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Performer: Les Arts Florissants

BLOW: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley)

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CHARPENTIER: In Nativitatem Domini Canticum, H416 (Review by Brian Robins)

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CHARPENTIER: Judicium Salomonis (Review by Brian Robins)

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CHARPENTIER: Messe de Minuit, H9 (Review by Brian Robins)

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CHARPENTIER: Messe pour les trépassés (Review by Brian Robins)

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CHARPENTIER: Motet pour les trépassés (Review by Brian Robins)

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CHARPENTIER: Motet pour une longue offrande (Review by Brian Robins)

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CHARPENTIER: Prose des morts (Review by Brian Robins)

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CHARPENTIER: Te Deum (Review by Brian Robins)

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CROFT: What art thou? (Review by Lynn René Bayley)

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HANDEL: Alcina: Tornami a vagheggiar (Review by Barry Brenesal)

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HANDEL: Amadigi di Gaula: Ah, spietato (Review by Barry Brenesal)

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HANDEL: Apollo e Dafne: Felicissima quest’alma (Review by Barry Brenesal)

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HANDEL: Ariodante: Il mil crudel martoro (Review by Barry Brenesal)

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HANDEL: Giulio Cesare: Da tempesta. Piangerò la sorte mia (Review by Barry Brenesal)

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HANDEL: Rinaldo: Lascia ch’io pianga. Vo’ far guerra (Review by Barry Brenesal)

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HANDEL: Semele: Myself I shall adore. Endless pleasure, endless love (Review by Barry Brenesal)

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HANDEL: Serse (Review by Brian Robins)

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HANDEL: Serse (Review by Bernard Jacobson)

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HANDEL: Teseo: Dolce riposo, ed innocente pace. Ira, sdegni, e furore . . . O stringerò nel sen (Review by Barry Brenesal)

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HANDEL: Theodora (Review by Bernard Jacobson)

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HANDEL: Theodora (Review by Bernard Jacobson)

Want List Performance
(WANT LIST PERFORMANCE)

HANDEL: Theodora, HWV 68 (Review by Brian Robins)

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HAYDN: The Creation (Review by James H. North)

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HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley)

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LANDI: Il Sant’ Alessio (Review by J. F. Weber)

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LULLY: Armide: Excerpts (Review by Brian Robins)

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LULLY: Ballets des muses: Trop indiscret Amour (Review by Brian Robins)

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LULLY: Georges Dandin: Chantons tous de l’amour; Laisse-nous en repos (Review by Brian Robins)

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LULLY: Isis: Excerpts (Review by Brian Robins)

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LULLY: Les Divertissements de Versailles (Review by Brian Robins)

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LULLY: Les plaisirs de l’île enchantée: Chère Climène, dis moi (Review by Brian Robins)

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LULLY: L’Amour médecin: Quittons notre vaine querelle (Review by Brian Robins)

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LULLY: Psyche: Prélude pour les trompettes; Chantons les plaisirs charmants (Review by Brian Robins)

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LULLY: Roland: Excerpts (Review by Brian Robins)

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MONDONVILLE: Dominus regnavit. In exitu Israel. De profundis (Review by J. F. Weber)

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MONTEVERDI: Il ritorno d’Ulisse in patria (Review by J. F. Weber)

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MOZART: Mass in c, K 427 (Review by J. F. Weber)

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PURCELL: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley)

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RAMEAU: In Convertendo. La timide; La poplinière; La Rameau (Review by Brian Robins)

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RAMEAU: Les Fêtes d’Hébé (Review by David Johnson)

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RAMEAU: Les Paladins (Review by Barry Brenesal)

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RAMEAU: Les boréades (Review by Barry Brenesal)

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RAMEAU: Zoroastre (Review by Brian Robins)

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RAMEAU: Zoroastre (Review by John Story)

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