: Arias: I due Foscari: O vecchio cor, che batti (Review by John Story) | baritone |
: Arias: I due Foscari: O vecchio cor, che batti (Review by John Story) | narrator |
: Bootgesang, D 835 (Review by Joel Kasow) | baritone |
: Coronach, D 836 (Review by Joel Kasow) | baritone |
: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | baritone |
: Der Sieg, D 805 (Review by Joel Kasow) | baritone |
: Der Tanz, D 826 (Review by Joel Kasow) | baritone |
: Der zürnende Barde, D 785 (Review by Joel Kasow) | baritone |
: Die Wallfahrt, D 778A (Review by Joel Kasow) | baritone |
: Du bist die Ruh, D 776 (Review by Joel Kasow) | baritone |
: Gebet, D 815 (Review by Joel Kasow) | baritone |
: Gondelfahrer, D 809 (Review by Joel Kasow) | baritone |
: Gott in der Natur, D 757 (Review by Joel Kasow) | baritone |
: Greisengesang, D 778 (Review by Joel Kasow) | baritone |
: Il trovatore: Tout est desert . . . Son regard (Review by John Story) | baritone |
: Il trovatore: Tout est desert . . . Son regard (Review by John Story) | narrator |
: La traviata: Di provenza il mar (Review by John Story) | baritone |
: La traviata: Di provenza il mar (Review by John Story) | narrator |
: Lachen und Weinen, D 777 (Review by Joel Kasow) | baritone |
: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | baritone |
: Lied eines Kriegers, D 822 (Review by Joel Kasow) | baritone |
: Macbeth: Pietà, rispetto, amore (Review by John Story) | baritone |
: Macbeth: Pietà, rispetto, amore (Review by John Story) | narrator |
: Pilgerweise, D 789 (Review by Joel Kasow) | baritone |
: Schwestergruss, D 762 (Review by Joel Kasow) | baritone |
: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | baritone |
BEETHOVEN: Fidelio: Leonore Overture No. 3; Finale, Act II (Review by David L. Kirk) | Fernando |
BEETHOVEN: Prüfung des Küssens. Mit Mädeln sich vertragen (Review by Henry Fogel) | baritone |
BEETHOVEN: Symphonies: Nos. 1–9 (Review by Christopher Abbot) | baritone |
BEETHOVEN: Symphonies: Nos. 1–9 (Review by Mortimer H. Frank) | baritone |
BERNSTEIN: A White House Cantata (Review by Walter Simmons) | President
(FEATURE ARTICLE) |
BERNSTEIN: A White House Cantata (Review by James Camner) | President
(FEATURE ARTICLE) |
BERNSTEIN: A White House Cantata (Review by James H. North) | President
(FEATURE ARTICLE) |
BERNSTEIN: A White House Cantata (Review by Raymond Tuttle) | President
(FEATURE ARTICLE) |
BERNSTEIN: To What You Said (Review by James Carson) | baritone |
BERNSTEIN: Wonderful Town (Review by Martin Anderson) | Robert Baker |
BERNSTEIN: Wonderful Town (Review by William Zagorski) | Robert Baker |
BERNSTEIN: Wonderful Town (Review by James Camner) | Robert Baker |
BIZET: Carmen (Review by James Miller) | Escamillo |
BRITTEN: Billy Budd (Review by James Miller) | Billy |
BRITTEN: War Requiem (Review by J. F. Weber) | bass |
BURLEIGH: Ethiopia Saluting the Colors (Review by James Carson) | baritone |
BUSONI: Doktor Faust (completed Jarnach) (Review by Adrian Corleonis) | Faust |
CADMAN: From the Land of Sky-blue Water (Review by James H. North) | baritone |
CADMAN: The Moon Drops Low (Review by James H. North) | baritone |
DAMROSCH: Danny Deever (Review by James Carson) | baritone |
DANIELPOUR: Elegies (Review by John Story) | baritone |
DANIELPOUR: Sonnets to Orpheus (Review by John Story) | baritone |
