ALBERT: Overture to Esther, op. 8 (Review by Barry Brenesal) | Conductor |
BAINBRIDGE: 4 Primo Levi Settings (Review by Martin Anderson) | Conductor |
BAINBRIDGE: 4 Primo Levi Settings (Review by Martin Anderson) | Want List Performance
(WANT LIST PERFORMANCE) |
BAINBRIDGE: Ad ora incerta (Review by Martin Anderson) | Conductor |
BAINBRIDGE: Ad ora incerta (Review by Martin Anderson) | Want List Performance
(WANT LIST PERFORMANCE) |
BAINTON: Epithamalion. An English Idyll (Review by Michael Carter) | Conductor |
BAX: Cathaleen-ni-Hoolihan (Review by Peter J. Rabinowitz) | Conductor |
BAX: Concertante for 3 Wind Instruments and Orchestra (Review by Peter J. Rabinowitz) | Conductor |
BAX: London Pageant (Review by Peter J. Rabinowitz) | Conductor |
BAX: Nocturnes (Review by Martin Anderson) | Conductor |
BAX: Nocturnes (Review by Peter J. Rabinowitz) | Conductor |
BAX: St. Patrick’s Breastplate (Review by Martin Anderson) | Conductor |
BAX: St. Patrick’s Breastplate (Review by Peter J. Rabinowitz) | Conductor |
BAX: Tamara: Suite (orch. Parlett) (Review by Peter J. Rabinowitz) | Conductor |
BAX: The Morning Watch (Review by Martin Anderson) | Conductor |
BAX: The Morning Watch (Review by Peter J. Rabinowitz) | Conductor |
BAX: To the Name above every Name (Review by Martin Anderson) | Conductor |
BAX: To the Name above every Name (Review by Peter J. Rabinowitz) | Conductor |
BIRTWISTLE: 9 Settings of Lorine Niedecker (Review by Robert Carl) | Conductor |
BIRTWISTLE: An Interrupted Endless Melody. Duets for Storab. Entr’actes and Sappho Fragments (Review by John Story) | Conductor |
BIRTWISTLE: Duets for Storab (Review by Robert Carl) | Conductor |
BIRTWISTLE: Entr’actes and Sappho Fragments (Review by Robert Carl) | Conductor |
BIRTWISTLE: The Woman and the Hare (Review by John Story) | Conductor |
BIRTWISTLE: The Woman and the Hare (Review by Robert Carl) | Conductor |
BIRTWISTLE: The Woman and the Hare (Review by John Story) | Want List Performance
(WANT LIST PERFORMANCE) |
BLISS: A Knot of Riddles (Review by Martin Anderson) | Conductor |
BLISS: Elegiac Sonnet (Review by Martin Anderson) | Conductor |
BORTKIEWICZ: Symphonies: No. 1 in D, op. 52, "From My Homeland;" No. 2 in E♭, op. 55 (Review by Christopher Williams) | Conductor |
BORTKIEWICZ: Symphonies: No. 1 in D, “From My Homeland;” No. 2 in E♭ (Review by Michael Carter) | Conductor
(HALL OF FAME PERFORMANCE) |
BOWEN: Viola Concerto in c (Review by Barry Brenesal) | Conductor |
BOWEN: Viola Concerto in c (Review by Michael Carter) | Conductor |
BOWEN: Viola Concerto in c (Review by Michael Carter) | Want List Performance
(WANT LIST PERFORMANCE) |
CLIFFORD: A Kentish Suite. 5 English Nursery Tunes. Shanagolden. The Casanova Melody (Review by Michael Carter) | Conductor |
COLES: Behind the Lines (Review by Martin Anderson) | Conductor |
COLES: Behind the Lines (Review by Michael Carter) | Conductor |
COLES: Fra Giacomo: scena (Review by Martin Anderson) | Conductor |
COLES: Fra Giacomo: scena (Review by Michael Carter) | Conductor |
COLES: From the Scottish Highlands (Review by Martin Anderson) | Conductor |
