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 Listen to Audio Samples

Barry Araújo Kolman: Collected Works

Carmen Maret & Andrew Bergeron: Tango and Snow

Eaken Trio: Most Wonderful Time of the Year

Florestan Duo: Beethoven for Cello & Piano

Frank Brickle, Busoni, Pérotin: Ab Nou Cor

Hillary Tann: Here, The Cliffs

Jonathan Little: Polyhymnia

Josef Peter Heinzer: music for orchestra

Laura Schwendinger: Collected Works

Luisa Guembes-Buchanan: Beethoven in D, E. T. A. Hoffman Sonatas / Robert Schumann Kreisleriana, Late Beethoven

Melba: Benaud Trio, The Romantic Clarinet, The Virtuoso Piano Music of George Frederick Boyle, The Art of Nance Grant, Arcadia Lost, Elan Ballet Music from Operas of Saint Saëns, RAKHMANINOV: Leslie Howard, WAGNER: Das Rheingold, WAGNER: Die Walküre, WAGNER: Siegfried, WAGNER: Götterdämmerung, FERDINAND HÉROLD: La Somnambule

Michael Antonello: Collected Works

Open Goldberg: Open Goldberg Variations

Peter Halstead: RACHMANINOFF: Moments musicaux: No. 5 in D♭

Rick VanMatre: Gray Then Blue

Serafin String Quartet: Selected Works

Susan Merdinger: SCHUMANN & DEBUSSY

The Crossing: Selected Works

Univ of Houston Wind Ensemble: Flagello & Rosner

Ursula Bagdasarjanz: Mozart & Schoeck

William Grant Still Society: STILL: La Varsoviana

Ysmael Reyes: Incanto: Contemporary Venezuelan Music


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Melba
Michael Antonello

Performer: London SO and Ch

KENNETH MCKELLAR SINGS HANDEL: Recitatives and arias from Serse, Acis and Galatea, Tolomeo, Jephtha, Semele, Judas Maccabaeus, Messiah (Review by Barry Brenesal)

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McCARTNEY Standing Stone: (Review by Walter Simmons)

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WAGNER: Die Meistersinger... (Leopold Stokowski) (Review by Peter J. Rabinowitz)

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ADAMS: The Death of Klinghoffer (Review by Raymond Tuttle)

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BACH: Mass in b (Review by Raymond Tuttle)

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BEETHOVEN: Fidelio (Review by James H. North)

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BEETHOVEN: Symphonies (Review by Marc Mandel)

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BEETHOVEN: Symphonies (Review by Marc Mandel)

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BEETHOVEN: Symphonies (Review by Marc Mandel)

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BEETHOVEN: Symphony No. 7 (Review by Richard Burke)

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BEETHOVEN: Symphony No. 9 in D Minor, op. 125 (“Choral“) (Review by Bernard Jacobson)

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BEETHOVEN: Symphony No. 9 (Review by Mortimer H. Frank)

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BEETHOVEN: Symphony No. 9 (Review by Christopher Abbot)

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BELLINI: Norma (Review by David L. Kirk)

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M. BERKELEY: Or Shall We Die? (Review by John Ditsky)

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BERLIOZ: Benvenuto Cellini (Review by Adrian Corleonis)

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BERLIOZ: Béatrice et Bénédict (Review by Adrian Corleonis)

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BERLIOZ: Grande Messe des morts (Review by Adrian Corleonis)

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BERLIOZ: La Damnation de Faust (Review by Adrian Corleonis)

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BERLIOZ: La Damnation de Faust (Review by Christopher Abbot)

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BERLIOZ: La Damnation de Faust, op. 24 (Review by Adrian Corleonis)

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BERLIOZ: Les Troyens (Review by Adrian Corleonis)

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BERNSTEIN: Candide (Review by James H. North)

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BERNSTEIN: Candide (Review by James Camner)

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BERNSTEIN: Candide (Review by William Zagorski)

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BERNSTEIN: Candide (Review by Richard A. Kaplan)

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BIZET: Carmen (Review by Henry Fogel)

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BORODIN: Prince Igor (Review by Henry Fogel)

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BORODIN: Prince Igor (Review by David Hurwitz)

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BRAHMS: Ein deutsches Requiem, op. 45 (Review by Ralph V. Lucano)

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BRAHMS: German Requiem (Review by Christopher Williams)

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BRITTEN: Billy Budd (Review by James Miller)

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BRITTEN: Billy Budd (Review by James A. Altena)

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BRITTEN: Peter Grimes (Review by Michael Fine)

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BRITTEN: War Requiem (Review by Phillip Scott)

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BRITTEN: War Requiem (Review by J. F. Weber)

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BRITTEN: War Requiem (Review by Lynn René Bayley)

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BRITTEN: War Requiem (Review by J. F. Weber)

