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Performer: Erich Kunzel

A CELTIC SPECTACULAR: A Little Bit of Heaven (Review by Raymond Tuttle)

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A CELTIC SPECTACULAR: A Piper Celebration. Celtic Angels. The Mummers’ Dance. Steps from the Highlands. Danny Boy (Review by Raymond Tuttle)

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A CELTIC SPECTACULAR: Lord of the Dance (Review by Raymond Tuttle)

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MEGA MOVIES: Music from The Mummy, The Mask ofZorro, Air Force One, The Rock, Contact, Mighty Joe Young, Star Wars (Review by Raymond Tuttle)

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A CELTIC SPECTACULAR: The Last Rose of Summer. The Irish Washerwoman (Review by Raymond Tuttle)

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A CELTIC SPECTACULAR: Titanic (Review by Raymond Tuttle)

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A DISNEY SPECTACULAR: (Review by John Ditsky)

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A RODGERS AND HAMMERSTEIN FESTIVAL: (Review by John Ditsky)

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AMERICAN AS APPLE PIE: (Review by William H. Youngren)

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AN EVENING WITH RODGERS AND HAMMERSTEIN: (Review by George Chien)

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CHILLER: (Review by John Ditsky)

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KUNZEL ON BROADWAY: (Review by John Ditsky)

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MANCINI'S GREATEST HITS: (Review by John Ditsky)

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PEACHES AND CREAM. DANCES AND MARCHES BY JOHN...: (Review by William H. Youngren)

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SCARY MUSIC: (Review by Raymond Tuttle)

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THE SOUND OF MUSIC. Recording revival cast. Music...: (Review by John Ditsky)

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ABREU, ZEQUINHA DE: Tico Tico No Fubá (Review by James Miller)

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ADAM, ADOLPHE: Giselle (Review by David L. Kirk)

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ADAM, ADOLPHE: Giselle (Review by James Reel)

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ALBÉNIZ, ISAAC: Fête-Dieu à Seville (Review by George Chien)

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ALBÉNIZ, ISAAC: Fête-Dieu à Seville (Review by Richard Burke)

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ALBÉNIZ, ISAAC: Ibéría (Review by Steven E. Ritter)

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ANDERSON, LEROY: A Trumpeter's Lullaby (Review by Jon Tuska)

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ANDERSON, LEROY: Concerto in C for Piano and Orchestra (Review by Heuwell Tircuit)

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ARLEN/YARBURG: Over the Rainbow (Review by Raymond Tuttle)

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BACH, JOHANN SEBASTIAN: Jesu, Joy of Man's Desiring (arr. Kunzel). Chaconne (arr. Fazzi) (Review by Jon Tuska)

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BACH, JOHANN SEBASTIAN: Toccata and Fugue in D Minor. Fugue in G Minor ("Little") (Review by Richard Burke)

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BACH, JOHANN SEBASTIAN: Toccata and Fugue in D minor. Little Fugue in G minor (Review by George Chien)

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BADELT: Pirates of the Caribbean (Review by Arthur Lintgen)

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BARROSO: Brazil (Review by James Miller)

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BEETHOVEN, LUDWIG VAN: Adagio Sostenuto from the "Moonlight" Sonata (Review by Richard Burke)

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BEETHOVEN, LUDWIG VAN: Moonlight Sonata (Review by George Chien)

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BEETHOVEN, LUDWIG VAN: Wellington's Victory, Op. 91 (Review by Peter J. Rabinowitz)

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BELLSTEDT: Napoli—Canzone Napolitana con Variazioni (Review by Jon Tuska)

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BERLIN, IRVING: Blue Skies. Cheek to Cheek'. Puttin' on the Ritz (Review by Raymond Tuttle)

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BERLIN, IRVING: God Bless America (Review by John Ditsky)

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BERLIOZ: Roman Carnival Overture (Review by James Reel)

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BERLIOZ: Rácóczy March (Review by John Ditsky)

