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Performer: Andrzej Hiolski BAIRD: Concerto Lugubre for Viola and Orchestra. Four Love Sonnets. Goethe-Briefe (Review by Stephen Ellis) | baritone | BAIRD: Epiphany Music, for Orchestra. Elegeia, for Orchestra. Four Love Sonnets, for Baritone and Chamber Orchestra. Concerto Lugubre, for Viola and Orchestra. Symphony No. 3 (Review by Stephen Ellis) | baritone | MONIUSZKO: Halka (Review by David Johnson) | baritone | MONIUSZKO: Halka (Review by David Johnson) | baritone | MONIUSZKO: Halka (Review by David Johnson) | Janusz | MONIUSZKO: Halka (Review by David Johnson) | Janusz | MUSSORGSKY: Boris Godounov (Review by William H. Youngren) | Rangoni | MUSSORGSKY: Boris Godounov (Review by William H. Youngren) | Shchelkalov | MUSSORGSKY: Boris Godounov (Review by John W. N. Francis) | baritone | MUSSORGSKY: Boris Godunov (Review by Barry Brenesal) | Rangoni/Shchelkalov | PENDERECKI: Passio et Mors Domini Nostri Jesu Christi Secundum Lucam (Review by Royal S. Brown) | baritone | PENDERECKI: St. Luke Passion (Review by Edward Strickland) | baritone | PENDERECKI: Te Deum, for Soloists, Mixed Chorus, and Large Symphony Orchestra. Requiem (Review by John Ditsky) | baritone | PENDERECKI: Te Deum, for Soloists, Mixed Chorus, and Large Symphony Orchestra. Requiem (Review by Walter Simmons) | baritone | PENDERECKI: The Devils of Loudun (Review by Royal S. Brown) | Father Grandier | PENDERECKI: The Devils of Loudun (Review by Phillip Scott) | Urbain Grandier | PENDERECKI: VOLUME ONE. Saint Luke's Passion“. Threnody to the Victims of Hiroshima. Polymorphy. String Quartet No. 1*. Psalms of David (Review by Stephen Ellis) | baritone | SZYMANOWSKI: Concerto for Violin and Orchestra No. 7, Op. 35; Mazurkas, Op. 50 (Review by John Ditsky) | baritone | SZYMANOWSKI: King Roger (Review by Adrian Corleonis) | King Roger | SZYMANOWSKI: King Roger, op. 46. Prince Potemkin (Review by Adrian Corleonis) | baritone | SZYMANOWSKI: King Roger, op. 46. Prince Potemkin (Review by Adrian Corleonis) | King Roger | SZYMANOWSKI: King Roger. Harnasie (Review by Anthony D. Coggi) | baritone | SZYMANOWSKI: King Roger. Harnasie (Review by Anthony D. Coggi) | Roger II | SZYMANOWSKI: Prince Potemkin (Review by Adrian Corleonis) | King Roger | SZYMANOWSKI: Stabat Mater, for Solo Voices, Mixed Chorus & Orchestra, op. 53. Symphony No. 3, for Tenor (or Soprano), Chorus of Women's Voices, and Orchestra, op. 27 (“Song of the Night“)'. Litany to the Virgin Mary—Two Fragments for Soprano, Chorus of Women's Voices and Orchestra, op. 59. Demeter—Cantata for Alto, Chorus of Women's Voices and Orchestra, op. 37bis (Review by Adrian Corleonis) | baritone | SZYMANOWSKI: Stabat Mater, for Soloists, Chorus, and Orchestra, op. 53. Veni Creator, for Soprano, Chorus, Organ, and Orchestra, op. 57*. Litany to the Virgin Mary, for Soprano, Chorus, and Orchestra, op. 59. Demeter, for Alto, Chorus, and Orchestra, op. 37b*. Penthesilea, for Soprano and Orchestra, op. 18 (Review by Adrian Corleonis) | baritone | SZYMANOWSKI: Stabat Mater, op. 53. Litany to the Virgin Mary, op. 59. Demeter, op 37b (Review by Adrian Corleonis) | baritone | SZYMANOWSKI: Stahat Mater, for Soloists, Chorus, and Orchestra, op. 53. Veni Creator, for Soprano, Chorus, Organ, and Orchestra, op. 57. Litany to the Virgin Mary, for Soprano, Chorus, and Orchestra, op. 59. Demeter, for Alto, Chorus, and Orchestra, op. 37b““. Penthesilea, for Soprano and Orchestra, op. 18 (Review by Adrian Corleonis) | baritone | SZYMANOWSKI: VOLUME TWO (Review by Adrian Corleonis) | baritone |
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