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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


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Performer: Neal Davies

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

bass 

ALAIN, JEHAN: (orch. Dutilleux) Prière pour nous autres charnels (Review by Royal S. Brown)

baritone 

ANONYMOUS: Kontakion of the Dead (Review by Ronald E. Grames)

bass 

BACH, JOHANN SEBASTIAN: Easter Oratorio, BWV 249 (Review by Brian Robins)

bass 

BACH, JOHANN SEBASTIAN: Easter Oratorio. Magnificat in D (Review by Brian Robins)

bass 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins)

bass 

BACH, JOHANN SEBASTIAN: St. John Passion (Review by George Chien)

Jesus 

BACH, JOHANN SEBASTIAN: St. John Passion (Review by Michael De Sapio)

Jesus 

BEETHOVEN, LUDWIG VAN: Ah! Perfido (Review by Brian Robins)

bass 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot)

baritone  

BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot)

bass  

BEETHOVEN, LUDWIG VAN: Symphony No. 9, “Choral” (Review by Andrew Quint)

bass baritone 

BOUGHTON: The Queen of Cornwall (Review by Barry Brenesal)

King Mark 

BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel)

baritone 

BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel)

Starveling 

BRITTEN: Billy Budd (Review by James A. Altena)

Mr. Redburn 

CHARPENTIER, MARC-ANTOINE: David et Jonathas (Review by Bertil van Boer)

Saül 

CHARPENTIER, MARC-ANTOINE: Judicium Salomonis (Review by Brian Robins)

bass 

CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins)

bass 

DURUFLÉ, MAURICE: Requiem (Review by Ronald E. Grames)

bass 

DUTILLEUX: L'Arbe des songes—Concerto for Violin and Orchestra, Timbres, espace, mouvement; Two Sonnets by Jean Cassou (Review by Royal S. Brown)

baritone 

ELGAR: They are at rest (Review by Ronald E. Grames)

bass 

FARRANT, R.: Call to remembrance (Review by Ronald E. Grames)

bass 

GILBERT AND SULLIVAN: H.M.S. Pinafore (Review by Huntley Dent)

Dick Deadeye 

HANDEL, GEORGE FRIDERIC: Agrippina (Review by Ron Salemi)

Pallante  

HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Ron Salemi)

Gobrias 

HANDEL, GEORGE FRIDERIC: Let God arise. My song shall be always. O praise the Lord with one consent (Review by Ron Salemi)

bass baritone 

HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Bernard Jacobson)

bass 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

baritone 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson)

bass 

HANDEL, GEORGE FRIDERIC: Messiah (Review by James Reel)

bass 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Huntley Dent)

bass baritone 

HANDEL, GEORGE FRIDERIC: Saul (Review by Brian Robins)

Saul 

HANDEL, GEORGE FRIDERIC: Saul (Review by Bernard Jacobson)

Saul 

HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins)

Valens 

HANDEL, GEORGE FRIDERIC: Theodora (Review by James A. Altena)

Valens 

HANDEL, GEORGE FRIDERIC: “Dettingen” Te Deum (Review by Alan Swanson)

bass 

HARRIS, W.: Bring us, O Lord God (Review by Ronald E. Grames)

bass 

HAYDN, FRANZ JOSEPH: Berenice, che fai? (Review by Brian Robins)

bass 

HUMFREY: Magnificat (Review by Michael Ullman)

bass  

HUMFREY: Nunc dimittis (Review by Michael Ullman)

bass  

HUMFREY: O Lord my God (Review by Michael Ullman)

bass  

JANÁČEK, LEOŠ: The Makropulos Case (Review by James H. North)

Dr. Kolenatý 

MONK, W. H.: Abide with me (Review by Ronald E. Grames)

bass 

MOZART: Mass in c (Review by Brian Robins)

bass 

OFFENBACH: Fantasio (Review by Joel Kasow)

Sparck 

PARRY: Job (Review by David Johnson)

narrator 

PARRY: Job (Review by Lawrence A. Johnson)

narrator 

PURCELL: Anthems (Review by Michael Ullman)

bass  

RAMSEY, R.: How are the mighty fallen (Review by Ronald E. Grames)

bass 

SCARLATTI, A.: Il Véspero di Santa Cecilia. Nisi Dominus. Salve Regina. Audi, filia (Review by Brian Robins)

bass 

SCARLATTI, A.: The Cecilian Vespers (Review by J. F. Weber)

baritone 

SMETANA: The Bartered Bride (Review by Barry Brenesal)

Krušina 

SULLIVAN: Ivanhoe (Review by Ronald E. Grames)

Richard Lionheart 

SULLIVAN: Ivanhoe (Review by Barry Brenesal)

Richard Lionheart 

SULLIVAN: Trial by Jury. Cox and Box (Review by Barry Brenesal)

Cox 

SULLIVAN: Trial by Jury. Cox and Box (Review by Barry Brenesal)

Usher 

TAVENER: Song for Athene (Review by Ronald E. Grames)

bass 

TOMKINS: When David Heard (Review by Ronald E. Grames)

bass 

VAUGHAN WILLIAMS: The Poisoned Kiss (Review by Barry Brenesal)

Dipsacus 

VAUGHAN WILLIAMS: The Poisoned Kiss (Review by James H. North)

Dipsacus 

VIVALDI, ANTONIO: Confitebor tibi, Domine, RV 596 (Review by Brian Robins)

bass 

VIVALDI, ANTONIO: Deus tuorum militum, RV 612 (Review by Brian Robins)

bass 

VIVALDI, ANTONIO: Dixit Dominus, RV 595. Domine ad adjuvandum, RV 593. Credidi propter quod, RV 605. Beatus vir, RV 597. Beatus vir, RV 598 (Review by Joel Kasow)

bass 

VIVALDI, ANTONIO: In turbato mare, RV 627 (Review by Brian Robins)

bass 

VIVALDI, ANTONIO: Non in pratis aut in hortis, RV 641 (Review by Brian Robins)

bass 

VIVALDI, ANTONIO: O qui coeli terraeque seren-itas, RV 631 (Review by Brian Robins)

bass 

VIVALDI, ANTONIO: SACRED MUSIC, Vol. 3 (Review by Joel Kasow)

bass 

VIVALDI, ANTONIO: Sacred Music, Vol. 5 (Review by Brian Robins)

bass 

VIVALDI, ANTONIO: Stabat mater, RV 621 (Review by Brian Robins)

bass 

WEELKES: When David Heard (Review by Ronald E. Grames)

bass 

 

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