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BERNSTEIN, ELMER: The Buccaneer (Review by Arthur Lintgen)

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BIZET: A Carmen Fantasy, for Trumpet and Orchestra (Review by Jon Tuska)

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BIZET: Carmen Suites (Review by Steven E. Ritter)

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BIZET: The Fair Maid of Perth (Review by James Miller)

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BOCCHERINI, LUIGI: Menuet (Review by Richard Burke)

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BOCCHERINI, LUIGI: Minuet (Review by George Chien)

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BOCCHERINI, LUIGI: Quintet in C (Review by Arthur Lintgen)

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BORODIN-FORREST: Kismet (Review by Steven E. Ritter)

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BORODIN: Prince Igor (Review by Michael Fine)

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BOWMAN: 12th Street Rag (Review by Heuwell Tircuit)

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BRAHMS, JOHANNES: Hungarian Dance No. 6 (Review by Richard Burke)

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BROWN/FREED: Singin' in the Rain (Review by Raymond Tuttle)

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BRUBECK, DAVE: Happy Anniversary. The Duke. Blessed Are the Poor. Forty Days. Elementals (Review by Paul A. Snook)

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CHADWICK, GEORGE WHITEFIELD: Symphonic Sketches (Review by John Ditsky)

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CHOPIN, FRÉDÉRIC: Les sylphides (Review by David L. Kirk)

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CHOPIN, FRÉDÉRIC: Les sylphides (Review by James Reel)

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CLARKE, JEREMIAH: Trumpet Voluntary in D (Review by Jon Tuska)

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COHAN, GEORGE M.: Star Spangled Spectacular (Review by John Ditsky)

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CONRAD/MAGIDSON: The Continental (Review by Raymond Tuttle)

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COPLAND, AARON: A Lincoln Portrait. Old American Songs (Review by Elliott Kaback)

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COPLAND, AARON: Appalachian Spring (Review by Richard Burke)

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COPLAND, AARON: Appalachian Spring (Review by John Ditsky)

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COPLAND, AARON: Fanfare for the Common Man (Review by James Reel)

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DAVIES, VICTOR: Silhouettes (Piano Trio No. 1). Pulsations for Violin and Orchestra. Fun for Four (Review by Peter Burwasser)

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DEBNEY: Cutthroat Island (Review by Arthur Lintgen)

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DEBUSSY: Clair de lune. La Cathédrale engloutie (Review by George Chien)

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DEBUSSY: Clair de lune. La cathédrale engloutie (Review by Richard Burke)

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DEBUSSY: Nocturnes (Review by James Reel)

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DELIBES: Coppèlia (Review by James Reel)

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DELIBES: Lokrné (Review by James Miller)

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DELIBES: Sylvia (Review by David L. Kirk)

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DUKAS: La Péri (Review by James Reel)

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DUKAS: La péri (Review by David L. Kirk)

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DUKAS: The Sorcerer's Apprentice (Review by Harry Townsend)

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ELGAR: Enigma Variations (Review by James Reel)

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ELGAR: Pomp and Circumstance March No. 1 (Review by John Ditsky)

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ELLINGTON: New World A'Coming. Harlem. The Golden Broom and the Green Apple (Review by Paul A. Snook)

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EMMETT: Dixie (Review by John Ditsky)

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FALLA, MANUEL DE: La vida breve (Review by David L. Kirk)

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FALLA, MANUEL DE: La vida breve (Review by James Reel)

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FREEDMAN, HARRY: The Sax Chronicles (Review by John Ditsky)

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FUČÍK: Entry of the Gladiators (Review by John Ditsky)

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GÄRTNER: (arr. Kreisler, orch. McAlister) Viennese Melody (Review by Robert Maxham)

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GERSHWIN: 2nd Rhapsody for Piano and Orchestra. Concerto in F for Piano and Orchestra. Variations on "I Got Rhythm" (Review by Michael Ullman)

