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Performer: Ambrosian Singers

SPIRITUALS: I couldn't hear nobody pray. My Lord, what a morning. Do Laved, oh do Lavod. There's a man going round. Ev'ry time I feel de spirit. There is a balm in Gilead. Gospel train. Great day. Mary had a baby. Live a humble. Walk together, children. Were you there. Hush! Somebody's callin my name. Soon ah will be done. Give me Jesus (Review by John Bauman)

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THE DELIUS COLLECTION—Volume 6: Paris—The Song of a Great City (ed. Beecham). An Arabesque^. Suite for Violin and Orchestra. Fennimore and Gerda (Review by Adrian Corleonis)

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CAPTAIN FROM CASTILE: The Classic Film Scores of Alfred Newman: Selections from (Review by Arthur Lintgen)

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CAPTAIN FROM CASTILE: The Classic Film Scores of Alfred Newman: Selections from (Review by Arthur Lintgen)

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THE SEA HAWK: The Classic Film Scores of Erich Wolfgang Korngold: Selections from (Review by Arthur Lintgen)

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SPELLBOUND: The Classic Film Scores of Miklós Rózsa: Selections from (Review by Arthur Lintgen)

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SPELLBOUND: The Classic Film Scores of Miklós Rózsa: Selections from (Review by Arthur Lintgen)

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CAPTAIN FROM CASTILE: The Classic Film Scores of Alfred Newman: Selections from (Review by Arthur Lintgen)

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THE SEA HAWK: The Classic Film Scores of Erich Wolfgang Korngold: Selections from (Review by Arthur Lintgen)

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CAPTAIN FROM CASTILE: The Classic Film Scores of Alfred Newman: Selections from (Review by Arthur Lintgen)

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NOW, VOYAGER: The Classic Film Scores of Max Steiner: Selectons from (Review by Arthur Lintgen)

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NOW, VOYAGER: The Classic Film Scores of Max Steiner: Selectons from (Review by Arthur Lintgen)

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NOW, VOYAGER: The Classic Film Scores of Max Steiner: Selectons from (Review by Arthur Lintgen)

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THE DELIUS COLLECTION—Volume 7: Songs of Farewell, for Chorus & Orchestra . Cynara, for Baritone and Orchestra . Two Aquarelles, for Orchestra . Caprice and Elegy, for Cello and Orchestra . Légende, for Violin and Orchestra . Life's Dance, for Orchestra (Review by Adrian Corleonis)

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A MUSICAL SPECTACULAR- Songs and Production Numbers...: (Review by James Camner)

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CAPTAIN BLOOD: Classic Film Scores for Errol Flynn (Charles Gerhardt) (Review by Arthur Lintgen)

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CAROUSEL: (Review by John Ditsky)

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FOLK SONGS AND BALLADS: (Review by Michael Ullman)

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GREGORIAN CHANTS: (Review by J. F. Weber)

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QUEST FOR FIRE: (Review by Royal S. Brown)

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SACRED SONGS: (Review by J. F. Weber)

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THE FENBY LEGACY. MUSIC OF DELIUS: (Review by Adrian Corleonis)

want list ensemble 

THE FENBY LEGACY. MUSIC OF DELIUS: (Review by James Miller)

want list ensemble 

ADAMS: The Holy City (Review by Henry Fogel)

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ANONYMOUS: Amazing Grace. Greensleeves. Let Vs Break Bread Together (Review by Henry Fogel)

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BARTÓK: The Miraculous Mandarin. Two Portraits (Review by Paul Turok)

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BEETHOVEN: King Stephen (Review by Elliott Kaback)

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BEETHOVEN: Symphony No 9 (Review by Christopher Abbot)

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BEETHOVEN: Symphony No. 9 in D Minor, op. 125 (“Choral“) (Review by Mortimer H. Frank)

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BEETHOVEN: Symphony No. 9, "Choral" (Review by Christopher Abbot)

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BERLIN: God Bless America (Review by James Camner)

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BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis)

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BIZET: Carmen (Review by James Miller)

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BIZET: La Jolie fille de Perth (Review by David Mason Greene)

