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 Listen to Audio Samples

Barry Araújo Kolman: Collected Works

Brian Dykstra: Neo-Ragtime

Carmen Maret & Andrew Bergeron: Tango and Snow

Eaken Trio: Most Wonderful Time of the Year

Florestan Duo: Beethoven for Cello & Piano

Frank Brickle, Busoni, Pérotin: Ab Nou Cor

Hillary Tann: Here, The Cliffs

Jonathan Little: Polyhymnia

Josef Peter Heinzer: music for orchestra

Laura Schwendinger: Collected Works

Luisa Guembes-Buchanan: Beethoven in D, E. T. A. Hoffman Sonatas / Robert Schumann Kreisleriana, Late Beethoven

Melba: Benaud Trio, The Romantic Clarinet, The Virtuoso Piano Music of George Frederick Boyle, The Art of Nance Grant, Arcadia Lost, Elan Ballet Music from Operas of Saint Saëns, RAKHMANINOV: Leslie Howard, WAGNER: Das Rheingold, WAGNER: Die Walküre, WAGNER: Siegfried, WAGNER: Götterdämmerung, FERDINAND HÉROLD: La Somnambule

Michael Antonello: Collected Works

Open Goldberg: Open Goldberg Variations

Peter Halstead: RACHMANINOFF: Moments musicaux: No. 5 in D♭

Rick VanMatre: Gray Then Blue

Serafin String Quartet: Selected Works

Susan Merdinger: SCHUMANN & DEBUSSY

The Crossing: Selected Works

Univ of Houston Wind Ensemble: Flagello & Rosner

Ursula Bagdasarjanz: Mozart & Schoeck

William Grant Still Society: STILL: La Varsoviana

Ysmael Reyes: Incanto: Contemporary Venezuelan Music


Fanfare Archive Advertisers

Melba
Michael Antonello

Performer: John Eliot Gardiner

SPEAK LOW—DIE SIEBEN TODSÜNDEN AND SONGS BY KURT WEILL: Dle sieben Todsünden (original version). Happy End (Review by Adrian Corleonis)

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ENGLAND, MY ENGLAND: (Review by Robert Markow)

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EROICA: The Day that Changed Music Forever (John Eliot Gardiner) (Review by Jerry Dubins)

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HAYDN; Die Schöpfung, Hob. XXI;2: (Review by James H. North)

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MUSIC FOR THE CHAPEL ROYAL OF ENGLAND: (Review by J. F. Weber)

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ONCE AS I REMEMBER: (Review by George Chien)

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PILGRIMAGE TO SANTIAGO: (Review by J. F. Weber)

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SANTIAGO A CAPPELLA: (Review by J. F. Weber)

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AGUADO: Rondo in A minor, Op. 2, No. 3 (Review by John Bauman)

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ALBÉNIZ: Cádiz. Córdoba (Review by John Bauman)

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ARCHER: Piano Concerto No. 1 (Review by Peter Burwasser)

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ARCHER: Piano Concerto No. 1 (Review by Raymond Tuttle)

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BACH: Brandenburg Concerto No. 3 (Review by George Chien)

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BACH: Brandenburg Concertos (Review by George Chien)

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BACH: Cantatas for Christmas (Review by Jerry Dubins)

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BACH: Cantatas, Vol. 11 (Review by George Chien)

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BACH: Cantatas, Vol. 12 (Review by George Chien)

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BACH: Cantatas, Vol. 13 (Review by George Chien)

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BACH: Cantatas, Vol. 15 (Review by George Chien)

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BACH: Cantatas, Vol. 15 (Review by George Chien)

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BACH: Cantatas, Vol. 15 (Review by George Chien)

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BACH: Cantatas, Vol. 15 (Review by George Chien)

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BACH: Cantatas, Vol. 18 (Review by George Chien)

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BACH: Cantatas, Vol. 1 (Review by George Chien)

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BACH: Cantatas, Vol. 1 (Review by George Chien)

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BACH: Cantatas, Vol. 2 (Review by George Chien)

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BACH: Cantatas, Vol. 8 (Review by George Chien)

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BACH: Cantatas, Vol. 8 (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Cantatas (Review by George Chien)

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BACH: Christmas Oratorio (Review by Elliott Kaback)

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BACH: Christmas Oratorio, BWV 248 (Review by Brian Robins)

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BACH: Christmas Oratorio, BWV248 (Review by Edward Strickland)

