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BARBER: Adagio for Strings (Tennstedt) (Review by James Miller)
soprano
BARTÓK: Bluebeard’s Castle (Review by James H. North)
Judith
BARTÓK: Dance Suite (Kertész) (Review by James Miller)
BEETHOVEN: Choral Fantasy (Sawallisch). Piano Concerto No. 4 (Hofmann/Ormandy). Symphony No. 5 (Stokowski) (Review by James Miller)
BEETHOVEN: Egmont: Freudvoll und leidvoll (Review by Mortimer H. Frank)
BEETHOVEN: Egmont: Klärchens Tod (Review by Mortimer H. Frank)
BEETHOVEN: Egmont: Overture; Die Trommel gerühret (Review by Mortimer H. Frank)
BEETHOVEN: Fidelio (Review by Bob Rose)
Leonore
BEETHOVEN: Fidelio (Review by Mortimer H. Frank)
BEETHOVEN: Missa solemnis (Review by Mortimer H. Frank)
BEETHOVEN: Symphony No. 5 (Review by Mortimer H. Frank)
BERG: Violin Concerto (Kogan/Ormandy) (Review by James Miller)
BERLIOZ: Roman Carnival Overture (Muti) (Review by James Miller)
BERLIOZ: Romeo and Juliet: Queen Mab Scherzo (Toscanini) (Review by James Miller)
BRAHMS-CAILLIET: Von ewiger Liebe, op. 43 (Anderson/Ormandy) (Review by James Miller)
BRAHMS: Hungarian Dance No. 5 (Stokowski). Haydn Variations (Sawallisch). Piano Concerto No. 1 (Kapell/Ormandy) (Review by James Miller)
BRITTEN: Peter Grimes: 4 Sea Interludes (Muti) (Review by James Miller)
CHARPENTIER: Louise: Depuis le jour (Maynor/Ormandy) (Review by James Miller)
COPLAND: A Lincoln Portrait (Anderson/Copland) (Review by James Miller)
DEBUSSY: Prélude à L’Après-midi d’un faune (Walter) (Review by James Miller)
DONIZETTI: Lucia di Lammermoor: Mad Scene (Sutherland/Stokowski) (Review by James Miller)
GIORDANO: Andrea Chénier: Improviso (Corelli/Stokowski) (Review by James Miller)
GOUNOD: Faust: Serenade (London/Stokowski) (Review by James Miller)
GRIEG: En svane. Fra Monte Pincio. Vären (Review by Henry Fogel)
KODÁLY: Peacock Variations (Kodály) (Review by James Miller)
LOEWE: My Fair Lady: I Could Have Danced All Night (Review by Henry Fogel)
MAHLER: MARTINU Symphony No. 4 (Sawallisch) (Review by James Miller)
MAHLER: Symphony No. 5 (Scherchen) (Review by James Miller)
MOZART: Exsultate, jubilate (Sills/Ormandy). Piano Concerto No. 17, K 453 (Richter/Ormandy) (Review by James Miller)
PENDERECKI: Threnody to the Victims of Hiroshima (Ormandy) (Review by James Miller)
PISTON: Symphony No. 7 (Ormandy) (Review by James Miller)
PUCCINI: La fanciulla del West (Review by Raymond Tuttle)
Minnie
PUCCINI: Tosca: Vissi d’arte (Review by Henry Fogel)
PUCCINI: Turandot (Review by Arthur Lintgen)
Turandot
PUCCINI: Turandot (Review by Bob Rose)
RACHMANINOFF: The Isle of the Dead (Ormandy) (Review by James Miller)
RANGSTRÖM: Melodi. Bön till natten. Sköldmön. En gammal dansrytm (Review by Henry Fogel)
RAVEL: Daphnis and Chloe: Suite No. 2 (Munch) (Review by James Miller)
RESPIGHI: The Pines of Rome (Muti) (Review by James Miller)
SAINT-SAËNS: Cello Concerto No. 1 (Du Pré/Barenboim) (Review by James Miller)
SCHOENBERG: Verklärte Nacht (Ormandy) (Review by James Miller)
SHOSTAKOVICH: Symphony No. 6 (Ormandy) (Review by James Miller)
SIBELIUS: Var det en dröm. Flickan kom ifrån. Svarta rosor. Säv, säv, susa. Diamanten på marssnön. Höstkväll. Vären flyktar hastigt (Review by Henry Fogel)
