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ALLA: VENETIANA: Early 16th Century Venetian Lute Music (Review by Brian Robins)
lute
ANONYMOUS: A Downe. A Canzonetta (Review by Michael Ullman)
ANONYMOUS: Ask me no more (Review by Brian Robins)
ANONYMOUS: Conde claros (Review by Michael Ullman)
ANONYMOUS: Fantasy (Review by Michael Ullman)
ANONYMOUS: I long for thy virginitie. Sweet Besse. I kissed her while she blushed. Hench me Malie Gray. She’s rare and good. Buggle Bowe (Review by Brian Robins)
ANONYMOUS: Sellinger’s Round. A Dump. Chi passa per ’sta strada (Review by Michael Ullman)
ANONYMOUS: The Duke of Somersettes Dompe. Me Lady Careys Dompe (Review by Michael Ullman)
APOLLO'S BANQUET: 17th Century Music from the... (David Douglass) (Review by Brian Robins)
cittern
APOLLO'S BANQUET: 17th Century Music from the... (David Douglass) (Review by Tom Moore)
guitar
theorbo
BACHELER: 2 Preludes. Fantasie. La jeune fillette (Review by Barry Brenesal)
BACHELER: 2 Preludes. Fantasie. La jeune fillette (Review by Brian Robins)
BACHELER: 6 Pavans. 8 Galliards (Review by Barry Brenesal)
BACHELER: 6 Pavans. 8 Galliards (Review by Brian Robins)
BACHELER: Almaine. 2 Courantes. Volta (Review by Barry Brenesal)
BACHELER: Almaine. 2 Courantes. Volta (Review by Brian Robins)
BACHELER: Daniell’s Jigge (Review by Barry Brenesal)
BACHELER: Daniell’s Jigge (Review by Brian Robins)
BACHELER: Mounsieurs almaine. En me revenant. Fin de galliarde (Review by Barry Brenesal)
BACHELER: Mounsieurs almaine. En me revenant. Fin de galliarde (Review by Brian Robins)
COLLARD: Collard’s Ground (Review by Michael Ullman)
COLMAN: Farewell, fond love (Review by Brian Robins)
CONRADI: Ariadne (Review by Brian Robins)
Conductor
theorbo {period instrument}
DE COUNTIE: Anthony Pavyn (Review by Michael Ullman)
DOWLAND: Lacrimae, or Seaven Teares (1604) (Review by Michael Ullman)
DOWLAND: Mistresse Nichols Almand; M. George Whitehead his Almand; Mr. John Langtons Pavan; Come heavy sleepe; M. Giles Hobies Galiard; M. Nocholas Gryffith his Galiard; Sorrow stay; M. Buctons Galiard; M. Henry Noel his Galiard; Go crystal teares; The Earle of Essex Galiard; Captaine Digorie Piper his Galiard; The King of Denmarks Galiard; Semper Dowland semper dolens; Sir John Souch his Galiard; I saw my Lady weepe; Lachrimae antiquae; Lachrimae antiquae novae; Lachrimae tristes; Lachrimae amantis; Lachrimae verae; Flow my teares (Review by Michael Ullman)
EARLY MUSIC RECITAL (Jan DeGaetani) (Review by Brian Robins)
FERRABOSCO: Fantasia. Pavin. Canzonetta (Review by Michael Ullman)
HENRY VIII: Pastyme with good companye (Review by Michael Ullman)
HOLBORNE: 16th-century Pavans; Galliards; Almains (Review by Tom Moore)
HOLBORNE: Pavans, Galliards, and Almains (Review by Brian Robins)
JOHNSON: A Gathering of Pescodes. A paven to delight. The galliard to delighte. Quadro Paven. Omnino Galliard. Carmans Whistle. Passingmeasures pavin. Walsingham (Review by Michael Ullman)
JOHNSON: A Pavin in f. A ground for lute (Review by Michael Ullman)
LANIER: Love and I of late did part. Weep no more. Love’s constancy. Nor come’st thou yet (Review by Brian Robins)
LAWES, H.: Dearest, do not now delay me. The Marigold. The Rose. Farewell, despairing hopes. Bid me but live (Review by Brian Robins)
LE JARDIN DE MELODIES: 16th-century French Dances... (David Douglass) (Review by Tom Moore)
MOLINARO: Fantasie, canzoni, e balli (Review by Barry Brenesal)
MURCIA: 8 canarios. Canarios (Review by Lynn René Bayley)
MURCIA: Allegro(s) (Review by Lynn René Bayley)
MURCIA: Folías ytalianas. Las penas (Review by Lynn René Bayley)
MURCIA: Grabe (Review by Lynn René Bayley)
MURCIA: Jácaras por la E. La jota. Marizápalos. Gallardas. Tarantelas. Preludio grabe. La Cadena. Una giga de Corelli (Review by Lynn René Bayley)
MURCIA: Zarambeques. Passacalles por la E. Fandango. Marionas por la B. Cumbées. Payssanos (Review by Lynn René Bayley)
PAVANIGLIA: DANCES AND MADRIGALS FROM 17TH-CENTURY... (David Douglass) (Review by Craig Zeichner)
chittarone
PERI: Le varie musiche: Extracts (Review by Brian Robins)
chittarone(FEATURE ARTICLE)
ROBIN HOOD: ELIZABETHAN BALLAD SETTINGS (Paul O’Dette) (Review by Tom Moore)
orpharion
RODGERS: My Funny Valentine (Review by Brian Robins)
THE CHRISTMAS ALBUM (Ellen Hargis) (Review by Brian Robins)
VALLET: Le secret des Muses (Review by Brian Robins)
WILDER, VAN: Fantasie (Review by Michael Ullman)
WILDER, VAN: Philip’s Dump (Review by Michael Ullman)
WILSON: Fantasias: No 21 in A♭; No. 26 in c♯; No. 1 in a; No. 30 in e♭; No. 10 in C. No. 25 in D♭ (Review by Brian Robins)
WILSON: Stay, o stay. Venus and young Adonis. Beauty which all men admire. Wherefore peep’st thou? Power of love (Review by Brian Robins)