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BACH: Der Geist hilft unser Schwachheit auf. Vor deinen Thron tret’ ich hiermit (Review by George Chien)

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BACH: Der Gerechte kommt um (spurious) (Review by George Chien)

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BACH: Easter Cantatas (Review by George Chien)

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BACH: Easter Cantatas (Review by George Chien)

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BACH: Flute, Violin, and Harpsichord Concerto (Review by George Chien)

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BACH: Jesu meine Freude (Review by George Chien)

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BACH: Komm, Jesu, Komm, BWV 229; Der Geist hilft unser Schwachheit auf, BWV 226; Lobet den Herrn, alle Heiden, BWV 230; Sei Lob und Preis mit Ehren, BWV 231; Fürchte dich nicht, BWV 228; Jesu meine Freude, BWV 227; Singet dem Herrn ein neues Lied, BWV 225 (Review by George Chien)

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BACH: Magnificat in D, BWV 243. Cantata (Review by George Chien)

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BACH: Magnificat. Cantata 51 (Review by George Chien)

performance, want list 

BACH: Magnificat. Cantata No. 51 (Review by Lynn René Bayley)

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BACH: Mass in B minor (Review by George Chien)

performance, want list 

BACH: Mass in B minor (Review by Michael Ullman)

performance, want list 

BACH: Mass in B minor (Review by William H. Youngren)

performance, want list 

BACH: Mass in B minor, BWV 232 (Review by Edward Strickland)

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BACH: Motets (7) (Review by George Chien)

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BACH: Motets and Cantatas (Review by George Chien)

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BACH: Motets. Cantatas (Review by George Chien)

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BACH: Motets (Review by George Chien)

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BACH: Nach dir, Herr, verlanget mich, BWV 150 (Review by Michael Ullman)

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BACH: Overtures (Orchestral Suites), BWV 1066-69. Chorale setting “Dir, dir, Jehovah, will ich singen,“ BWV 299 (Review by Edward Strickland)

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BACH: Overtures (Orchestral Suites) (Review by Edward Strickland)

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BACH: Overtures (Orchestral Suites) (Review by George Chien)

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BACH: Overtures (Orchestral Suites) (Review by Edward Strickland)

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BACH: Saint John Passion (Review by George Chien)

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BACH: Saint John Passion, BWV 245 (Review by Edward Strickland)

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BACH: Singet den Herr nein neues Lied, BWV 225 (Review by George Chien)

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BACH: St Matthew Passion, BWV 244 (Review by Ralph V. Lucano)

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J. CHRISTOPH BACH: Fürchte dich nicht (Review by George Chien)

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J. CHRISTOPH BACH: Herr, werde dich und sei mir gnädig. Mit Weinen hebt sich’s an. Wie bist du den, o Gott. Der Gerechte, ob er gleich zu zeitlich stirbt. Ach, dass ich Wassers g’nug hätte. Fürchte dich nicht. Es ist nun aus mit meinem Leben. Meine Freundin, di bist schön (Review by George Chien)

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BASSANO: Hodie Christus natus est (Review by George Chien)

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BEETHOVEN: Concerto No. 5 in E♭ for Piano and Orchestra, op. 73 (“Emperor“). Fantasia in C Minor for Piano, Chorus, and Orchestra, op. 80 (“Choral Fantasy“) (Review by Ronnie Yip)

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BEETHOVEN: Coriolan Overture (Review by Michael Ullman)

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BEETHOVEN: Leonore (Review by James H. North)

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BEETHOVEN: Leonore (Review by Marc Mandel)

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BEETHOVEN: Mass in C, op. 86. Ah! Perfido, op. 65. Calm Sea and Prosperous Voyage, op. 112 (Review by James H. North)

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BEETHOVEN: Missa Solemnis (Review by Lynn René Bayley)

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BEETHOVEN: Missa Solemnis (Review by Marc Mandel)

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BEETHOVEN: Piano Concertos (Review by Christopher Abbot)

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BEETHOVEN: Piano Concertos (Review by Christopher Abbot)

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BEETHOVEN: Symphonies Nos. 5 and 7 (Review by Scott Noriega)

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BEETHOVEN: Symphonies (Review by Richard Burke)

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BEETHOVEN: Symphonies (Review by Dave Saemann)

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BEETHOVEN: Symphony No. 9 in D Minor, op. 125 (“Choral“) (Review by Ronnie Yip)