COLES: From the Scottish Highlands (Review by Michael Carter) | Conductor |
COLES: Scherzo in a. 4 Verlaine Songs (Review by Martin Anderson) | Conductor |
COLES: Scherzo in a. 4 Verlaine Songs (Review by Michael Carter) | Conductor |
COLES: The Comedy of Errors: Overture (Review by Martin Anderson) | Conductor |
COLES: The Comedy of Errors: Overture (Review by Michael Carter) | Conductor |
DEBUSSY: Rhapsody (Review by Jerry Dubins) | Conductor |
ELGAR: Symphony No. 1 (Review by Peter J. Rabinowitz) | Conductor |
ELGAR: The Kingdom: Prelude (Review by Peter J. Rabinowitz) | Conductor |
FINZI: Let Us Garlands Bring, op. 18 (Review by Martin Anderson) | Conductor |
FORSYTH: Viola Concerto in g (Review by Barry Brenesal) | Conductor |
FORSYTH: Viola Concerto in g (Review by Michael Carter) | Conductor |
FORSYTH: Viola Concerto in g (Review by Michael Carter) | Want List Performance
(WANT LIST PERFORMANCE) |
FUCHS: Piano Concerto (Review by Peter J. Rabinowitz) | Conductor |
FUJIKURA: Fifth Station (Review by Colin Clarke) | Conductor |
GILSON: Andante and Scherzo for Cello and Orchestra (Review by James H. North) | Conductor |
GILSON: La captive: Suite from Act I (Review by James H. North) | Conductor |
GILSON: La mer (Review by James H. North) | Conductor |
GLAZUNOV: Concerto for Alto Saxophone in E♭ (Review by Jerry Dubins) | Conductor |
GLOBOKAR: Der Engel der Geschichte (Review by Peter Burwasser) | Conductor |
GREENWOOD: smear (2005) (Review by Colin Clarke) | Conductor |
GREGSON: Blazon. Clarinet Concerto (Review by Paul A. Snook) | Conductor |
GREGSON: Stepping Out (Review by Paul A. Snook) | Conductor |
GREGSON: Violin Concerto (Review by Paul A. Snook) | Conductor |
GURNEY: 4 Shakespeare Songs (orch. Finzi) (Review by Martin Anderson) | Conductor |
GURNEY: By a Bierside (orch. Howells) (Review by Martin Anderson) | Conductor |
GURNEY: In Flanders (orch. Howells) (Review by Martin Anderson) | Conductor |
HAYES: Dark Room (Review by Colin Clarke) | Conductor |
HOLBROOKE: Piano Concerto No. 1, "The Song of Gwyn ap Nudd" (Review by Paul A. Snook) | Conductor |
HOLLOWAY: Fantasy-Pieces on the Heine Liederkreis of Schumann. Serenade in C (Review by David Denton) | Conductor |
HUBAY: Variations sur un thème hungrois, op. 72 (Review by Robert Maxham) | Conductor |
HUBAY: Violin Concertos: No. 1, “Concerto dramatique”; No. 2. Suite for Violin and Orchestra, op. 5 (Review by Robert Maxham) | Conductor |
HUBAY: Violin Concertos: No. 3 in g, op. 99; No. 4 in a, op. 101, “All’antica” (Review by Robert Maxham) | Conductor |
HUSS: Piano Concerto in B (Review by David Johnson) | Conductor |
HUSS: Piano Concerto in B (Review by Peter J. Rabinowitz) | Conductor |
IBERT: Concertino da camera (Review by Jerry Dubins) | Conductor |
KARAMESSINI: Song of Dionysus (Review by Jerry Dubins) | Conductor |
KARŁOWICZ: Violin Concerto in A, op. 8 (Review by Barry Brenesal) | Conductor |
KARŁOWICZ: Violin Concerto in A, op. 8 (Review by Robert Maxham) | Conductor |
KARŁOWICZ: Violin Concerto in A, op. 8 (Review by Martin Anderson) | Conductor |
