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: Music from: Welcome the Queen; Things to Come; The Royal Palaces; Caesar and Cleopatra; War in the Air (Review by Raymond Tuttle)
Conductor
ADDINSELL: Blithe Spirit: Prelude and Waltz (Review by Paul A. Snook)
ADDINSELL: Dangerous Moonlight: Warsaw Concerto (Review by Paul A. Snook)
ADDINSELL: Goodbye Mr. Chips: Suite (Review by Paul A. Snook)
ADDINSELL: Love on the Dole: Suite (Review by Paul A. Snook)
ADDINSELL: Out of the Clouds: The Flame Tango (Review by Paul A. Snook)
ADDINSELL: Scrooge: Suite (Review by Paul A. Snook)
ADDINSELL: The Admirable Crichton: Polka, Galop, and Waltz (Review by Paul A. Snook)
ADDINSELL: The Black Rose: Suite (Review by Paul A. Snook)
ADDINSELL: Tom Brown’s Schooldays: Overture (Review by Paul A. Snook)
ADDISON: Film music excerpts from: I Was Monty’s Double. Centennial. Swashbuckler. A Bridge Too Far. The Maggie. Reach for the Sky. Strange Invaders. The Man Between. Tom Jones. The Charge of the Light Brigade. Brandy for the Parson. Torn Curtain. Touch and Go. Sleuth. Carlton-Browne of the F.O. Murder, She Wrote (Review by Paul A. Snook)
ALWYN: A Night to Remember: Main Title (Review by Raymond Tuttle)
ALWYN: Cure for Love: Waltz (Review by Paul A. Snook)
ALWYN: Desert Victory: Suite (Review by Paul A. Snook)
ALWYN: Desert Victory: Suite (Review by Martin Anderson)
ALWYN: Desert Victory: Suite (Review by Raymond Tuttle)
ALWYN: Geordie: Suite (Review by Arthur Lintgen)
ALWYN: Geordie: Suite (Review by Paul A. Snook)
ALWYN: Green Girdle. Take My Life: Aria (Review by Raymond Tuttle)
ALWYN: In Search of Castaways: Ship’s Waltz and Rumba (Review by Raymond Tuttle)
ALWYN: In Search of the Castaways: Excerpt (Review by Paul A. Snook)
ALWYN: In Search of the Castaways: Excerpt (Review by Martin Anderson)
ALWYN: Libera me (Review by Paul A. Snook)
ALWYN: Libera me (Review by Martin Anderson)
ALWYN: Main Title (Review by Paul A. Snook)
ALWYN: Main Title (Review by Martin Anderson)
ALWYN: Penn of Pennsylvania: Suite (Review by Arthur Lintgen)
ALWYN: Penn of Pennsylvania: Suite (Review by Paul A. Snook)
ALWYN: State Secret: Suite (Review by Paul A. Snook)
ALWYN: State Secret: Suite (Review by Martin Anderson)
ALWYN: State Secret: Suite (Review by Raymond Tuttle)
ALWYN: Svengali: Libera Me (Review by Raymond Tuttle)
ALWYN: Swiss Family Robinson: Suite (Review by Arthur Lintgen)
ALWYN: Swiss Family Robinson: Suite (Review by Paul A. Snook)
ALWYN: The Card: Suite (Review by Paul A. Snook)
ALWYN: The Card: Suite (Review by Martin Anderson)
ALWYN: The Card: Suite (Review by Raymond Tuttle)
ALWYN: The Crimson Pirate. Green Girdle. Take My Life} A Night to Remember (Review by Paul A. Snook)
ALWYN: The Crimson Pirate. Green Girdle. Take My Life} A Night to Remember (Review by Martin Anderson)
ALWYN: The Crimson Pirate: Overture (Review by Raymond Tuttle)
ALWYN: The Cure for Love: Waltz (Review by Arthur Lintgen)
ALWYN: The Magic Box: Suite (Review by Arthur Lintgen)
ALWYN: The Magic Box: Suite (Review by Paul A. Snook)
ALWYN: The Million Pound Note: Waltz (Review by Arthur Lintgen)
ALWYN: The Million Pound Note: Waltz (Review by Paul A. Snook)
ALWYN: The Rocking Horse Winner: The Ride (Review by Arthur Lintgen)
ALWYN: The Rocking Horse Winner: The Ride (Review by Paul A. Snook)
ALWYN: The Running Man: Suite (Review by Arthur Lintgen)
ALWYN: The Running Man: Suite (Review by Paul A. Snook)
