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 Listen to Audio Samples

Andrew Bergeron: Tango and Snow

Brian Dykstra: Neo-Ragtime

Duo Sonidos: Duo Sonidos

Hillary Tann: Here, The Cliffs

Jonathan Little: Polyhymnia

Luisa Guembes-Buchanan: Beethoven in D, E. T. A. Hoffman Sonatas / Robert Schumann Kreisleriana, Late Beethoven

Melba: Benaud Trio, The Romantic Clarinet, The Virtuoso Piano Music of George Frederick Boyle, The Art of Nance Grant, Arcadia Lost, Elan Ballet Music from Operas of Saint Saëns, RAKHMANINOV: Leslie Howard, WAGNER: Das Rheingold, WAGNER: Die Walküre, WAGNER: Siegfried, WAGNER: Götterdämmerung, FERDINAND HÉROLD: La Somnambule,

Open Goldberg: Open Goldberg Variations

Sharon Ruchman: Remembrance, Chamber Music, Arrival of Spring

Tod Machover: Resurrection, Hyperstring Trilogy, Vinyl Cello, ...but not simpler...

Ursula Bagdasarjanz: Glazunov & Nardini

Wayne Leechford: Works of Art

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Melba
Michael Antonello

Performer: Detroit SO

ALTSCHULLER: Chant des soldats russes (Review by Charles Timbrell)

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ARENSKY: Suite for Two Pianos, op. 15 (Review by Charles Timbrell)

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AUBER: The Crown Diamonds (Review by Ron McDonald)

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AVSHALOMOV: The Taking of T’ung Kuan (Review by Raymond Tuttle)

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AVSHALOMOV: The Taking of T’ung Kuan (Review by James Miller)

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BACH-CASELLA: Partita No. 2 in D Minor for Unaccompanied Violin (Review by Jon Tuska)

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BACH: Bourée (Review by Charles Timbrell)

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BALAKRISHNAN: Spider Dreams-Suite (Review by Alex Ross)

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BARBER: Essays for Orchestra (Review by Walter Simmons)

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BARBER: Overture to “The School for Scandal,“ op. 5. Symphony No. 1, op. 9 (Review by James H. North)

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BARBER: Rain has fallen (Review by Joel Kasow)

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BARBER: Symphony No. 2. Adagio for Strings (Review by Walter Simmons)

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BARBER: Three Essays for Orchestra (Review by James H. North)

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BARBER: Three Essays for Orchestra (Review by Walter Simmons)

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BARBER: Vanessa (Review by Walter Simmons)

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BARBER: Vanessa (Review by David Johnson)

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BARBER: Vanessa (Review by Peter J. Rabinowitz)

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BAX: The white peace. Cradle song (Review by Joel Kasow)

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BEACH: Symphony in E Minor, op. 32 (“Gaelic“) (Review by James H. North)

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BEETHOVEN: Symphonies (Review by Boyd Pomeroy)

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BEETHOVEN: Symphonies (Review by Boyd Pomeroy)

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BERLIOZ: Le corsaire. Roman Carnival (Review by James Reel)

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BERLIOZ: Les Troyens (Review by James Reel)

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BERLIOZ: Symphonie fantastique. Damnation of Faust (Review by James Reel)

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BERLIOZ: The Trojans (Review by Ron McDonald)

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BIZET: Carmen (Review by Ron McDonald)

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BOLZONI: Minuetto (Review by Richard Burke)

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BORODIN: Symphony No. 2 in B Minor' (Review by Jon Tuska)

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BRAHMS: Academic Festival Overture, op. 80. Serenade No. 1 in D, op. 11 (Review by Charles Timbrell)

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BRAHMS: Academic Festival Overture. Serenade No. 1 (Review by Boyd Pomeroy)

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BRAHMS: Symphony No. 4 in e (Review by Jerry Dubins)

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BRIDGE: Love went a-riding (twice) (Review by Joel Kasow)

