BACH: Keyboard Concerto in d, BWV 1052(arr. Reitz) (Review by Robert Maxham) | Conductor |
BACH: Keyboard Concerto in f, BWV 1056: Largo (arr. Szigeti) (Review by Robert Maxham) | Conductor |
BARBER: Adagio for Strings (Tennstedt) (Review by James Miller) | Conductor |
BARTÓK: Contrasts (Review by Robert Maxham) | Conductor |
BARTÓK: Dance Suite (Kertész) (Review by James Miller) | Conductor |
BEETHOVEN: Choral Fantasy (Sawallisch). Piano Concerto No. 4 (Hofmann/Ormandy). Symphony No. 5 (Stokowski) (Review by James Miller) | Conductor |
BEETHOVEN: Concerto In D for Violin and Orchestra, op. 61 (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
BEETHOVEN: Concerto In D for Violin and Orchestra, op. 61 (Review by David K. Nelson) | Conductor
(HALL OF FAME PERFORMANCE) |
BEETHOVEN: Coriolan Overture (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Leonore Overture No. 2 (Review by Robert McColley) | Conductor |
BEETHOVEN: Missa solemnis (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Piano Concertos: No. 1 (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Piano Concertos: No. 1 (Review by Christopher Abbot) | Conductor |
BEETHOVEN: Piano Concertos: No. 2 (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Piano Concertos: No. 2 (Review by Christopher Abbot) | Conductor |
BEETHOVEN: Piano Concertos: No. 3 (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Piano Concertos: No. 3 (Review by Christopher Abbot) | Conductor |
BEETHOVEN: Piano Concertos: No. 4 (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Piano Concertos: No. 4 (Review by Christopher Abbot) | Conductor |
BEETHOVEN: Piano Concertos: No. 5, "Emperor" (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Piano Concertos: No. 5, "Emperor" (Review by Christopher Abbot) | Conductor |
BEETHOVEN: Symphonies: Nos. 1–2 (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Symphonies: Nos. 1–9 (Review by Henry Fogel) | Conductor |
BEETHOVEN: Symphony No. 3 (Review by Mortimer H. Frank) | Conductor |
BEETHOVEN: Symphony No. 6, "Pastoral" (Review by Marc Mandel) | Conductor |
BEETHOVEN: Symphony No. 9 in D Minor, op. 125 ("Choral") (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
BEETHOVEN: Violin Concerto (Review by Robert Maxham) | Conductor |
BEETHOVEN: Violin Concerto (Review by Robert Maxham) | Conductor |
BERG: Violin Concerto (Kogan/Ormandy) (Review by James Miller) | Conductor |
BERLIOZ: Roman Carnival Overture (Muti) (Review by James Miller) | Conductor |
BERLIOZ: Romeo and Juliet: Queen Mab Scherzo (Toscanini) (Review by James Miller) | Conductor |
BLOCH: Baal Shem (Review by Robert Maxham) | Conductor |
BLOCH: Violin Concerto (Review by Robert Maxham) | Conductor |
BRAHMS-CAILLIET: Von ewiger Liebe, op. 43 (Anderson/Ormandy) (Review by James Miller) | Conductor |
BRAHMS: Hungarian Dance No. 5 (Stokowski). Haydn Variations (Sawallisch). Piano Concerto No. 1 (Kapell/Ormandy) (Review by James Miller) | Conductor |
BRAHMS: Hungarian Dance No. 5 (arr. Joachim) (Review by Robert Maxham) | Conductor |
BRAHMS: Symphonies: No. 3 In F, op. 90 (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
BRAHMS: Symphonies: No. 3 (Review by Mortimer H. Frank) | Conductor |
BRAHMS: Symphonies: No. 4 in E Minor, op. 98 (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
BRAHMS: Symphonies: Nos. 1–4 (Review by Mortimer H. Frank) | Conductor |
BRAHMS: Symphony No. 2 (Review by Marc Mandel) | Conductor |
BRAHMS: Variations on a Theme by Haydn. Academic Festival Overture. Tragic Overture (Review by Mortimer H. Frank) | Conductor |
