BARTLETT: A Dream (Review by John W. Lambert) | soprano |
BARTLETT: A Dream (Review by James Camner) | soprano |
BELLINI: Norma: Casta Diva (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
BIZET: Carmen: Air des cartes (Review by John W. Lambert) | soprano |
BIZET: Carmen: Air des cartes (Review by James Camner) | soprano |
BIZET: Carmen: Habanera (Review by John W. Lambert) | soprano |
BIZET: Carmen: Habanera (Review by James Camner) | soprano |
BIZET: Carmen: Séguedille; Chanson bohème (2 versions) (Review by John W. Lambert) | soprano |
BIZET: Carmen: Séguedille; Chanson bohème (2 versions) (Review by James Camner) | soprano |
BIZET: Ouvre ton coeur (Review by John W. Lambert) | soprano |
BIZET: Ouvre ton coeur (Review by James Camner) | soprano |
BOND: I love you truly (Review by John W. Lambert) | soprano |
BOND: I love you truly (Review by James Camner) | soprano |
BRAHMS: Wiegenlied (Review by John W. Lambert) | soprano |
BRAHMS: Wiegenlied (Review by James Camner) | soprano |
BRANDL-KREISLER: The Old Refrain (Review by John W. Lambert) | soprano |
BRANDL-KREISLER: The Old Refrain (Review by James Camner) | soprano |
CAPUA: Maria, Marl. Osolemlo (with Carmella Ponselle, alto) (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
CHARLES: When I have sung my songs (Review by John W. Lambert) | soprano |
CHARLES: When I have sung my songs (Review by James Camner) | soprano |
CHRISTMAS FROM A GOLDEN AGE (Aksel Schiøtz) (Review by George Chien) | voice
(FEATURE ARTICLE) |
DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by John W. Lambert) | soprano |
DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by James Camner) | soprano |
EDEN: What’s in the air today (Review by John W. Lambert) | soprano |
EDEN: What’s in the air today (Review by James Camner) | soprano |
FOSTER: Old Folks at Home. Home, Sweet Home (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
GLUCK: Alceste: Divinités du Styx (Review by John W. Lambert) | soprano |
GLUCK: Alceste: Divinités du Styx (Review by James Camner) | soprano |
GROSVENOR: Here's to Romance: Here’s to Romance: I carry you in my pocket (Review by John W. Lambert) | soprano |
GROSVENOR: Here's to Romance: Here’s to Romance: I carry you in my pocket (Review by James Camner) | soprano |
HALÉVY: La Juive: Il va venir (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
HERBERG: Mademoiselle Modiste: Kiss Me Again (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
LEHÁR: Die lustige Witwe: Lippen schweigen (Review by John W. Lambert) | soprano |
LEHÁR: Die lustige Witwe: Lippen schweigen (Review by James Camner) | soprano |
LEONCAVALLO: I pagliacci: Ballatella. Dl (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
LIGHT OPERA GEMS, GREAT VOICES OF THE PAST (Peter Anders) (Review by David L. Kirk) | soprano |
LOCKHART-MANNING: In Luxembourg Gardens (Review by John W. Lambert) | soprano |
LOCKHART-MANNING: In Luxembourg Gardens (Review by James Camner) | soprano |
LOHR: Rose of My Heart Where My Caravan Has Rested (C. Ponselle) (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
MANA-ZUCCA: The big brown bear (Review by John W. Lambert) | soprano |
MANA-ZUCCA: The big brown bear (Review by James Camner) | soprano |
MANNA-ZUCCA: Rachem (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by John W. Lambert) | soprano |
MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by James Camner) | soprano |
MASCAGNI: Cavalleria rusticana: Voi lo sapete (Review by John W. Lambert) | soprano |
MASCAGNI: Cavalleria rusticana: Voi lo sapete (Review by James Camner) | soprano |
MASCAGNI: Cavalleria rustlcana: Vol to sápete (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
MEYERBEER: L'africaine: L’africaine: Figlio del sol (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
MOZART: Don Giovanni: Batti, batti, o bel Masetto (Review by John W. Lambert) | soprano |
MOZART: Don Giovanni: Batti, batti, o bel Masetto (Review by James Camner) | soprano |
NEVIN: The Rosary (Review by John W. Lambert) | soprano |
NEVIN: The Rosary (Review by James Camner) | soprano |
NOVELLO: Keep the Home Fires Burning (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
OFFENBACH: Tales of Hoffmann: Barcarolle (C. Ponselle) (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
PADILLA: La violetera (Review by John W. Lambert) | soprano |
PADILLA: La violetera (Review by James Camner) | soprano |
PONCE: Estrellita (Review by John W. Lambert) | soprano |
PONCE: Estrellita (Review by James Camner) | soprano |
PONCHIEUJ: La Gloeonda: Suicido (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
PUCCINI: La Bohème: Si, mi chiamano Mim), rosea: Vissi d’arte (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
