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 Listen to Audio Samples

Barry Araújo Kolman: Collected Works

Brian Dykstra: Neo-Ragtime

Carmen Maret & Andrew Bergeron: Tango and Snow

Eaken Trio: Most Wonderful Time of the Year

Florestan Duo: Beethoven for Cello & Piano

Frank Brickle, Busoni, Pérotin: Ab Nou Cor

Hillary Tann: Here, The Cliffs

Jonathan Little: Polyhymnia

Josef Peter Heinzer: music for orchestra

Laura Schwendinger: Collected Works

Luisa Guembes-Buchanan: Beethoven in D, E. T. A. Hoffman Sonatas / Robert Schumann Kreisleriana, Late Beethoven

Melba: Benaud Trio, The Romantic Clarinet, The Virtuoso Piano Music of George Frederick Boyle, The Art of Nance Grant, Arcadia Lost, Elan Ballet Music from Operas of Saint Saëns, RAKHMANINOV: Leslie Howard, WAGNER: Das Rheingold, WAGNER: Die Walküre, WAGNER: Siegfried, WAGNER: Götterdämmerung, FERDINAND HÉROLD: La Somnambule

Michael Antonello: Collected Works

Open Goldberg: Open Goldberg Variations

Peter Halstead: RACHMANINOFF: Moments musicaux: No. 5 in D♭

Rick VanMatre: Gray Then Blue

Serafin String Quartet: Selected Works

Susan Merdinger: SCHUMANN & DEBUSSY

The Crossing: Selected Works

Univ of Houston Wind Ensemble: Flagello & Rosner

Ursula Bagdasarjanz: Mozart & Schoeck

William Grant Still Society: STILL: La Varsoviana

Ysmael Reyes: Incanto: Contemporary Venezuelan Music


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Melba
Michael Antonello

Performer: Colin Davis

MOZART MASTERPIECES: Symphonies (Review by Michael Ullman)

conductor 

AN EVENING WITH THE ROYAL OPERA: (Review by Lynn René Bayley)

soprano 

ANTHOLOGY OF THE ROYAL CONCERTGEBOUW ORCHESTRA,...: (Review by James H. North)

conductor 

BEN HEPPNER: GERMAN ROMANTIC OPERA (Ben Heppner) (Review by Marc Mandel)

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GREAT PIANISTS OF THE 20TH CENTURY: INGRID HAEBLER (Ingrid Haebler) (Review by Bernard Jacobson)

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MOZART: Flute Concerto, K 313... (Irena Grafenauer) (Review by George Chien)

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Tchaikovsky: Violin Concerto; Brahms (Review by Martin Anderson)

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ARNE: Ftule Brittania (Review by Michael Fine)

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BACH: Concerto for 2 Violins (Review by Lynn René Bayley)

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BACH: Concerto in c for 2 Pianos & Strings, BWV 1060. Triple Concerto in d, BWV 1063. Concerto in c for 2 Keyboards & Strings, BWV 1062 (Review by Lynn René Bayley)

conductor 

BACH: Le nozze di Figaro (Review by Raymond Tuttle)

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BACH: Mass in b (Review by Raymond Tuttle)

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BACH: Violin Concerto No. 1 (Review by Robert Maxham)

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BACH: Violin Concerto No. 2 in E, BWV 1042 (Review by David K. Nelson)

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BARTÓK: Improvisations on Hungarian Peasant Songs (Review by Susan Kagan)

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BARTÓK: Out of Doors (Review by Lawrence A. Johnson)

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BARTÓK: Sonatina. Piano Concerto No. 2 (Review by Lawrence A. Johnson)

conductor 

BEETHOVEN: Ah! Perfido (Review by James Camner)

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BEETHOVEN: Cantata on the Death of Emperor Joseph II, WoO 87. Grosse Fuge in Bb, op. 133 (Review by James H. North)

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BEETHOVEN: Concerto No. 3 in C Minor for Piano and Orchestra, op. 37. Piano Sonata No. 6 in F, op. 10, no. 2 (Review by Jon Tuska)

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BEETHOVEN: Concerto No. 4 in G for Piano and Orchestra, Op. 58. 32 Variations in C minor, WoO 80 (Review by Mortimer H. Frank)

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BEETHOVEN: Concerto No. 5 in E for Piano and Orchestra, Op. 73. (“Emperor“) (Review by Mortimer H. Frank)

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BEETHOVEN: Egmont Overture (Review by Steven Kruger)

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BEETHOVEN: Fidelio (Review by James H. North)

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BEETHOVEN: Fidelio, op. 72. Leonore Overture No, 2, op. 72 (Review by James H. North)

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BEETHOVEN: Fidelio (Review by James Camner)

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BEETHOVEN: Fidelio (Review by Steven E. Ritter)

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BEETHOVEN: Leonore Overture No. 3 (Review by Steven Kruger)