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BLISS: Music for Strings. Meditations on a Theme by John Blow. A Prayer to the Infant Jesus (Review by Barry Brenesal)

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BLISS: The Olympians (Review by John Bauman)

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BLISS: The Olympians (Review by Barry Brenesal)

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BLISS: The Olympians (Review by David Mason Greene)

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BRAHMS: Double Concerto (Review by Mortimer H. Frank)

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BRAHMS: Ein deutsches Requiem, Op. 45 (Review by Vincent Alfano)

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BRAHMS: Piano Concertos (Review by Mortimer H. Frank)

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BRAHMS: Schicksalslied. Horn Trio (Review by Mortimer H. Frank)

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BRAHMS: Songs (Review by Mortimer H. Frank)

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BRAHMS: Songs (Review by Mortimer H. Frank)

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BRAHMS: Symphonies (Review by Mortimer H. Frank)

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BRAHMS: Symphony No. 1 in C Minor, op. 68. Schicksalslied, op. 54 (Review by Mortimer H. Frank)

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BRITTEN: Gloriarla (Review by Bernard Jacobson)

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BRYAN/PLANTADOSI: I didn’t raise my boy to be a soldier (Review by James Camner)

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BUSONI: Comedy Overture (Boult, London PO, Live (Review by James A. Altena)

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BUSONI: Comedy Overture (Boult, London PO, Live (Review by Adrian Corleonis)

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BUSONI: Doktor Faust (concert abridgement) (Review by Adrian Corleonis)

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BUSONI: Doktor Faust (concert abridgement) (Review by Ronald E. Grames)

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BUSONI: Doktor Faust. Arlecchino (Review by James A. Altena)

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BUSONI: Doktor Faust. Arlecchino (Review by Adrian Corleonis)

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CHABRIER: España Rhapsody (Review by Michael Ullman)

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GREGORIAN CHANT: Proper for the 15th Sunday after Pentecost (Review by J. F. Weber)

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GREGORIAN CHANT: Proper for the Feast of the Assumption (Review by J. F. Weber)

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CHERUBINI: Requiem in C Minor (Review by J. F. Weber)

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CHERUBINI: Requiem in C Minor (Review by James H. North)

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CHERUBINI: Requiem in D minor (Review by J. F. Weber)

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COHAN: You’re a grand old flag (Review by James Camner)

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COPLAND: Old American Songs (Review by James Camner)

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DEBUSSY: La Mer. Nocturnes (Review by Peter J. Rabinowitz)

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DEBUSSY: La Mer. Three Nocturnes (Review by Harry Townsend)

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DELHIS: Song offne High Hills, for Chorus & Orchestra. Songs with Orchestral Accompaniment (Review by Adrian Corleonis)

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DELIUS: A Village Romeo and Juliet (Review by Adrian Corleonis)

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DELIUS: Song of the High H/Hs. Preludes for Piano (Review by Adrian Corleonis)

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DELIUS: Songs of Farewell for Chorus & Orchestra. Idyll for Soprano, Baritone, and Orchestra. Fantastic Dance. A Song of Summer. Cynara for Baritone and Orchestra. Irmelin Prelude. A Late Lark for Tenor and Small Orchestra. La Calinda. Caprice and Elegy for Cello and Small Orchestra. Two Aquarelles for String Orchestra (Review by John Bauman)

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DELIUS: Songs of Farewell, for Chorus & Orchestra. Idyll, for Soprano, Baritone, and Orchestra. Fantastic Dance. A Song of Summer. Cynara, for Baritone and Orchestra. Irmelin (Review by John Bauman)

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DELIUS: Songs of Farewell, for Chorus & Orchestra. Idyll, for Soprano, Baritone, and Orchestra. Fantastic Dance. A Song of Summer. Cynara, for Baritone and Orchestra. Irmelin (Review by Adrian Corleonis)

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DELIUS: Songs of Sunset, for Soprano, Baritone, Mixed Chorus, and Orchestra. Dance Rhapsody No. 2. Fennimore and Gerda (Review by Adrian Corleonis)