BRAHMS: Violin Sonata No. 3 (Review by Robert Maxham) | Conductor |
BRITTEN: Peter Grimes: 4 Sea Interludes (Muti) (Review by James Miller) | Conductor |
BRUCKNER: Symphony No. 8 in c (Review by Robert McColley) | Conductor |
BRUCKNER: Symphony No. 9 in d (Review by Robert McColley) | Conductor |
BUSONI: Violin Concerto (Review by James H. North) | Conductor |
CHARPENTIER: Louise: Depuis le jour (Maynor/Ormandy) (Review by James Miller) | Conductor |
COPLAND: A Lincoln Portrait (Anderson/Copland) (Review by James Miller) | Conductor |
DEBUSSY: Prélude à L’Après-midi d’un faune (Walter) (Review by James Miller) | Conductor |
DONIZETTI: Lucia di Lammermoor: Mad Scene (Sutherland/Stokowski) (Review by James Miller) | Conductor |
DVOŘÁK: Slavonic Dance, op. 46/1 (Review by Barry Brenesal) | Conductor |
DVOŘÁK: Slavonic Dances: No. 1; No. 2 (Review by Robert Maxham) | Conductor |
DVOŘÁK: Symphony No. 8 In G, op. 88 (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
DVOŘÁK: Symphony No. 8 (Review by James H. North) | Conductor |
DVOŘÁK: Symphony No. 8 (Review by Barry Brenesal) | Conductor |
ELISABETH SCHUMANN (Schumann) (Review by Raymond Beegle) | Want List Performance
(WANT LIST PERFORMANCE) |
FALLA: Three-Cornered Hat: The Miller’s Dance (Review by Robert Maxham) | Conductor |
GIORDANO: Andrea Chénier: Improviso (Corelli/Stokowski) (Review by James Miller) | Conductor |
GOUNOD: Faust: Serenade (London/Stokowski) (Review by James Miller) | Conductor |
HANDEL: Violin Sonata in D, op. 1/13 (Review by Robert Maxham) | Conductor |
HAYDN: Symphony No. 88: Finale (Review by Mortimer H. Frank) | Conductor |
HAYDN: Symphony No. 92, "Oxford" (Review by Peter J. Rabinowitz) | Conductor |
HAYDN: Symphony No. 92, "Oxford" (Review by Marc Mandel) | Conductor |
HINDEMITH: Symphonia Serena (1947) (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
HINDEMITH: Symphonia Serena (Review by James H. North) | Conductor |
HUBAY: Scènes de la Csárda: Hungarian Rhapsody (Review by Robert Maxham) | Conductor |
KODÁLY: Háry János: Intermezzo (Review by Robert Maxham) | Conductor |
KODÁLY: Peacock Variations (Kodály) (Review by James Miller) | Conductor |
MAHLER: 3 Lieder: Wo die schönen Trompeten blasen; Ich atmet’ einen linden Duft; Wer hat dies Liedlein erdacht? Das Lied von der Erde (Review by Christopher Abbot) | Conductor |
MAHLER: 3 Rückert-Lieder: Ich bin der Welt abhanden gekommen; Ich atmet’ einen linden Duft; Um Mitternach (Review by Christopher Abbot) | Conductor |
MAHLER: Das Lied von der Erde (Review by Peter Burwasser) | Conductor
(HALL OF FAME PERFORMANCE) |
MAHLER: Das Lied von der Erde (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
MAHLER: Das Lied von der Erde (Review by Benjamin Pernick) | Conductor
(FEATURE ARTICLE) |
MAHLER: Das Lied von der Erde (Review by Christopher Abbot) | Conductor |
MAHLER: Das Lied von der Erde (Review by Christopher Abbot) | Conductor |
MAHLER: Das Lied von der Erde (Review by Christopher Abbot) | Conductor |
MAHLER: Das Lied von der Erde (Review by Christopher Abbot) | Conductor
(HALL OF FAME PERFORMANCE) |
MAHLER: Das Lied von der Erde. Rückert-Lieder: Ich bin der Welt abhanden gekommen; Ich atmet’ einen linden Duft; Um Mitternacht (Review by Christopher Abbot) | Conductor |
MAHLER: Das Lied von der Erde: Der Abschied (Review by Lynn René Bayley) | Conductor |
MAHLER: Das Lied von der erde (Review by Lynn René Bayley) | Conductor |
MAHLER: Des Knaben Wunderhorn: Wo die schönen Trompeten blasen (Review by Christopher Abbot) | Conductor |