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BRISTOW: Symphony in F♯ Minor, op. 26 (Review by Walter Simmons)

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CARPENTER: The sleep that flits on baby's eyes (Review by Joel Kasow)

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CHABRIER: Espaňa (Review by Charles Timbrell)

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CHABRIER: Le Roi malgré lui (Review by Richard Burke)

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CHADWICK: Melpomene Overture. Rip van Winkle Overture. Tarn O'Shanter (Review by James H. North)

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CHADWICK: Symphony No. 3 in F (Review by David Johnson)

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CHADWICK: Symphony No. 3 in F (Review by Peter J. Rabinowitz)

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CHADWICK: Symphony No. in 2 Bb, op. 21. Symphonic Sketches (Review by David Johnson)

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CHARLES: When I have sung my songs (Review by Joel Kasow)

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COPLAND: Symphony No. 3 (Review by Robert McColley)

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CRESTON: Symphony No. 2, op. 35 (Review by James H. North)

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CRESTON: Symphony No. 2, op. 35 (Review by Walter Simmons)

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DARZINS: Valse mélancolique (Review by Richard Burke)

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DAUGHERTY: Fire and Blood (Review by Peter Burwasser)

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DAUGHERTY: MotorCity Triptych (Review by Peter Burwasser)

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DAUGHERTY: Raise the Roof (Review by Peter Burwasser)

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DAWSON: Negro Folk Symphony (Review by Paul A. Snook)

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DAWSON: Negro Folk Symphony (Review by James H. North)

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DAWSON: Negro Folk Symphony (Review by Stephen Ellis)

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DEBUSSY: Clair de lune (Review by Richard Burke)

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DEBUSSY: La Mer (Review by Peter J. Rabinowitz)

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DEBUSSY: Nocturnes for Orchestra. Petite Suite (Review by James Miller)

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DELIBES: Passepied (Review by Charles Timbrell)

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DELIUS: Love's philosophy (Review by Joel Kasow)

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DUKAS: The Sorcerer’s Apprentice (Review by James Miller)

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DVOŘÁK: Humoresque, op. 101, no. 7 (Review by Richard Burke)

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ELGAR: Speak, Music (Review by Joel Kasow)

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ELLINGTON: Harlem (Review by Paul A. Snook)

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ELLINGTON: Harlem (Review by James H. North)

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ELLINGTON: Solitude (Review by Richard Burke)

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ELLINGTON: Suite (orch. Collier); Solitude (trans. Gould); Harlem (orch. L. Henderson) (Review by Stephen Ellis)

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ELLINGTON: The River (Review by Stephen Ellis)

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FAURÉ: Pavane. Pelléas and Mélisande (Review by James Miller)

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DAVIS/ FELDMAN: Blue in Green/Seven Steps to Heaven (Review by Alex Ross)

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FIBICH: Symphonies (Review by James H. North)

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FIBICH: Symphonies (Review by Martin Anderson)

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FIBICH: Symphony No. 1 in F, op. 17 (Review by James H. North)

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S. FOSTER: Old folks at home (Review by Joel Kasow)

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FRANCK: Psyché (Review by James Miller)

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FRANCK: Symphony (Review by Dave Saemann)

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GABRILOWITSCH: Caprice-burlesque. Mélodie, op. 9 (Review by Charles Timbrell)

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GABRILOWITSCH: HIS COMPLETE RECORDINGS, 1923-1929 (Review by Charles Timbrell)

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GERSHWIN: Porgy and Bess (Review by Phillip Scott)

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GERSHWIN: Promenade (Review by Richard Burke)

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GILLESPIE: A Night in Tunisia (Review by Alex Ross)

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GLAZUNOV: Gavotte (Review by Charles Timbrell)

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GLINKA: Kamarinskaya. Valse fantaisie (Review by Richard Burke)

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GLUCK: Gavotte (arr. Brahms). Orfeo ed Euridice (Review by Charles Timbrell)

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GOUNOD: Faust (Review by Ron McDonald)