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BEETHOVEN: Violin Concerto (Review by James Reel)

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L. BERKELEY: Concerto for Guitar and Orchestra (Review by John Ditsky)

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BERLIOZ: Harold en Italie, op. 16. Tristia, op. 18 (Review by Adrian Corleonis)

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BERLIOZ: L'Enfance du Christ, Op. 25 (Review by Adrian Corleonis)

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BERLIOZ: L'Enfance du Christ, op. 25 (Review by Adrian Corleonis)

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BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis)

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BERLIOZ: Le Jeune pâtre breton. La Captive. Le Chasseur danois. Zaide. La Belle voyageuse. Aubade. La Mort d'Ophélie (arr. orch.). Nuits d'été (Review by Adrian Corleonis)

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BERLIOZ: Les Troyens (Review by Adrian Corleonis)

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BERLIOZ: Les Troyens (Review by James Reel)

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BERLIOZ: Messe solenelle (Review by Adrian Corleonis)

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BERLIOZ: Mélodies (The Songs With Orchestra) (Review by Adrian Corleonis)

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BERLIOZ: Roméo et Juliette—Symphonie dramatique (original version) (Review by Adrian Corleonis)

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BERLIOZ: Symphonie fantastique (Review by Ronnie Yip)

performance, want list 

BERLIOZ: Symphonie fantastique, op. 14a (Review by Peter J. Rabinowitz)

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BIZET: Carmen (Review by Joel Kasow)

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BIZET: Symphony in C. L'Artésienne (Review by George Chien)

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BLOCH: Schelomo (Review by Michael Jameson)

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BOCCHERINI: Fandango (Review by John Bauman)

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BOITO: Mefistofele (Review by David Mason Greene)

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BOULANGER: Psalm 130, “Du fond de l’abîme” (Review by Walter Simmons)

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BOULANGER: Psalm 24. Psalm 129. Vieille Prière bouddhique (Review by Walter Simmons)

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BOULANGER: Psalm 24. Psalm 129. Vieille Prière bouddhique. Psalm 130, “Du fond de l’abime” (Review by Barry Brenesal)

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BRAHMS: Alto Rhapsody. Symphony No. 2 (Review by Michael Ullman)

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BRAHMS: Begräbnisgesang. Schicksalslied (Review by Michael Ullman)

conductor 

BRAHMS: Choral Works (Review by Alex Ross)

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BRAHMS: Ein Deutsches Requiem (Review by Ronnie Yip)

performance, want list 

BRAHMS: Ein deutsches Requiem, op. 45 (Review by Ralph V. Lucano)

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BRAHMS: German Requiem (Review by Burton Rothleder)

conductor 

BRAHMS: Hungarian Dances (Review by Richard Burke)

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BRAHMS: Ich schwing mein Horn ins Jammertal. Es tönt ein voller Harfenklang. Nachtwache I. Einförmig ist der Liebe Gram. Gesang der Parzen. Nänie (Review by Ronald E. Grames)

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BRAHMS: Liebeslieder-Walzer, op. SS. Drei Gesänge, op. 17. Drei Weltliche Gesänge, op. 42. Vier Quartette, op. 92. Fünf Gesänge, op. 104 (Review by Alex Ross)

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BRAHMS: Symphony No. 1 (Review by Michael Ullman)

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BRAHMS: Symphony No. 3 (Review by Ronald E. Grames)

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BRAHMS: Symphony No. 4; Fest- und Gedenksprüche; Geistliches Leid (Review by Michael Ullman)

conductor 

BRITTEN: Spring Symphony. Hymn to St. Cecilia. Five Flower Songs (Review by Lawrence A. Johnson)

conductor 

BRITTEN: War Requiem, op. 66 (Review by J. F. Weber)

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BRUCKNER: Mass No. 1 (Review by Robert McColley)

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CAMPRA: Requiem (Review by J. F. Weber)

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CARISSIMI: Judicium Extrémům. Jonas. Jephte (Review by J. F. Weber)

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CAVALLI: Salve Regina (Review by J. F. Weber)

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CHABRIER: Espaňa (Review by Adrian Corleonis)

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CHABRIER: L'Étoile (Review by Anthony D. Coggi)

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CHABRIER: L'Étoile (Review by Jay Coote)

performance, want list 

CHABRIER: L'Étoile (Review by Anthony D. Coggi)

performance, want list 

CHABRIER: L’etoile (Review by Barry Brenesal)

conductor 

CHABRIER: L’étoile (Review by Adrian Corleonis)

