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Performer: Gwynne Howell BARTÓK: Bluebeard’s Castle (Review by Peter J. Rabinowitz) | bass baritone | BEETHOVEN: Symphony No. 9 in d, op. 125, “Choral” (Review by William Zagorski) | bass | BELLINI: I Capuleti e i Montecchi (Review by Alan Swanson) | Capellio | BERG: Lulu (3-act version, compl. Cerha) (Review by Peter J. Rabinowitz) | Schigolch | HAYDN: Stabat Mater (Review by James H. North) | bass | JANÁČEK: The Cunning Little Vixen (Review by James H. North) | Preist/Badger | MOZART: Der Schauspieldirektor, K 486 (Review by Michael Ullman) | bass | MOZART: Symphony No. 28 in C, K 200 (Review by Robert McColley) | bass | MOZART: Symphony No. 35 in D, K 385, “Haffner” (Review by Robert McColley) | bass | MOZART: Symphony in C, K 200 (Review by Michael Ullman) | bass | MOZART: Symphony in D, K 384 (Review by Michael Ullman) | bass | MOZART: The Impresario, K 486 (Review by Robert McColley) | bass | Roberto Devereux (Charles Mackerras) (Review by Joel Kasow) | Page | VERDI: Simon Boccanegra (1857) (Review by James Miller) | Jacopo Fiesco | WAGNER: Die Meistersinger von Nürnberg (Review by Andrew Quint) | Pogner | WAGNER: Tristan and Isolde (Review by Henry Fogel) | King Marke
(HALL OF FAME PERFORMANCE) | WAGNER: Tristan and Isolde (Review by Henry Fogel) | bass
(HALL OF FAME PERFORMANCE) |
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