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Performer: Stephen Layton

ADÈS: Fool’s Rhymes, op. 5 (Review by John Story)

Conductor

ADÈS: January Writ (Review by John Story)

Conductor

ADÈS: Oh thou, who didst with pitfall and with gin, op. 3b (Review by John Story)

Conductor

ADÈS: The Fayrfax Carol (Review by John Story)

Conductor

BRITTEN: A.M.D.G. A Hymn to the Virgin (Review by James Miller)

Conductor

BRITTEN: Five Flower Songs (Review by James Miller)

Conductor

BRITTEN: Gloriana: Choral Dances. Chorale after an Old French Carol (Review by James Miller)

Conductor

BRITTEN: Sacred and Profane (Review by James Miller)

Conductor

CHABRIER: Ode à la musique (Review by Adrian Corleonis)

Director

HANDEL: Organ Concerto No. 14 (Review by Alan Swanson)

Conductor
(FEATURE ARTICLE)

HANDEL: Zadok the Priest (Review by Alan Swanson)

Conductor
(FEATURE ARTICLE)

HANDEL: “Dettingen” Te Deum (Review by Alan Swanson)

Conductor
(FEATURE ARTICLE)

LAURIDSEN: Ave Maria (Review by Martin Anderson)

Conductor
(FEATURE ARTICLE)

LAURIDSEN: Ave, dulcissima Maria. Nocturnes (Review by James Carson)

Conductor

LAURIDSEN: I will lift up mine eyes. O come, let us sing unto the Lord (Review by James Carson)

Conductor

LAURIDSEN: Les chansons des roses (Review by James Carson)

Conductor

LAURIDSEN: Lux aeterna (Review by Martin Anderson)

Conductor
(FEATURE ARTICLE)

LAURIDSEN: Madrigali, “Fire Songs” (Review by Martin Anderson)

Conductor
(FEATURE ARTICLE)

LAURIDSEN: Mid-Winter Songs (Review by James Carson)

Conductor

LAURIDSEN: O magnum mysterium (Review by Martin Anderson)

Conductor
(FEATURE ARTICLE)

LAURIDSEN: Ubi caritas et amor (Review by Martin Anderson)

Conductor
(FEATURE ARTICLE)

MACMILLAN: Seven Last Words from the Cross. On the Annunciation of the Blessed Virgin. Te Deum (Review by John Story)

Conductor

MILHAUD: Cantique du Rhône. Devant sa main nue. Les deux cites. Naissance de Vénus (Review by James Carson)

Conductor

MILHAUD: Promesse de Dieu. 3 Psalms of David (Review by James Carson)

Conductor

POULENC: Gloria (Review by Lynn René Bayley)

Conductor

POULENC: Gloria (Review by Alan Swanson)

Conductor
(FEATURE ARTICLE)

POULENC: Salve regina. 4 motets pour un temps de pénitence. 4 motets pour le temps de Noël. Exultate Deo (Review by Alan Swanson)

Conductor
(FEATURE ARTICLE)

POULENC: Salve regina. Motets pour un temps de pénitence. Motets pour le temps de Noël. Exultate Deo (Review by Lynn René Bayley)

Conductor

PÄRT: . . . which was the son of . . .. I am the true vine (Review by Robert Kirzinger)

Conductor

PÄRT: Dopo la vittoria (Review by Robert Kirzinger)

Conductor

PÄRT: Dopo la vittoria. Nunc dimittis. . . . which was the son of . . .. I am the true vine. Littlemore Tractus. Triodion. Beatitudes. My heart’s in the Highlands. Salve Regina (Review by Paul Ingram)

Conductor

PÄRT: Littlemore Tractus (Review by Robert Kirzinger)

Conductor

PÄRT: My heart’s in the Highlands (Review by Robert Kirzinger)

Conductor

PÄRT: Nunc dimittis (Review by Robert Kirzinger)

Conductor

PÄRT: Salve Regina (Review by Robert Kirzinger)

Conductor

PÄRT: Triodion (Review by Robert Kirzinger)

Conductor

RUTTER: Come down. Lord, make me. To everything. I my Best-Beloved’s am. Praise the Lord. I will lift up. As the bridegroom. A Clare Benediction. The Lord is my light. Go forth. Thy perfect love (Review by J. F. Weber)

Conductor

RUTTER: Gloria. Choral works (Review by J. F. Weber)

Conductor

RUTTER: Music for Christmas (Review by George Chien)

Conductor

RUTTER: Te Deum (Review by J. F. Weber)

Conductor

SCHNITTKE: Concerto for Mixed Chorus (Review by Robert Kirzinger)

Conductor

SCHNITTKE: Minnesang. Voices of Nature (Review by Robert Kirzinger)

Conductor

SCHUBERT: Cantate zur Feier der Genesung der Irene Kiesewetter, D 936 (Review by Joel Kasow)

Conductor

SCHUBERT: Complete Songs, Vol. 31 (Review by David Johnson)

Conductor

SCHUBERT: Das Weinen, D 926 (Review by Joel Kasow)

Conductor

SCHUBERT: Der 13 Psalm. Der 23 Psalm. Der 92 Psalm (Review by David Johnson)

Conductor

SCHUBERT: Der Hochzeitsbraten, D 930 (Review by Joel Kasow)