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BEETHOVEN: Mass in C (Review by Steven E. Ritter)

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BEETHOVEN: Missa Solemnis in D, op. 123. Fantasia in C Minor for Piano, Chorus, and Orchestra, op. 80 (Review by Marc Mandel)

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BEETHOVEN: Overtures (Review by Mortimer H. Frank)

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BEETHOVEN: Overtures (Review by Mortimer H. Frank)

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BEETHOVEN: Piano Concerto No. 3. 32 Variations on an Original Theme in c, WoO 80. Piano Sonata No. 8, op. 13, "Pathétique" (Review by Christopher Abbot)

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BEETHOVEN: Piano Concerto No. 5, "Emperor." Piano Sonata No. 21, op. 53, "Waldstein" (Review by Charles Timbrell)

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BEETHOVEN: Piano Concertos (Review by Mortimer H. Frank)

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BEETHOVEN: Piano Concertos (Review by Burton Rothleder)

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BEETHOVEN: Piano Concertos (Review by Burton Rothleder)

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BEETHOVEN: Piano Sonata No. 5, op. 10/1 (Review by Lawrence A. Johnson)

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BEETHOVEN: Symphonies (Review by Steven Kruger)

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BEETHOVEN: Symphony No. 9 in D minor, Op. 125(“Choral“) (Review by Mortimer H. Frank)

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BEETHOVEN: Variations in c, WoO 80 (Review by Susan Kagan)

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BEETHOVEN: Violin Concerto (Review by Robert Maxham)

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BEETHOVEN: Violin Concerto (Review by James Reel)

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BEETHOVEN: Violin Sonata No. 5, “Spring” (Review by Robert Maxham)

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BELLINI: /puritani (Review by Marc Mandel)

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BENNETT: Piano Concerto No. 1 (Review by Lawrence A. Johnson)

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BERG: Concerto for Violin and Orchestra. Three Pieces for Orchestra, Op. 6 (Review by Peter J. Rabinowitz)

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BERG: Violin Concerto (Review by Peter J. Rabinowitz)

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BERLIOZ: Benvenuto Celiini (Review by Adrian Corleonis)

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BERLIOZ: Benvenuto Cellini (Review by Adrian Corleonis)

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BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis)

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BERLIOZ: Béatrice et Bénédict (Review by Adrian Corleonis)

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BERLIOZ: Béatrice et Bénédict (Review by Peter J. Rabinowitz)

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BERLIOZ: Cléopâtre—Scene lyrique. Herminie—–Scene lyrique. Mélodies (Review by Adrian Corleonis)

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BERLIOZ: Grande Messe des morts (Review by Adrian Corleonis)

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BERLIOZ: Harold en Italie (Review by Adrian Corleonis)

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BERLIOZ: Harold in Italy (Review by Michael Ullman)

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BERLIOZ: L'Enfance du Christ (Review by Adrian Corleonis)

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BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis)

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BERLIOZ: Le Corsaire. Benvenuto Cellini (Review by Adrian Corleonis)

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BERLIOZ: Le Roi Lear, Op. 4. Les Francsjuges, Op. 3. Le Carneval romain, Op. 9. Waverley, Op. 1. Le Corsaire, Op. 21 (Review by Adrian Corleonis)

conductor 

BERLIOZ: Le roi Lear (Review by Peter J. Rabinowitz)

conductor 

BERLIOZ: Lelio, Op. 14b. Tristia, Op. 18. Funeral March for the Last Scene of Hamlet (Review by Mortimer H. Frank)

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BERLIOZ: Les Francs-juges. Waverley. Le Roi Lear. Le Carnaval romain. Béatrice et Benedict (Review by Adrian Corleonis)

conductor 

BERLIOZ: Les Nuits d'été, op. 7 (Review by Adrian Corleonis)

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BERLIOZ: Les Troyens (Review by Adrian Corleonis)

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BERLIOZ: Les Troyens (Review by Adrian Corleonis)

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BERLIOZ: Les Troyens à Carthage (Review by John Bauman)

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BERLIOZ: Les Troyens (Review by Michael Fine)

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BERLIOZ: Les Troyens (Review by Adrian Corleonis)

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BERLIOZ: Les Troyens (Review by Peter J. Rabinowitz)

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BERLIOZ: L’enfance du Christ (Review by Adrian Corleonis)

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BERLIOZ: Overtures (Review by Adrian Corleonis)

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BERLIOZ: Overtures (Review by Adrian Corleonis)

conductor 

BERLIOZ: Requiem (Review by Adrian Corleonis)

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BERLIOZ: Requiem (Review by Adrian Corleonis)

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BERLIOZ: Requiem, Op. 5. Symphonie funèbre et triomphale, Op. 15 (Review by Adrian Corleonis)

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BERLIOZ: Requiem (Review by Raymond Tuttle)

