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BAYER: Die Peppenfee: Ballet Music (Review by James Miller)
Conductor
BEETHOVEN: Leonore Overture No. 3 (Review by Christopher Williams)
BEETHOVEN: Leonore Overture No. 3 (Review by James Miller)
BEETHOVEN: Symphony No. 3, “Eroica” (Review by Colin Anderson)
BEETHOVEN: Violin Concerto (Review by James Miller)
BERG: Violin Concerto (Review by Paul Ingram)
BRAHMS: Ein deutsches Requiem, op. 45 (Review by Ralph V. Lucano)
Conductor(HALL OF FAME PERFORMANCE)
BRAHMS: Piano Concerto No. 2 in B♭ (Review by Jerry Dubins)
BRAHMS: Piano Sonata No. 3 (Review by Peter J. Rabinowitz)
BRAHMS: Symphony No. 4 (Review by Bernard Jacobson)
BRAHMS: Tragic Overture (Review by Colin Anderson)
BRUCKNER: Symphony No. 4, “Romantic” (Review by Colin Anderson)
CHOPIN: Impromptu No. 2. Mazurkas: op. 24/4; op. 41/1 (Review by Peter J. Rabinowitz)
CHOPIN: Scherzo No. 1. Piano Sonata No. 3 (Review by Peter J. Rabinowitz)
DEBUSSY: Première Rapsodie (Review by Peter J. Rabinowitz)
DVOŘÁK: Symphony No. 9 (Review by Christopher Williams)
GLUCK-MOTTL: Orfeo: Dance of the Blessed Spirits (Review by James Miller)
GODOWSKY: Symphonic Metamorphoses on Der Fledermaus (Review by Peter J. Rabinowitz)
GOTOVAC: Ero der Schelm: Kolo (Review by James Miller)
GOUNOD: Faust: Waltzes (Review by James Miller)
JANÁČEK: Sinfonietta (Review by Peter J. Rabinowitz)
JANÁČEK: Sinfonietta (Review by Paul Ingram)
LISZT: Hungarian Rhapsody No. 10 (Review by Peter J. Rabinowitz)
LISZT: Totentanz (Review by Peter J. Rabinowitz)
MAHLER: 5 Songs. Rückert-Lieder (Review by Marc Mandel)
MAHLER: Das Lied von der Erde (Review by Christopher Abbot)
MAHLER: Des knaben Wunderhorn (Review by Marc Mandel)
MAHLER: Kindertotenlieder (Review by Marc Mandel)
MAHLER: Lieder eines fahrenden Gesellen (Review by Marc Mandel)
MAHLER: Symphonies: No. 1, "Titan" (Review by Christopher Abbot)
MAHLER: Symphonies: No. 2, "Resurrection" (Review by Christopher Abbot)
MASCAGNI: L'amico Fritz: L’amico Fritz: Intermezzo (Review by James Miller)
MOZART: Piano Sonata No. 12, K 332 (Review by Peter J. Rabinowitz)
MOZART: Requiem (Review by George Chien)
OFFENBACH: Orpheus in Hades: Overture (Review by James Miller)
PFITZNER: Violin Concerto (Review by Robert Maxham)
PONCHIELLI: La Gioconda: Dance of the Hours (Review by James Miller)
PROKOFIEV: Love for Three Oranges: Suite, op. 33b (Review by Christopher Williams)
PUCCINI: Madama Butterfly (Review by Bob Rose)
PUCCINI: Madama Butterfly (Review by Lynn René Bayley)
RAVEL: Daphnis et Chloë: Suite No. 2 (Review by Colin Anderson)
SCHMIDT: Nofre Dame: Intermezzo (Review by James Miller)
SCHUBERT: Rosamunde: Excerpts (Review by James Miller)
SCHUBERT: Symphony No. 5 (Review by Bernard Jacobson)
SCHUMANN: Fantasy (Review by Peter J. Rabinowitz)
SMETANA: The Bartered Bride (Review by Barry Brenesal)
STRAUSS-GODOWSKY, R.: Ständchen (Review by Peter J. Rabinowitz)
STRAUSS: Also sprach Zarathustra (Review by Christopher Abbot)
STRAUSS: Ariadne auf Naxos (Review by James Miller)
STRAUSS: Don Juan. Till Eulenspiegel. Der Rosenkavalier: Waltzes (arr. Kempe) (Review by Raymond Tuttle)
STRAUSS: Don Quixote (Review by Colin Anderson)
STRAUSS: Ein Heldenleben. Tod und Verklärung. Salome: Dance of the 7 Veils (Review by Andrew Quint)
STRAUSS: Eine Alpensinfonie. Also sprach Zarathustra (Review by Andrew Quint)
Conductor(FEATURE ARTICLE)
STRAUSS: Elektra (Review by Phillip Scott)
STRAUSS: Metamorphosen (Review by Raymond Tuttle)
STRAUSS: Salome: Dance of the Seven Veils (Review by Christopher Abbot)
STRAUSS: Till Eulenspiegels lustige Streiche (Review by Christopher Abbot)
STRAUSS: Till Eulenspiegels lustige Streiche (Review by Colin Anderson)
STRAUSS: Tod und Verklärung (Review by Christopher Abbot)
STRAUSS II, J.: Leichtes Blut: Polka, op. 319 (Review by Colin Anderson)
TCHAIKOVSKY: Symphony No. 5 (Review by Peter J. Rabinowitz)
TIPPETT: Concerto for Double String Orchestra (Review by Paul Ingram)
WAGNER: Die Meistersinger (Review by William H. Youngren)
WAGNER: Ring of the Niebelungen (Review by Henry Fogel)
WAGNER: Siegfried Idyll (Review by James Miller)
WOLF: Italian Serenade (Review by Colin Anderson)