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GERSHWIN: An American in Paris (Review by Raymond Tuttle)

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GERSHWIN: Blue Monday (1922, original version) (Review by Michael Ullman)

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GERSHWIN: Catfish Row—Symphonic Suite from “Porgy and Bess“ (Review by George Chien)

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GERSHWIN: Cuban Overture. Lullaby. Variations on I Got Rhythm. Rialto Ripples Rag (Review by Raymond Tuttle)

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GERSHWIN: O Land of Mine, America (Review by Michael Ullman)

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GERSHWIN: Overtures (Review by George Chien)

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GERSHWIN: Porgy and Bess (Review by Michael Ullman)

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GERSHWIN: Porgy and Bess (Review by Raymond Tuttle)

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GERSHWIN: Prelude No. 2 (Review by Raymond Tuttle)

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GERSHWIN: Rhapsody in Blue (Original Version) (Review by Michael Ullman)

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GERSHWIN: Rhapsody in Blue (Review by Raymond Tuttle)

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GERSHWIN: Rhapsody in Blue. An American in Paris (Review by George Chien)

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GERSHWIN: Rhapsody in Blue. An American in Paris (Review by James Reel)

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GERSHWIN: Rhapsody in Blue. Concerto in F for Piano and Orchestra. "I Got Rhythm" Variations. Rialto Ripples (Review by Gwendolyn Haverstock)

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GERSHWIN: Rialto Ripples Rag. An American in Paris. Cuban Overture. Lullaby. Walking the Dog. Mexican Dance. Catfish Row (Symphonic Suite from Porgy and BessJ (Review by Michael Ullman)

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GERSHWIN: Second Rhapsody' (Review by Heuwell Tircuit)

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GERSHWIN: Strike Up the Band (Review by John Ditsky)

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GERSHWIN: The Complete Orchestral Collection (Review by Michael Ullman)

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GERSHWIN/GERSHWIN: They Can't Take That Away from Me (Review by Raymond Tuttle)

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GLIÈRE: The Red Poppy (Review by David L. Kirk)

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GLIÈRE: The Red Poppy (Review by James Reel)

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GLINKA: Ruslan and Liudmila (Review by Michael Fine)

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GOTTSCHALK, LOUIS MOREAU/KAY: Grand Tarantella (Review by Heuwell Tircuit)

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GOULD, MORTON: American Salute (Review by John Ditsky)

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GOULD, MORTON: Interplay— American Concedette for Piano and Orchestra (Review by Heuwell Tircuit)

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GOULD, MORTON: Windjammer (Review by Arthur Lintgen)

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GOUNOD, CHARLES: Faust (Review by James Miller)

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GROFÉ: Grand Canyon Suite (Review by George Chien)

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HANSON, HOWARD: Bold Island Suite. Symphony No. 2, “Romantic.“ Merry Mount (Review by Walter Simmons)

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HANSON, HOWARD: Symphony No. 2, “Romantic.“ Merry Mount Suite. Bold Island Suite. Fanfare for the Signal Corps (Review by Arthur Lintgen)

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HAYMAN: March Medley. When the Saints Go Marching In (Review by John Ditsky)

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HAYMAN: Pops Hoe-Down (Review by John Ditsky)

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HERBERT, VICTOR: American Fantasia (Review by John Ditsky)

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HERMAN, JERRY: “Hello, Dolly.“ (Review by John Ditsky)

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HERNANDEZ: El Cumban-chero (Review by James Miller)

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HÉROLD: Zampa (Review by Vincent Alfano)

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HEUBERGER: (arr. Kreisler) Midnight Bells (Review by Robert Maxham)

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IBERT: Divertissement (Review by Heuwell Tircuit)

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IPPOLITOV-IVANOV: Caucasian Sketches (Review by Michael Fine)

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IRELAND, JOHN: Epic March (Review by John Ditsky)

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JOBIM, ANTONIO CARLOS: The Girl from ¡panema. Desafinado (Review by James Miller)

