AMODEI: Cantatas, op. 2: Su l’ore che l’aurora. Tra l’erbette il piè sciogliea. Va’ ché l’hai fatto a me. Già col manto dell’ombre. Colà dove il Sebeto. Lieve al piè, grave al passo (Review by Brian Robins) | soprano |
BACH, C.: Laudate pueri Dominum. Si nocte tenebrosa (Review by Brian Robins) | soprano |
BACH, C.: Salve Regina (Review by Brian Robins) | soprano |
BACH: Ascension Oratorio, BWV 11 (Review by Brian Robins) | soprano |
BACH: Ascension Oratorio: Jesu, deine Gnadenblicke (Review by Bernard Jacobson) | soprano |
BACH: Cantatas: No. 4; No. 131; No. 106; No. 196 (Review by George Chien) | soprano |
BACH: Mass in b, BWV 232 (Review by Brian Robins) | soprano |
BACH: Weimar Cantatas: No. 12; No. 18; No. 61; No. 161 (Review by George Chien) | soprano |
BALLARD: Entrée de luth. Branles de village (Review by Barry Brenesal) | soprano |
BARTLETT: Sweete birds deprive us never (Review by Michael Ullman) | soprano |
BEACH: 3 Browning Songs. Romance for Violin and Piano. 3 Shakespeare Songs. Piano Trio in a (Review by James H. North) | soprano |
BEACH: A Mirage (Review by James H. North) | soprano |
BEACH: Canzonetta (Review by James H. North) | soprano |
BEACH: Chanson d’amour (Review by James H. North) | soprano |
BEACH: Ecstasy (Review by James H. North) | soprano |
BEACH: Ecstasy. Chanson d’amour. A Mirage. Stella viatoris. Rendezvous (Review by James H. North) | soprano |
BEACH: Elle et moi (Review by James H. North) | soprano |
BEACH: Elle et moi (Review by James H. North) | soprano |
BEACH: Ich sagte nicht (Review by James H. North) | soprano |
BEACH: Je demande à l’oiseau. Canzonetta (Review by James H. North) | soprano |
BEACH: Nähe des Geliebten (Review by James H. North) | soprano |
BEACH: Nähe des Geliebten. Ich sagte nicht. Wir drei. Je demande à l’oiseau (Review by James H. North) | soprano |
BEACH: Rendezvous. 3 Browning Songs. Romance for Violin and Piano. 3 Shakespeare Songs. Piano Trio in a (Review by James H. North) | soprano |
BEACH: Stella viatoris (Review by James H. North) | soprano |
BEACH: Wir drei (Review by James H. North) | soprano |
BOËSSET: Que Philis a l’esprit léger (Review by Barry Brenesal) | soprano |
BUXTEHUDE: An filius non est Dei (Review by Brian Robins) | soprano |
BUXTEHUDE: BuxWV 17 (Review by Brian Robins) | soprano |
BUXTEHUDE: BuxWV 37 (Review by Brian Robins) | soprano |
BUXTEHUDE: BuxWV 57 (Review by Brian Robins) | soprano |
BUXTEHUDE: BuxWV 58 (Review by Brian Robins) | soprano |
BUXTEHUDE: BuxWV 6 (Review by Brian Robins) | soprano |
BUXTEHUDE: BuxWV 71 (Review by Brian Robins) | soprano |
BUXTEHUDE: BuxWV 77 (Review by Brian Robins) | soprano |
BUXTEHUDE: Cantato Domine, BuxWV 12 (Review by Brian Robins) | soprano |
BUXTEHUDE: Das neugeborne Kindelein, BuxWV 13 (Review by Brian Robins) | soprano |
BUXTEHUDE: Dixit Dominus (Review by Brian Robins) | soprano |
BUXTEHUDE: Fuga in C, BuxWV 174 (Review by Brian Robins) | soprano |
BUXTEHUDE: Herr, nun lässt du deinen Diener (Review by Brian Robins) | soprano |