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BERLIOZ: Roméo et Juliette (Review by Adrian Corleonis)

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BERLIOZ: Roméo et Juliette (Review by Barry Brenesal)

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BERLIOZ: Roméo et Juliette, Op. 17 (Review by Adrian Corleonis)

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BERLIOZ: Roméo et Juliette—Symphonie dramatique, op. 17 (Review by Adrian Corleonis)

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BERLIOZ: Symphonie fantastique (Review by Adrian Corleonis)

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BERLIOZ: Symphonie fantastique (Review by Adrian Corleonis)

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BERLIOZ: Symphonie fantastique, op. 14 (Review by Adrian Corleonis)

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BERLIOZ: Te Deum (Review by Adrian Corleonis)

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BERLIOZ: Te Deum (Review by Arthur Lintgen)

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BERLIOZ: Te Deum, Op. 22 (Review by Adrian Corleonis)

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BRAHMS: 4 Piano Pieces, op.119 (Review by Lawrence A. Johnson)

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BRAHMS: Choral Works (Review by Ivan Katz)

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BRAHMS: Concerto No. 1 in D Minor for Piano and Orchestra, op. 75. Ballades, op. 10, nos. 1-4 (Review by Mortimer H. Frank)

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BRAHMS: Concerto No. 2 in B b for Piano and Orchestra, op. 83. Eight Piano Pieces, op. 76 (Review by Mortimer H. Frank)

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BRAHMS: Double Concerto for Violin, Cello, and Orchestra (Review by David K. Nelson)

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BRAHMS: Ein deutsches Requiem, op. 45 (Review by Ralph V. Lucano)

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BRAHMS: F.A.E. Sonata (Review by Robert Maxham)

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BRAHMS: Hungarian Dances (Review by David K. Nelson)

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BRAHMS: Piano Concerto No. 1 in d (Review by Mortimer H. Frank)

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BRAHMS: Piano Concerto No. 2 (Review by James A. Altena)

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BRAHMS: Rhapsody in b (Review by Susan Kagan)

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BRAHMS: Schicksaislied, op. 54. Rhapsodie für Altstimme, Männerchor, und Orchester, op. 53 (“Alto Rhapsody“). Nènie, op. 82. Gesang der Parzen, op. 89. Marienlieder, op. 22 (Review by Ivan Katz)

conductor 

BRAHMS: Symphony No. 1 in C Minor, op. 68. Variations on a Theme by Haydn, op. 56a (Review by Mortimer H. Frank)

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BRAHMS: Symphony No. 2 in D, op. 73. Academic Festival Overture, op. 80 (Review by Jon Tuska)

conductor 

BRAHMS: Symphony No. 3 in F, op. 90. Tragic Overture, op. 81 (Review by Mortimer H. Frank)

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BRAHMS: Symphony No. 3 (Review by Jerry Dubins)

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BRAHMS: Symphony No. 4 in E Minor, op. 98 (Review by Mortimer H. Frank)

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BRAHMS: Violin Concerto (Review by Robert Maxham)

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BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel)

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BRITTEN: Peter Grimes (Review by John W. N. Francis)

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BRITTEN: Peter Grimes (Review by Joel Kasow)

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BRITTEN: Peter Grimes (Review by Michael Fine)

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BRITTEN: The Turn of the Screw Op. 54 (Review by John Ditsky)

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BRUCKNER: Mass No. 3 in F Minor (Review by Peter J. Rabinowitz)

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BRUCKNER: Symphony No, 7 in E (Review by William Zagorski)

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BRUCKNER: Symphony No. 6 in A (Review by Robert McColley)

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BRUCKNER: Symphony No. 9 (Review by Robert McColley)

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BRUCKNER: Symphony No. 9 (Review by Steve Holtje)

conductor 

CHOPIN: Ballade No. 1 in g (Review by Susan Kagan)

conductor 

CHOPIN: Fantaisie, op. 49 (Review by Charles Timbrell)

conductor 

CHOPIN: Nocturnes, op 62/1, 2. Impromptu No. 3 in G (Review by Lawrence A. Johnson)

conductor 

DEBUSSY: Claire de lune (Review by Robert Maxham)

conductor 

DEBUSSY: La Mer. Nocturnes pour orchestre (Review by Philip Hart)

conductor 

DONIZETTI: Lucia di Lammermoor (Review by Marc Mandel)

conductor 

DVOŘÁK: Cello Concerto in b, op. 104 (Review by Jerry Dubins)

conductor 

DVOŘÁK: Cello Concerto in b, op. 104 (Review by James H. North)

conductor 

DVOŘÁK: Concerto in B Minor for Cello and Orchestra, op. 104* (Review by Michael Ullman)

conductor 

DVOŘÁK: Piano Quintet, op. 81 (Review by Barry Brenesal)

conductor 

DVOŘÁK: Serenade in E for Strings, op. 22 (Review by Howard Kornblum)

conductor 

DVOŘÁK: Symphony No. 6 (Review by James Reel)

