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Performer: Marilyn Horne

: Excerpts from: Norma, La fille du régiment, Il trovatore, La traviata, The Merry Widow, Dialogues of the Carmelites, Adriana Lecouvreur, Les Huguenots, Lakmé, Semiramide, Lucrezia Borgia, Die Fledermaus, Lucia di Lammermoor (Review by Joel Kasow)

singers

BARBER: 6 Songs (Review by Walter Simmons)

soprano

BARBER: Dover Beach (Review by Walter Simmons)

soprano

BELLINI: Norma (Review by David L. Kirk)

Adalgisa

BERLIN: God Bless America (Review by James Camner)

mezzo-soprano

BERLIOZ: La damnation de Faust (Review by Joel Kasow)

Marguerite

BERLIOZ: Les Troyens (Review by Adrian Corleonis)

Cassandra

BERNSTEIN: 8 Songs (Review by Walter Simmons)

soprano

BOLCOM: I Will Breathe a Mountain (Review by Walter Simmons)

soprano

BRYAN/PLANTADOSI: I didn’t raise my boy to be a soldier (Review by James Camner)

mezzo-soprano

COHAN: You’re a grand old flag (Review by James Camner)

mezzo-soprano

COPLAND: Old American Songs: Simple Gifts. Ching-a-ring-Chaw. Long time ago. I bought me a cat. At the river (Review by James Camner)

mezzo-soprano

FOSTER: Jeanie with the light brown hair. Beautiful Dreamer. If you’ve only got a moustache. Camptown Races (Review by James Camner)

mezzo-soprano

GILMORE: When Johnny comes marching home (Review by James Camner)

mezzo-soprano

GLUCK: Iphigénie en Tauride (Review by James Camner)

Iphigénie

MAHLER: Rückert Lieder. Lieder eines fahrenden Gesellen. Kindertotenlieder (Review by Christopher Williams)

mezzo-soprano

MALOTTE: The Lord’s Prayer (Review by James Camner)

mezzo-soprano

MOZART: Requiem (completed Süssmayer) (Review by George Chien)

alto

ROSSINI: L’italiana in Algeri (Review by David L. Kirk)

Isabella

ROSSINI: L’italiana in Algeri (Review by Alan Swanson)

Isabella

ROSSINI: Semiramide (Review by Bob Rose)

Arsace

ROUSSEL: Padmâvatî (Review by Adrian Corleonis)

Padmâvatî

ROUSSEL: Padmévati—Opéra-ballet, op. 18 (Review by Adrian Corleonis)

Pad-mâvati
(HALL OF FAME PERFORMANCE)

ROUSSEL: Padmévati—Opéra-ballet, op. 18 (Review by Adrian Corleonis)

alto
(HALL OF FAME PERFORMANCE)

TRADITIONAL: Battle Hymn of the Republic (Review by James Camner)

mezzo-soprano

TRADITIONAL: Billy Boy. Go ‘way from my window (Review by James Camner)

mezzo-soprano

TRADITIONAL: Sometimes I feel like a motherless child. I’ve just come from the fountain. Shenandoah (Review by James Camner)

mezzo-soprano

VERDI: Il trovatore (Review by Raymond Tuttle)

Azucena

VERDI: Requiem (Review by Mortimer H. Frank)

mezzo-soprano

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