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: Pelléas et Mélisande (Review by Adrian Corleonis)
soprano
ADAMS: El Nino (Review by Christopher Abbot)
mezzo-soprano
ADAMS: El Nino (Review by Raymond Tuttle)
BACH: Cantatas: Ich habe genug, BWV 82; Mein Herze schwimmt im Blut, BWV 199 (Review by James Camner)
BACH: Cantatas: No. 82; No. 199 (Review by George Chien)
BACH: Ich habe genug, BWV 82 (Review by Michael Ullman)
Want List Performance(WANT LIST PERFORMANCE)
BACH: Ich habe genug, Mein Herz, BWV 82 (Review by Michael Fine)
BACH: Mein Herz schwimmt im Blut, BWV 199 (Review by Michael Fine)
BACH: Mein Herze schwimmt im Blut, BWV 199 (Review by Michael Ullman)
BRAHMS: Unbewegte lau Luft (Review by Henry Fogel)
BRAHMS: Unbewegte laue Luft (Review by James Camner)
CHABRIER: España (Review by Henry Fogel)
GRANADOS: Descúbrase el pansamiento (Review by Henry Fogel)
GRANADOS: El mirar de la maja (Review by Henry Fogel)
HANDEL: Ariodante: E vivo ancora . . . Scherza infida (Review by Henry Fogel)
HANDEL: Ariodante: E vivo ancora? Theodora: As with rosy steps (Review by James Camner)
HANDEL: La Lucrezia (Review by Bernard Jacobson)
HANDEL: La Lucrezia (Review by Brian Robins)
HANDEL: Serse: Se bramate d’amar; Frondi tenere e belle . . . Ombra mai fù (Review by Bernard Jacobson)
HANDEL: Serse: Se bramate d’amar; Frondi tenere e belle . . . Ombra mai fù (Review by Brian Robins)
HANDEL: Theodora (Review by Bernard Jacobson)
Irene
HANDEL: Theodora: Ah! Whither should we fly . . . As with rosy steps; O bright example . . . Bane of virtue; The clouds begin . . . Defend her, Heav’n! Lord, to Thee each night and day; She’s gone, disdaining liberty . . . New scenes of Joy (Review by Bernard Jacobson)
HANDEL: Theodora: Ah! Whither should we fly . . . As with rosy steps; O bright example . . . Bane of virtue; The clouds begin . . . Defend her, Heav’n! Lord, to Thee each night and day; She’s gone, disdaining liberty . . . New scenes of Joy (Review by Brian Robins)
HANDEL: Theodora: As with rosy steps (Review by Henry Fogel)
HARBISON: North and South (Review by Colin Clarke)
LIEBERSON: Ashoka’s Dream: Triraksha’s aria (Review by Henry Fogel)
LIEBERSON: Ashoka’s Dream: Triraksha’s aria (Review by James Camner)
LIEBERSON: Neruda Songs (Review by Robert Carl)
LIEBERSON: Neruda Songs (Review by James H. North)
LIEBERSON: Neruda Songs (Review by Steven E. Ritter)
LIEBERSON: Rilke Songs (Review by Robert Carl)
LIEBERSON: Rilke Songs (Review by James H. North)
LIEBERSON: Rilke Songs: O ihr Zärtlichen, Stiller Freund (Review by James Camner)
LIEBERSON: Rilke Songs: O ihr Zärtlichen; Stiller Freund (Review by Henry Fogel)
LUNA: De España vengo (Review by Henry Fogel)
MAHLER: Rückert Lieder (Review by Henry Fogel)
MAHLER: Rückert Lieder (Review by James Camner)
MAHLER: Symphony No. 2 (Review by Christopher Abbot)
mezzo-soprano(FEATURE ARTICLE)
MAHLER: Symphony No. 2, “Resurrection” (Review by Andrew Quint)
MOZART: Don Giovanni (Review by Raymond Tuttle)
Donna Elvira
MOZART: Idomeneo, rè di Creta, K 366 (Review by George Jellinek)
Idamante
PURCELL: The Fairy Queen (Review by Brian Robins)
RAVEL: Vocalise-Habanera (Review by Henry Fogel)
RODRIGO: Canciones sefardies: Nani, nani (Review by Henry Fogel)
SONDHEIM: Company: Barcelona (Review by Henry Fogel)
THE NOTEBOOK OF ANNA MAGDALENA BACH: HIGHLIGHTS (Nicholas McGegan) (Review by Tom Moore)
TRADITIONAL: Deep River (Review by Henry Fogel)
TRADITIONAL: Deep River (Review by James Camner)
TURINA: Farruca (Review by Henry Fogel)
WOLF: Spanisches Liederbuch: Komm, O Tod (Review by Henry Fogel)
WOLF: Spanisches Liederbuch: Liebe mi rim Busen (Review by Henry Fogel)
YRADIER: La paloma (Review by Henry Fogel)