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DVOŘÁK: Symphony No. 6 (Review by Jerry Dubins)

conductor 

DVOŘÁK: Symphony No. 7 (Review by Raymond Tuttle)

conductor 

DVOŘÁK: Symphony No. 8 (Review by Raymond Tuttle)

conductor 

DVOŘÁK: Symphony No. 9 in E Minor, Op. 95 (“From the New World“) (Review by John Bauman)

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DVOŘÁK: Symphony No. 9 in E minor, Op. 95(“From the New World“) (Review by John Bauman)

conductor 

DVOŘÁK: Symphony No. 9, “From the New World” (Review by Raymond Tuttle)

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DVOŘÁK: Violin Concerto in a, op. 53 (Review by Barry Brenesal)

conductor 

ELGAR: Cockaigne, Op. 40. Pomp and Circumstance, Op. 39. No. 1 (Review by Michael Fine)

conductor 

ELGAR: Concerto in B Minor for Violin and Orchestra, op. 61. Introduction and Allegro for Strings, op. 47 (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Concerto in E Minor for Cello and Orchestra, op. 85 (Review by Michael Ullman)

conductor 

ELGAR: Enigma Variations (Review by Ronald E. Grames)

conductor 

ELGAR: Falstaff (6/20/1970) (Review by James H. North)

conductor 

ELGAR: Introduction and Allegro (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Symphony No. 1 (Review by Bernard Jacobson)

conductor 

ELGAR: Symphony No. 1 (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Symphony No. 1 (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Symphony No. 2 (Review by Bernard Jacobson)

conductor 

ELGAR: Symphony No. 2 (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Symphony No. 3 (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Symphony No. 3 (Review by Bernard Jacobson)

conductor 

ELGAR: The Dream of Gerontius (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Variations on an Original Theme, “Enigma” (Review by Peter J. Rabinowitz)

conductor 

ELGAR: Violin Concerto (Review by Bernard Jacobson)

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ELGAR: Violin Concerto (Review by Robert Maxham)

conductor 

FAURÉ: Requiem, Op. 48 (Review by Adrian Corleonis)

conductor 

GOUNOD: Faust (Review by James Miller)

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GRIEG: Concerto in A Minor for Piano and Orchestra, op. 16 (Review by James H. North)

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GRIEG: Concerto in A Minor for Piano and Orchestra, op. 76 (Review by David Claris)

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GRIEG: Piano Concerto in a (Review by Peter Burwasser)

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GRIEG: Piano Concerto (Review by Susan Kagan)

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GRIEG: Piano Concerto (Review by Michael Fine)

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GRIEG: Piano Concerto (Review by Boyd Pomeroy)

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HANDEL: Judas Maccabeus (Review by Michael Fine)

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HANDEL: Messiah (Review by John Bauman)

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HANDEL: Messiah (Review by Henry Fogel)

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HANDEL: Messiah (Review by J. F. Weber)

conductor 

HAYDN: Concerto ¡n D for Cello and Orchestra, op. 10 (Review by Michael Ullman)

conductor 

HAYDN: Die Jahreszeiten (Review by James H. North)

conductor 

HAYDN: Mass No. 9 in D minor (“Lord Nelson“) (Review by Mortimer H. Frank)

conductor 

HAYDN: Symphonies (Review by Mortimer H. Frank)

conductor 

HAYDN: Symphonies (Review by Mortimer H. Frank)

conductor 

HAYDN: Symphonies (Review by Mortimer H. Frank)

conductor 

HAYDN: Symphonies (Review by William H. Youngren)

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HAYDN: Symphonies (Review by David Hurwitz)

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HAYDN: Symphonies (Review by Mortimer H. Frank)

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HAYDN: The Creation (Review by James Reel)

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HAYDN: The “London“ Symphonies (Review by David Hurwitz)

conductor 

HINDEMITH: Symphonic Metamorphoses on Themes by Carl Maria von Weber (Review by James H. North)

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HOLST: The Planets (Review by Robert McColley)

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HOLST: The Planets (Review by Andrew Quint)

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HUMPERDINCK: Hansel and Gretel (Review by Ilya Oblomov)

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HUMPERDINCK: Hansel und Gretel (Review by James Miller)

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HUMPERDINCK: Hansel und Gretel (Review by Barry Brenesal)

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LISZT: Consolation in Di? (Review by Susan Kagan)

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LISZT: Piano Concertos (Review by Adrian Corleonis)

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LISZT: Piano Sonata in b (Review by Charles Timbrell)