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JOPLIN: The Entertainer. Solace. Maple Leaf Rag (Review by Heuwell Tircuit)

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KABALEVSKY: The Comedians (Review by David L. Kirk)

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KABALEVSKY: The Comedians (Review by James Reel)

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KÁLMÁN, EMMERICH: Countess Maritza (Review by Robert McColley)

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KAPER: Mutiny on the Bounty (Review by Arthur Lintgen)

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KENNEDY, JIMMY: South of the Border (Review by James Miller)

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KERN: Mark Twain (Review by John Ditsky)

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KERN: Showboat—A Symphonic Picture (Review by John Ditsky)

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KERN, JEROME/FIELDS, DOROTHY: A Fine Romance' (Review by Raymond Tuttle)

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KHACHATURIAN, ARAM: Gayane (Review by David L. Kirk)

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KHACHATURIAN, ARAM: Gayne (Review by James Reel)

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KHACHATURIAN, ARAM: Spartacus (Review by Michael Fine)

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KORNGOLD, ERICH: Captain Blood (Review by Arthur Lintgen)

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KORNGOLD, ERICH: The Sea Hawk (Review by Arthur Lintgen)

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KREISLER, FRITZ: (orch. McAlister) Tambourin chinois, op. 3. Liebesleid. Caprice viennois, op. 2. Schön Rosmarin. La Chasse in the style of Jean-Baptiste Cartier. Liebesfreud. Rondino on a Theme by Beethoven (Review by Robert Maxham)

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LANNER, JOSEPH: Court Ball Waltzes (Review by Robert McColley)

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LARA: Granada (Review by James Miller)

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LECUONA, ERNESTO: Siboney (Review by James Miller)

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LEHÁR: Concertino in B Minor for Violin and Orchestra. Magyar Ábránd, op. 45. Vergissmeinnicht. Frasquita (Review by Robert Maxham)

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LEHÁR: Gold and Silver—Waltz (Review by Robert McColley)

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LEHÁR: The Merry Widow (Review by James Reel)

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LEHÁR: The Merry Widow (Review by Robert McColley)

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LIADOV: The Enchanted Lake. The Music Box (Review by Michael Fine)

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LISZT: Battle of the Huns, Symphonic Poem No. 11. Hungarian March to the Assault (Review by Peter J. Rabinowitz)

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LISZT: Les Préludes (Review by Harry Townsend)

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LOEWE, FREDERICK: Camelot (Review by John Ditsky)

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MACKENZIE: Chiquita Banana Song (Review by James Miller)

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MANCINI, HENRY: The White Dawn (Review by Arthur Lintgen)

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MANILOW: Copacabana (Review by James Miller)

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MARQUINA: España Cani (Review by James Miller)

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MASSENET, JULES: Le Cid (Review by James Miller)

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MEYERBEER: Les Patineurs (Review by John Bauman)

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MINKUS: Don Quixote (Review by David L. Kirk)

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MINKUS: Don Quixote (Review by James Reel)

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MONTERDE: La Virgen de la Macarena (Review by James Miller)

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MULLIGAN: Entente. Song for Strayhorn. K-4 Pacific (Review by John Ditsky)

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MUSSORGSKY: A Night on Bald Mountain (Review by George Chien)

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MUSSORGSKY: Boris Godounov (Review by James Miller)

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MUSSORGSKY: Boris Gudunov (Review by Michael Fine)

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MUSSORGSKY: Night on Bald Mountain. Pictures at an Exhibition (Review by Richard Burke)

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NEWMAN, ALFRED: Captain from Castile (Review by Arthur Lintgen)

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OFFENBACH: Cello Concerto in G, “Militaire” (Review by Jerry Dubins)

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OFFENBACH: Concerto Rondo for Cello and Orchestra. Overture to a Grand Orchestra. Souvenir of Aix-le-Bains Waltz. Schüler Polka. American Eagle Waltz (Review by John Ditsky)