BUXTEHUDE: Herr, wenn ich nur dich hab, BuxWV 38 (Review by Brian Robins) | soprano |
BUXTEHUDE: Ich habe Lust abzuscheiden, BuxWV 47 (Review by Brian Robins) | soprano |
BUXTEHUDE: Ich halte es dafür, BuxWV 48 (Review by Brian Robins) | soprano |
BUXTEHUDE: Jesu dulcis memoria (Review by Brian Robins) | soprano |
BUXTEHUDE: Jesu dulcis memoria, BuxWV 56 (Review by Brian Robins) | soprano |
BUXTEHUDE: Jesu, komm, mein Trost und Lachen (Review by Brian Robins) | soprano |
BUXTEHUDE: Jesu, meine Freude, BuxWV 60 (Review by Brian Robins) | soprano |
BUXTEHUDE: Lobe den Herrn (Review by Brian Robins) | soprano |
BUXTEHUDE: Mein Herz ist bereit, BuxWV 73 (Review by Brian Robins) | soprano |
BUXTEHUDE: Nichts soll uns scheiden (Review by Brian Robins) | soprano |
BUXTEHUDE: O fröhliche Stunden. O dulcis Jesu. Fried- und freudenreiche Hinfahrt. Was mich auf dieser Welt betrübt. Schaffe in mir. Gen Himmel zu dem Vater mein. Singet dem Herrn. Sicut Moses. Herr, wenn ich nur dich hab (Review by Brian Robins) | soprano |
BUXTEHUDE: Quemadmodum desiderat cervus, BuxWV 92 (Review by Brian Robins) | soprano |
BUXTEHUDE: Sacred Cantatas (Review by Brian Robins) | soprano |
BUXTEHUDE: Salve, Jesu, Patris gnate unigenite, BuxWV 94 (Review by Brian Robins) | soprano |
CAMPION: Come let us sound. When to her lute (Review by Michael Ullman) | soprano |
CAVALIERI: Dalle più alte sfere (Review by Bernard Jacobson) | soprano |
COUPERIN: Leçon de ténèbres: Première leçon (Review by Lynn René Bayley) | soprano |
COUPERIN: Leçon de ténèbres: Troisième leçon (Review by Lynn René Bayley) | soprano |
DANYEL: He whose desires are still abroad. Dost thou withdraw thy grace? Why canst thou not, as others do? (Review by Barry Brenesal) | soprano |
DANYEL: Like as the lute delights (Review by Michael Ullman) | soprano |
DL/UGORAJ: Fantasia (Review by Barry Brenesal) | soprano |
DOWLAND: Airs, Songs, Pavans (Review by Barry Brenesal) | soprano |
DOWLAND: Can she excuse my wrongs? (Review by Bernard Jacobson) | soprano |
DOWLAND: Can shee excuse. O sweet woods. It was a time. I saw my lady weepe. Flow my teares. Sorrow stay. Dye not before thy day. Mourne, mourne, day is with darknesse. Fine knacks for ladies. Farewell too faire. Time stands still. Behold a wonder here. Daphne was not so chaste. Me me and none but me. When Phoebus first did Daphne love. Say love if ever thou didst find. His golden locks. Time’s eldest sonne. Farre from triumphing Court (Review by James Reel) | soprano |
DOWLAND: I saw my Ladye weep (Review by Michael Ullman) | soprano |
DOWLAND: In this trembling shadow (Review by Michael Ullman) | soprano |
DOWLAND: Shall I sue, shall I seek for grace? Go crystal tears (Review by Barry Brenesal) | soprano |
EDWARDS: Where grypinge griefs (Review by Michael Ullman) | soprano |
GALILEI: Toccata. Corrente. Volta (Review by Barry Brenesal) | soprano |
GUÉDRON: Cessez, mortels, de soupirer (Review by Barry Brenesal) | soprano |
HANDEL: "The Rival Queens": Opera Arias and Duets (Review by James Camner) | soprano |
