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BACH: Mass in B Minor (Review by Ralph V. Lucano)
soprano
BERLIOZ: Les Nuits d’été. La Captive. La Belle voyageuse. Zaïde. La Mort de Cléopâtre (Review by Adrian Corleonis)
BERLIOZ: L’Enfance du Christ (Review by Adrian Corleonis)
Marie
BERLIOZ: L’Enfance du Christ (Review by Haig Mardirosian)
Want List Performance(WANT LIST PERFORMANCE)
CAMPRA: Le carnaval de Venise: Mes yeux, fermez-vous à jamais (Review by Brian Robins)
CANTELOUBE: Chants de France: Selections (Review by Barry Brenesal)
CANTELOUBE: Chants d’Auvergne: Selections (Review by Barry Brenesal)
CANTELOUBE: Triptyque (Review by Barry Brenesal)
COUPERIN: Leçons de ténèbres. Laetentur coeli (Review by Tom Moore)
COUPERIN: Magnificat (Review by Tom Moore)
COUPERIN: Victoria! Christo resurgenti (Review by Tom Moore)
DEBUSSY: 3 Chansons de Bilitis. Fêtes Galantes I. Nuit d’étoiles. Beau soir. Fleur des blés. La Belle au bois dormant. Noël des enfants qui n’ont plus de maison (Review by Joel Kasow)
FAURÉ: Après un rêve. Sylvie. Au bord de l’eau. Lydia. Le papillon et la fleur. Mandoline. Clair de lune. Les berceaux (Review by Joel Kasow)
GILLES: Beatus quem elegisti (Review by Brian Robins)
GILLES: Requiem (Review by Brian Robins)
GLUCK: Armide: Enfin, il est en ma puissance (Review by Brian Robins)
GLUCK: Iphigénie en Aulide: Dieux puissants . . . Jupiter, lance la foudre (Review by Brian Robins)
HANDEL: Agrippina (Review by Bernard Jacobson)
Agrippina
HANDEL: Ahi, nelle sorte umane, HWV 179; No, di voi non vo’ fidarmi, HWV 189; Caro autor di mia doglia, HWV 182a; Quel fior che all’alba, HWV 192; Conservate, raddoppiate, HWV 185; Tanti strali al sen mi scocchi, HWV 197; Va, speme infida, HWV 199; A mirarvi io son intento, HWV 178; Sono liete, fortunate (Review by Bernard Jacobson)
HANDEL: Arcadian Duets (Review by Bernard Jacobson)
HANDEL: Cantatas: La Lucrezia; Armida abbandonata; Agrippina condotta a morire (Review by Bernard Jacobson)
HANDEL: La Lucrezia. Armida abbandonata. Agrippina condotta a morire (Review by Brian Robins)
JOMMELLI: Armida abbandonata (Review by Brian Robins)
Erminia
LECLAIR: Et toi . . . Noires divinités. Airs des Démons I & II. Brillante fille de Latone (Review by Brian Robins)
LECLAIR: Scylla et Glaucus: Overture (Review by Brian Robins)
LULLY: Armide: Enfin est en ma puissance (Review by Brian Robins)
LULLY: Grand Motets, Vol. 2 (Review by Tom Moore)
LULLY: Overture (Review by Brian Robins)
LULLY: Quare fremuerunt. O Lachrymae. Dies trae. De profundis (Review by Tom Moore)
LULLY: Venez, Haine implacable. Passacaille (Review by Brian Robins)
MONDONVILLE: Isbé: Désirs toujours détruits (Review by Brian Robins)
MOZART: Concert arias: Ch’io mi scordi di te?... Non temer, amato bene, K 505 (Review by Bernard Jacobson)
MOZART: Concert arias: O temerario Arbace!.. . Per quel paterno amplesso, K 79 (Review by Bernard Jacobson)
MOZART: Cosi fan tutte (Review by Andrew Quint)
MOZART: Così fan tutte (Review by Bernard Jacobson)
Fiordilígi
MOZART: Così fan tutte (Review by Brian Robins)
MOZART: Così fan tutte: Temerari. . . Come scoglio; Ei parte . . . Per pietà, ben mio (Review by Bernard Jacobson)
MOZART: Discovering Così fan tutte: An Interactive Journey into the World of Mozart’s Opera (additional CD-ROM) (Review by Bernard Jacobson)
MOZART: Discovering Così fan tutte: An Interactive Journey into the World of Mozart’s Opera (additional CD-ROM) (Review by Brian Robins)
MOZART: Don Giovanni (Review by James Camner)
Donna Elvira
MOZART: Don Giovanni (Review by Colin Clarke)
MOZART: Don Giovanni: In quali eccessi. . . Mi tradì; Batti, batti, o bel Masetto (Review by Bernard Jacobson)
MOZART: La clemenza di Tito: Ecco il punto . . . Non più di fiori vaghe catene; Deh, per questo istante soio (Review by Bernard Jacobson)
MOZART: La finta giardiniera (Review by Joel Kasow)
Arminda
MOZART: La finta giardiniera (Review by Christopher Williams)
MOZART: Le nozze di Figaro (Review by Bernard Jacobson)
MOZART: Le nozze di Figaro (Review by Brian Robins)
MOZART: Le nozze di Figaro (Review by Christopher Williams)
MOZART: Le nozze di Figaro, K 492 (Review by James Camner)
Countess
MOZART: Le nozze di Figaro, K 492 (Review by Brian Robins)
MOZART: Le nozze di Figaro, K 492 (Review by Bernard Jacobson)
MOZART: Le nozze di Figaro. Don Giovanni. Cosi fan tutte (Review by David L. Kirk)
MOZART: Le nozze di Figaro: Non so più cosa son; Porgi, amor (Review by Bernard Jacobson)
MOZART: Mass in c, (rev. Langrée)... (Louis Langrée) (Review by George Chien)
MOZART: Opera and Concert Arias (Review by Bernard Jacobson)
PERGOLESI: Stabat mater. Salve Regina in F Minor. Sinfonia in F (Review by J. F. Weber)
POULENC: 2 Mélodies de Guillaume Apollinaire: Montparnasse; Hyde Park. Les Chemins de l’amour (Review by Joel Kasow)
POULENC: Banalités (Review by Joel Kasow)
PURCELL: King Arthur (Review by Michael Ullman)
RAMEAU: Castor et Pollux: Tristes apprêts (Review by Brian Robins)
RAMEAU: Chaconne (Review by Brian Robins)
RAMEAU: Cruelle mère des amours (Review by Brian Robins)
RAMEAU: Dardanus (Review by Brian Robins)
Iphise
RAMEAU: Deus noster refugium. Quam dilecta tabernacula. In convertendo, Dominus (Review by Barry Brenesal)
RAMEAU: Hippolyte et Aricie: Act 3 Prelude (Review by Brian Robins)
RAMEAU: Le temple de la Gloire: Air gay (2 versions); Ces oiseaux par leur doux ramage (Review by Barry Brenesal)
RAMEAU: Les fêtes de Polymnie: Que ses regrets (Review by Brian Robins)
RAMEAU: Pigmalion (Review by Barry Brenesal)
ROYER: Le pouvoir de l’Amour: L’objet qui règne (Review by Brian Robins)
ROYER: Zaïde: Dieu des amants fidèles (Review by Brian Robins)
SCARLATTI, A.: Oratorio per la Santissima Trinità (Review by Brian Robins)
Amor divino