KIEL: Piano Concerto (Review by Peter J. Rabinowitz) | Conductor |
KORNGOLD: Die Kathrin (Review by James H. North) | Conductor |
KORNGOLD: Die Kathrin (Review by Lawrence A. Johnson) | Conductor |
KORNGOLD: Die Kathrin (Review by Lawrence A. Johnson) | Want List Performance
(WANT LIST PERFORMANCE) |
LAMOND: From the Scottish Highlands, op. 4 (Review by Michael Carter) | Conductor |
LAMOND: From the Scottish Highlands, op. 4 (Review by Martin Anderson) | Conductor |
LAMOND: Sword Dance (Review by Michael Carter) | Conductor |
LAMOND: Sword Dance (Review by Barry Brenesal) | Conductor |
LAMOND: Sword Dance (Review by Martin Anderson) | Conductor |
LAMOND: Symphony in A, op. 3; Ouvertüre aus dem Schottischen Hochlande, op. 4 (Review by Barry Brenesal) | Conductor |
LAMOND: Symphony in a, op. 3 (Review by Michael Carter) | Conductor |
LAMOND: Symphony in a, op. 3 (Review by Martin Anderson) | Conductor |
LYAPUNOV: Piano Concertos: No. 1 in e♭; No. 2 in E (Review by Peter J. Rabinowitz) | Conductor |
LYAPUNOV: Rhapsody on Ukrainian Themes (Review by Peter J. Rabinowitz) | Conductor |
MACDOWELL: Piano Concertos: No. 1 in a, No. 2 in d (Review by Peter J. Rabinowitz) | Conductor |
MACDOWELL: Second Modern Suite (Review by Peter J. Rabinowitz) | Conductor |
MACKENZIE: Scottish Concerto (Review by Ian Lace) | Conductor |
MACKENZIE: Scottish Concerto, op. 55 (Review by David Johnson) | Conductor |
MACMILLAN: Raising Sparks (Review by John Story) | Conductor |
MILHAUD: Scaramouche (Review by Jerry Dubins) | Conductor |
MOSZKOWSKI: Ballade in g, op. 16/1 (Review by Barry Brenesal) | Conductor |
MOSZKOWSKI: Ballade in g, op. 16/1 (Review by Robert Maxham) | Conductor |
MOSZKOWSKI: Ballade in g, op. 16/1 (Review by Martin Anderson) | Conductor |
MOSZKOWSKI: Violin Concerto in C, op. 30 (Review by Barry Brenesal) | Conductor |
MOSZKOWSKI: Violin Concerto in C, op. 30 (Review by Robert Maxham) | Conductor |
MOSZKOWSKI: Violin Concerto in C, op. 30 (Review by Martin Anderson) | Conductor |
MOTTA, VIANNA DA: Baîîada (Review by Lawrence A. Johnson) | Conductor |
MOTTA, VIANNA DA: Fantasia Dramatica (Review by Lawrence A. Johnson) | Conductor |
MOTTA, VIANNA DA: Piano Concerto in A. Fantasia Dramática. Ballada (Review by Martin Anderson) | Conductor |
MOTTA, VIANNA DA: Piano Concerto (Review by Lawrence A. Johnson) | Conductor |
PARRY: The North Wind. The Soldier’s Tent (Review by Martin Anderson) | Conductor |
PICKARD: Channel Firing (Review by Lynn René Bayley) | Conductor |
PICKARD: The Flight of Icarus. The Spindle of Necessity (Review by Lynn René Bayley) | Conductor |
PICKARD: The Flight of Icarus. The Spindle of Necessity. Channel Firing (Review by Martin Anderson) | Want List Performance
(WANT LIST PERFORMANCE) |
SAINT-SAËNS: Violin Concertos: No. 1; No. 2; No. 3 (Review by David K. Nelson) | Conductor |
SAINT-SAËNS: Violin Concertos: No. 1; No. 2; No. 3 (Review by Ian Lace) | Conductor |
SAWER: From Morning to Midnight: Suite (Review by Colin Clarke) | Conductor |
SAWER: The Memory of Water (Review by Colin Clarke) | Conductor |