ALWYN: The True Glory: March (Review by Arthur Lintgen)
ALWYN: The True Glory: March (Review by Paul A. Snook)
ALWYN: The Way Ahead: March (Review by Arthur Lintgen)
ALWYN: The Way Ahead: March (Review by Paul A. Snook)
ALWYN: The Winslow Boy: Suite (Review by Paul A. Snook)
ALWYN: The Winslow Boy: Suite (Review by Martin Anderson)
ALWYN: The Winslow Boy: Suite (Review by Raymond Tuttle)
ARNOLD: A Flourish for Orchestra (Review by Michael Carter)
ARNOLD: A Grand, Grand Festival Overture (Review by Michael Carter)
ARNOLD: A Sussex Overture (Review by Michael Carter)
ARNOLD: Anniversary Overture (Review by Michael Carter)
ARNOLD: Beckus the Dandipratt Overture (Review by Michael Carter)
ARNOLD: Overtures: A Grand Grand Overture. Peterloo. The Smoke. Tam o’ Shanter. A Flourish for Orchestra. The Fair Field. A Sussex Overture. Anniversary Overture. Robert Kett. Beckus the Dandipratt (Review by Paul A. Snook)
ARNOLD: Peterloo Overture (Review by Michael Carter)
ARNOLD: Robert Kett Overture (Review by Michael Carter)
ARNOLD: Symphonies: No. 7; No. 8; No. 9. Oboe Concerto (Review by Robert McColley)
ARNOLD: Tam o’ Shanter Overture (Review by Michael Carter)
ARNOLD: The Fair Field (Review by Michael Carter)
ARNOLD: The Smoke (Review by Michael Carter)
AURIC: Film Scores (Review by Martin Anderson)
AURIC: Suites from Caesar and Cleopatra; The Titfield Thunderbolt; Dead of Night; Passport to Pimlico; The Innocents; The Lavender Hill Mob; Moulin rouge; Father Brown; It Always Rains on Sunday. Hue and Cry:Overture (Review by Martin Anderson)
BERNERS: Champagne Charlie: Come On, Algernon (Review by Paul A. Snook)
BERNERS: Champagne Charlie: Polka (arr. Lane) (Review by Paul A. Snook)
BERNERS: Nicholas Nickleby: Suite (arr. Irving) (Review by Paul A. Snook)
BERNERS: The Halfway House: Suite (arr. Lane) (Review by Paul A. Snook)
CHAGRIN: An Inspector Calls: Portrait of Eva (Review by Paul A. Snook)
CHAGRIN: Easy Money: Il basso ostinato (Review by Paul A. Snook)
CHAGRIN: Four Just Men: Excerpts (Review by Paul A. Snook)
CHAGRIN: Greyfriars Bobby: Excerpts (Review by Paul A. Snook)
CHAGRIN: Helter Skelter: Overture (Review by Paul A. Snook)
CHAGRIN: Last Holiday: Excerpts (Review by Paul A. Snook)
CHAGRIN: The Bridge: Yugoslav Sketches (Review by Paul A. Snook)
CHAGRIN: The Colditz Story: Excerpts (Review by Paul A. Snook)
CHAGRIN: The Hoffnung Symphony Orchestra: Excerpts (Review by Paul A. Snook)
CHAGRIN: The Intruder: 4 Orchestral Episodes (Review by Paul A. Snook)
COATES: Cinderella. The Selfish Giant. The Three Bears. Miniature Suite. London (London Everyday) (Review by Raymond Tuttle)
COATES: Cinderella. The Selfish Giant. The Three Bears. Miniature Suite. London Suite. Joyous Youth Suite (Review by Ian Lace)
COATES: Joyous Youth. The Dam Busters (Review by Raymond Tuttle)
COATES: The Dam Busters March (Review by Ian Lace)
GOODWIN: 633 Squadron: Main Theme; Love Theme (Review by Paul A. Snook)
GOODWIN: Battle of Britain: Suite (Review by Paul A. Snook)
GOODWIN: Beauty and the Beast: Love Theme (Review by Paul A. Snook)
GOODWIN: Clash of Loyalties: Suite (Review by Paul A. Snook)
GOODWIN: Deadly Strangers: Main Theme (Review by Paul A. Snook)
GOODWIN: Force Ten from Navarone: Main Theme (Review by Paul A. Snook)
GOODWIN: Frenzy: London Theme (Review by Paul A. Snook)
GOODWIN: Lancelot and Guinevere: Main Theme (Review by Paul A. Snook)
GOODWIN: Miss Marple: Theme (Review by Paul A. Snook)
