|
|
Performer: Jeffrey Tate BRUCH: Violin Concerto No. 1 (Review by Robert Maxham) | Conductor | COWARD: Dance, Little Lady. Bitter Sweet: If You Could Only Come With Me; I’ll See You Again (Review by Bernard Jacobson) | piano
(FEATURE ARTICLE) | COWARD: I Travel Alone; London Calling: Parisian Pierrot. On With the Dance: Poor Little Rich Girl. This Year of Grace: World Weary; Mary Make-believe; A Room with a View (Review by Bernard Jacobson) | piano
(FEATURE ARTICLE) | COWARD: Set to Music: Never Again (Review by Bernard Jacobson) | piano
(FEATURE ARTICLE) | COWARD: The Party's Over Now. Private Lives: The Party’s Over Now. Private Lives: Someday I’ll Find You (Review by Bernard Jacobson) | piano
(FEATURE ARTICLE) | COWARD: Zigeuner. The Dream is Over; Cochran's 1931 Revue: Zigeuner. The Dream is Over; Cochran’s 1931 Revue: Any Little Fish. Cavalcade: Twentieth Century Blues. Words and Music: Mad Dogs and Englishmen; Let’s Say Goodbye; Something To Do With Spring (Review by Bernard Jacobson) | piano
(FEATURE ARTICLE) | DEBUSSY: 12 Études (Review by Peter Burwasser) | Conductor | HAYDN: Symphonies: No. 100 in G, “Military”; No. 103 in E♭, “Drumroll” (Review by James H. North) | Conductor | HAYDN: Symphonies: No. 93 in D; No. 96 in D “Miracle”; No. 98 in B♭ (Review by James H. North) | Conductor | HAYDN: Symphonies: No. 94 in G, “Surprise;” No. 95 in c; No. 97 in C (Review by James H. North) | Conductor | HAYDN: Symphonies: No. 99 in E♭; No. 101 in D, “The Clock” (Review by James H. North) | Conductor | MONTEVERDI-HENZE: II ritorno d’Ulisse in Patria (Review by J. F. Weber) | Conductor | MOZART: Adagio in b, K 540 (Review by Peter Burwasser) | Conductor | MOZART: Piano Concerto No. 9, K 271 (Review by Peter Burwasser) | Conductor | MOZART: Piano Concertos: No. 8 in c; No. 9 in E♭, “Jeunehomme” (Review by Michael Ullman) | Conductor | MOZART: Piano Sonata No. 17, K 576 (Review by Peter Burwasser) | Conductor | MOZART: Rondo in a, K 511 (Review by Peter Burwasser) | Conductor | MOZART: Symphonies: No. 1, K 16; No. 4, K 19; in F, K Anh 19a; No. 5 K 22; No. 6, K 43; No. 7, K 45; No. 7a, K Anh 45a; No. 55, K Anh 214; No. 8, K 48; No. 9, K 73; No. 10, K 74; No. 42, K 75; No. 43, K 76; No. 44, K 81; No. 11, K 84; No. 45, K 95; No. 46, K 96; No. 47, K 97; No. 52, K 102; No. 12, K 110; No. 13, K 112; No. 14, K 114; No. 48, K 120; No. 51, K 121; No. 15, K 124; No. 16, K 128; No. 17, K 129; No. 18, K 130; No. 19, K 132; No. 20, K 133; No. 21, K 134; No. 50, K 161; No. 22, K 162; No. 23, K 181; No. 24, K 182; No. 25, K 183; No. 26, K 184; No. 27, K 199; No. 28, K 200; No. 29, K 201; No. 30, K 202; No 31, K 297, “Paris”; No. 32, K 318; No. 33, K 319; No. 34, K 338; No. 35, K 385, “Haffner”; No. 36, K 425, “Linz”; No. 38, K 504, “Prague”; No. 39, K 543; No. 40, K 550; No. 41, K 551, “Jupiter” (Review by Paul Ingram) | Conductor | MOZART: Symphonies: No. 36, "Linz"; No. 38, "Prague"; No. 40; No. 41, "Jupiter" (Review by Bernard Jacobson) | Conductor | MOZART: Variations in G, K 455 (Review by Peter Burwasser) | Conductor | RENÉE FLEMING: THE BEAUTIFUL VOICE (Renée Fleming) (Review by Marc Mandel) | Conductor | SCHOENBERG: 3 Klavierstücke (Review by Peter Burwasser) | Conductor |
|