SAWER: the greatest happiness principle (Review by Colin Clarke) | Conductor |
SCHELLING: Suite Fantastique (Review by David Johnson) | Conductor |
SCHELLING: Suite Fantastique (Review by Peter J. Rabinowitz) | Conductor |
SCHUMANN: Liederkreis (Review by David Denton) | Conductor |
SCOTT: Aubade. 3 Symphonic Dances (Review by Barry Brenesal) | Conductor |
SCOTT: Aubade. 3 Symphonic Dances (Review by Paul A. Snook) | Conductor |
SCOTT: Cello Concerto. Symphony No. 1 (Review by Paul A. Snook) | Conductor |
SCOTT: Festival Overture (Review by Paul A. Snook) | Conductor |
SCOTT: Festival Overture. Violin Concerto (Review by Barry Brenesal) | Conductor |
SCOTT: Neptune (Review by Paul A. Snook) | Conductor |
SCOTT: Piano Concerto No. 2 (Review by Paul A. Snook) | Conductor |
SCOTT: Symphony No. 3, “The Muses” (Review by Paul A. Snook) | Conductor |
SCOTT: Violin Concerto (Review by Paul A. Snook) | Conductor |
STANFORD: 2 Songs of Faith, op. 97/4. op 97/5 (Review by Martin Anderson) | Conductor |
STANFORD: Chieftain of Tyrconnell (Review by Martin Anderson) | Conductor |
STANFORD: Prince Madoc’s Farewell. The Fairy Lough, op. 77/2 (Review by Martin Anderson) | Conductor |
STANFORD: Violin Concerto No. 1 in D. Suite for Violin and Orchestra (Review by Bernard Jacobson) | Conductor |
STOJOWSKI: Piano Concerto No. 1 in f♯, op. 3. Piano Concerto No. 2 in A♭, op. 32 (Review by Barry Brenesal) | Conductor |
TAYLOR: Conflict and Consolation (Review by Phillip Scott) | Conductor |
TAYLOR: Conflict and Consolation (Review by Phillip Scott) | Want List Performance
(WANT LIST PERFORMANCE) |
TAYLOR: Piano Trio. String Quartet No. 3 (Review by Phillip Scott) | Conductor |
TAYLOR: Piano trio. String Quartet No. 3 (Review by Phillip Scott) | Want List Performance
(WANT LIST PERFORMANCE) |
TIPPETT: Fantasia on a Theme of Handel (Review by Colin Anderson) | Conductor
(FEATURE ARTICLE) |
TIPPETT: Piano Sonatas: Nos. 1–4. Piano Concerto (Review by Colin Anderson) | Conductor
(FEATURE ARTICLE) |
TOVEY: Piano Concerto in A (Review by Ian Lace) | Conductor |
TOVEY: Piano Concerto in A, op. 15 (Review by David Johnson) | Conductor |
VILLA-LOBOS: Fantasia (Review by Jerry Dubins) | Conductor |
WALLACE: Creation Symphony. Prelude to The Eumenides. Pelléas and Mélisande Suite (Review by Martin Anderson) | Conductor |
WALLACE: Creation Symphony. Prelude to The Eumenides. Pelléas and Mélisande Suite (Review by Lawrence A. Johnson) | Conductor |
WARLOCK: Songs: Sleep. A Sad Song. The Fairest May. My Lady Is a Pretty One. My Little Sweet Darling. Mourn No Moe. Take, O Take Those Lips Away. My Gostly Fader. Chopcherry (Review by Adrian Corleonis) | Conductor |
WARLOCK: The Curlew. Capriol— Suite for String Orchestra. Serenade for String Orchestra. Songs for Tenor and String Quartet (Review by Adrian Corleonis) | Conductor |
WOOD: Piano Concerto in d (Review by Paul A. Snook) | Conductor |
d’ALBERT: Esther: Overture (Review by Michael Carter) | Conductor |
d’ALBERT: Esther: Overture, op. 8 (Review by Martin Anderson) | Conductor |