Conductor

SCHUBERT: Der Kreuzzug, D 932 (Review by Joel Kasow)

Conductor

SCHUBERT: Der Wallensteiner Lanzknecht beim Trunk, D 931 (Review by Joel Kasow)

Conductor

SCHUBERT: Die Allmacht. Hagars Klage. Den Unendlichen. Himmelsfunken. Des Mädchens Klage. Im Abendrot. Die Gestirne (Review by David Johnson)

Conductor

SCHUBERT: Die Sterne, D 939 (Review by Joel Kasow)

Conductor

SCHUBERT: Fröhliches Scheiden, D 896 (Review by Joel Kasow)

Conductor

SCHUBERT: Frühlingslied, D 919 (Review by Joel Kasow)

Conductor

SCHUBERT: Heimliches Lieben, D 922 (Review by Joel Kasow)

Conductor

SCHUBERT: Il modo di prender moglie, D 902/3 (Review by Joel Kasow)

Conductor

SCHUBERT: Il traditor deluso, D 902/2 (Review by Joel Kasow)

Conductor

SCHUBERT: Jägers Liebeslied, D 909 (Review by Joel Kasow)

Conductor

SCHUBERT: L’incanto degli occhi, D 902/1 (Review by Joel Kasow)

Conductor

SCHUBERT: Mirjams Siegesgesang (Review by David Johnson)

Conductor

SCHUBERT: Romanze des Richard Löwenherz, D 907 (Review by Joel Kasow)

Conductor

SCHUBERT: Schiffers Scheidelied, D 910 (Review by Joel Kasow)

Conductor

SCHUBERT: Sie im jedem Liede, D 896A (Review by Joel Kasow)

Conductor

SCHUBERT: Wolke und Quelle, D 896B (Review by Joel Kasow)

Conductor

SCHUMANN: John Anderson, op. 145/4 (Review by Marc Mandel)

Conductor

TAVENER: As one who has slept (Review by Martin Anderson)

Director

TAVENER: Birthday Sleep. Butterfly Dreams. The Second Coming (Review by Martin Anderson)

Director

TAVENER: Birthday Sleep. Butterfly Dreams. The Second Coming. Schuon Hymnen. As one who has slept. The Bridal Chamber. Exhortation and Kohima. Shûnya (Review by Paul Ingram)

Conductor

TAVENER: Exhortation and Kohima (Review by Martin Anderson)

Director

TAVENER: Schuon Hymnen (Review by Martin Anderson)

Director

TAVENER: Shûnya (Review by Martin Anderson)

Director

TAVENER: The Bridal Chamber (Review by Martin Anderson)

Director

TAVENER: The Veil of the Temple (Review by John Story)

Conductor

TORMIS: 2 Songs after Ernst Enno. 3 Estonian Game Songs. 3 Songs from Epic “Kalev’s Son.” Forgotten Peoples: Livonian heritage (Review by Alan Swanson)

Conductor
(FEATURE ARTICLE)

TORMIS: Singing Aboard Ship. Autumn Landscapes. 4 Estonian lullabies. Herding Calls (Review by Alan Swanson)

Conductor
(FEATURE ARTICLE)

VILLETTE: O quam suavis. Salutation angélique (Review by James Carson)

Conductor

VILLETTE: O sacrum convivium. Hymn to the Virgin. Attende, Domine. Notre Père d’Aix. Inviolata. Tu es Petrus (Review by James Carson)

Conductor

VILLETTE: Polyphonic Verses for “Veni Creator.” Panis angelicus. O salutaris hostia. Ave verum. Salve regina. O quam amabilis es. Jesu, dulcis memoria. Adoro te. O magnum misterium (Review by James Carson)

Conductor

WALTON: A Litany. The Twelve. Set me as a seal upon thine heart (Review by James Miller)

Conductor

WALTON: A Queen’s Fanfare (Review by James Miller)

Conductor

WALTON: Cantico del sole. Make we joy now in this fest. King Herod and the Cock. All this time. What cheer? Antiphon (Review by James Miller)

Conductor

WALTON: Coronation Te Deum (Review by James Miller)

Conductor

WALTON: Magnificat. Nunc Dimittis. Where does the uttered music go? Jubilate Deo (Review by James Miller)

Conductor

WALTON: Missa brevis (Review by James Miller)

Conductor

WHITACRE: I thank you God. I hide myself. Sleep. I will wade out. Go, lovely Rose. When David heard. Hope, faith, life, love. Cloudburst (Review by Michael Carter)

Conductor
(HALL OF FAME PERFORMANCE)

WHITACRE: With a lily in your hand. This Marriage. Water Night. A Boy and a Girl. Her sacred spirit soars. Lux arumque (Review by Michael Carter)

Conductor
(HALL OF FAME PERFORMANCE)

WHITACRE: With a lily in your hand. This Marriage. Water Night. A Boy and a Girl. Her sacred spirit soars. Lux aurumque (Review by Robert Carl)

Conductor

WHITACRE: i thank You God for this most amazing day. I hide myself. Sleep. i will wade out. Go, lovely Rose. When David Heard. hope, faith, life, love. Cloudburst (Review by Robert Carl)

Conductor

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