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OFFENBACH: Concerto Rondo in G for Cello and Orchestra. Overture to a Grand Orchestra, Souvenir d'Aix-les-Bains; Valse. Schüler Polka. American Eagle Waltz (Review by John W. Lambert)

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OFFENBACH: Gaité parisienne (arr. Manuel Rosenthal). Les Belles américaines. Geneviève de Brabant (Review by Heuwell Tircuit)

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OFFENBACH: Gaîté Parisienne (Review by John Bauman)

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OFFENBACH: La Parisienne (Review by James Reel)

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OFFENBACH: La parisienne (Review by David L. Kirk)

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OFFENBACH: Orpheus in the Underworld (Review by Vincent Alfano)

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OFFENBACH/BINDER: Orphée aux enfers (Review by John W. Lambert)

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OFFENBACH/HAENSCH: La belle Hélène (Review by John W. Lambert)

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OFFENBACH/HOFFMANN: La Grande-Duchesse de Gerolstein (Review by John W. Lambert)

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OFFENBACH/ROSENTHAL: Gaité Parisienne (Review by John W. Lambert)

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OLIVEIRA: Lambada (Review by James Miller)

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POLDINI: (arr. Kreisler, orch. Kunzel) Poupée valsante (Review by Robert Maxham)

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PONCE: Estrellita (Review by James Miller)

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PONCHIELLI, AMILCARE: La Gioconda (Review by James Miller)

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PORTAL: Sweet and Gentle (Review by James Miller)

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PORTER, COLE: I've Got You under My Skin (Review by Raymond Tuttle)

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PORTER, COLE: Kiss Me Kate (Review by John Ditsky)

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PRINCE/RAYE: Boogie Woogie Bugle Boy (Review by Raymond Tuttle)

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PROKOFIEV, SERGEI: The Love for Three Oranges (Review by Michael Fine)

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PROTO: A Portrait of George (Review by George Chien)

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PUCCINI II, GIACOMO: Gianni Schicchi (Review by David Mason Greene)

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PUCCINI II, GIACOMO: Medley of Famous Tenor Arias (Review by Jon Tuska)

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PUGNI: Pas de Quatre (Review by David L. Kirk)

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PUGNI: Pas de quatre (Review by James Reel)

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RACHMANINOFF: Prelude in C♯ Minor (Review by Richard Burke)

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RACHMANINOFF: Prelude in C♯ minor (Review by George Chien)

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RAINGER/ROBIN: Thanks for the Memory (Review by Raymond Tuttle)

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RAVEL: Boléro (Review by Steven E. Ritter)

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RESPIGHI, OTTORINO: Pines of Rome (Review by James Reel)

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REZNICEK, EMIL NIKOLAUS VON: Donna Diana (Review by Vincent Alfano)

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RIMSKY-KORSAKOV: Capriccio espagnole (Review by Michael Fine)

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RIMSKY-KORSAKOV: Mlada (Review by Harry Townsend)

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RIMSKY-KORSAKOV: The Flight of the Bumblebee (Review by Jon Tuska)

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RIMSKY-KORSAKOV: The Snow Maiden (Review by James Miller)

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RIO: Tequila (Review by James Miller)

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RODGERS-HART: Lover (Review by Raymond Tuttle)

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RODGERS AND HAMMERSTEIN: Oklahoma! Carousel. State Fair. South Pacific. The King and I. Cinderella (Review by James H. North)

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RODGERS AND HAMMERSTEIN: Songbook for Orchestra. Orchestral suites by Robert Russell Bennett, Walter Paul, and Rosario Bourdon (Review by James H. North)

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RODGERS, RICHARD: The Carousel Waltz; Slaughter on Tenth Avenue (Review by John Ditsky)

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RODGERS, RICHARD: The King and I (Review by John Ditsky)

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RODRIGO: Concierto de Aranjuez. Fantasia para un Gentilhombre. Concierto para una Fiesta (Review by John Bauman)