DELIUS: A Village Romeo and Juliet (Review by Adrian Corleonis) | Dark Fiddler
(HALL OF FAME PERFORMANCE) |
DELIUS: A Village Romeo and Juliet (Review by Adrian Corleonis) | Dark Fiddler |
DELIUS: A Village Romeo and Juliet (Review by Adrian Corleonis) | baritone
(HALL OF FAME PERFORMANCE) |
DUKE, J.: Luke Havergal (Review by James Carson) | baritone |
DURUFLÉ: Notre Père (Review by George Chien) | baritone |
DURUFLÉ: Requiem. Messe "Cum jubilo." 4 Motets sur des thèmes grégoriens (Review by George Chien) | baritone |
DVOŘÁK: Biblical Songs, op. 99/1, 3, 4, 7, 10 (Review by James H. North) | baritone |
DVOŘÁK: Gypsy Melodies, op. 55/1, 2, 4, 7 (Review by James H. North) | baritone |
FARWELL: 3 Indian Songs, op. 32 (Review by James H. North) | baritone |
FOSTER: Ah! May the red rose live always (Review by James Carson) | baritone |
FOSTER: Beautiful dreamer (Review by James Carson) | baritone |
FOSTER: Comrades, fill no glass for me (Review by James Carson) | baritone |
FOSTER: Hard Times (Review by James Carson) | baritone |
FOSTER: Jeanie with the light brown hair (Review by James Carson) | baritone |
FOSTER: Molly, do you love me? (Review by James Carson) | baritone |
GLUCK: Iphigénie en Tauride (Review by James Camner) | Oreste |
GRIFFES: An old song resung (Review by James Carson) | baritone |
HAYDN: Dice benissimo. Un cor sì tenero (Review by Henry Fogel) | baritone |
IVES: Charlie Rutledge (Review by Christopher Abbot) | baritone |
IVES: General William Booth Enters into Heaven (Review by Christopher Abbot) | baritone |
IVES: In Flanders Fields (orch. Del Tredici) (Review by Christopher Abbot) | baritone |
IVES: Memories (Review by Christopher Abbot) | baritone |
IVES: Serenity (orch Adams) (Review by Christopher Abbot) | baritone |
IVES: Songs my Mother Taught Me (Review by James H. North) | baritone |
IVES: The Pond (Remembrance) (Review by Christopher Abbot) | baritone |
IVES: The Things Our Fathers Loved (Review by Christopher Abbot) | baritone |
IVES: They Are There! (Review by Christopher Abbot) | baritone |
IVES: Tom Sails Away (Review by Christopher Abbot) | baritone |
KORNGOLD: Tomorrow (Review by James Carson) | baritone |
MACDOWELL: The Sea, op. 47/7 (Review by James H. North) | baritone |
MAHLER: Das Lied von der Erde (Review by Christopher Abbot) | baritone |
MAHLER: Kindertotenlieder. Riickert Lieder. Der Einsame im Herbst (Review by Marc Mandel) | baritone |
MASSENET: Thais (Review by Joel Kasow) | Athanaël |
MASSENET: Werther (Review by Joel Kasow) | Albert |
MASSENET: Werther (Review by Marc Mandel) | Albert |
MASSENET: Werther (Review by James Camner) | Albert |
MOZART: Cosi fan tutte: Rivolgete a lui lo sguardo (alternative aria) (Review by Henry Fogel) | baritone |
MOZART: Don Giovanni (Review by Raymond Tuttle) | Don Giovanni |
MOZART: Don Giovanni: Excerpts (Review by David L. Kirk) | Don Giovanni |
MOZART: Un bacio di mano. Ich möchte wohl der Kaiser sein! Marriage of Figaro: Vedrò mentr’io sospiro. Mentre ti lascio. Io ti lascio, o cara (Review by Henry Fogel) | baritone |
NAGINSKI: Look Down Fair Moon (Review by James Carson) | baritone |
NO TENORS ALLOWED: FAMOUS ITALIAN DUETS FOR BARITONE... (Thomas Hampson) (Review by George Jellinek) | baritone |
PUCCINI: La Bohème (Review by Raymond Tuttle) | Marcello |