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DONIZETTI: L'Elisir d'amore (Review by Henry Fogel)

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DONIZETTI: Lucia di Lammermoor (Review by Robert Levine)

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DURUFLÉ: Requiem, op. 9 (Review by George Chien)

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DVOŘÁK: Requiem Mass, Op 89 (Review by John H. Yoell)

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DVOŘÁK: Requiem (Review by Lynn René Bayley)

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DVOŘÁK: Requiem. Symphonic Variations (Review by James H. North)

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ELGAR: The Dream of Gerontius (Review by Peter J. Rabinowitz)

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FALL: Der Fidele Bauer (Review by David L. Kirk)

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FALL: Die Rose von Stambul (Review by James Miller)

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FALL: Die Rose von Stambul (Review by David L. Kirk)

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FAURÉ: Requiem, op. 48 (Review by George Chien)

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FLAGELLO: L’Infinito (Review by Henry Fogel)

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FLAGELLO: L’Infinito (Review by Phillip Scott)

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FLAGELLO: Passion of Martin Luther King (Review by Henry Fogel)

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FLAGELLO: Passion of Martin Luther King (Review by Phillip Scott)

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FLAGELLO: Passion of Martin Luther King. L’Infinito. The Land (Review by Henry Fogel)

want list ensemble 

FLAGELLO: The Land (Review by Henry Fogel)

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FLAGELLO: The Land (Review by Phillip Scott)

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S. FOSTER: Jeanie with the light brown hair. Beautiful Dreamer. If you’ve only got a moustache. Camptown Races (Review by James Camner)

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FRANCK: Pañis angelicus (Review by Henry Fogel)

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GILMORE: When Johnny comes marching home (Review by James Camner)

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GOUNOD: Faust (Review by David Mason Greene)

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GOUNOD: Messe Solennelle de St. Cécile (Review by Henry Fogel)

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GRAINGER: I’m 17 Come Sunday (Review by Peter J. Rabinowitz)

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GRAINGER: Scotch Strathspey and Reel (Review by Peter J. Rabinowitz)

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GRAINGER: Shallow Brown (Review by Peter J. Rabinowitz)

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GRAINGER: Shepherd’s Hey. Willow, Willow. I’m 17 Come Sunday. Bold William Taylor. There Was a Pig Went Out to Dig. My Robin Is to the Green Wood Gone. Lord Maxwell’s Goodnight. The Duke of Marlborough Fanfare. Let’s Dance Gay in Green Meadow. Scotch Strathspey and Reel. The Pretty Maid Milkin’ Her Cow. The Sprig of Thyme. Lisbon. The Lost Lady Found. Shallow Brown. Molly on the Shore. Shenandoah. Irish Tune from County Derry. Brigg Fair. Green Bushes. Under a Bridge. Dollar and a Half a Day. The Merry King. 6 Dukes Went A-fishin’. Stormy. The 3 Ravens. Died for Love. Country Gardens. The Power of Love. The Hunter in His Career. The Warriors (Review by Peter J. Rabinowitz)

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GRAINGER: The Lost Lady Found (Review by Peter J. Rabinowitz)

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GRAINGER: There Was a Pig Went Out to Dig (Review by Peter J. Rabinowitz)

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GRIEG: Peer Gynt (Review by George Chien)

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GRIEG: Peer Gynt (Review by George Chien)

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GRIEG: Peer Gynt (Review by George Chien)

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GRIEG: Prelude to Act I (Wedding Scene); Wedding March (an. Halvorsen); Prelude to Act II (Abduction and Ingrid's Lament); In the Hall of the Mountain King; Dance of the Mountain King's Daughter; Aase 's Death; Prelude to Act IV (Morning); Arabian Dance; Anitra 's Dance; Solveig 's Song; Prelude to Act V (Return of Peer Gynt—Storm Scene); Solveig's Cradle Song (Review by George Chien)

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GRIEG: Sigurd Jorsalfar (Review by Michael Ullman)

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HANDEL: Messiah (Review by John Bauman)

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DE HARTMANN/ROSENTHAL: Meetings with Remarkable Men (Review by Raymond Tuttle)