MAHLER: Five Rückert Lieder: Ich atmet einen linden Duft (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
MAHLER: Five Rückert Lieder: Ich bin der Welt abhanden gekommen (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
MAHLER: J (Review by Marc Mandel) | Conductor |
MAHLER: Kindertotenlieder (Review by Christopher Abbot) | Conductor |
MAHLER: Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n (Review by Marc Mandel) | Conductor |
MAHLER: MARTINU Symphony No. 4 (Sawallisch) (Review by James Miller) | Conductor |
MAHLER: Rückert Lieder: Ich atmet’ einen Linden Duft; Ich bin der Welt abhanden gekommen (Review by Christopher Abbot) | Conductor |
MAHLER: STRAUSS: Die Fledermaus: Overture (Review by Marc Mandel) | Conductor |
MAHLER: Symphonies: No. 2, “Resurrection” (Review by Christopher Abbot) | Conductor |
MAHLER: Symphonies: No. 4 (Review by Christopher Abbot) | Conductor |
MAHLER: Symphony No. 1 (Review by James H. North) | Conductor |
MAHLER: Symphony No. 1 (Review by Jeffrey J. Lipscomb) | Conductor |
MAHLER: Symphony No. 1 (Review by Jeffrey J. Lipscomb) | Want List Performance
(WANT LIST PERFORMANCE) |
MAHLER: Symphony No. 2, “Resurrection” (Review by Christopher Abbot) | Conductor |
MAHLER: Symphony No. 4 (Review by Christopher Abbot) | Conductor |
MAHLER: Symphony No. 4 (Review by James H. North) | Conductor |
MAHLER: Symphony No. 4 (Review by Christopher Abbot) | Conductor |
MAHLER: Symphony No. 4 (Review by Henry Fogel) | Conductor
(FEATURE ARTICLE) |
MAHLER: Symphony No. 5 (Scherchen) (Review by James Miller) | Conductor |
MAHLER: Symphony No. 5: Adagietto (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
MAHLER: Symphony No. 5: Adagietto (Review by Marc Mandel) | Conductor |
MENDELSSOHN: Concerto In E Minor for Violin and Orchestra, op. 64 (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
MENDELSSOHN: Concerto in E Minor for Violin and Orchestra, op. 64 (Review by David K. Nelson) | Conductor
(HALL OF FAME PERFORMANCE) |
MENDELSSOHN: Hebrides Overture, "Fingal’s Cave" (Review by James H. North) | Conductor |
MENDELSSOHN: Hebrides Overture, op. 26 (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
MENDELSSOHN: Violin Concerto in e (Review by Robert Maxham) | Conductor |
MENDELSSOHN: Violin Concerto (Review by Robert Maxham) | Conductor |
MENDELSSOHN: Violin Concerto (Review by Robert Maxham) | Conductor |
MILHAUD: Le Printemps (Review by Robert Maxham) | Conductor |
MILHAUD: Saudades do Brasil: Corcovado (Review by Robert Maxham) | Conductor |
MILHAUD: Saudades do Brasil: Sumare (Review by Robert Maxham) | Conductor |
MOZART: 3 German Dances, K 605 (Review by Mortimer H. Frank) | Conductor |
MOZART: Exsultate, jubilate (Sills/Ormandy). Piano Concerto No. 17, K 453 (Richter/Ormandy) (Review by James Miller) | Conductor |
MOZART: Le nozze di Figaro (Review by Barry Brenesal) | Conductor |
MOZART: Le nozze di Figaro (Review by James Camner) | Want List Performance
(WANT LIST PERFORMANCE) |
MOZART: Le nozze di Figaro: Overture (Review by Marc Mandel) | Conductor |
MOZART: Piano Concertos... (Artur Schnabel) (Review by Barry Brenesal) | Conductor |
MOZART: Piano Concertos: No. 14; No. 20 (Review by Henry Fogel) | Conductor
(FEATURE ARTICLE) |
MOZART: Requiem: Lacrymosa (Review by Richard Burke) | Conductor |
MOZART: Symphony No. 40 (Review by James H. North) | Conductor |
MOZART: Violin Concerto No. 4, K 218 (Review by David K. Nelson) | Conductor |
PAGANINI: Caprice No. 9 In E for Solo Violin (Review by Jon Tuska) | Conductor
(HALL OF FAME PERFORMANCE) |
PAGANINI: Caprices: No. 9; No. 2 (Review by Robert Maxham) | Conductor |
