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ADAMS: 2 Fanfares for Orchestra (Review by Raymond Tuttle)
Conductor(FEATURE ARTICLE)
ADAMS: 5 Songs (arrangements of Charles Ives) (Review by Raymond Tuttle)
ADAMS: Christian Zeal and Activity (Review by Raymond Tuttle)
ADAMS: Common Tones in Simple Time (Review by Raymond Tuttle)
ADAMS: El Dorado (Review by Raymond Tuttle)
ADAMS: Eros Piano (Review by Raymond Tuttle)
ADAMS: Fearful Symmetries (Review by Raymond Tuttle)
ADAMS: Grand Pianola Music (Review by Raymond Tuttle)
ADAMS: Harmonielehre (Review by Raymond Tuttle)
ADAMS: Nixon In China (Review by Alex Ross)
Conductor(HALL OF FAME PERFORMANCE)
ADAMS: Nixon in China: Excerpts (Review by Raymond Tuttle)
ADAMS: The Chairman Dances (Review by Raymond Tuttle)
ADAMS: The Wound-Dresser (Review by Raymond Tuttle)
ADAMS: Violin Concerto (Review by Raymond Tuttle)
ANDRIESSEN, H.: Ricercare (Review by James H. North)
Conductor
ANDRIESSEN, H.: Ricercare. Variations and Fugue on a Theme of Johan Kuhnau. Symphonic Study (Review by James H. North)
Want List Performance(WANT LIST PERFORMANCE)
ANDRIESSEN, H.: Symphonies: Nos. 1–4 (Review by James H. North)
ANDRIESSEN, H.: Variations on a Theme of Couperin (Review by James H. North)
BARTÓK: Romanian Folk Dances (Review by Susan Kagan)
BEETHOVEN: Romances: No. 1 in G; No. 2 in F (Review by Robert Maxham)
BERLIOZ: Les nuits d’été (Review by James Miller)
BERLIOZ: Les nuits d’été (Review by Adrian Corleonis)
BERLIOZ: Rêverie et caprice, op. 8 (Review by Robert Maxham)
BLOCH: Schelomo (Review by Michael Jameson)
DEBUSSY: 2 Arabesques. D’un cahier d’esquisses. Suite bergamasque. L’lsle joyeuse. Estampes (Review by Susan Kagan)
DEBUSSY: Fantasy for Piano and Orchestra (Review by Susan Kagan)
DEBUSSY: La damoiselle élue (Review by James Miller)
DEBUSSY: La damoiselle élue (Review by Adrian Corleonis)
DOHNANYI: Variations on a Nursery Song (Review by Susan Kagan)
DUPARC: Chanson triste (Review by Adrian Corleonis)
DUPARC: Chanson triste. L’invitation au voyage (Review by James Miller)
DUPARC: L’invitation au voyage (Review by Adrian Corleonis)
ELGAR: Cello Concerto (Review by Michael Jameson)
GERSHWIN: "I Got Rhythm" Variations. Concerto in F. Rhapsody No. 2 (Review by Raymond Tuttle)
GERSHWIN: 3 Preludes. Cuban Overture (Review by Raymond Tuttle)
GRIEG: Lyric Pieces, op. 43 (Review by Susan Kagan)
HARBISON: Remembering Gatsby (Review by Peter J. Rabinowitz)
HAYDN, M.: Violin Concerto in A (Review by Robert Maxham)
KABALEVSKY: Cello Concerto No. 2 (Review by Michael Jameson)
LEIGH: The Man of La Mancha: The Impossible Dream (Review by Henry Fogel)
LISZT: Les Jeux d’eaux à la Villa d’Esté (Review by Susan Kagan)
LOEWE: Camelot: How to Handle a Woman (Review by Henry Fogel)
LUTOSŁAWSKI: Three Poems of Henri Michaux (Review by James H. North)
Ensemble
MAHLER: Symphony No. 1 (Review by Christopher Abbot)
MAHLER: Symphony No. 4 (Review by Peter J. Rabinowitz)