SIBELIUS: Violin Concerto (Heifetz/Stokowski). Symphony No. 2 (Stokowski) (Review by James Miller)
STRAUSS: Arabella: Sie woll’n mich heiraten . . . Und du wirst mein gebieter sein (Rothenberger/Fischer-Dieskau/Barenboim) (Review by James Miller)
STRAUSS: Die Frau ohne Schatten: Ein Handwerk versteht du sicher nicht (with Walter Berry) (Review by Henry Fogel)
STRAUSS: Elektra (Review by Evan Dickerson)
Elektra
STRAUSS: Elektra: Allein! Weh, ganz allein (Review by Henry Fogel)
STRAUSS: Elektra: Excerpts (Review by James Miller)
STRAUSS: Salome (Review by Christopher Williams)
Salome
STRAUSS: Salome: Final Scene (Review by Henry Fogel)
STRAVINSKY: The Fairy's Kiss: The Fairy’s Kiss: Divertimento (Stravinsky) (Review by James Miller)
TCHAIKOVSKY: Romeo and Juliet (Stokowski) (Review by James Miller)
TCHAIKOVSKY: Violin Concerto (Rabin/Smith) (Review by James Miller)
THOMSON: Five Portraits (Thomson) (Review by James Miller)
The Golden Ring (Georg Solti) (Review by Andrew Quint)
Ensemble
VARESE: Arcana (Muti) (Review by James Miller)
VERDI: Aida (Review by James Miller)
Aida
VERDI: Aida: Ritorna vincitor (Review by Henry Fogel)
VERDI: Don Carlo: O don fatale (Review by Henry Fogel)
VERDI: I vespri siciliani: Overture (Muti) (Review by James Miller)
VERDI: La forza del destino: Pace, pace, mio Dio (Review by Henry Fogel)
VERDI: Macbeth: Nel dì della vittoria…Vieni t’affretta (Review by Henry Fogel)
VERDI: Un ballo in maschera (Review by Evan Dickerson)
Amelia
WAGNER-STOKOWSKI: Tristan and Isolde: Love Music from Acts II and III (Stokowski) (Review by James Miller)
WAGNER: Der Ring des Nibelungen: Das Rheingold (Review by James Miller)
Brünnhilde
WAGNER: Der Ring des Nibelungen: Die Walküre (Review by James Miller)
WAGNER: Der Ring des Nibelungen: Götterdåmmerung (Review by James Miller)
WAGNER: Der Ring des Nibelungen: Siegfried (Review by James Miller)
WAGNER: Der fliegende Holländer: Jo-ho-joe! Trafft ihr das Schiff (Review by Lynn René Bayley)
WAGNER: Die Walküre (Review by Evan Dickerson)
Sieglinde
WAGNER: Die Walküre: Act III, Scene 3 (Review by Lynn René Bayley)
WAGNER: Götterdämmerung (Review by Henry Fogel)
WAGNER: Götterdämmerung: Immolation Scene (Nilsson/Stokowski) (Review by James Miller)
WAGNER: Götterdämmerung: Immolation Scene (truncated) (Review by Henry Fogel)
WAGNER: Götterdämmerung: Immolation Scene (Review by James H. North)
WAGNER: Lohengrin (Review by William H. Youngren)
Elsa
WAGNER: Lohengrin: Einsam in trüben Tagen (Review by Henry Fogel)
WAGNER: Lohengrin: Elsa’s Dream (Review by Lynn René Bayley)
WAGNER: Parsifal: Transformation Scene (Reiner) (Review by James Miller)
WAGNER: Siegfried (Review by Henry Fogel)
WAGNER: Tannhäuser: Dich, teure Halle (Review by Henry Fogel)
WAGNER: Tannhäuser: Dich, teure Halle (Review by Lynn René Bayley)
WAGNER: Tristan und Isolde (Review by William H. Youngren)
Isolde
WAGNER: Tristan und Isolde (Review by Evan Dickerson)
WAGNER: Tristan und Isolde: Excerpts (Review by James Miller)
WAGNER: Tristan und Isolde: Liebestod (Review by Henry Fogel)
WAGNER: Tristan und Isolde: Liebestod (Review by Lynn René Bayley)
WAGNER: Wesendonk Lieder (Review by Henry Fogel)
WAGNER: Wie aus der Ferne (Review by Lynn René Bayley)
WEBER: Der Freischütz (Review by James H. North)
Agathe