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Performer: Iestyn Davies

BACH: Christmas Oratorio (Review by George Chien)

countertenor 

BACH: Easter Oratorio. Ascension Oratorio (Cantata No. 11) (Review by George Chien)

countertenor 

BACH: St. John Passion (Review by George Chien)

countertenor 

DOWLAND: Songs and Lute Solos (Review by Barry Brenesal)

countertenor 

HANDEL: 9 German Arias, HWV 202–10 (Review by Ron Salemi)

countertenor 

HANDEL: Flavio (Review by Ron Salemi)

Guido 

HANDEL: Flavio (Review by Barry Brenesal)

Guido 

HANDEL: Let God arise. My song shall be always. O praise the Lord with one consent (Review by Ron Salemi)

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HANDEL: Messiah (1751) (Review by Melanie Eskenazi)

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HANDEL: Messiah (Review by Ron Salemi)

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HANDEL: Sento la gioia; Atalanta (Review by Michael Ullman)

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HUMFREY: Magnificat (Review by Michael Ullman)

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HUMFREY: Nunc dimittis (Review by Michael Ullman)

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HUMFREY: O Lord my God (Review by Michael Ullman)

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LUKASZEWSKI: Via crucis (Review by Ronald E. Grames)

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LUKASZEWSKI: Via crusis (Review by Colin Clarke)

countertenor 

MONTEVERDI: L’incoronazione di Poppea (Review by Barry Brenesal)

Ottone 

PORPORA: Cantatas Nos. 7–12 to His Royal Highness Frederick Prince of Wales (Review by Jerry Dubins)

countertenor 

PURCELL: Anthems (Review by Michael Ullman)

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PURCELL: Dido and Aeneas (Review by James Reel)

Spirit  

PURCELL: Dioclesian, Z. 627. Timon of Athens, Z. 632 (Review by Eric Van Tassel)

treble 

PURCELL: King Arthur (Review by Michael Ullman)

countertenor  

PURCELL: Sound the Trumpet. The Fairy Queen (Review by Michael Ullman)

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PURCELL: The Fairy Queen (Review by Michael Ullman)

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PURCELL: Timon of Athens (Review by Michael Ullman)

treble 

VIVALDI: Griselda (Review by Brian Robins)

Corrado 

VIVALDI: Griselda (Review by Barry Brenesal)

Corrado