MOZART: Die Zauberflote: Der Vogelfanger (Review by Henry Fogel)
MOZART: Don Giovanni: Vedrai, carino (Review by Henry Fogel)
MOZART: La clemenza di Tito: Non più di fiori; Parto, parto (Review by Henry Fogel)
MOZART: Le nozze di Figaro: Overture; Non più andrai (Review by Henry Fogel)
MOZART: Marriage of Figaro: Non sò più; Voi, che sapete (Review by Henry Fogel)
MUSSORGSKY: Pictures at an Exhibition (Review by Andrew Quint)
PUCCINI: Madama Butterfly (Review by Arthur Lintgen)
RACHMANINOFF: Piano Concerto No. 4 (Review by Susan Kagan)
RACHMANINOFF: Prelude in c♯ (Review by Susan Kagan)
RACHMANINOFF: Symphony No. 2 (Review by James H. North)
RACHMANINOFF: Vocalise (Review by Susan Kagan)
RAVEL: Boléro (Review by James Reel)
RAVEL: Shéhérazade (Review by James Miller)
RAVEL: Shéhérazade (Review by Adrian Corleonis)
RIMSKY-KORSAKOV: Capriccio espagnol (Review by James H. North)
RODGERS: State Fair: It Might as Well Be Spring (Review by Henry Fogel)
ROSSINI: Barber of Seville: Una voce poco fa (Review by Henry Fogel)
ROSSINI: Cenerentola: Nacqui all’affanno (Review by Henry Fogel)
ROSSINI: Otello: Canzona (Review by Henry Fogel)
SAINT-SAËNS: Symphony No. 3 in c, op. 78, “Organ” (Review by Jerry Dubins)
SAINT-SAËNS: Symphony No. 3, “Organ” (Review by Andrew Quint)
SCHONBERG: Les Miserables: Stars (Review by Henry Fogel)
SCHUBERT: Rondo in A, D 348 (Review by Robert Maxham)
STRAUSS: Don Quixote (Review by Michael Jameson)
SVENDSEN: Romance in G, op. 26 (Review by Robert Maxham)
TCHAIKOVSKY: Andante cantabile, op. 11 (Review by Michael Jameson)
TCHAIKOVSKY: Nocturne, op. 19/4 (Review by Michael Jameson)
TCHAIKOVSKY: Pezzo capriccioso, op. 62 (Review by Michael Jameson)
TCHAIKOVSKY: Sérénade mélancolique (Review by Robert Maxham)
TCHAIKOVSKY: Variations on a Rococo Theme (original version) (Review by Michael Jameson)
THE JOHN ADAMS EARBOX (Adams) (Review by Christopher Abbot)
TORKE: Book of Proverbs (Review by Robert Kirzinger)
TORKE: Book of Proverbs. 4 Proverbs (Review by John Story)
TRADITIONAL: Hun a blentyn a fy mynwes (Review by Henry Fogel)
VERDI: Falstaff: Ehi! Paggio (Review by Henry Fogel)
VIOTTI: Violin Concerto No. 22 (Review by Robert Maxham)
WAGNER: A Faust Overture (Review by James Miller)
WAGNER: Der Ring des Nibelungen: Excerpts (Review by James Miller)
WAGNER: Die Feen: Overture (Review by James Miller)
WAGNER: Die Walküre: The Ride of the Valkyries; Wotan’s Farewell (Review by Henry Fogel)
WAGNER: Parsifal: Excerpts (Review by James Miller)
WAGNER: Symphony in C (Review by James Miller)
WAGNER: Tannhäuser: Overture and Bacchanal (Review by James Miller)
WAGNER: Tannhäuser: Wie Todesahnung (Review by Henry Fogel)
WAGNER: The Flying Dutchman: Overture (Review by James Miller)
WAGNER: Tristan und Isolde: Excerpts (Review by James Miller)
WIENIAWSKI: Légende, op. 17 (Review by Robert Maxham)
WIENIAWSKI: Violin Concerto No. 2: Romance (Review by Robert Maxham)
WILLIAMS: My Little Welsh Home (Review by Henry Fogel)