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LITOLFF: Concerto Symphonique No. 4 (Review by David Claris)

conductor 

LITOLFF: Concerto Symphonique No. 4 (Review by Richard A. Kaplan)

conductor 

MACMILLAN: St. John Passion (Review by Ronald E. Grames)

conductor 

MACMILLAN: The Confession of Isobel Gowdie (Review by Carson Cooman)

conductor 

MACMILLAN: The World’s Ransoming (Review by Carson Cooman)

conductor 

MAHLER: Symphony No. 1 in D (“Titan“) (Review by Benjamin Pernick)

conductor 

MAHLER: Symphony No. 4 in G (Review by Benjamin Pernick)

conductor 

MAHLER: Symphony No. 8 in E♭ (“Symphony of a Thousand“) (Review by Benjamin Pernick)

conductor 

MASSENET: Werther (Review by Vincent Alfano)

conductor 

MENDELSSOHN: Infelice! (Review by James Camner)

conductor 

MENDELSSOHN: Octet (Review by Michael Fine)

conductor 

MENDELSSOHN: Symphony No. 3 in A minor, Op. 56 (“Scottish“). A Midsummer Night's Dream Overture, Op. 21 (Review by Edward Strickland)

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MENDELSSOHN: Symphony No. 3 in A minor, Op. 56 (“Scottish“). A Midsummer Night's Dream; Overture, Op. 21 (Review by Paul Turok)

conductor 

MENDELSSOHN: Symphony No. 3, “Scottish” (Review by Jeffrey J. Lipscomb)

conductor 

MENDELSSOHN: Symphony No. 5, “Reformation” (Review by Jeffrey J. Lipscomb)

conductor 

MENDELSSOHN: Variations sérieuses (Review by Susan Kagan)

conductor 

MENDELSSOHN: Violin Concerto in e (Review by David K. Nelson)

conductor 

MOZART: 10 ti lascio, oh cara, addio, K Anh 245 (Review by Ralph V. Lucano)

conductor 

MOZART: Arias (Review by Ralph V. Lucano)

conductor 

MOZART: Concerto in E for 2 Pianos, K 365 (Review by Peter Burwasser)

conductor 

MOZART: Concertone in C (Review by Michael Ullman)

conductor 

MOZART: Concertos for Piano and Orchestra (Review by Susan Kagan)

conductor 

MOZART: Concertos for Piano and Orchestra (Review by John Bauman)

conductor 

MOZART: Concertos for Piano and Orchestra (Review by Michael Ullman)

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MOZART: Concertos for Piano and Orchestra (Review by Leslie Gerber)

conductor 

MOZART: Concertos for Piano and Orchestra (Review by Leslie Gerber)

conductor 

MOZART: Concertos for Violin and Orchestra (Review by John Bauman)

conductor 

MOZART: Così fan tutte (Review by Lynn René Bayley)

conductor 

MOZART: Così fan tutte, K. 588 (Review by Mortimer H. Frank)

conductor 

MOZART: Così fan tutte (Review by Ralph V. Lucano)

conductor 

MOZART: Die Zauberflöte (Review by Andrew Quint)

conductor 

MOZART: Die Zauberflöte (Review by Andrew Quint)

conductor 

MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank)

conductor 

MOZART: Don Giovanni, K. 527 (Review by James Miller)

conductor 

MOZART: Don Giovanni (Review by Ralph V. Lucano)

conductor 

MOZART: Idomeneo, K. 366 (Review by Mortimer H. Frank)

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MOZART: Idomeneo, K. 366 (Review by James Camner)

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MOZART: Idomeneo, re di Creta (Review by David L. Kirk)

conductor 

MOZART: Idomeneo, re di Creta, K 466 (Review by George Jellinek)

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MOZART: Idomeneo (Review by Ralph V. Lucano)

conductor 

MOZART: Kyrie, K 341 (Review by Adrian Corleonis)

conductor 

MOZART: Kyrie, K 341 (Review by Arthur Lintgen)

conductor 

MOZART: La Clemenza di Tito, K. 621 (Review by Mortimer H. Frank)

conductor 

MOZART: La clemenza di Tito (Review by Ralph V. Lucano)

conductor 

MOZART: Le nozze di Figaro (Review by Bernard Jacobson)

conductor 

MOZART: Le nozze di Figaro (Review by Ralph V. Lucano)

conductor 

MOZART: Le nozze di Figaro (Review by Marc Mandel)

conductor 

MOZART: Le nozze dl Figaro, K. 492 (Review by Ralph V. Lucano)

conductor 

MOZART: Lucio Siila (Review by Ralph V. Lucano)

conductor 

MOZART: Mitridate (Review by Ralph V. Lucano)

conductor 

MOZART: Oboe Concerto in C, K 314 (Review by Bernard Jacobson)

conductor 

MOZART: Opera Arias (Review by John Bauman)

conductor 

MOZART: Overture; Cinque . . . dieci; Se vuol ballare; Non so più cosa son; Non più andrai; Voi che sapete; Crudeli perchè finora; Vedrò mentr'io sospiro; Dove sono; Sull'aria; Ricevete, o padroncina; L'ho perduta; Aprite un pò quegl'occhi; Deh, vieni non tardar; Finale (Review by Anthony D. Coggi)

conductor 

MOZART: Overtures (Review by Michael Ullman)

conductor 

MOZART: Piano Concerto No. 23 in A (Review by Mortimer H. Frank)

