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BAX: Tintagel (Review by Raymond Tuttle)
Conductor
BAX: Tintagel (Review by James Miller)
BEETHOVEN-MATIEGKA: Serenade, op. 82 (Review by John W. Lambert)
guitar
BRITTEN: Peter Grimes: 4 Sea Interludes (Review by Raymond Tuttle)
BRITTEN: Peter Grimes: 4 Sea Interludes (Review by James Miller)
BRITTEN: The Young Person’s Guide to the Orchestra (Review by James Miller)
DEBUSSY: 3 Nocturnes: Fêtes (Review by Adrian Corleonis)
DEBUSSY: Prélude à l’après-midi d’un faune (Review by Adrian Corleonis)
GLAZUNOV: The Sea (Review by Raymond Tuttle)
GLAZUNOV: The Sea (Review by James Miller)
IBERT: Escales (Review by Raymond Tuttle)
IBERT: Escales (Review by James Miller)
KREUTZER: Grand Trio, op. 162 (Review by John W. Lambert)
MARTINŮ: Frescoes of Piero della Francesca (Review by William Zagorski)
MATIEGKA-SCHUBERT-FALLETTA: Quartetl (Review by John W. Lambert)
MENDELSSOHN: Beautiful Melusine (Review by Raymond Tuttle)
MENDELSSOHN: Beautiful Melusine (Review by James Miller)
MUSSORGSKY-RAVEL: Pictures at an Exhibition (Review by William Zagorski)
POULENC: Babar the Elephant (Review by Andrew Quint)
POULENC: Concerto for Two Pianos and Orchestra (Review by Andrew Quint)
PROKOFIEV: Peter and the Wolf—A Special Report (Review by James Miller)
RAVEL: La valse. Pavane pour une infante défunte (Review by Adrian Corleonis)
RAVEL: Mother Goose: Suite (Review by Andrew Quint)
RESPIGHI: Trittico hotticelliano (Review by William Zagorski)
ROUSSEL: Bacchus et Ariane: Suite No. 2 (Review by Adrian Corleonis)
SAINT-SAËNS: The Carnival of the Animals (Review by James Miller)
SATIE: Gymnopédie No. 3 (Review by Adrian Corleonis)