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BRITTEN: War Requiem (Review by J. F. Weber)

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BRITTEN: War Requiem (Review by Arthur Lintgen)

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BRITTEN: War Requiem, Op. 66 (Review by J. F. Weber)

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BRITTEN: War Requiem. Sinfonia da Requiem. Ballad of Heroes (Review by J. F. Weber)

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DEBUSSY: Le Martyre de Saint Sebastien (Review by James Miller)

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DYSON: The Canterbury Pilgrims. At the Tabard Inn. In Honour of the City (Review by Barnaby Rayfield)

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DYSON: The Canterbury Pilgrims. In Honour of the City (Review by Martin Anderson)

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ELGAR: The Apostles, op. 49 (Review by David Johnson)

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ELGAR: The Black Knight, op. 25. Scenes from the Bavarian Highlands, op. 27 (Review by Peter J. Rabinowitz)

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ELGAR: The Dream of Gerontius (Review by Peter J. Rabinowitz)

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ELGAR: The Dream of Gerontius, op. 38 (Review by Walter Simmons)

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ELGAR: The Kingdom, op. 51. Sospiri, op. 70. Sursum Corda, op. 11 (Review by Peter J. Rabinowitz)

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ELGAR: The Light of Life, op. 29 (Review by Peter J. Rabinowitz)

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GOUNOD: Faust (Review by Henry Fogel)

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HANDEL: Acis and Galatea (Review by Ron Salemi)

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HANDEL: Messiah (Review by Raymond Tuttle)

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HANDEL: Messiah (Review by Ron Salemi)

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HANDEL: Messiah (Review by John Bauman)

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HANDEL: Messiah (Review by Raymond Tuttle)

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HAYDN: Die Jahreszeiten (Review by James H. North)

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HAYDN: Mass in B♭, “Theresienmesse” (Review by James H. North)

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HAYDN: The Creation (Review by James Reel)

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HOLST: The Cloud Messenger, op. 30. The Hymn of Jesus, op. 37 (Review by Peter J. Rabinowitz)

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HOLST: The Planets, op. 32 (Review by Robert McColley)

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HOWELLS: Missa Sabrinensis (Review by Martin Anderson)

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HOWELLS: Missa Sabrinensis (Review by Richard Burke)

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HOWELLS: Stabat Mater (Review by Martin Anderson)

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MACMILLAN: St. John Passion (Review by Ronald E. Grames)

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MAHLER: Das Lied von der Erde (Review by Christopher Abbot)

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MAHLER: Das Lied von der Erde (Review by Richard A. Kaplan)

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MAHLER: Das klagende Lied (Review by David Hurwitz)

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MAHLER: No. 10 (Review by Christopher Abbot)

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MAHLER: No. 9; No. 10 (Review by Christopher Abbot)

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MAHLER: No. 9; No. 10 (Review by Richard A. Kaplan)

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MAHLER: Symphonies (Complete) (Review by Christopher Abbot)

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MAHLER: Symphonies (Complete) (Review by Richard A. Kaplan)

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MAHLER: Symphonies (Review by Christopher Abbot)

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MAHLER: Symphonies (Review by Richard A. Kaplan)

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MAHLER: Symphonies (Review by Christopher Abbot)

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MAHLER: Symphonies (Review by Christopher Abbot)

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MAHLER: Symphonies (Review by Richard A. Kaplan)

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MAHLER: Symphonies (Review by Christopher Abbot)

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MAHLER: Symphonies (Review by Richard A. Kaplan)

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MAHLER: Symphonies (Review by Christopher Abbot)

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MAHLER: Symphonies (Review by Richard A. Kaplan)

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MAHLER: Symphony No. 2 in C Minor (“Resurrection“). Symphony No. 4 (Review by Benjamin Pernick)

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MAHLER: Symphony No. 2 in C minor (“Resurrection“) (Review by Benjamin Pernick)

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MAHLER: Symphony No. 2, “Resurrection” (Review by Paul Ingram)

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MAHLER: Symphony No. 6 in A minor. Symphony No. 8 in E♭ (“Symphony of a Thousand“). New York Philharmonic conducted by Leonard Bernstein (No. 6) (Review by Peter J. Rabinowitz)

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MAHLER: Symphony No. 8 (Review by Christopher Abbot)

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MAHLER: Symphony No. 8 (Review by Christopher Abbot)

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MAHLER: Symphony No. 8, “Symphony of a Thousand” (Review by Christopher Abbot)

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MCCARTNEY: Standing Stone (Review by Raymond Tuttle)

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MENDELSSOHN: Elijah, op. 70 (Review by James Miller)

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MOZART: Requiem (Review by James Reel)