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HOLST: Egdon Heath (Review by Peter J. Rabinowitz)

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HOLST: The Perfect Fool (Review by Peter J. Rabinowitz)

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HOLST: The Planets (Review by Vincent Alfano)

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HOLST: The Planets (Review by Peter J. Rabinowitz)

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HOLST: The Planets (Review by Andrew Quint)

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HOLST: The Planets, Op. 32 (Review by Elliott Kaback)

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HORNER: Krull (Review by Arthur Lintgen)

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HOVHANESS: Lady of Light, Op. 227 (Review by John Ditsky)

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HOVHANESS: Lady of Lighť. Avak the Healer (Review by Robert McColley)

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HUMPERDINCK: Hansel and Gretel (Review by Michael Ullman)

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IVES: Symphonies (Review by Stephen Ellis)

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KÁLMÁN: Countess Manza (Review by James Miller)

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KÁLMÁN: Gräfin Mariza (Review by David L. Kirk)

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KETÈLBEY: In a Persian Market. In a Chinese Temple Garden. In the Moonlight. In the Mystic Land of Egypt. Gypsy Lad. The Clock and the Dresden Figures. Bells Across the Meadow. Sanctuary of the Heart (Review by John Ditsky)

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KODÁLY: Psalmus hungaricus (Review by James H. North)

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KORNGOLD: The Sea Hawk; Of Human Bondage; The Adventures of Robin Hood; Juarez; Kings Row; The Constant Nymph; Anthony Adverse; Between Two Worlds; Deception; Devotion; Escape Me Never (Review by Royal S. Brown)

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LEHÁR: Das Land des Lächelns (Review by David L. Kirk)

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LEHÁR: Die lustige Witwe (Review by David L. Kirk)

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LEHÁR: Paganini (Review by James Miller)

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LEHÁR: Paganini (Review by David L. Kirk)

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ANDREW LLOYD WEBBER: The Phantom of the Opera—Symphonic Picture. Jesus Christ Superstar—Symphonic Picture (Review by John Ditsky)

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MACGIMSEY: Sweet Little Jesus Boy (Review by Henry Fogel)

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MACHAUT: Messe Notre Dame (Review by J. F. Weber)

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MAHLER: Das klagende Lied (Review by Henry Fogel)

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MAHLER: Das klagende Lied (Review by David Johnson)

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MAHLER: Symphony No. 3 in C Minor (Review by Henry Fogel)

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MAHLER: Symphony No. 3 in D minor (Review by Benjamin Pernick)

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MAHLER: Symphony No. 3 (Review by John Bauman)

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MAHLER: Symphony No. 8 in Eb (“Symphony of a Thousand“) (Review by Benjamin Pernick)

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MALOTTE: The Lord’s Prayer (Review by James Camner)

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MASSENET: Herodiadě (Review by David Mason Greene)

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MENDELSSOHN: A Midsummer Night's Dream (Review by James Miller)

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MEYERBEER: Les Huguenots (Review by David Mason Greene)

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MONTEVERDI: Messa a 4 voci (1650) (Review by J. F. Weber)

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MOZART: The Abduction from the Seraglio (Review by Henry Fogel)

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MOZART: Violin Concerto No. 3 (Review by Mortimer H. Frank)

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POULENC: Les Biches-Ballet. Bucolique (from Hommage à Marguerite Long). Pastourelle (from L'Eventail de Jeanne). Matelote provençale (from La Guirlande de Compra) (Review by Royal S. Brown)

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POULENC: Les Biches-Ballet. Bucolique (from Hommage à Marguerite Long). Pastourelle (from L'Eventail de Jeanne). Matelote provençale (from La Guirlande de Compra) (Review by John Ditsky)

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PROKOFIEV: Ivan the Terrible, op. 116 (Review by Michael Ullman)

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PUCCINI: La Bohème (Review by Joel Kasow)

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PUCCINI: La Bohème (Review by Lynn René Bayley)

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PUCCINI: Messa di Gloria (Review by John Ditsky)

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PUCCINI: Messa di Gloria (Review by John Ditsky)