PUCCINI: Messa di Gloria. Preludio sinfonico. Crisantemi (Review by Joel Kasow) | baritone |
ROREM: As Adam early in the morning (Review by James Carson) | baritone |
SCHUBERT: Alfonso und Estrella: Sei mir gegrüsst (Review by Henry Fogel) | baritone |
SCHUBERT: Der Jäger ruhte hingegossen (Review by Henry Fogel) | baritone |
SCHUMANN, C.: 5 Songs (Review by Michael Ullman) | baritone |
SCHUMANN: Der arme Peter. 20 Lieder und Gesänge aus dem Lyrischen Intermezzo von Heinrich Heine (original manuscript version of Dichterliebe) (Review by Marc Mandel) | baritone |
SCHUMANN: Heine Lieder (Review by Marc Mandel) | baritone |
SCHUMANN: Liederkreis, op. 24 (Review by Marc Mandel) | baritone |
SZYMANOWSKI: King Roger (Review by Adrian Corleonis) | King Roger |
SZYMANOWSKI: King Roger... (Simon Rattle) (Review by Martin Anderson) | King Roger |
SZYMANOWSKI: King Roger... (Simon Rattle) (Review by Adrian Corleonis) | King Roger |
THOMAS HAMPSON: OPERETTA ARIAS (Thomas Hampson) (Review by James Camner) | baritone |
VERDI: Aida (Review by Marc Mandel) | Amonasro |
VERDI: Aida (Review by James Miller) | Amonasro |
VERDI: Falstaff (Review by John Story) | Ford |
VERDI: Falstaff (Review by James Miller) | Ford |
VERDI: Il trovatore (Review by Marc Mandel) | Count di Luna |
VERDI: Il trovatore (Review by James Miller) | di Luna |
VERDI: La traviata (Review by David L. Kirk) | Germont |
VERDI: La traviata (Review by Bob Rose) | Germont |
VERDI: La traviata (Review by James Camner) | Germont |
VERDI: Simon Boccanegra (Review by Henry Fogel) | Boccanegra |
WAGNER: Götterdämmerung (Review by Evan Dickerson) | Gunther |
WAGNER: Götterdämmerung (Review by Colin Clarke) | Gunther |
WAGNER: Parsifal (Review by Andrew Quint) | Amfortas |
WAGNER: Tannhãuser (Review by James Miller) | Wolfram |
WARREN: We Two (Review by James Carson) | baritone |
WEILL: Dirge for Two Veterans (Review by James Carson) | baritone |
WEILL: Johnny Johnson: Johnny’s Song (Review by Adrian Corleonis) | baritone |
WEILL: Knickerbocker Holiday: How Can You Tell an American? (Review by Adrian Corleonis) | baritone |
WEILL: Knickerbocker Holiday: It Never Was You (Review by Adrian Corleonis) | baritone |
WEILL: Love Life: Here I’ll Stay (Review by Adrian Corleonis) | baritone |
WEILL: Love Life: I Remember It Well; This Is the Life (Review by Adrian Corleonis) | baritone |
WEILL: Love Life: Who Is Samuel Cooper? (Review by Adrian Corleonis) | baritone |
WEILL: One Touch of Venus: Westwind (Review by Adrian Corleonis) | baritone |
WEILL: The Firebrand of Florence: Come to Florence (Review by Adrian Corleonis) | baritone |
WEILL: The Firebrand of Florence: Love is My Enemy (Review by Adrian Corleonis) | baritone |
WEILL: The Firebrand of Florence: My Lords and Ladies; There Was Life, There Was Love, There Was Laughter (Review by Adrian Corleonis) | baritone |
WEILL: The Firebrand of Florence: Song of the Hangman (Review by Adrian Corleonis) | baritone |
WEILL: The Firebrand of Florence: The World is Full of Villains (Review by Adrian Corleonis) | baritone |
WEILL: The Firebrand of Florence: You Have To Do What You Do Do (Review by Adrian Corleonis) | baritone |
WEILL: The Firebrand of Florence: You’re Far too Near Me (Review by Adrian Corleonis) | baritone |
WOOD, H.: Roses of (Review by James Carson) | baritone |
