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Performer: Dale Duesing

BARBER: Overture to The School for Scandal (Review by James H. North)

baritone  

BARBER: School for Scandal Overture, op. 5 (Review by James H. North)

baritone 

BARBER: The Lovers. Prayers of Kierkegaard (Review by Walter Simmons)

baritone 

BERG: Wozzeck (Review by Peter J. Rabinowitz)

Wozzeck 

BERNSTEIN: Arias and Barcarolles (orchestrated by Bright Sheng) (Review by James H. North)

baritone 

BERNSTEIN: Arias and Barcarolles (Review by James H. North)

baritone  

BRITTEN: A Midsummer Night’s Dream (Review by Michael Fine)

Demetrius 

DIAMOND: Elegy in Memory of Maurice Ravel (Review by James H. North)

baritone  

GERSHWIN: An American in Paris (Review by James H. North)

baritone 

MAW: Sophie’s Choice (Review by James A. Altena)

narrator 

MOZART: Cosi fan tutte, K. 588 (Review by Mortimer H. Frank)

baritone 

MOZART: Cosi fan tutte, K. 588 (Review by Mortimer H. Frank)

Gugliemo 

OFFENBACH: Les contes d’Hoffmann (Review by Joel Kasow)

Schlémil 

OFFENBACH: Orphée aux enfers (Review by Joel Kasow)

Jupiter 

SCHNITTKE: Life with an Idiot (Review by James H. North)

baritone 

SCHNITTKE: Life with an Idiot (Review by James H. North)

I 

SCHOENBERG: Moses und Aron (Review by James H. North)

Moses 

WEILL: The Rise and Fall of the City of Mahagonny (Review by Lynn René Bayley)

Pennybank Bill 

ZEMLINSKY: Lyric Symphony, Op. 18 (Review by Royal S. Brown)

baritone 

ZEMLINSKY: Lyric Symphony, Op. 18. Six Songs on Texts of Maeterlinck, Op. 13 (Review by Henry Fogel)

baritone