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ANCHIETA: Con amores, la mi madre (Review by Raymond Beegle)
countertenor
ARLEN: My Shining Hour (Review by Raymond Beegle)
BACH-GOUNOD: Ave Maria (Review by Raymond Beegle)
BEETHOVEN: Adelaide (Review by David Denton)
BELLINI: Vaga luna, che inargenti. Malinconia, ninfa gentile. Ma rendi pur contento (Review by Raymond Beegle)
BERLIOZ: Les nuits d’été (Review by Adrian Corleonis)
alto
BERNSTEIN: Mass: A Simple Song (Review by Raymond Beegle)
BERNSTEIN: So Pretty (Review by Raymond Beegle)
BRITTEN: A Midsummer Night’s Dream (Review by Michael Fine)
Oberon
BRITTEN: Canticles I-V: My Beloved Is Mine and I Am His; Abraham and Isaac (Review by Bernard Jacobson)
countertenor(FEATURE ARTICLE)
BRITTEN: Canticles I-V: The Journey of the Magi (Review by Bernard Jacobson)
BRITTEN: Folk-song Arrangements: O Waly, Waly (Review by Bernard Jacobson)
BRITTEN: Folk-song Arrangements: There’s None to Soothe (Review by Bernard Jacobson)
CALDARA: Selve amiche, ombrose piante (Review by David Denton)
CESTI: I casti amori d'Orontea: I casti amori d’Orontea: Intorno all’idol mio (Review by David Denton)
DOWLAND: Come againe, sweet love. Flow, my teares (Review by Raymond Beegle)
FAURÉ: Clair de lune, op. 46/2 (arr. Shohat) (Review by Adrian Corleonis)
FOSTER: Beautiful dreamer (Review by Raymond Beegle)
GLUCK: Paride ed Elena: O del mio dolce ardour (Review by David Denton)
GLUCK: Telemaco: Se per entro alla nera foresta. Orfeo ed Euridice: Ahimè! Dove trascorsi? . . . Che farò senza Euridice? Che puro ciel (Review by Bernard Jacobson)
GOUNOD: L’Absent. Où voulez-vous aller? Absence. Sérénade (Review by David Denton)
HANDEL, BACH (Stephanie Blythe) (Review by Bernard Jacobson)
HANDEL: Ariodante: E vivo ancora (Review by Bernard Jacobson)
HANDEL: Beishazzar: Destructive War; Oh sacred oracles of Truth (Review by Bernard Jacobson)
HANDEL: Giulio Cesare in Egitto: Va tacito e nascosto; Al lampo dell’ armi; Dall’ ondoso periglio . . . Aure, deh, per pietà; Cara speme; L’angue offeso (Review by Bernard Jacobson)
HANDEL: Giulio Cesare: Al lampo; Aure, deh, per pieta; Priva son d’ogni conforto; Son nata a lagrimar (Review by Brian Robins)
HANDEL: Hercules (Review by Bernard Jacobson)
Lichas
HANDEL: Hercules, HWV 60 (Review by Brian Robins)
HANDEL: Joshua: Up the dreadful steep ascending; Dull delay (Review by Bernard Jacobson)
HANDEL: Messiah: He was despised (Review by Bernard Jacobson)
HANDEL: Operatic Arias (Review by Bernard Jacobson)
HANDEL: Oratorio Arias (Review by Bernard Jacobson)
HANDEL: Rinaldo (Review by Bernard Jacobson)
Rinaldo
HANDEL: Rinaldo (Review by Brian Robins)
HANDEL: Rinaldo: Cara sposa, amante care; Venti, turbini (Review by Bernard Jacobson)
HANDEL: Rodelinda: Pompe vane di morte . . . Dove sei, amato bene?; Vivi, tiranno (Review by Bernard Jacobson)
HANDEL: Saul: Brave Jonathan; O Lord, whose mercies numberless (Review by Bernard Jacobson)
HANDEL: Scherza infida (Review by Bernard Jacobson)
HANDEL: Semele: Despair no more shall wound me; Your tuneful voice (Review by Bernard Jacobson)
HANDEL: Serse: Frondi tenere . . . Ombra mai fu (Review by Bernard Jacobson)
HANDEL: Tamerlano: A dispetto (Review by Bernard Jacobson)
HANDEL: Theodora (Review by Bernard Jacobson)
Didymus
HANDEL: Theodora: The raptured soul; Deeds of kindness; Kind Heaven; Sweet rose and lily (Review by Bernard Jacobson)
HANDEL: Tolomeo: Inumano f ratei. . . Stille amare. Partenope: Rosmira, oh Dio!. . . Sento amor. Ch’io parta? Furibondo spira il vento (Review by Bernard Jacobson)
KANDER: A Quiet Thing (Review by Raymond Beegle)
LOTTI: Pur dicesti, o bocca bella (Review by David Denton)
MARTINI: Plaisir d’amour (Review by Raymond Beegle)
MENA: A la caza (Review by Raymond Beegle)
MOZART: Ascanio in Alba: Ah di sì nobil alma (Review by Bernard Jacobson)
MOZART: Mitridate, re di Ponto: Venga pur, minacci e frema; Vadasi—O ciel. . . Già dagli occhi. Ombra felice!.. . lo ti lascio, K 255 (Review by Bernard Jacobson)
POULENC: C'est ainsi que tu es. Priez pour paix. Chansons gaillardes: C’est ainsi que tu es. Priez pour paix. Chansons gaillardes: La belle jeunesse (Review by David Denton)
PURCELL: Dido and Aeneas (Review by Brian Robins)
Spirit
PURCELL: Dido and Aeneas (Review by Michael Ullman)
PURCELL: Evening Hymn (Review by David Denton)
PURCELL: OEDIPUS: Music for a while (Review by Raymond Beegle)
PURCELL: Sweeter than roses. A Fool's Preferment: Sweeter than roses. A Fool’s Preferment: I’ll sail upon the Dog-Star (Review by David Denton)
RAVEL: 5 Mélodies populaires grecques (Review by Adrian Corleonis)
SCARLATTI, A.: Cantatas, Vol. 2 (Review by David Johnson)
SCARLATTI, A.: Il rosignolo (first setting) (Review by David Johnson)
SCARLATTI, A.: Infirmata, vulnerata—Motet (Review by David Johnson)
SCARLATTI, A.: Ombre tacite e sole. Il genio di Mitilde. Perche tacete, regolati concenti? O pace del mio cor (first setting) (Review by David Johnson)
SCHUBERT: Ave Maria (Review by Raymond Beegle)
SCHUBERT: Der Tod und das Mädchen. Auf dem Wasser zu singen. Nacht und Träume. Adelaide (Review by David Denton)
TORRE: Pámpano verde (Review by Raymond Beegle)
TRADITIONAL: Shenandoah (Review by Raymond Beegle)
VAUGHAN WILLIAMS: 4 Last Songs: Hands, eyes and heart (Review by David Denton)
VAUGHAN WILLIAMS: Orpheus with his lute. Linden Lea (Review by David Denton)
VIVALDI: Bajazet, RV 703 (Review by Brian Robins)
Tamerlano
VIVALDI: Bajezet (Review by John Story)
Tamerlano(FEATURE ARTICLE)
VIVALDI: Nisi Dominus, RV 608 So (Review by Brian Robins)
VIVALDI: Stabat Mater, RV 621 (Review by Brian Robins)
WILDER: Blackberry Winter (Review by Raymond Beegle)