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ROSSINI: The Barber of Seville (Review by Jon Tuska)

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ROSSINI: William Tell (Review by Vincent Alfano)

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RÓZSA: Choral Suites (Review by Andrew Quint)

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RÓZSA: Plymouth Adventure (Review by Arthur Lintgen)

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SAINT-SAËNS: Samson and Delilah (Review by Harry Townsend)

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SAINT-SAËNS: Samson and Delilah (Review by James Reel)

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SCHUMANN: Träumerei (Review by Jon Tuska)

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SCHWARTZ/DIETZ: That's Entertainment (Review by Raymond Tuttle)

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SHORE: Lord of the Rings (Review by Arthur Lintgen)

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SHOSTAKOVICH: Festive Overture (Review by James Reel)

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SHOSTAKOVICH: The Golden Age (Review by David L. Kirk)

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SHOSTAKOVICH: The Golden Age (Review by James Reel)

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SIECZYNSKI: (arr. S. Reineke) Wien, Wien nur du allein (Review by Robert Maxham)

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SIECZYNSKI: Vienna, City of My Dreams (Review by Robert McColley)

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SOUSA: The Stars and Stripes Forever (Review by John Ditsky)

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SOUSA: The Stars and Stripes Forever (Review by John Ditsky)

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SOUSA: The Stars and Stripes Forever (Review by John Ditsky)

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STEFFE: Battle Hymn of the Republic (Review by John Ditsky)

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STOLZ: Two Hearts in Three-Quarter Time (Review by Robert McColley)

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STRAUS, OSCAR: Waltz Dreams (Review by Robert McColley)

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STRAUSS, EDUARD: At Full Steam—Fast Polka (Review by Robert McColley)

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STRAUSS, EDUARD: Bahn Frei Polka, Op. 45 (Review by Harry Townsend)

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STRAUSS, EDUARD: Non-Stop—Fast Polka, op. 112 (Review by John Bauman)

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STRAUSS II, JOHANN: (orch. Kunzel) Hochzeits-Präludium, op. 469 (Review by Robert Maxham)

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STRAUSS II, JOHANN: Egyptian March, op. 335. Artist's Quadrille, op. 201. Emperor Waltz, op. 437. Magic Bullets—Fast Polka, op. 326. Jubilee Festival March, op. 396. Chit-Chat Polka, op. 214. Whiplash Polka, op. 60. Click-Clack Polka, op. 466. Wine, Women, and Song—Waltz, op. 333. Perpetual Motion, op. 257 (Review by John Bauman)

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STRAUSS II, JOHANN: Explosions Polka, Op. 43. Im Krapfenwald'I Polka, Op. 336. Champagne Polka, Op. 211. Banditen Galop, Op. 378. Blue Danuber Waltz, Op. 314. Auf der Jagd Polka, Op. 373. Tales from the Vienna Woods, Op. 325. Thunder and Lightning Polka, Op. 324 (Review by Harry Townsend)

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STRAUSS II, JOHANN: Overtures (Review by Robert McColley)

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STRAUSS II, JOHANN: Waltzes, Polkas, and Marches (Review by Harry Townsend)

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STRAUSS I, JOHANN: Chinese Galop, op. 20 (Review by John Bauman)

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STRAUSS I, JOHANN: Radetzky March (Review by Harry Townsend)

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STRAUSS I, JOHANN: Radetzky March (Review by Robert McColley)

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STRAUSS, JOSEF: Chatterbox—Fast Polka, op. 245. Music of the Spheres—Waltz, op. 235. Jockey—Fast Polka, op. 278 (Review by John Bauman)

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STRAUSS, JOSEF: Feuerfest Polka, Op. 269. Pizicatto Polka with Johann (Review by Harry Townsend)

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STRAVINSKY, IGOR: The Firebird (Review by David L. Kirk)

