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: Excerpts from: Arabella (Review by Marc Mandel)
soprano
: Excerpts from: Capriccio (Review by Marc Mandel)
: Excerpts from: Der Rosenkavalier (Review by Marc Mandel)
ADAM: Cantique de Noel (Review by Henry Fogel)
BACH: Orchestral Suite No. 4: Réjouissance (Review by Henry Fogel)
BELLINI: Il pirata: Introduzione; Oh, s’io potessi dissipar le nubi; Col sorriso d’innocenza; Oh! Sole! Ti vela di tenebre oscure (Review by James Camner)
BELLINI: La sonnambula, II pirata: Excerpts (Review by Marc Mandel)
BELLINI: La sonnambula: Ah, se una volta sola; Ah, non credea mirarti; Ah, non giunge uman pensiero (Review by James Camner)
BERG: 7 Early Songs (Review by Christopher Abbot)
BERLIOZ: L’Enfance du Christ: L’Adieu des bergers (Review by Henry Fogel)
BERNSTEIH: West Side Story: Prologue; Tonight; Rumble; Somewhere (Review by James Miller)
BERNSTEIN: Mass: A Simple Song (Review by Henry Fogel)
BETWEEN TWO WORLDS (Dave Grusin) (Review by Raymond Tuttle)
DEBUSSY: Beau soir. Mandoline. Apparitin (Review by Marc Mandel)
DEBUSSY: Chansons de Bilitis (Review by Marc Mandel)
DONIZETTI: Lucrezia Borgia: M’odi, ah m’odi, io non imploro; Figlio, figlio! Ola, qualcuno!; Era desso il figlio mio (Review by James Camner)
DONIZETTI: Maria Padilla, Lucrezia Borgia: Excerpts (Review by Marc Mandel)
DONIZETTI: Maria Padilla: Abbraciami; Il più tenero suon d’arpa morende; Ah non sai qual prestigio si cela (Review by James Camner)
DONIZETTI: Rosmonda d'Inghilterra: Rosmonda d’Inghilterra: Excerpts (Review by Joel Kasow)
Rosmonda
DVOŘÁK: Rusalka (Review by James H. North)
Rusalka
ELLINGTON: In a sentimental mood. Do nothing till you hear from me. Prelude to a kiss (Review by James Miller)
FAURÉ: Clair de lune. Mandoline. Après un rêve. Soir. Nell (Review by Marc Mandel)
FAURÉ: Dolly Suite: Berceuse (Review by Henry Fogel)
FRANCK: Panis angelicus (Review by Henry Fogel)
GARDEL: El dia que me quieras (Review by James Miller)
GOUNOD: Faust: Ô nuit d’amour (Review by James Miller)
GRUBER: Silent Night (Review by Henry Fogel)
HAMMERSCMIDT: Machet die Tore weit (Review by Henry Fogel)
HANDEL: Agrippina: Pensieri, voi mi tormentate; Bel piacere è godere fido amor! Alexander Balus: Calm thou my soul . . . Convey me to some peaceful shore (Review by Bernard Jacobson)
HANDEL: Alcina (Review by Bernard Jacobson)
Alcina
HANDEL: Alcina (Review by Brian Robins)
HANDEL: Giulio Cesare: V’adoro, pupille; Da tempeste il legno infranto (Review by Bernard Jacobson)
HANDEL: Lotario: Sommo rettor del cielo . . . D’una torbida sorgente (Review by Bernard Jacobson)
HANDEL: Messiah: Rejoice greatly (Review by Henry Fogel)
HANDEL: Oratorio Airs and Opera Arias (Review by Bernard Jacobson)
HANDEL: Orlando: Quando spieghi i tuoi tormenti (Review by Bernard Jacobson)
HANDEL: Rodelinda: Ritorna, o caro e dolce mio tesoro (Review by Bernard Jacobson)
HANDEL: Samson: To fleeting pleasures make your court; Let the bright Seraphim Rinaldo: Lascia ch’io pianga; Dunque, i lacci d’un volto . . . Ah! crudel (Review by Bernard Jacobson)
HANDEL: Scipione: Scoglio d’immota fronte (Review by Bernard Jacobson)
HANDEL: Semele: O sleep, why dost thou leave me?; Endless pleasure (Review by Bernard Jacobson)