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CHABRIER: Suite pastorale (Review by Adrian Corleonis)

conductor 

CLEMENS NON PAPA: O Maria, vernans rosa (Review by J. F. Weber)

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COUPERIN: L'Apothéose de Lully. L'Apothéose de Coretti. Concert “Dans le goût théâtral (Review by Edward Strickland)

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CUI: Deux morceaux, op. 36 (Review by Howard Kornblum)

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DUPARC: L'Invitation au voyage. Au pays où se fait le guerre. La Vie antérieure. Le Manoir de Rosemonde. Phidylé. Chanson triste (Review by James Miller)

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DVOŘÁK: Symphonic Variations, op. 78. Czech Suite, op. 39 (Review by Richard Burke)

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DVOŘÁK: Symphony No. 7 (Review by Jerry Dubins)

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ELGAR: Cello Concerto (Review by Michael Jameson)

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ELGAR: In the South (Alassio) (Review by Bernard Jacobson)

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ELGAR: Introduction and Allegro (Review by Bernard Jacobson)

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ELGAR: Sospiri. Enigma Variations (Review by Bernard Jacobson)

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FALLA: Homenaje, pour le Tombeau de Claude Debussy. The Three Cornered Hat (Review by John Bauman)

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GABRIELI: Sanctus and Benedictus (Review by Michael Ullman)

conductor 

G. GABRIELI: Audite principes. Angelus ad pastores. Salvatore noster. Sonata pian’ e forte. O Magnum mysterium (Review by George Chien)

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G. GABRIELI: Canzona “Sol sol la sol” (Review by George Chien)

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GEMINIANI: The Enchanted Forest (Review by Nils Anderson)

conductor 

GEMINIANI: The Enchanted Forest (Review by Nils Anderson)

conductor 

GESUALDO: Ave, etilicissima Maria (Review by J. F. Weber)

conductor 

GLAZUNOV: Two Pieces, op. 20. Chant du menestral, op. 71 (Review by Howard Kornblum)

conductor 

GLUCK: Alceste (Review by James Camner)

conductor 

GLUCK: Alceste (Review by James Camner)

conductor 

GLUCK: Alceste (Review by Brian Robins)

conductor 

GLUCK: Don Juan (Review by James Miller)

conductor 

GLUCK: Iphighénie en Tauride (Review by David Johnson)

conductor 

GLUCK: Iphigénie en Aulide (Review by James Camner)

performance, want list 

GLUCK: Iphigénie en Tauride (Review by Nick Rossi)

performance, want list 

GLUCK: Iphigénle en Aulide (Review by James Camner)

conductor 

GLUCK: La Rencontre imprévue ou Les Pèlerins de la Mecque (Review by James Camner)

conductor 

GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner)

conductor 

GLUCK: Orfeo ed Euridice (Review by John Story)

conductor 

GLUCK: Orphée et Eurydice (Berlioz version of 1859) (Review by James Camner)

conductor 

GLUCK: Orphée et Eurydice (Review by James Camner)

conductor 

GLUCK: Orphée et Eurydice (Review by David Mason Greene)

conductor 

GOUNOD: Faust (Review by David Mason Greene)

conductor 

GRAINGER: Danny Boy (Review by Joel Kasow)

conductor 

GRAINGER: Danny Boy (Review by Peter J. Rabinowitz)

conductor 

GRAINGER: Danny Boy (Review by Joel Kasow)

performance, want list 

GRAINGER: I'm Seventeen Come Sunday. Brigg Fair. Love Verses from The Song of Solomon. The Merry Wedding. Shallow Brown. Father and Daughter. Mo Nighean Dubh. The Bride's Tragedy. Irish Tune from Country Derry (also known as Danny Boy). Scotch Strathspey and Reel. The Lost Lady Found. The Three Ravens. Danny Deever. Tribute to Foster (Review by Joel Kasow)

conductor 

GRAINGER: I'm Seventeen Come Sunday. Brigg Fair. Love Verses from The Song of Solomon. The Merry Wedding. Shallow Brown. Father and Daughter. Mo Nighean Dubh. The Bride's Tragedy. Irish Tune from County Deny (Danny Boy). Scotch Strathspey and Reel. The Lost Lady Found. The Three Ravens. Danny Deever. Tribute to Foster (Review by Peter J. Rabinowitz)