PUCCINI: Madame Butterfly: Un bel di (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
PUCCINI: Manon Lescaut: In quelle trine morbide (two recordings) (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
REGER: Maria Wegenlied (Review by John W. Lambert) | soprano |
REGER: Maria Wegenlied (Review by James Camner) | soprano |
RIEGO, DEL: Homing (Review by John W. Lambert) | soprano |
RIEGO, DEL: Homing (Review by James Camner) | soprano |
RIMSKY-KORSAKOV: Sadko: Song of India (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
ROMANI: Fedra: Ah! l’eterno tormento ... O divina Afrodite (Review by John W. Lambert) | soprano |
ROMANI: Fedra: Ah! l’eterno tormento ... O divina Afrodite (Review by James Camner) | soprano |
ROSA PONSELLE ON THE AIR, VOL. 2: 1936-37 (Rosa Ponselle) (Review by John W. Lambert) | soprano |
ROSA PONSELLE ON THE AIR, VOL. 2: 1936-37 (Rosa Ponselle) (Review by James Camner) | soprano |
ROSA PONSELLE: THE 1926-29 VICTOR RECORDINGS (Rosa Ponselle) (Review by Henry Fogel) | Want List Performance
(WANT LIST PERFORMANCE) |
ROSSINI: William Tell: Serve Opaca (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
SAINT-SAËNS: Samson et Dalila: Printemps qui commence (Review by John W. Lambert) | soprano |
SAINT-SAËNS: Samson et Dalila: Printemps qui commence (Review by James Camner) | soprano |
SANDOVAL: Ave Maria (Review by John W. Lambert) | soprano |
SANDOVAL: Ave Maria (Review by James Camner) | soprano |
SCHAEFER: The cuckoo clock (Review by John W. Lambert) | soprano |
SCHAEFER: The cuckoo clock (Review by James Camner) | soprano |
SCHUBERT: Der Erlkönig (Review by John W. Lambert) | soprano |
SCHUBERT: Der Erlkönig (Review by James Camner) | soprano |
SPROSS: Will-o’-the-Wisp (Review by John W. Lambert) | soprano |
SPROSS: Will-o’-the-Wisp (Review by James Camner) | soprano |
STARR: Little Alabama Coon (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
STRAUS: The Chocolate Soldier: My Hero (Review by John W. Lambert) | soprano |
STRAUS: The Chocolate Soldier: My Hero (Review by James Camner) | soprano |
STRAUSS II, J.: The Blue Danube Waltz (Review by John W. Lambert) | soprano |
STRAUSS II, J.: The Blue Danube Waltz (Review by James Camner) | soprano |
STRAUSS II, J.: The Blue Danube (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
TCHAIKOVSKY: None but the lonely heart (Review by John W. Lambert) | soprano |
TCHAIKOVSKY: None but the lonely heart (Review by James Camner) | soprano |
TCHERVANOW-KOUNTZ: The Sleigh (Review by John W. Lambert) | soprano |
TCHERVANOW-KOUNTZ: The Sleigh (Review by James Camner) | soprano |
THE ART OF SINGING: GOLDEN VOICES ON FILM: A FILM... (Jussi Björling) (Review by Peter J. Rabinowitz) | singers |
TOSTI: Good-bye. L’ultima canzone (Review by John W. Lambert) | soprano |
TOSTI: Good-bye. L’ultima canzone (Review by James Camner) | soprano |
TOSTI: Goodbye (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
TRADITIONAL: Combi’ Thro’ the Rye (C. Ponselle) (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
TRADITIONAL: Comin’ thro’ the rye (Review by John W. Lambert) | soprano |
TRADITIONAL: Comin’ thro’ the rye (Review by James Camner) | soprano |
TRADITIONAL: Danny Boy (arr Wetherley) (Review by John W. Lambert) | soprano |
TRADITIONAL: Danny Boy (arr Wetherley) (Review by James Camner) | soprano |
TRADITIONAL: La golondrina (arr Serradell) (Review by John W. Lambert) | soprano |
TRADITIONAL: La golondrina (arr Serradell) (Review by James Camner) | soprano |
TRADITIONAL: The Last Rose of Summer (Review by John W. Lambert) | soprano |
TRADITIONAL: The Last Rose of Summer (Review by James Camner) | soprano |
VALVERDE: Clavelitos (Review by John W. Lambert) | soprano |
VALVERDE: Clavelitos (Review by James Camner) | soprano |
VANDERPOOL: Values (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
VERDI: Aida: Ritoma vincitor; O patria mla; O terra addio (with Charles Hackett, tenor) (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
VERDI: Ernanl: Emani invotaml (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
VERDI: I vesprl Sicilian!: Boléro (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
VERDI: Il trovatore: Tacea la notte; D’Amor sull’ali rosée; Mira d’acerbe (with Riccardo Stracciari, baritone) (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
VERDI: La torza del destlno: La verglne degl’angeli; Pace, pace mio Dio (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
VERDI: Otello: Ave Maria (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
WAGNER: Lohengrin: Einsam in trueben Tagen (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
WALLACE: Maritana: Scenes that are brightest (Review by Henry Fogel) | soprano
(HALL OF FAME PERFORMANCE) |
