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 Listen to Audio Samples

Barry Araújo Kolman: Collected Works

Brian Dykstra: Neo-Ragtime

Carmen Maret & Andrew Bergeron: Tango and Snow

Eaken Trio: Most Wonderful Time of the Year

Florestan Duo: Beethoven for Cello & Piano

Frank Brickle, Busoni, Pérotin: Ab Nou Cor

Hillary Tann: Here, The Cliffs

Jonathan Little: Polyhymnia

Josef Peter Heinzer: music for orchestra

Laura Schwendinger: Collected Works

Luisa Guembes-Buchanan: Beethoven in D, E. T. A. Hoffman Sonatas / Robert Schumann Kreisleriana, Late Beethoven

Melba: Benaud Trio, The Romantic Clarinet, The Virtuoso Piano Music of George Frederick Boyle, The Art of Nance Grant, Arcadia Lost, Elan Ballet Music from Operas of Saint Saëns, RAKHMANINOV: Leslie Howard, WAGNER: Das Rheingold, WAGNER: Die Walküre, WAGNER: Siegfried, WAGNER: Götterdämmerung, FERDINAND HÉROLD: La Somnambule

Michael Antonello: Collected Works

Open Goldberg: Open Goldberg Variations

Peter Halstead: RACHMANINOFF: Moments musicaux: No. 5 in D♭

Rick VanMatre: Gray Then Blue

Serafin String Quartet: Selected Works

Susan Merdinger: SCHUMANN & DEBUSSY

The Crossing: Selected Works

Univ of Houston Wind Ensemble: Flagello & Rosner

Ursula Bagdasarjanz: Mozart & Schoeck

William Grant Still Society: STILL: La Varsoviana

Ysmael Reyes: Incanto: Contemporary Venezuelan Music


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Melba
Michael Antonello

Performer: Neal Davies

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

bass 

BACH: Easter Oratorio, BWV 249 (Review by Brian Robins)

bass 

BACH: Easter Oratorio. Magnificat in D (Review by Brian Robins)

bass 

BACH: Magnificat in D, BWV 243 (Review by Brian Robins)

bass 

BACH: St. John Passion (Review by George Chien)

Jesus 

BEETHOVEN: Ah! Perfido (Review by Brian Robins)

bass 

BEETHOVEN: Symphony No. 9 (Review by Christopher Abbot)

baritone  

BEETHOVEN: Symphony No. 9 (Review by Christopher Abbot)

bass  

BEETHOVEN: Symphony No. 9, “Choral” (Review by Andrew Quint)

bass baritone 

BOUGHTON: The Queen of Cornwall (Review by Barry Brenesal)

King Mark 

BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel)

baritone 

BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel)

Starveling 

BRITTEN: Billy Budd (Review by James A. Altena)

Mr. Redburn 

CHARPENTIER: David et Jonathas (Review by Bertil van Boer)

Saül 

CHARPENTIER: Judicium Salomonis (Review by Brian Robins)

bass 

CHARPENTIER: Motet pour une longue offrande (Review by Brian Robins)

bass 

DUTILLEUX: L'Arbe des songes—Concerto for Violin and Orchestra, Timbres, espace, mouvement; Two Sonnets by Jean Cassou. ALAIN (orch. Dutilleux) (Review by Royal S. Brown)

baritone 

HANDEL: Agrippina (Review by Ron Salemi)

Pallante  

HANDEL: Belshazzar (Review by Ron Salemi)

Gobrias 

HANDEL: Let God arise. My song shall be always. O praise the Lord with one consent (Review by Ron Salemi)

bass baritone 

HANDEL: L’Allegro, il Penseroso ed il Moderato (Review by Bernard Jacobson)

bass 

HANDEL: Messiah (Review by John Bauman)

baritone 

HANDEL: Messiah (Review by Bernard Jacobson)

bass 

HANDEL: Messiah (Review by James Reel)

bass 

HANDEL: Saul (Review by Bernard Jacobson)

Saul 

HANDEL: Saul, HWV 53 (Review by Brian Robins)

Saul 

HANDEL: Theodora (Review by Brian Robins)

Valens 

HANDEL: “Dettingen” Te Deum (Review by Alan Swanson)

bass 

HAYDN: Berenice, che fai? (Review by Brian Robins)

bass 

HUMFREY: Magnificat (Review by Michael Ullman)

bass  

HUMFREY: Nunc dimittis (Review by Michael Ullman)

bass  

HUMFREY: O Lord my God (Review by Michael Ullman)

bass  

JANÁČEK: The Makropulos Case (Review by James H. North)

Dr. Kolenatý 

MOZART: Mass in c (Review by Brian Robins)

bass 

PARRY: Job (Review by David Johnson)

narrator 

PARRY: Job (Review by Lawrence A. Johnson)

narrator 

PURCELL: Anthems (Review by Michael Ullman)

bass  

A. SCARLATTI: Il Vespero di Santa Cecilia. Nisi Dominus. Salve Regina. Audi, filia (Review by Brian Robins)

bass 

SMETANA: The Bartered Bride (Review by Barry Brenesal)

Krušina 

SULLIVAN: Ivanhoe (Review by Ronald E. Grames)

Richard Lionheart 

SULLIVAN: Ivanhoe (Review by Barry Brenesal)

Richard Lionheart 

SULLIVAN: Trial by Jury (Review by Barry Brenesal)

Usher 

VAUGHAN WILLIAMS: The Poisoned Kiss (Review by Barry Brenesal)

Dipsacus 

VIVALDI: Confitebor tibi, Domine, RV 596 (Review by Brian Robins)

bass 

VIVALDI: Deus tuorum militum, RV 612 (Review by Brian Robins)

bass 

VIVALDI: Dixit Dominus, RV 595. Domine ad adjuvandum, RV 593. Credidi propter quod, RV 605. Beatus vir, RV 597. Beatus vir, RV 598 (Review by Joel Kasow)

bass 

VIVALDI: In turbato mare, RV 627 (Review by Brian Robins)

bass 

VIVALDI: Non in pratis aut in hortis, RV 641 (Review by Brian Robins)

bass 

VIVALDI: O qui coeli terraeque seren-itas, RV 631 (Review by Brian Robins)

bass 

VIVALDI: SACRED MUSIC, Vol. 3 (Review by Joel Kasow)

bass 

VIVALDI: Sacred Music, Vol. 5 (Review by Brian Robins)

bass 

VIVALDI: Stabat mater, RV 621 (Review by Brian Robins)

bass