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GRAINGER: Shepherd’s Hey. Willow, Willow. I’m 17 Come Sunday. Bold William Taylor. There Was a Pig Went Out to Dig. My Robin Is to the Green Wood Gone. Lord Maxwell’s Goodnight. The Duke of Marlborough Fanfare. Let’s Dance Gay in Green Meadow. Scotch Strathspey and Reel. The Pretty Maid Milkin’ Her Cow. The Sprig of Thyme. Lisbon. The Lost Lady Found. Shallow Brown. Molly on the Shore. Shenandoah. Irish Tune from County Derry. Brigg Fair. Green Bushes. Under a Bridge. Dollar and a Half a Day. The Merry King. 6 Dukes Went A-fishin’. Stormy. The 3 Ravens. Died for Love. Country Gardens. The Power of Love. The Hunter in His Career. The Warriors (Review by Peter J. Rabinowitz)

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GRAINGER: Songs and Dancing Ballads (Review by Alex Ross)

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GRAINGER: The Warriors (Review by Randy A. Salas)

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GRAINGER: The Warriors (Review by Peter J. Rabinowitz)

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GRAINGER: The Warriors (Review by Randy A. Salas)

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GRANADOS: La Maya de Goya. Danza Española No. 5 (Review by John Bauman)

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GUERAU: Villano. Canario (Review by John Bauman)

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HANDEL: Acis and Galatea (Review by Anthony D. Coggi)

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HANDEL: Acis and Galatea (Review by Bernard Jacobson)

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HANDEL: Agrippina (Review by David Johnson)

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HANDEL: Agrippina (Review by Barry Brenesal)

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HANDEL: Agrippina (Review by Bernard Jacobson)

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HANDEL: Alexander's Feast. Concerto Grosso in C (“Alexander's Feast“) (Review by Nils Anderson)

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HANDEL: Ballet Music (Review by David Johnson)

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HANDEL: Ballet Music. Aleina; Terpischore; Il Pastor Fido (Review by George Chien)

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HANDEL: Comfort Ye; Ev'ry Valley; And the Glory. But Who May Abide; And He Shall Purify; Behold, A Virgin; O Thou; For Unto Us; And Lo. And the Angel; And Suddenly; Glory to God; Rejoice Greatly; He Shall Feed; Come Unto Him; Why Do the Nations; He That Dwelleth; Thou Shalt Break; Hallelujah; I Know; Amen (Review by John Bauman)

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HANDEL: Dixit Dominus in g, HWV 232 (Review by Brian Robins)

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HANDEL: Gloria in B♭ (Review by Brian Robins)

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HANDEL: Hercules (Review by J. F. Weber)

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HANDEL: Israel in Egypt Coronation Anthems (Review by David Johnson)

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HANDEL: Israel in Egypt. The Ways of Zion Do Mourn (Review by J. F. Weber)

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HANDEL: Jephtha (Review by David Johnson)

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HANDEL: L'Allegro, il Penseroso, ed il Moderato (Review by J. F. Weber)

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HANDEL: L'Allegro, il Penseroso, ed il Moderato (Review by David Johnson)

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HANDEL: Messiah (Review by John Bauman)

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HANDEL: Messiah (Review by John Bauman)

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HANDEL: Music for the Royal Fireworks. Concerti a due cori (Review by George Chien)

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HANDEL: S/7efe venti, HWV 242. Laudate pueri Dominum, HWV 237 (Review by Ralph V. Lucano)

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HANDEL: Saul (Review by Nicholas Deutsch)

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HANDEL: Saul (Review by Patrick Rucker)

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HANDEL: Solomon (Review by Anthony D. Coggi)

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HANDEL: Solomon (Review by Vincent Alfano)

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HANDEL: Tamerlano (Review by Vincent Alfano)

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HANDEL: Water Music (Review by George Chien)

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HANDEL: Water Music (Review by George Chien)

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HANDEL: Water Music (Review by Ivan Katz)

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HANDEL: Water Music (Review by Michael Ullman)

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HAYDN: Masses (Review by Mortimer H. Frank)

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HAYDN: Masses (Review by Mortimer H. Frank)

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HAYDN: No 14, "Harmoniemesse" (Review by Mortimer H. Frank)

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HAYDN: The Late Masses (Review by Mortimer H. Frank)

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HAYDN: The Seasons, Hob. XXI (Review by James H. North)

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HEUBERGER: Der Opernball (Review by John Bauman)