HANDEL: Serse: Ombra mai fù (Review by Bernard Jacobson)
HANDEL: Water Music: Hornpipe (Review by Henry Fogel)
HODKINSON: MacCOMBIE Leaden Echo, Golden Echo (Review by Robert Kirzinger)
HUMPERDINCK: Hansel and Gretel: Prayer (Review by Henry Fogel)
ISRAEL: In Praise of Practically Nothing (Review by John Story)
LEVINSON: in dark (Review by John Story)
LÉHAR: The Land of Smiles: Dein ist mein ganzes Herz. The Merry Widow: Lippen schweigen (Review by James Miller)
MAHLER: Symphony No. 4 (Review by Christopher Abbot)
MARX: Nachtgebet. Selige Nacht Pierrot Dandy (Review by Marc Mandel)
MARX: Nocturne (Review by Marc Mandel)
MASSENET: MANON (Review by David L. Kirk)
Manon
MASSENET: Manon (Review by James Camner)
Manon Lescaut
MASSENET: Manon (Review by Marc Mandel)
MASSENET: Thais (Review by Joel Kasow)
Thaïs
MENDELSSOHN: Elijah (Review by James Miller)
MOZART: Don Giovanni (Review by Ralph V. Lucano)
Anna
MOZART: Mass in c: Laudamus te (Review by Henry Fogel)
NOON: 6 Chansons, op. 32 (Review by John Story)
OCHS: Dank sei dir, Herr (Review by Henry Fogel)
PREVIN: 3 Dickinson Songs (Review by John Story)
PREVIN: A Streetcar Named Desire (Review by Marc Mandel)
Blanche DuBois
PREVIN: The Giraffes Go To Hamburg (Review by John Story)
RACHMANINOFF: It is beautiful here. In the silence of the mysterious night. The waterlily. Sleep. These summer nights. Oh, do not sing to me (Review by Marc Mandel)
REGER: Wiegenlied (Review by Henry Fogel)
RENEE FLEMING: SIGNATURES—GREAT OPERA SCENES (Renée Fleming) (Review by Marc Mandel)
RENÉE & BRYN–UNDER THE STARS (Renée Fleming) (Review by Joel Kasow)
RENÉE FLEMING (Renée Fleming) (Review by Marc Mandel)
RENÉE FLEMING: I WANT MAGIC!—American Opera Arias (Renée Fleming) (Review by Marc Mandel)
RENÉE FLEMING: THE BEAUTIFUL VOICE (Renée Fleming) (Review by Marc Mandel)
ROSSINI: Armida: D’amor al dolce impero; Gli augei tra fronde e fronde; La fresca età sen fugge; Ah sì, godete (Review by James Camner)
ROSSINI: Semiramide, Armida: Excerpts (Review by Marc Mandel)
ROSSINI: Semiramide: Introduzione; Bel raggio lusinghier; Dolce pensiero di quell’istante (Review by James Camner)
SCHUBERT: Ave Maria (Review by Henry Fogel)
SHORE: The Lord of the Rings: The Return of the King (Review by Arthur Lintgen)
STERN: Blood and Milk (Review by John Story)
STERN: Songs (Review by John Story)
STRAUSS: Arabella (Review by Arthur Lintgen)
Arabella
STRAUSS: Cäcilie (Review by Marc Mandel)
STRAUSS: Daphne (Review by Richard A. Kaplan)
Daphne
STRAUSS: Daphne (Review by John Story)
STRAUSS: Der Rosenkavalier: Orchestral Suite (Review by Marc Mandel)
STRAUSS: Four Last Songs. Orchestral Songs: Befreit. Muttertändelei. Wiegenlied. Waldseligkeit. Cäcilie (Review by Marc Mandel)
STRAUSS: Leises Lied. Leise Lieder (Review by Marc Mandel)
STRAUSS: Ruhe, meine Seele! Schlechtes Wetter (Review by Marc Mandel)
TCHAIKOVSKY: Eugene Onegin (Review by Lynn René Bayley)
Tatiana
THE OPERA RARA COLLECTION (Renée Fleming) (Review by David Johnson)
TORROBA, MORENO: Quisiera verte y no verte! Jota castellana (Review by James Miller)
TRADITIONAL: Adeste fideles. The Holly and the Ivy (Review by Henry Fogel)
VERDI: Otello: Già nella notte densa (Review by James Miller)