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MOZART: Piano Concerto No. 24 in d (Review by Lynn René Bayley)

conductor 

MOZART: Piano Concerto No. 25, K 503 (Review by Susan Kagan)

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MOZART: Piano Concertos (Review by Bernard Jacobson)

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MOZART: Requiem (Review by James Reel)

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MOZART: Requiem (Review by Bertil van Boer)

conductor 

MOZART: Requiem, K. 626 (Review by J. F. Weber)

conductor 

MOZART: Serenade No. 7 in D, K. 250 (“Haffner“). Symphony No. 32 in G, K. 318 (Review by Michael Ullman)

conductor 

MOZART: Serenade No. 9 in D, K. 320 (“Posthorn“). Concerto in B♭ for Bassoon and Orchestra, K. 191 (Review by Mortimer H. Frank)

conductor 

MOZART: Serenades (Review by Ronnie Yip)

conductor 

MOZART: Serenades (Review by Mortimer H. Frank)

conductor 

MOZART: Serenades (Review by Mortimer H. Frank)

conductor 

MOZART: Serenades (Review by Mortimer H. Frank)

conductor 

MOZART: Singt dem grossen Bassa Lieder; 0 wie ängstlich; Traurigkeit; Martern aller Arten; Welche Wonne, welche lust; Vivat Bacchus!; Ach, Belmonte! Ach mein Leben; In Mohrenland; Triomphaire; Finale (Review by Anthony D. Coggi)

conductor 

MOZART: Symphonies (Review by Mortimer H. Frank)

conductor 

MOZART: Symphonies (Review by Mortimer H. Frank)

conductor 

MOZART: Symphonies (Review by Mortimer H. Frank)

conductor 

MOZART: Symphonies (Review by Elliott Kaback)

conductor 

MOZART: Symphonies (Review by Mortimer H. Frank)

conductor 

MOZART: Symphonies (Review by Mortimer H. Frank)

conductor 

MOZART: Symphony No. 32, K 318 (Review by George Chien)

conductor 

MOZART: The Abduction from the Seraglio (Review by Anthony D. Coggi)

conductor 

MOZART: The Magic Flute, K. 620 (Review by Mortimer H. Frank)

conductor 

MOZART: The Marriage of Figaro (Review by Anthony D. Coggi)

conductor 

MOZART: Vesperae solennes de confessore, K. 339. Exsultate, jubilate, K. 165. Kyrie, K. 341. Ave verum corpus, K. 618 (Review by John Bauman)

conductor 

MOZART: Zaide, K. 344 (Review by John Bauman)

conductor 

MOZART: boncertos tor Violin and Orchestra (Review by Elliott Kaback)

conductor 

NIELSEN: Symphonies Nos. 2 and 3 (Review by Barry Brenesal)

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NIELSEN: Symphonies (Review by Steven Kruger)

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NIELSEN: Symphonies (Review by James H. North)

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NIELSEN: Symphony No. 4, “The Inextinguishable” (Review by Henry Fogel)

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NIELSEN: Symphony No. 4, “The Inextinguishable” (Review by James H. North)

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NIELSEN: Symphony No. 5 (Review by Henry Fogel)

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NIELSEN: Symphony No. 5 (Review by James H. North)

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PARRY: Jerusalem (Review by Michael Fine)

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PROKOFIEV: 5 Melodies, op. 35bis (Review by Robert Maxham)

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PROKOFIEV: Concertos for Violin and Orchestra (Review by David K. Nelson)

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PROKOFIEV: Sonata for 2 Violins (Review by Robert Maxham)

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PUCCINI: La Bohème (Review by Henry Fogel)

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PUCCINI: La Bohème (Review by Marc Mandel)

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PUCCINI: Tosca (Review by Vincent Alfano)

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PUCCINI: Tosca (Review by Henry Fogel)

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PURCELL: Dido and Aeneas (Review by Michael Ullman)

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RACHMANINOFF: Piano Concertos (Review by Richard A. Kaplan)

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REGER: Variations and Fugue on a Theme by Mozart, op. 132 (Review by James H. North)

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REGER: Variations and Fugue on a Theme of J. A. Hiller, Op. 100. A Ballet Suite, Op. 130 (Review by John Ditsky)

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ROSSINI: Il barbiere di Siviglia (Review by Marc Mandel)

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SAINT-SAËNS: Concerto No. 3 in B minor for Violin and Orchestra, Op. 61 (Review by David K. Nelson)