GOODWIN: Monte Carlo or Bust: Suite (Review by Paul A. Snook)
GOODWIN: Of Human Bondage: Main Theme (Review by Paul A. Snook)
GOODWIN: Operation Crossbow: Main Theme (Review by Paul A. Snook)
GOODWIN: Submarine X-1: Main Theme (Review by Paul A. Snook)
GOODWIN: The Trap: Main Theme (Review by Paul A. Snook)
GOODWIN: Those Magnificent Men in Their Flying Machines: Selection (Review by Paul A. Snook)
GOODWIN: Where Eagles Dare: Main Theme (Review by Paul A. Snook)
GOODWIN: Whirlpool: Main Theme (Review by Paul A. Snook)
KORNGOLD: The Adventures of Robin Hood: Suite (Review by Arthur Lintgen)
KORNGOLD: The Sea Wolf (Review by Arthur Lintgen)
LAMBERT: Anna Karenina: Suite (arr. Lane) (Review by Paul A. Snook)
LAMBERT: Merchant Seamen: Suite (Review by Paul A. Snook)
LANGFORD: Concertino for Trumpet (Review by Paul A. Snook)
LANGFORD: Fanfare and Ceremonial Prelude (Review by Paul A. Snook)
LANGFORD: First Suite of Dances (Review by Paul A. Snook)
LANGFORD: Greenways. Spirit of London (Review by Paul A. Snook)
LANGFORD: Movements for String Orchestra. A Song for All Seasons (Review by Paul A. Snook)
LANGFORD: The Hippodrome Waltz. Colour Suite: Pastorale; March (Review by Paul A. Snook)
PARKER: Blue Pullman (Review by Paul A. Snook)
PARKER: Night of the Demon: Theme (Review by Paul A. Snook)
PARKER: Sink the Bismarck: March (Review by Paul A. Snook)
PARKER: The Blue Lagoon (Review by Paul A. Snook)
PARKER: The Sword and the Rose. Sea of Sand: March (Review by Paul A. Snook)
PARKER: Treasure Island: Suite (Review by Paul A. Snook)
PARKER: Virgin Island: Caribbean Rhapsody (Review by Paul A. Snook)
PARKER: Western Approaches: Seascape (Review by Paul A. Snook)
RAWSTHORNE: Burma Victory: Suite (Review by Paul A. Snook)
RAWSTHORNE: Film Music (Review by Paul A. Snook)
RAWSTHORNE: Lease of Life: Main Titles; Emergency (Review by Paul A. Snook)
RAWSTHORNE: Main Titles (Review by Paul A. Snook)
RAWSTHORNE: Saraband for Dead Lovers: Saraband; Carnival (Review by Paul A. Snook)
RAWSTHORNE: Suite (Review by Paul A. Snook)
RAWSTHORNE: The Captive Heart Suite (Review by Paul A. Snook)
RAWSTHORNE: The Cruel Sea: Main Titles; Nocturne (Review by Paul A. Snook)
RAWSTHORNE: The Dancing Fleece: 3 Dances (Review by Paul A. Snook)
RAWSTHORNE: Uncle Silas: Suite (Review by Paul A. Snook)
RAWSTHORNE: West of Zanzibar (Review by Paul A. Snook)
RAWSTHORNE: Where Vultures Fly (Review by Paul A. Snook)
VAUGHAN WILLIAMS: 49th Parallel (Review by Colin Anderson)
VAUGHAN WILLIAMS: Coastal Command. The People’s Land (Review by James Miller)
VAUGHAN WILLIAMS: Coastal Command. The People’s Land (Review by Steve Holtje)
VAUGHAN WILLIAMS: Scott of the Antarctic (Review by James Miller)
VAUGHAN WILLIAMS: Scott of the Antarctic (Review by Steve Holtje)
VAUGHAN WILLIAMS: The Dim Little Island. The England of Elizabeth (Review by Colin Anderson)
VAUGHAN WILLIAMS: The Story of a Flemish Farm. The Loves of Joanna Godden (ed. Hogger) (Review by Arthur Lintgen)
WILLIAMS-IRVING, VAUGHAN: Bitter Springs (ed. Hogger) (Review by Arthur Lintgen)
WILLIAMSON: Concerto grosso. Sinfonietta (Review by Paul A. Snook)
WILLIAMSON: Epitaphs for Edith Sitwell. Lento for Strings (Review by Paul A. Snook)
WILLIAMSON: Santiago de espada. Our Man in Havana: Suite (Review by Paul A. Snook)
WILLIAMSON: Symphonies: No. 1, “Elevamini”; No. 5, “Aquero” (Review by Paul A. Snook)
d’INDY: La forêt enchantée. Jour d’été à la montagne. Souvenirs (Review by Adrian Corleonis)