HANDEL: Alcina: Ah! Ruggiero . . . Ombre pallide (Review by Bernard Jacobson) | soprano |
HANDEL: Arianna in Creta: Son quai stanco pellegrino (Review by Bernard Jacobson) | soprano |
HANDEL: Arias and duets from: Allesandro. Admeto, Re di Tessaglia. Riccardo Primo, Re d’Inghilterra. Siroe, Re di Persia. Tolomeo, Re di Egitto (Review by James Camner) | soprano |
HANDEL: Armida abbandonata: Dietro l’orme fuggaci (Review by Bernard Jacobson) | soprano |
HANDEL: Arrianna in Creta: Son quai stanco. Berenice, regina d’Egitto: Chi t’intende. Deidamia: M’hai resa infelice; Overture (Review by Michael Ullman) | soprano |
HANDEL: Atalanta: Overture (Review by Bernard Jacobson) | soprano |
HANDEL: Berenice, regina d'Egitto: Berenice, regina d’Egitto: Chi t’intende? Deidamia: Overture; M’hai resa infelice (Review by Bernard Jacobson) | soprano |
HANDEL: Coelestis dum spirai aura. Laudate pueri, HWV 236 (Review by Bernard Jacobson) | soprano |
HANDEL: Ezio: Caro padre (Review by Bernard Jacobson) | soprano |
HANDEL: Gloria (Review by Bernard Jacobson) | soprano |
HANDEL: I know that my redeemer liveth (Review by Bernard Jacobson) | soprano |
HANDEL: Lotario: Overture; Quanto più fien tenaci. . . Schema in mar (Review by Bernard Jacobson) | soprano |
HANDEL: Lotario: Overture; Schema in mar. Partenopei lo ti levo. Ezio: Caro padre. Sosarme, re di Media: Dite pace; Vorrei, né pur saprei. Atalanta: Overture (Review by Michael Ullman) | soprano |
HANDEL: Messiah: Rejoice greatly (Review by Bernard Jacobson) | soprano |
HANDEL: Opera Arias and Overtures, Vol. 2 (Review by Bernard Jacobson) | soprano |
HANDEL: Opera Arias and Overtures—2 (Review by Michael Ullman) | soprano |
HANDEL: Partenope: lo ti levo (Review by Bernard Jacobson) | soprano |
HANDEL: Salve Regina. O qualîs de coelo sonus (Review by Bernard Jacobson) | soprano |
HANDEL: Sosarme, rèdi Media: O diva Ecate . . . Dite pace (Review by Bernard Jacobson) | soprano |
HANDEL: Trio Sonata in g, HWV 404 (Review by Bernard Jacobson) | soprano |
HAYDN: The Creation (Review by James H. North) | soprano |
HUWET: Fantasia (Review by Barry Brenesal) | soprano |
JOHNSON: Almain. Full fathom five thy father lies (Review by Barry Brenesal) | soprano |
JOHNSON: Pavan (Review by Barry Brenesal) | soprano |
JONES: If in this flesh (Review by Michael Ullman) | soprano |
JONES: Might I redeem my errors (Review by Bernard Jacobson) | soprano |
KAPSPERGER: Toccata (Review by Barry Brenesal) | soprano |
LALANDE: Leçon de ténèbres: Troisième leçon du Mercredy Saint (Review by Lynn René Bayley) | soprano |
MONTEVERDI: Dolcissimo uscignolo. Vespro della Beata Vergine: Concerto, "Pulchra es" (Review by Bernard Jacobson) | soprano |
MONTEVERDI: Lamento della ninfa: Amor, dicea (Review by Bernard Jacobson) | soprano |
MORLEY: I saw my Ladye weeping (Review by Michael Ullman) | soprano |
MORLEY: Thirsis and Milla. Come sorrow, come. Shall I strive with words to move? (Review by Barry Brenesal) | soprano |
MOULINIÉ: Paisible et tenébreuse nuit (Review by Barry Brenesal) | soprano |
