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Performer: David Alan Miller

TODD LEVIN: DE LUXE: BLUR Fragrance Free Mix. EVERYDAY New Improved Remix. TODD LEVIN DG Ultramix'. TURN Extended Dance Mix. SWIRL Crystal Clear Mix (Review by Stephen Ellis)

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DAUGHERTY: AMERICAN ICONS: Dead Elvis (Review by Robert Kirzinger)

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DAUGHERTY: AMERICAN ICONS: Flamingo (Review by Robert Kirzinger)

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DAUGHERTY: AMERICAN ICONS: Jackie’s Song (Review by Robert Kirzinger)

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DAUGHERTY: AMERICAN ICONS: Le Tombeau de Liberace (Review by Robert Kirzinger)

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DAUGHERTY: AMERICAN ICONS: Motown Metal (Review by Robert Kirzinger)

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DAUGHERTY: AMERICAN ICONS: Snap (Review by Robert Kirzinger)

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DAUGHERTY: AMERICAN ICONS: What’s That Spell? (Review by Robert Kirzinger)

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TREDECI, DEL: Pop-Pourri. Adventures Underground (David Alan Miller) (Review by David DeBoor Canfield)

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ADAMS, RICHARD: Brutal Reality (Review by Robert Carl)

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BENNETT, RICHARD RODNEY: Concerto for Stan Getz (Review by Paul A. Snook)

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BERMEL, DEREK: Migration Series. Mar de Setembro. A Shout, a Whisper, and a Trace (Review by David DeBoor Canfield)

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BISHOP, ANDREW: Crooning (Review by Walter Simmons)

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BLOOM, ARTHUR: Life Is Like a Box of Chocolates (Review by Robert Carl)

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CHAMBERS: Concerto for Fiddle and Violin (Review by Robert Carl)

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CORIGLIANO, JOHN: Conjurer (Review by Phillip Scott)

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CORIGLIANO, JOHN: Conjurer. Vocalise (Review by Raymond Tuttle)

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CORIGLIANO, JOHN: Conjurer. Vocalise (Review by Ronald E. Grames)

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CORIGLIANO, JOHN: Piano Concerto. Fantasia on an Ostinato. Prelude for Paul. Étude-Fantasy. Winging It (Review by Robert Markow)

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CORIGLIANO, JOHN: Vocalise (Review by Phillip Scott)

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CRESTON, PAUL: Dance Overture (Review by Walter Simmons)

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CRESTON, PAUL: Symphony No. 4. Violin Concerto No. 2. Janus (Review by Walter Simmons)

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DAUGHERTY, MICHAEL: This Land Sings (Review by Andrew Desiderio)

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DAUGHERTY, MICHAEL: Trail of Tears. Dreamachine. Reflections on the Mississippi (Review by David DeBoor Canfield)

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GERSHWIN: Piano Concerto in F (Review by Phillip Scott)

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GERSHWIN: Piano Concerto in F (Review by James H. North)

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GERSHWIN: Piano Concerto in F (Review by Andrew Desiderio)

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GOULD, GABRIEL IAN: Watercolors. (Review by Michael Fine)

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GOULD, MORTON: American Symphonette No. 2. Concerto for Orchestra (Review by Paul A. Snook)

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GOULD, MORTON: American Symphonette No. 2. Concerto for Orchestra (Review by Jerry Dubins)

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GOULD, MORTON: Chorale and Fugue in Jazz (Review by Paul A. Snook)

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GOULD, MORTON: Chorale and Fugue in Jazz (Review by Jerry Dubins)

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GOULD, MORTON: Interplay (American Concertette No. 1). American Symphonette No. 3 (Review by Paul A. Snook)

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GOULD, MORTON: Interplay (American Concertette No. 1). American Symphonette No. 3 (Review by Jerry Dubins)

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GOULD, MORTON: Piano Concerto (Review by Stephen Ellis)

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GOULD, MORTON: Piano Concerto (Review by John Story)

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GOULD, MORTON: Show Piece (Review by Stephen Ellis)

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GOULD, MORTON: Show Piece (Review by John Story)

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GOULD, MORTON: Stringmusic (Review by Stephen Ellis)

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GOULD, MORTON: Stringmusic (Review by John Story)

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GOULD, MORTON: Symphony No. 2, “On Marching Themes“ (Review by Michael Fine)

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GOULD, MORTON: Symphony No. 3 (Review by Paul A. Snook)

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HARBISON, JOHN: Cello Concerto (Review by Michael Fine)

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HARBISON, JOHN: Darkbloom (Review by Lynn René Bayley)

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HARBISON, JOHN: Flute Concerto (Review by Robert Carl)

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HARBISON, JOHN: Remembering Gatsby (Review by Phillip Scott)