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SAINT-SAËNS: Samson et Dalila (Review by John W. N. Francis)

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SAINT-SAËNS: Samson et Dalila (Review by James Miller)

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SAINT-SAËNS: Samson et Dalila (Review by James Miller)

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V. SAINT-SAENS: Concerto in A Minor for Cello and Orchestra, op. 33 (Review by Michael Ullman)

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D. SCARLATTI: Sonatas (Review by Susan Kagan)

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SCHUBERT: Impromptu in B♭, D 935/3 (Review by Susan Kagan)

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SCHUBERT: Symphony No. 8, “Unfinished” (Review by Jerry Dubins)

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SCHUBERT: Symphony No. 9 (Review by Mortimer H. Frank)

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SCHUBERT: The Complete Symphonies (Review by Richard Burke)

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SCHUBERT: Violin Sonata in A, D 574, “Duo” (Review by Robert Maxham)

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SCHUMANN: Concerto in A Minor for Cello and Orchestra, op. 129 (Review by Michael Ullman)

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SCHUMANN: Concerto in A Minor for Piano and Orchestra, op. 54 (Review by James H. North)

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SCHUMANN: Concerto in A minor for Cello and Orchestra, Op. 129. Music for Cello and Piano (Review by Leslie Gerber)

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SCHUMANN: Fantasie in c, op. 17 (Review by Charles Timbrell)

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SCHUMANN: Piano Concerto in a (Review by Peter Burwasser)

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SCHUMANN: Piano Concerto in a (Review by Lynn René Bayley)

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SCHUMANN: Piano Concerto (Review by Michael Fine)

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SIBELIUS: En Saga (Review by Richard A. Kaplan)

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SIBELIUS: En saga (Review by Richard A. Kaplan)

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SIBELIUS: Karelia Suite (Review by Andrew Quint)

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SIBELIUS: Karelia Suite (Review by Richard A. Kaplan)

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SIBELIUS: Kullervo (Review by Robert McColley)

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SIBELIUS: Luonnotar (Review by Richard A. Kaplan)

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SIBELIUS: Pohjola’s Daughter (Review by Richard A. Kaplan)

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SIBELIUS: Pohjola’s Daughter. Kuolema (Review by Richard A. Kaplan)

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SIBELIUS: Rakastava. En Saga. Kullervo (Review by Robert McColley)

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SIBELIUS: Symphonies (Review by Lawrence A. Johnson)

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SIBELIUS: Symphonies (Review by Christopher Abbot)

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SIBELIUS: Symphonies (Review by Richard A. Kaplan)

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SIBELIUS: Symphonies (Review by Christopher Abbot)

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SIBELIUS: Symphonies (Review by Richard A. Kaplan)

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SIBELIUS: Symphonies (Review by Christopher Abbot)

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SIBELIUS: Symphonies (Review by Richard A. Kaplan)

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SIBELIUS: Symphony No. 1 in E minor, Op. 39. Finlandia, Op. 26 (Review by John Bauman)

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SIBELIUS: Symphony No. 2 (Review by Richard A. Kaplan)

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SIBELIUS: Symphony No. 2 (Review by Richard A. Kaplan)

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SIBELIUS: Symphony No. 3 (Review by Colin Anderson)

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SIBELIUS: Symphony No. 5 (Review by Colin Anderson)

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SIBELIUS: Symphony No. 6 (Review by Colin Anderson)

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SIBELIUS: Symphony No. 7 (Review by Robert McColley)

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SIBELIUS: Symphony No. 7 (Review by Colin Anderson)

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SIBELIUS: The Oceanides. Finlandia. Valse triste. Tapiola. Nightride and Sunrise (Review by Andrew Quint)

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SMETANA: Má vlast (Review by James Reel)

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SPOHR: Clarinet Concerto No. 1 in c, op. 26 (Review by Michael Carter)

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STRAUSS: Ariadne auf Naxos (Review by John Story)

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STRAVINSKY: Concerto for Piano and Wind Instruments (Review by Lawrence A. Johnson)

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STRAVINSKY: Concerto in D (11/6/1975) (Review by James H. North)

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STRAVINSKY: Oedipus Rex (Review by John W. N. Francis)

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STRAVINSKY: Oedipus Rex (Review by Leslie Gerber)

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STRAVINSKY: The Firebird (complete ballet, original version) (Review by Peter J. Rabinowitz)

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STRAVINSKY: The Rite of Spring. The Firebird. Petrushka. Orpheus (Review by Art Lange)

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TCHAIKOVSKY: 1812 Overture, Op. 49. Romeo and Juliet (Review by John Bauman)

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TCHAIKOVSKY: 1812 Overture (Review by Richard A. Kaplan)

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TCHAIKOVSKY: Ballet at the Opera (Review by David L. Kirk)