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MOZART: Vesperae solennes de confessore, K. 339. Exsultate, jubilate, K. 165. Kyrie, K. 341. Ave verum corpus, K. 618 (Review by John Bauman)

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MUSSORGSKY: Joshua. Salammbô (Review by Benjamin Pernick)

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MUSSORGSKY: Khovanshchina (Review by James Miller)

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ORFF: Carmina Burana (Review by J. F. Weber)

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ORFF: Carmina Burana (Review by J. F. Weber)

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ORFF: Carmina burana (Review by Lynn René Bayley)

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ORFF: Carmina burana (Review by Ronald E. Grames)

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ORFF: Carmina burana (Review by J. F. Weber)

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PAGANINI: Introduction and Variations on a Theme by Rossini (Review by Robert McColley)

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PARRY: Blest Pair of Sirens. I Was Glad (Review by Walter Simmons)

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PROKOFIEV: Alexander Nevsky (Review by Tom Godell)

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PROKOFIEV: Alexander Nevsky, op. 78 (Review by Peter J. Rabinowitz)

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PROKOFIEV: Ivan the Terrible, op. 116 (Michael Lankester version). Alexander Nevsky, op. 78 (Review by Royal S. Brown)

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PROKOFIEV: Lieutenant Kijé (Review by Richard A. Kaplan)

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PUCCINI: Messa di Gloria. Preludio sinfonico. Crisantemi (Review by Joel Kasow)

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RACHMANINOFF: The Bells (Review by Tom Godell)

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RACHMANINOFF: The Bells (Review by Richard A. Kaplan)

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RACHMANINOFF: The Bells, op. 3S (Review by Peter J. Rabinowitz)

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RAVEL: Bolero (Review by Peter J. Rabinowitz)

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RAVEL: Boléro. Rapsodie espagnole. Ma mère l’oye. Pavane pour une Infante défunte. Daphnis et Chloé. Valses nobles et sentimentales. Le tombeau de Couperin. Alborada del gracioso. Shéhérazade (Review by Christopher Abbot)

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RAVEL: Complete Orchestral Works (Review by Christopher Abbot)

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RAVEL: Daphnis and Chloe (Review by James Miller)

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RAVEL: Daphnis and Chloe (Review by James Miller)

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RAVEL: Daphnis and Chloe. Rapsodie espagnole. Pavane pour une infante défunte (Review by James Miller)

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RAVEL: Daphnis and Chloe. Valses nobles et sentimentales (Review by James Miller)

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RAVEL: Daphnis and Chloé. Pavane pour une infante defunté. Boléro (Review by Christopher Abbot)

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RAVEL: Daphnis et Chloé (complete). Rapsodie espagnole (Review by Ron McDonald)

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RAVEL: Daphnis et Chloé. Pavane pour une infante défunte (Review by Peter J. Rabinowitz)

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RIMSKY-KORSAKOV: Capriccio espagnol, op. 34. Le Coq d'or (Review by David Hurwitz)

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ROSSINI: Stabat Mater (Review by Lynn René Bayley)

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SAINT-SAËNS: Samson et Dalila (Review by James Miller)

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SHOSTAKOVICH: Symphony No. 3 (Review by Richard Burke)

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SIBELIUS: Kullervo (Review by Robert McColley)

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SIBELIUS: Rakastava. En Saga. Kullervo (Review by Robert McColley)

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SIBELIUS: Symphony No. 7 (Review by Robert McColley)

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STRAUSS: Elektra (Review by Henry Fogel)

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SULLIVAN: H.M.S. Pinafore. The Pirates of Penzance (Review by James Camner)

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TIPPETT: A Child of Our Time (Review by Peter J. Rabinowitz)

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VAUGHAN WILLIAMS: 5 Tudor Portraits. 5 Variants of "Dives and Lazarus" (Review by James Miller)

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VAUGHAN WILLIAMS: A Sea Symphony (Review by Robert McColley)

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VAUGHAN WILLIAMS: Fantasia on Christmas Carols (Review by James Miller)

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VAUGHAN WILLIAMS: Hodie—A Christmas Cantata (Review by James Miller)

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VAUGHAN WILLIAMS: Symphony No. 1 (“A Sea Symphony“) (Review by James Miller)

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VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony” (Review by James Reel)

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VAUGHAN WILLIAMS: The Wasps (Review by James Reel)

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VERDI: Falstaff (Review by Raymond Tuttle)

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VERDI: II trovatore (Review by Henry Fogel)

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VERDI: Otello (Review by Henry Fogel)

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VERDI: Requiem (Review by James Miller)

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VERDI: Requiem (Review by Henry Fogel)

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WAGNER: Die Meistersinger von Nürnberg (Review by Bernard Jacobson)

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WALTON: Belshazzar’s Feast (Review by James Miller)

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WEBER: Der Freischütz (Review by James H. North)

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