MOZART: Ah, lo previdi, K 272 (Review by Bob Rose) | soprano |
MOZART: Ch’io mi scordi di te? K 505 (Review by Bob Rose) | soprano |
MOZART: Ergo interest, K 143 (Review by Bob Rose) | soprano |
MOZART: Exsultate jubilate, K 165 (Review by Bob Rose) | soprano |
MOZART: Il re pastore: Aer tranquillo e di sereni; L’amerò sarò costante (Review by Bob Rose) | soprano |
MOZART: Nehmt meinen Dank, ihr holden Gönner! K 383 (Review by Bob Rose) | soprano |
MOZART: Regina coeli, K 108 (Review by Bob Rose) | soprano |
MOZART: Regina coeli, K 127 (Review by Bob Rose) | soprano |
MOZART: Voi aete un cor fedele, K 217 (Review by Bob Rose) | soprano |
MOZART: Zaide: Ruhe sanft, mein holdes Leben; Troslos schuchzet Philomele (Review by Bob Rose) | soprano |
PILKINGTON: Rest sweet nymphs. Come all ye. Musick deare sollace (Review by Michael Ullman) | soprano |
PURCELL: Hail! Bright Cecilia: Thou tun’st this world (Review by Bernard Jacobson) | soprano |
PURCELL: Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love’s sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albina. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn (Review by Michael Ullman) | soprano |
RAVENSCROFT: There were 3 ravens (Review by Bernard Jacobson) | soprano |
SCARLATTI, A.: Stabat Mater. Concerto in a (Review by Brian Robins) | soprano |
SCARLATTI, F.: Dixit Dominus (Review by Brian Robins) | soprano |
SCARLATTI, F.: Messa a 16 voci (Review by Brian Robins) | soprano |
SCARLATTI, F.: Miserere (Review by Brian Robins) | soprano |
SCHIMMELPFENNIG: Dolce tempo passato (Review by Barry Brenesal) | soprano |
SCHÜTZ: Die Geburt unsers Herren Jesu Christi: Fürchtet euch nicht (Review by Bernard Jacobson) | soprano |
SCHÜTZ: Eile mich, Gott, zu erretten (Review by Barry Brenesal) | soprano |
STRAVINSKY: Lied ohne Name. 3 Songs from William Shakespeare (Review by James H. North) | soprano |
STRAVINSKY: Pastorale (Review by James H. North) | soprano |
STRAVINSKY: The Rake’s Progress: No word from Tom; My father! . . . I go to him (Review by James H. North) | soprano |
TOMKINS: Anthems and Consort Music (Review by J. F. Weber) | soprano |
TOMKINS: O Lord let me knowe. Sing unto God. Above the starrs. Woe is me. Thou art my king. Rejoice, rejoice and singe. 14 consort pieces (Review by J. F. Weber) | soprano |
VIVALDI: Catone in Utica: Se mai senti spirati; Se in campo armato (Review by Joel Kasow) | soprano |
VIVALDI: Griselda: Ombre vane, inuiusti orrori; Agitata da due venti; Sinfonia (Review by Joel Kasow) | soprano |
VIVALDI: L’incoronazione di Dario: Non mi lusinga vana speranza; L’Atenaide: Ferma, Teodosio (Review by Joel Kasow) | soprano |
VIVALDI: Ottone in villa: Gelosia, tu gia rendi l’alma mia; L’ombre, l’aure; Sinfonia (Review by Joel Kasow) | soprano |
VIVALDI: Tamerlano: Sinfonia (Review by Joel Kasow) | soprano |
VIVALDI: Tito Manlio: Non ti lusinghi (Review by Joel Kasow) | soprano |
d’INDIA: Quella vermiglia rosa. Da l’onde del mio pianto (Review by Barry Brenesal) | soprano |