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GRAINGER: Shepherds Hey (Review by Charles Timbrell)

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GRIEG: Haugtussa (Review by Joel Kasow)

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GROFE: Grand Canyon Suite. Mississippi Suite (Review by Phillip Scott)

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HAGEMANN: Music I heard with you (Review by Joel Kasow)

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HARRIS: Symphony No. 3 (Review by Robert McColley)

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HEAD: The little road to Bethlehem (Review by Joel Kasow)

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HÉROLD: Zampa (Review by Ron McDonald)

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IBERT: Escales (Review by Ron McDonald)

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IBERT: Escales (Review by Dave Saemann)

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IVES: Symphony No. 1 (Review by James H. North)

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IVES: Symphony No. 1 (Review by Walter Simmons)

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IVES: Symphony No. 2 (Review by James H. North)

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IVES: Symphony No. 2 (Review by Walter Simmons)

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LISZT-BUSONI: Spanish Rhapsody' (Review by Jon Tuska)

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LISZT: Les Préludes (Review by Colin Clarke)

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LOKUMBE: Dear Mrs. Parks (Review by Colin Clarke)

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MASCAGNI: Cavalleria rusticana (Review by Jon Tuska)

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MASSENET: Phèdre (Review by Ron McDonald)

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MEDINS: Aria (Review by Richard Burke)

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MENDELSSOHN: Capriccio Brillant' (Review by Jon Tuska)

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MILHAUD: Suite provençale, op. 152b (Review by Peter J. Rabinowitz)

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MOSZKOWSKI: En Automne (Review by Charles Timbrell)

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MOZART: Symphony No. 35, “Haffner” (Review by Boyd Pomeroy)

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MUSSORGSKY: Gopak (Review by Richard Burke)

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TOWER OF POWER: Who Do You Think You Are? (Review by Alex Ross)

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RACHMANINOFF: Symphony No. 2 in e (Review by Merlin Patterson)

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RACHMANINOFF: Vocalise (Review by Merlin Patterson)

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RACHMANINOFF: Vocalise, op. 34, no. 14 (Review by James Miller)

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RACHMANINOV-DUMBRAVEANU: Variations on a Theme of Coretti, op. 42 (Review by James Miller)

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RACHMANINOV-KOGOSOWSKI: Concerto Elegiaque in D Minor for Piano and Orchestra, op. 9b (Review by James Miller)

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RAVEL: Bolero (Review by Daniel Morrison)

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RAVEL: Boléro. La Valse (Review by David Hurwitz)

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RAVEL: Daphnis et Chloé (Review by James Miller)

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RAVEL: La Valse (Review by James Miller)

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RAVEL: Rapsodie Espagnole (Review by Dave Saemann)

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RAVEL: Rapsodie espagnole. Alborado del gracioso. Pavane pour une Infante défunte. La Valse. Le Tombeau de Couperin (Review by Ron McDonald)

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RIMSKY-KORSAKOV: Le Coq D'or (Review by Jon Tuska)

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RIMSKY-KORSAKOV: Russian Easter Overture. Capriccio espagnol (Review by Daniel Morrison)

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RIMSKY-KORSAKOV: Symphony No. 2, “Antar” (Review by Daniel Morrison)

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ROGERS: At parting (Review by Joel Kasow)

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RONALD: O lovely night (twice), (Review by Joel Kasow)

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ROUSSEL: Symphonies (Review by Adrian Corleonis)

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ROUSSEL: Symphony No. 3 in G Minor, op. 42. Bacchus and Ariadne, op. 43 (Review by David Hurwitz)

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ROUSSEL: Symphony No. 4 in A, op. 53. Sinfonietta, op. 52 (Review by Peter J. Rabinowitz)

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ROUSSEL: The Spider’s Feast (Review by James Miller)

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SAINT-SAËNS: Samson and Delilah (Review by Ron McDonald)

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SCHMIDT: Symphony No. 1 in E (Review by Martin Anderson)