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HOLST: The Planets (Review by Randy A. Salas)

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HOLST: The Planets, op. 32 (Review by Randy A. Salas)

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JANÁČEK: Taras Bulba (Review by James H. North)

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KABALEVSKY: Cello Concerto No. 2 (Review by Michael Jameson)

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KUHNAU: Der Gerechte Kommt um. Christ lag in Todesbanden, BWV 4; Nun ist das Heil und die Kraft, BWV 50; O Jesu Christ, mein's Lebens Licht, BWV 118 (Review by George Chien)

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LANNER: Die Schönbrunner—Waltz, op. 200 (Review by John Bauman)

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LANNER: Tourbillon-Galopp, op. 142, #1 (Review by John Bauman)

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LECLAIR: Scylla et Glaucus (Review by David Johnson)

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LECLAIR: Scylla et Glaucus (Review by David Johnson)

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LEHÁR: Gold and Silver—Waltz, op 79 (Review by John Bauman)

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LEHÁR: Sirens of The Ball—Waltz (Review by John Bauman)

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LEHÁR: The Merry Widow (Review by Ralph V. Lucano)

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MAHLER: Songs of a Wayfarer. Riickert-Songs (Review by Marc Mandel)

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MAHLER: Songs of a Wayfarer. Rückert-Songs (Review by Marc Mandel)

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MENDELSSOHN: Mitten wir im Leben sind (Review by Michael Ullman)

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MENDELSSOHN: Symphonies (Review by Bernard Jacobson)

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MENDELSSOHN: Violin Concerto in e (Review by James Reel)

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MESSAGER: Fortunio (Review by David Johnson)

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MILAN: Fantasia XXII (Review by John Bauman)

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MONTEVERDI: Balli and Balletti (Review by J. F. Weber)

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MONTEVERDI: Balli e Balletti (Review by J. F. Weber)

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MONTEVERDI: Balli e Balletti (Review by J. F. Weber)

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MONTEVERDI: Exultent caeli. Magnificat (Review by George Chien)

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MONTEVERDI: L'Orfeo (Review by J. F. Weber)

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MONTEVERDI: L'incoronazione de Poppea (Review by J. F. Weber)

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MONTEVERDI: L'incoronazione di Poppea (Review by John Story)

performance, want list 

MONTEVERDI: Tirsi e Clori. L'Orfeo (Review by J. F. Weber)

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MONTEVERDI: Tirsi e Clori. L'Orfeo (Review by J. F. Weber)

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MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber)

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MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber)

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MOZART: Concerto for 2 Pianos and Orchestra, K 365 (Review by Bernard Jacobson)

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MOZART: Concertos for Piano and Orchestra (Review by ROGER DETTMER)

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MOZART: Concertos for Piano and Orchestra (Review by Leslie Gerber)

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MOZART: Concertos for Piano and Orchestra (Review by Mortimer H. Frank)

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MOZART: Concertos for Piano and Orchestra (Review by ROGER DETTMER)

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MOZART: Concertos for Piano and Orchestra (Review by Mortimer H. Frank)

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MOZART: Concertos for Piano and Orchestra (Review by Mortimer H. Frank)

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MOZART: Concertos for Piano and Orchestra (Review by Mortimer H. Frank)

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MOZART: Concertos for Piano and Orchestra (Review by Edward Strickland)

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MOZART: Concertos for Piano and Orchestra (Review by Leslie Gerber)

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MOZART: Concertos for Piano and Orchestra (Review by Elliott Kaback)

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MOZART: Concertos (Review by Elliott Kaback)

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MOZART: Così fan tutte (Review by Mortimer H. Frank)

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MOZART: Così fan tutte, K. 588 (Review by James Camner)

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MOZART: Die Entführung aus dem Serail (Review by Ivan Katz)

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MOZART: Die Zauberflöte, K. 620 (Review by David Mason Greene)

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MOZART: Don Giovanni (Review by Joel Kasow)

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MOZART: Don Giovanni (Review by David Mason Greene)

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MOZART: Exsultate, jubilate, K. 165 (Review by Ralph V. Lucano)

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MOZART: Great Mass in C Minor, K. 427 (Review by J. F. Weber)

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MOZART: Idomeneo, K. 366 (Review by James Camner)

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MOZART: Le clemenza dl Tito, K.621 (Review by James Camner)

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MOZART: Le nozze di Figaro (Review by Marc Mandel)