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PUCCINI: Tosca (Review by Joel Kasow)

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PURCELL: Dido and Aeneas (Review by J. F. Weber)

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PURCELL: Ode for St. Cecilia's Day. Rejoice in the Lord Alway (Review by J. F. Weber)

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RODGERS AND HAMMERSTEIN: South Pacific (Review by Vincent Alfano)

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RODGERS AND HAMMERSTEIN: South Pacific (Review by John Ditsky)

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ROSSINI: Maomettto II. Ricciardo e Toroide. Sinfonia “del Convento.“ Sinfonia de Bologna. Armida. Epido a Colono (Review by Paul Turok)

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ROSSINI: Opera Arias (Review by Ralph V. Lucano)

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ROSSINI: Overtures (Review by Paul Turok)

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ROSSINI: Stabat Mater (Review by Ralph V. Lucano)

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ROSSINI: Stabat Mater (Review by Henry Fogel)

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ROSSINI: Zelmira (Review by David Johnson)

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ROSSINI: Zelmira (Review by Ralph V. Lucano)

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SAINT-SAËNS: Samson and Delilah (Review by Michael Ullman)

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SCHUBERT: Ave Maria (Review by Henry Fogel)

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SCHUBERT: Rosamunde (Review by Paul Turok)

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SIECZYNSKI: Wien, du Stadt meiner Träume (Review by James Miller)

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SIECZYNSKI: Wien, du Stadt meiner Träume (Review by David L. Kirk)

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O. STRAUS: A Waltz Dream (Review by James Miller)

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O. STRAUS: Ein Walzertraum (Review by David L. Kirk)

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STRAUSS: Till Eulenspiegel's Merry Pranks, Op. 28 (Review by Michael Ullman)

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JOHANN STRAUSS II: Eine Nacht in Venedig (Review by David L. Kirk)

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J. STRAUSS: A Night in Venice (Review by James Miller)

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TCHAIKOVSKY: The Nutcracker, Op. 71 (Review by Donald Seibert)

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TCHAIKOVSKY: The Nutcracker, Op. 71 (Review by Donald Seibert)

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AMBROISE THOMAS: Le Caïd. Le tambour-majeur tout galonné d'or (Review by David Mason Greene)

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TRADITIONAL: Battle Hymn of the Republic (Review by James Camner)

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TRADITIONAL: Billy Boy. Go ‘way from my window (Review by James Camner)

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TRADITIONAL: Sometimes I feel like a motherless child. I’ve just come from the fountain. Shenandoah (Review by James Camner)

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VAUGHAN WILLIAMS: Sinfonia Antarctica (Review by Royal S. Brown)

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VAUGHAN WILLIAMS: Symphonies (Review by James Miller)

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VAUGHAN WILLIAMS: Symphonies (Review by Robert McColley)

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VERDI: / lombardi alla prima crociata (Review by David Claris)

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VERDI: Attila (Review by Vincent Alfano)

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VERDI: Don Carlos. Elle ne m'aime pas. Les vêpres siciliennes (Review by David Mason Greene)

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VERDI: I Lombardi (Review by James Miller)

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VERDI: I masnadieri (Review by James Miller)

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VERDI: I vespri siciliani (Review by Henry Fogel)

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VERDI: Il trovatore (Review by Michael Ullman)

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VERDI: La traviata (Review by Marc Mandel)

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VERDI: Nabucco (Review by Bob Rose)

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VERDI: Nabucco (Review by Anthony D. Coggi)

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VERDI: Un giorno dì regno (Review by Marc Mandel)

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VIVALDI: Glorias in D for Soloists, Chorus, Orchestra, and Continuo (Review by Nils Anderson)

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VIVALDI: Glorias in D, tor Soloists, Chorus, Orchestra, and Continuo (Review by Nils Anderson)

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WAGNER: Lohengrin. Bridal Chorus. Tannhauser (Review by Michael Ullman)

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YON: Gesù Bambino (Review by Henry Fogel)

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ZELLER: Der Vogelhändler (Review by James Miller)

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ZELLER: Der Vogelhändler (Review by David L. Kirk)

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