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: Arias from: Werther, Les Contes ď Hoffmann, La Fille du Régiment, Romeo et Juliette, Dom Sebastien, Manon, La Favorite, Don Carlos, Faust, Les Huguenots, Guillaume Tell (Review by George Jellinek)
Conductor
BACH-ELGAR: Fantasia and Fugue in c (Review by Peter J. Rabinowitz)
BAX: Tintagel (Review by James Carson)
BRITTEN: Sinfonia da Requiem (Review by Richard Burke)
DEBUSSY: 12 Preludes: Bk. 1/7, 12, 4, 11, 3, 8; Bk. 2/1, 10, 3, 2, 6, 11 (orch. Matthews) (Review by Tom Godell)
DEBUSSY: Jeux (Review by Richard Burke)
DEBUSSY: La mer (Review by Tom Godell)
DELIUS: On hearing the first cuckoo in spring. Summer Night on the River (Review by James Carson)
DONIZETTI: Dom Sébastien (Review by Barry Brenesal)
DONIZETTI: Dom Sébastien, roi de Portugal (Review by Joel Kasow)
DONIZETTI: Imelda de’Lambertazzi (Review by Joel Kasow)
ELGAR: As torrents in summer (Review by James Carson)
ELGAR: Cello Concerto (Review by Bernard Jacobson)
ELGAR: Chanson de matin (Review by Bernard Jacobson)
ELGAR: Falstaff. Romance (Review by Bernard Jacobson)
ELGAR: Froissart Overture. Dream Children. The Music Makers (Review by Peter J. Rabinowitz)
ELGAR: In Moonlight—Canto popolare (Review by Bernard Jacobson)
piano
ELGAR: In the South, “Alassio” (Review by Bernard Jacobson)
ELGAR: Introduction and Allegro for Strings (Review by Bernard Jacobson)
ELGAR: Serenade for Strings. Cockaigne, “In London Town” (Review by Bernard Jacobson)
ELGAR: Smoking Cantata (Review by Bernard Jacobson)
ELGAR: Symphony No. 1 (Review by Bernard Jacobson)
ELGAR: Symphony No. 2 (Review by Bernard Jacobson)
ELGAR: Variations on an Original Theme, “Enigma” (revised and original finales) (Review by Bernard Jacobson)
FINZI: The Fall of the Leaf (Review by James Carson)
HOLST: The Planets (Review by Peter J. Rabinowitz)
HOLST: The Planets. Lyric Movement (Review by James Miller)
IRELAND: The Hills (Review by James Carson)
MATTHEWS: Pluto—The Renewer (Review by James Miller)
NIELSEN: Aladdin: Entrance March (Review by Bernard Jacobson)
NIELSEN: Symphony No. 5. Flute Concerto (Review by Bernard Jacobson)
ROBERTO ALAGNA–NESSUN DORMA (Roberto Alagna) (Review by Marc Mandel)
SHOSTAKOVICH: Hamlet: Incidental music (Review by Barry Brenesal)
SHOSTAKOVICH: King Lear: Incidental music (Review by Barry Brenesal)
STRAUSS: Don Juan. Macbeth. Die Heiligen drei Konige. Waldseligkeit. Wiegenlied. Morgen! Das Rosenband. Meinem Kinde. Befreit (Review by Jeffrey J. Lipscomb)
STRAUSS: Songs of a Fairy-Tale Princess (Review by Richard Burke)
STRAVINSKY: Scherzo fantastique (Review by Peter J. Rabinowitz)
VAUGHAN WILLIAMS: Norfolk Rhapsody No. 1 (Review by James Carson)
VAUGHAN WILLIAMS: The Lark Ascending (Review by James Carson)
VAUGHAN WILLIAMS: The Wasps (Review by Peter J. Rabinowitz)
VERDI Otello (Mark Elder) (Review by Henry Fogel)
VERDI: Rigoletto (Review by James Camner)
VERDI: THE PURSUIT OF POWER & THE BURDEN OF SUCCESS (Mark Elder) (Review by Evan Dickerson)
narrator
WAGNER: Die Meistersinger: Preludes to Act 1 and 3 (Review by James Miller)
WAGNER: Parsifal: Prelude and Good Friday Spell (Review by James Miller)
WAGNER: The Flying Dutchman: Overture (Review by James Miller)
WAGNER: Tristan and Isolde: Prelude and Love Death (Review by James Miller)