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MOZART: Le nozze dl Figaro, K. 492 (Review by Ralph V. Lucano)

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MOZART: Mass in C minor, K. 427 (“Great Mass“) (Review by George Chien)

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MOZART: Mass in c (completed Schmitt, Gardiner) (Review by George Chien)

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MOZART: Mass in c, “Great” (Review by Jerry Dubins)

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MOZART: Piano Concertos Nos. 20-27 (Review by Elliott Kaback)

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MOZART: Piano Concertos (Review by Brian Robins)

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MOZART: Piano Concertos (Review by Edward Strickland)

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MOZART: Piano Concertos (Review by Mortimer H. Frank)

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MOZART: Piano Concertos (Review by Nick Rossi)

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MOZART: Piano Concertos (Review by Edward Strickland)

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MOZART: Requiem (completed Eybler, Süssmayr) (Review by George Chien)

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MOZART: Requiem, K. 626. Kyrie, K. 341 (Review by George Chien)

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MOZART: Rondos (Review by Bernard Jacobson)

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MOZART: Solo Concertos (Review by Bernard Jacobson)

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MOZART: Symphonies (Review by Michael Ullman)

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MOZART: Symphonies (Review by Mortimer H. Frank)

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MOZART: Symphonies (Review by Mortimer H. Frank)

performance, want list 

MOZART: Symphonies (Review by Michael Ullman)

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MOZART: Thamos, King of Egypt (Review by John Bauman)

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MOZART: Thamos, König in Ägypten, K. 345 (Review by Ralph V. Lucano)

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MOZART: The Piano Concertos (Review by Bernard Jacobson)

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MUDARRA: Fantasias XIV and X (Review by John Bauman)

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MURCIA: Prelude y Allegro (Review by John Bauman)

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NARVÁEZ: La Canción del Emperador. Conde Claros (Review by John Bauman)

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OFFENBACH: Les Brigands (Review by James Camner)

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OFFENBACH: Orphée aux Enfers (Review by David Mason Greene)

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PEPUSCH: The Beggar’s Opera (Review by Barry Brenesal)

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PURCELL: Dido and Aeneas. Ode for St. Cecilia's Day (“Welcome to All the Pleasures“) (Review by Michael Ullman)

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PURCELL: Diocletian, or The Prophetess. Timon of Athens (Review by David Johnson)

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PURCELL: Hail! Bright Cecilia (Ode for St. Cecilia) (Review by J. F. Weber)

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PURCELL: Hail! Bright Cecilia (Review by J. F. Weber)

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PURCELL: King Arthur (Review by Mortimer H. Frank)

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PURCELL: King Arthur (Review by J. F. Weber)

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PURCELL: King Arthur (Review by J. F. Weber)

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PURCELL: King Arthur (Review by Mortimer H. Frank)

performance, want list 

PURCELL: King Arthur (Review by J. F. Weber)

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PURCELL: The Fairy Queen (Review by Mortimer H. Frank)

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PURCELL: The Fairy Queen (Review by Mortimer H. Frank)

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RACHMANINOFF: Symphonic Dances, op. 45 (Review by James H. North)

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RAMEAU: Dardanus (Review by J. F. Weber)

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RAMEAU: Les Boréades (Review by J. F. Weber)

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RAMEAU: Les Boréades (Review by David Johnson)

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RAVEL: Shéhérazade. Deux Mélodies hébraïques. Cinq Mélodies populaires grecques. Vocalise en forme de habañera (Review by James Miller)

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RIMSKY-KORSAKOV: Serenade, op. 37 (Review by Howard Kornblum)

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RODRIGO: Concierto de Aranjuez, for Guitar and Orchestra (Review by John Ditsky)

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RODRIGO: Concierto de Aranjuez, for Guitar and Orchestra. Tres Piezas Españolas, for Guitar solo. Invocation et Danse (Hommage à Manuel de Falla), for Guitar solo (Review by John Ditsky)

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RODRIGO: “Concierto de Aranjuez (Review by John Bauman)

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ROSSINI: Le Comte Ory (Review by David Johnson)

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ROSSINI: Le Comte Ory (Review by Robert Levine)

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SANZ: Galifardas. Passacalles. Canarios (Review by John Bauman)

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D. SCARLATTI: Stabat Mater (Review by J. F. Weber)

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SCHUBERT: An Schwager Kronos (orch. Brahms) (Review by Michael Ullman)