PENDERECKI: Threnody to the Victims of Hiroshima (Ormandy) (Review by James Miller) | Conductor |
PISTON: Symphony No. 7 (Ormandy) (Review by James Miller) | Conductor |
PROKOFIEV: Violin Concerto No. 1 (Review by Robert Maxham) | Conductor |
RACHMANINOFF: The Isle of the Dead (Ormandy) (Review by James Miller) | Conductor |
RAVEL: Concerto for the Left Hand (Review by James H. North) | Conductor |
RAVEL: Daphnis and Chloe: Suite No. 2 (Munch) (Review by James Miller) | Conductor |
RESPIGHI: The Pines of Rome (Muti) (Review by James Miller) | Conductor |
SAINT-SAËNS: Cello Concerto No. 1 (Du Pré/Barenboim) (Review by James Miller) | Conductor |
SCHOENBERG: Verklärte Nacht (Ormandy) (Review by James Miller) | Conductor |
SCHUBERT: Symphony No. 8 (Review by Jeffrey J. Lipscomb) | Want List Performance
(WANT LIST PERFORMANCE) |
SCHUBERT: Symphony No. 8, “Unfinished” (Review by Christopher Abbot) | Conductor |
SCHUBERT: Symphony No. 8, “Unfinished” (Review by Jeffrey J. Lipscomb) | Conductor |
SHOSTAKOVICH: Symphony No. 6 (Ormandy) (Review by James Miller) | Conductor |
SIBELIUS: Violin Concerto (Heifetz/Stokowski). Symphony No. 2 (Stokowski) (Review by James Miller) | Conductor |
SMETANA: The Moldau. The Bartered Bride: Overture (Review by Barry Brenesal) | Conductor |
STRAUSS: Arabella: Sie woll’n mich heiraten . . . Und du wirst mein gebieter sein (Rothenberger/Fischer-Dieskau/Barenboim) (Review by James Miller) | Conductor |
STRAUSS: Death and Transfiguration (Review by Henry Fogel) | Conductor
(FEATURE ARTICLE) |
STRAUSS: Don Juan (Review by James H. North) | Conductor |
STRAVINSKY: Duo concertant (Review by Robert Maxham) | Conductor |
STRAVINSKY: Mavra: Chanson russe (Review by Robert Maxham) | Conductor |
STRAVINSKY: Pastorale (Review by Robert Maxham) | Conductor |
STRAVINSKY: The Fairy's Kiss: The Fairy’s Kiss: Divertimento (Stravinsky) (Review by James Miller) | Conductor |
TARTINI: Violin Concerto in d, D 45 (Review by Robert Maxham) | Conductor |
TCHAIKOVSKY: Romeo and Juliet (Stokowski) (Review by James Miller) | Conductor |
TCHAIKOVSKY: Violin Concerto (Rabin/Smith) (Review by James Miller) | Conductor |
TCHAIKOVSKY: Violin Concerto (Review by David K. Nelson) | Conductor |
THE ART OF CONDUCTING: GREAT CONDUCTORS OF THE... (John Barbirolli) (Review by Peter J. Rabinowitz) | Conductor |
THE CHICAGO SYMPHONY ORCHESTRA IN THE 20TH CENTURY (Frederick Stock) (Review by James Miller) | Conductor |
THOMSON: Five Portraits (Thomson) (Review by James Miller) | Conductor |
VARESE: Arcana (Muti) (Review by James Miller) | Conductor |
VERDI: I vespri siciliani: Overture (Muti) (Review by James Miller) | Conductor |
WAGNER-STOKOWSKI: Tristan and Isolde: Love Music from Acts II and III (Stokowski) (Review by James Miller) | Conductor |
WAGNER: Der fliegende Holländer: Overture (Review by James H. North) | Conductor |
WAGNER: Die Meistersinger von Nürnberg: Prelude (Review by Marc Mandel) | Conductor |
WAGNER: Die Walküre: Act I; Act II, Scenes 3 & 5 (Review by James Miller) | Conductor |
WAGNER: Die Walküre: Act II (Review by William H. Youngren) | Conductor |
WAGNER: Die Walküre: Act II, scene 5 (Review by Marc Mandel) | Conductor |
WAGNER: Die Walküre: Acts I (Review by William H. Youngren) | Conductor |
WAGNER: Götterdämmerung: Immolation Scene (Nilsson/Stokowski) (Review by James Miller) | Conductor |
WAGNER: Parsifal: Transformation Scene (Reiner) (Review by James Miller) | Conductor |
WARLOCK: Capriol Suite: Basse Danse; Pavane; Mattachins (Review by Robert Maxham) | Conductor |