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SCHMIDT: Symphony No. 4 in C (Review by Robert McColley)

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SCHMIDT: Symphony No. 4 in C (Review by Martin Anderson)

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SCHÜTT: lmpromptu-Rococco (Review by Charles Timbrell)

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SCHUMANN: Abendlied, op. 107, no. 6 (Review by Richard Burke)

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SCHUMANN: Manfred Overture (Review by Marc Mandel)

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SCHUMANN: Novelette, op. 99, no. 9. Fantasiestücke, op. 12, no. 3, Warum? Quintet in Eb for Piano and Strings, op. 44 (two versions) (Review by Charles Timbrell)

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SCHUMANN: Symphonies (Review by Marc Mandel)

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SCOTT: Lullaby (Review by Joel Kasow)

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SEAL: Interchange (Review by Alex Ross)

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SEIDENBERG: Bach's Lunch (Review by Alex Ross)

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SHOSTAKOVICH: The Gadfly (Review by Richard Burke)

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SIBELIUS: Andante festive (Review by Richard Burke)

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SIBELIUS: Demanten på marssnön. Arioso. Den första kyssen. Flickan kom i trån sin älsklings mote. Var den en öröm (Review by Joel Kasow)

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SMETANA: Má Vlast (Review by John W. Lambert)

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SMETANA: Má Vlast (Review by Raymond Tuttle)

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SMETANA: Má Vlast (Review by James H. North)

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SOUSA: The Stars and Stripes Forever (Review by Richard Burke)

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STILL: Symphony No. 1 (“Afro-American“). ELLINGTON (orch. Ron Collier) (Review by James H. North)

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STILL: Symphony No. 2 in G Minor ("Song of a New Race") (Review by Paul A. Snook)

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STILL: Symphony No. 2 in G Minor ("Song of a New Race") (Review by James H. North)

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STRAUSS: Intermezzo (Review by Martin Anderson)

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STRAUSS: Josephs-Legende, op. 64a (Review by Robert McColley)

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STRAUSS: Josephs-Legende, op. 64a (Review by Martin Anderson)

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STRAUSS: Macbeth (Review by Arthur Lintgen)

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STRAUSS: Schlagobers (Review by Alex Ross)

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TCHAIKOVSKY: Suite No. 1 in D, op. 43 (Review by Charles Timbrell)

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TCHAIKOVSKY: Suite No. 1 (Review by Lawrence A. Johnson)

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TCHAIKOVSKY: Suite No. 2 for Orchestra, op. 53. The Tempest— Symphonic Fantasia after Shakespeare, op. 18 (Review by Michael Ullman)

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TCHAIKOVSKY: Suite No. 3 in G for Orchestra, op. 55. Francesca da Rimini, op. 32 (Review by Michael Ullman)

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TCHAIKOVSKY: Suite No. 4, op. 61 (“Mozartiana'). The Seasons, op. 37b (orch. by Alexander Gauk) (Review by Lawrence A. Johnson)

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TCHAIKOVSKY: Symphony No. 5 (Review by Raymond Tuttle)

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TCHAIKOVSKY: Symphony No. 5 (Review by James Miller)

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TCHAIKOVSKY: The Snow Maiden, op. 12 (Review by Donald Seibert)

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TCHAIKOVSKY: The Storm. Fate (Review by Lawrence A. Johnson)

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THOMAS: Mignon (Review by Ron McDonald)

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THOMPSON: Symphony No. 2 (Review by James H. North)

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WAGNER: Der fliegende Holländer (Review by Colin Clarke)

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WAGNER: Die Walküre (Review by Jerry Dubins)

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WAGNER: Overtures (Review by Jerry Dubins)

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WAGNER: Parsifal (Review by Colin Clarke)

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WAGNER: Siegfried (Review by Colin Clarke)

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WAGNER: Tristan und Isolde (Review by Colin Clarke)

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WAGNER: Wesendonck Lieder (Review by Joel Kasow)

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WATTS: With the tide (Review by Joel Kasow)

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