELLS: King David (Review by James Carson)
KNÜPFER: Sacred Music (Review by Martin Anderson)
countertenor(FEATURE ARTICLE)
KNÜPFER: Vom Himmel hoch, da komm ich her. Was mine Gott will, das gescheh allzeit. Wenn mein Stündlein vorhanden ist. Ach Herr, strafe mich nicht in deinem Zorn. Quaemadmodum desiderai cervus. Super flumina Babylonis. Jesus Christus, unser Heiland. Die Turteltaube lässt sich hören (Review by Martin Anderson)
ORFF: Carmina Burana (Review by Peter J. Rabinowitz)
PURCELL-BRITTEN: Sweeter than roses (Review by James Miller)
PURCELL: Come Ye Sons of Art. Love’s Goddess Sure (Review by Michael Ullman)
PURCELL: Fairest Isle. Here the deities approve. I attempt from love’s sickness to fly. Sweeter than roses (Review by James Carson)
RUBBRA: A Hymn to the Virgin (Review by James Carson)
SCHELLE: Lobe den Herrn. Wohl den, der den Herren fürchtet Aus der Tiefen. Herr, lehre uns bedenken. Gott, sende dein Licht. Komm, Jesu, komm. Christus, der ist mein Leben. Christus ist des Gesetzes Ende. Von Himmel kam der Engel Schar (Review by Brian Robins)
SCHELLE: Sacred Works (Review by Brian Robins)
TIPPETT: Songs for Ariel (Review by James Carson)
VAUGHAN WILLIAMS: The Woodcutter’s Song (Review by James Carson)
WARLOCK: The Night (Review by James Carson)