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TCHAIKOVSKY: Concerto No. 1 in B♭ Minor for Piano and Orchestra, op. 23 (Review by David Claris)

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TCHAIKOVSKY: Concerto in D for Violin and Orchestra, op. 35 (Review by David K. Nelson)

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TCHAIKOVSKY: Eugene Onegin (Review by David L. Kirk)

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TCHAIKOVSKY: Oprichnik (Review by David L. Kirk)

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TCHAIKOVSKY: Oxana’s Capricies (Review by David L. Kirk)

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TCHAIKOVSKY: Romeo and Juliet (Review by Richard A. Kaplan)

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TCHAIKOVSKY: Serenade in C for Strings, op. 48 (Review by Howard Kornblum)

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TCHAIKOVSKY: The Maid of Orleans (Review by David L. Kirk)

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TCHAIKOVSKY: The Sorceress (Review by David L. Kirk)

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TCHAIKOVSKY: Violin Concerto (Review by David K. Nelson)

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TIPPETT: A Child of Our Time (Review by Lynn René Bayley)

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TIPPETT: A Child of Our Time (Review by Peter J. Rabinowitz)

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TIPPETT: A Child of our Time (Review by Paul Ingram)

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TIPPETT: Concerto for Double String Orchestra. Piano Sonatas (Review by Paul A. Snook)

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TIPPETT: Concerto for Violin, Viola, Cello, and Orchestra. Concerto for Orchestra (Review by Peter J. Rabinowitz)

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TIPPETT: The Four Symphonies (Review by Paul A. Snook)

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TIPPETT: The Knot Garden (Review by John Ditsky)

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TIPPETT: The Midsummer Marriage (Review by Raymond Tuttle)

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VAUGHAN WILLIAMS: Symphony No. 4 in f (Review by Peter J. Rabinowitz)

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VAUGHAN WILLIAMS: Symphony No. 6 (Review by Ronald E. Grames)

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VAUGHAN WILLIAMS: The Lark Ascending (Review by Bernard Jacobson)

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VERDI: Anvil Chorus; Stride la vampa; Tacea la notte placida; II balen; Act III, scene 2; D'amor sull' ali rosee; Act IV, scene 2 (Review by Anthony D. Coggi)

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VERDI: Arias (Review by Joel Kasow)

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VERDI: Barcarola; Quintette; Ma dall' arido stelo divulsa; Love duet; Ve, se di notte; Eri tu; Ma se m'è forza perderti; Saper vorreste; Finale (Review by Anthony D. Coggi)

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VERDI: Excerpts from (Review by Joel Kasow)

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VERDI: Falstaff (Review by David Mason Greene)

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VERDI: Falstaff (Review by Barry Brenesal)

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VERDI: Falstaff (Review by Raymond Tuttle)

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VERDI: Il Trovatore. Excerpts (Review by Anthony D. Coggi)

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VERDI: Otello (Review by Henry Fogel)

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VERDI: Requiem Mass (Review by Marc Mandel)

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VERDI: Requiem (Review by Henry Fogel)

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VERDI: Rigoletto (Review by Marc Mandel)

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VERDI: Un Ballo in Maschera; Excerpts (Review by Anthony D. Coggi)

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VIEUXTEMPS: Concerto No. 5 in A minor for Violin and Orchestra, Op. 37 (Review by David K. Nelson)

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WAGNER: Der fliegende Holländer (Review by James Miller)

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WAGNER: Die Feen (Review by James Miller)

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WAGNER: Lohengrin (Review by William H. Youngren)

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WAGNER: Lohengrin (Review by William H. Youngren)

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WAGNER: Parsifal (Review by James Miller)

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WAGNER: Rienzi (Review by James Miller)

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WAGNER: Tannhäuser (Review by Andrew Quint)

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WAGNER: Tristan und Isolde (Review by James Miller)

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WAGNER: Wesendonck Lieder (Review by James Miller)

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WAGNER: Wesendonck Lieder (Review by Michael Fine)

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WALTON: Belshazzar’s Feast (Review by James Miller)

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WALTON: Symphony No. 1 (Review by Andrew Quint)

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WALTON: Symphony No. 1 (Review by James Miller)

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WEBER: Clarinet Concerto No. 2 in E♭, op. 74 (Review by Michael Carter)

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WEBER: Complete Works for Piano and Orchestra (Review by James H. North)

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WEBER: Der Freischütz (Review by James H. North)

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WEBER: Der Freischütz (Review by James H. North)

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WEBER: Der Freischütz (Review by James Camner)

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WEBER: Euryanthe (Review by James Camner)

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WEBER: Konzertstück, op. 79. Concertos (Review by James H. North)

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WOOD: Fantasia on British Sea Songs (Review by Michael Fine)

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YSAŸE: Sonata in G for Violin, Op. 27, No. 5 (Review by David K. Nelson)

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