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SCHUBERT: Gesang der Geister über den Wassern, D 714 (Review by Bernard Jacobson)

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SCHUBERT: Gesang der Geister über den Wassern. Gruppe as dem Tartarus (orch. Brahms) (Review by Michael Ullman)

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SCHUBERT: Mass in A♭, D 678. Hymnus an den Heiligen Geist, D 948. Psalm 92, D 953 (Review by Joel Kasow)

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SCHUBERT: Stabat Mater, D 175 (Review by Joel Kasow)

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SCHUBERT: Symphonies (Review by Elliott Kaback)

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SCHUBERT: Symphony No. 9, "Great" (Review by Bernard Jacobson)

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SCHÜTZ: Die Himmel erzählen die Ehre Gottes, SWV 386 (Review by George Chien)

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SCHÜTZ: Die Sieben Worte Jesu Christi am Kreuz, SWV 478. Four Dialogs (Review by J. F. Weber)

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SCHÜTZ: Es gingen zweene Menschen, SWV 444. Weib, was weinest du? SWV 443. Ich beschwöre euch, SWV339. Mein Sohn, warum hast du, SWV 401 (Review by J. F. Weber)

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SCHÜTZ: Musikalische Exequien, SWV279-81. Freue dich, SWV453. Ist nicht Ephraim, SWV40. Saul, Saul, SWV 415. Auf dem Gebirge, SWV 396 (Review by J. F. Weber)

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SCHÜTZ: Saul, Saul, was verfolgst du mich? (Review by Michael Ullman)

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SCHÜTZ: Wie lieblich sind deine Wohnungen, Selig sind die Toten (Review by Burton Rothleder)

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SCHUMANN: Das Paradies und die Peri. Requiem für Mignon. Nachtlied (Review by Marc Mandel)

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SCHUMANN: Overture, Scherzo, and Finale. Konzertstück in F for 4 Horns and Orchestra (Review by Marc Mandel)

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SCHUMANN: Symphonies (Review by Marc Mandel)

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SOR: Sonata in D, Op. 14 (“Gran Solo“). Variations on a Theme of Mozart, Op. 9 (Review by John Bauman)

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STRAUSS: Don Quixote (Review by Michael Jameson)

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STRAVINSKY: Symphony of Psalms (Review by Walter Simmons)

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STRAVINSKY: Symphony of Psalms (Review by Barry Brenesal)

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STRAVINSKY: The Rake’s Progress (Review by James H. North)

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SUPPE: Morning, Noon, and Night in Vienna (Review by John Bauman)

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TÁRREGA: Study in A. Prelude In A minor. Recuerdos de la Alhambra (Review by John Bauman)

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TCHAIKOVSKY: Andante cantabile, op. 11 (Review by Michael Jameson)

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TCHAIKOVSKY: Nocturne, op. 19/4 (Review by Michael Jameson)

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TCHAIKOVSKY: Pezzo capriccioso, op. 62 (Review by Michael Jameson)

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TCHAIKOVSKY: Variations on a Rococo Theme (original version) (Review by Michael Jameson)

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TCHAIKOVSKY: Variations on a Rococo Theme, op. 33. Nocturne, op. 19, no. 4. Pezzo capriccioso, op. 62 (Review by Howard Kornblum)

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TORROBA: Sonatina in A; Allegretto (Review by John Bauman)

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TURINA: Fandanguillo, Op. 36 (Review by John Bauman)

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VERDI: Falstaff (Review by James Miller)

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VERDI: Requiem Mass. Quattro Pezzi Sacri (Review by Marc Mandel)

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VERDI: Requiem (Review by Marc Mandel)

performance, want list 

VERDI: Requiem (Review by David Mason Greene)

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VIVALDI: Concerto in D for Two Violins, Strings, and Continuo, RV 513 (Review by Nils Anderson)

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VIVALDI: Concerto in D for Two Violins, Strings, and Continuo, RV. 513 (P.159) (Review by Nils Anderson)

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VIVALDI: Gloria in D, RV 589 (Review by Brian Robins)

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WEBER: Oberon (Review by James H. North)

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ZEMLINSKY: Six Songs to Poems by Maurice Maeterlinck, op. 13 (Review by Marc Mandel)

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ZIEHRER: Fächer Polonaise, op. 525 Schönfeld— March, op 422 (Review by John Bauman)

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ZIEHRER: Wiener Burger—Waltz, op. 419 (Review by John Bauman)

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