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STRAVINSKY, IGOR: The Firebird (Review by James Reel)

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SUK: Towards a New Life, Op. 35c (Review by John Ditsky)

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SUPPÉ, FRANZ VON: Light Cavalry. Poet and Peasant. AUßER (Review by Vincent Alfano)

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TCHAIKOVSKY: 1812 Overture, Op. 49. Capriccio Italien, Op. 45. Mazeppa (Review by Leslie Gerber)

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TCHAIKOVSKY: 1812 Overture. Capriccio italien. Mazeppa (Review by James Reel)

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TCHAIKOVSKY: 1812 Overture¹. Capriccio Italien. Marche slave. Festival Coronation March (Review by Andrew Quint)

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TCHAIKOVSKY: Capriccio Italien, Op. 45; Overture 1812, Op. 49; Cossack Dance (from Mazeppa) (Review by Howard Kornblum)

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TCHAIKOVSKY: Coronation March for Tsar Alexander III (Review by John Ditsky)

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TCHAIKOVSKY: Eugene Onegin (Review by James Miller)

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TCHAIKOVSKY: Eugene Onegin (Review by Andrew Quint)

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TCHAIKOVSKY: Mazeppa (Review by Andrew Quint)

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TCHAIKOVSKY: Nutcracker (Review by Michael Fine)

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TCHAIKOVSKY: Swan Lake (Review by Michael Fine)

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TCHAIKOVSKY: Swan Lake (Review by David L. Kirk)

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TCHAIKOVSKY: The Nutcracker (Review by James Reel)

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TCHAIKOVSKY: The Nutcracker (Review by James Reel)

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TRADITIONAL: Carnival of Venice—Fantasia Brillante (Review by Jon Tuska)

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TRADITIONAL: El Carretero. Mexican Hat Dance. Cielito Lindo (Review by James Miller)

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TRADITIONAL: Yankee Doodle. IVES (orch. Schuman) (Review by John Ditsky)

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VAUGHAN WILLIAMS: Fantasia on Greensleeves (Review by James Reel)

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VELÁZQUEZ, CONSUELO: Bésame Mucho (Review by James Miller)

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VERDI, GIUSEPPE: Aida (Review by James Reel)

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VERDI, GIUSEPPE: Verdi without Words (Review by Martin Anderson)

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WAGNER, JOSEF FRANZ: Under the Double Eagle (Review by John Ditsky)

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WALDTEUFEL: Estudiantina Waltz. Nuée d'Oiseaux Polka. Les Sirènes Waltz. Bella Mazurka. España Waltz. Grande Vitesse Galop. À Toi Waltz. Bella Bocca Polka (Review by James Miller)

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WARD, SAMUEL: America the Beautiful (Review by John Ditsky)

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WARREN, HARRY/DUBIN, ALEXANDER: Forty-second Street*. Lullaby of Broadway (Review by Raymond Tuttle)

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WARREN, HARRY/MERCER, JOHNNY: On the Atchison, Topeka, and the Santa Fe (Review by Raymond Tuttle)

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WAXMAN, FRANZ: Anne of the Indies (Review by Arthur Lintgen)

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WAXMAN, FRANZ: Captains Courageous (Review by Arthur Lintgen)

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WEINBERGER, JAROMÍR: Schwanda the Bagpiper (Review by James Reel)

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WEINBERGER, JAROMÍR: Schwanda (Review by Harry Townsend)

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WILLIAMS, JOHN: Liberty Fanfare (Review by John Ditsky)

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WILLIAMS, JOHN: Olympic Fanfare (Review by John Ditsky)

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WILLIAMS, JOHN: Star Wars (Review by Arthur Lintgen)

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WILLSON: The Music Man (Review by Scott Wheeler)

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WILLSON: “76 Trombones.“ (Review by John Ditsky)

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YOUMANS: Carioca (Review by James Miller)

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ZIMMER: Pirates of the Caribbean (Review by Arthur Lintgen)

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