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HARBISON, JOHN: Remembering Gatsby (Review by James H. North)

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HARBISON, JOHN: Remembering Gatsby (Review by Andrew Desiderio)

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HARBISON, JOHN: Symphony No. 3 (Review by Robert Carl)

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HARBISON, JOHN: Symphony No. 4 (Review by Karl F. Miller)

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HARBISON, JOHN: Symphony No. 4 (Review by Phillip Scott)

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HARBISON, JOHN: The Great Gatsby (Review by Lynn René Bayley)

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HARBISON, JOHN: The Most Often Used Chords (Review by Robert Carl)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Joel Flegler)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Lawrence A. Johnson)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Martin Anderson)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Stephen Ellis)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Henry Fogel)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Robert McColley)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Paul A. Snook)

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HARRIS, ROY: Memories of a Child’s Sunday (Review by Robert McColley)

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HARRIS, ROY: Symphonies (Review by Joel Flegler)

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HARRIS, ROY: Symphonies (Review by Lawrence A. Johnson)

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HARRIS, ROY: Symphonies (Review by Martin Anderson)

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HARRIS, ROY: Symphonies (Review by Stephen Ellis)

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HARRIS, ROY: Symphonies (Review by Henry Fogel)

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HARRIS, ROY: Symphonies (Review by Robert McColley)

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HARRIS, ROY: Symphonies (Review by Paul A. Snook)

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HARRIS, ROY: Symphony No. 2 (Review by Paul A. Snook)

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HARRIS, ROY: Symphony No. 8, “San Francisco” (Review by Robert McColley)

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HARRIS, ROY: Symphony No. 9 (Review by Robert McColley)

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HELPS: Piano Concerto No. 2. (Review by Walter Simmons)

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INCE, KAMRÁN: Arches (Review by Robert Kirzinger)

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INCE, KAMRÁN: Fest (Review by Robert Carl)

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INCE, KAMRÁN: Remembering Lycia (Review by Robert Kirzinger)

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INCE, KAMRÁN: Symphony No. 2, "The Fall of Constantinople" (Review by Robert Kirzinger)

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KURKA: Symphony No. 2 (Review by Walter Simmons)

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LEES: Piano Concerto No. 2 (Review by Walter Simmons)

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LLOYD, GEORGE: Cello Concerto. The Serf (Review by Andrew Quint)

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LOPATNIKOFF: Festival Overture (Review by Walter Simmons)

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MENNIN, PETER: Concertato, "Moby Dick." Symphonies (Review by James H. North)

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MENNIN, PETER: Symphony No. 6 (Review by Phillip Scott)

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MENNIN, PETER: Symphony No. 6 (Review by James H. North)

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MYERS: Concerto for Soprano Saxophone and Orchestra (Review by Paul A. Snook)

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OLIVER: Face in the Abstract (Review by Ronald E. Grames)

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OLIVER: Forging Utopia. Unseen Rain (Review by Ronald E. Grames)

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OLIVER: Raven Steals the Light (Review by Ronald E. Grames)

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PERSICHETTI: Symphonies (Review by Walter Simmons)

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PISTON, WALTER: Symphony No. 5 (Review by Phillip Scott)

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PISTON, WALTER: Symphony No. 5 (Review by James H. North)

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PISTON, WALTER: Symphony No. 5 (Review by Andrew Desiderio)

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POWELL, MEL: Duplicates—A Concerto for Two Pianos and Orchestra. Setting for Two Pianos. Modules—An Intermezzo for Chamber Orchestra (Review by James H. North)

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ROGERS, JOHN FITZ: Verge (Review by Robert Carl)

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ROUSE, CHRISTOPHER: Kabir Padavali (Review by Phillip Scott)

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ROUSE, CHRISTOPHER: Seeing (Review by Phillip Scott)

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RUGGLES: Sun Treader (Review by Phillip Scott)

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RUGGLES: Sun-Treader (Review by Karl F. Miller)

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SCHUMAN, WILLIAM: Credendum. Piano Concerto. Symphony No. 4 (Review by Michael Fine)

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SCHUMAN, WILLIAM: Credendum. Symphony No. 4. Piano Concerto (Review by Walter Simmons)

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SHAWN: Piano Concerto (Review by Walter Simmons)

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STARER, ROBERT: Evanescence. Hudson Valley Suite (Review by Lawrence A. Johnson)

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STUCKY: Second Concerto for Orchestra (Review by Karl F. Miller)

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STUCKY: Second Concerto for Orchestra (Review by Phillip Scott)

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STUCKY: Son et lumière (Review by Michael Fine)

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THEOFANIDIS: Concerto for Viola and Chamber Orchestra (Review by Peter Burwasser)

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THEOFANIDIS: Concerto for Violin and Orchestra (Review by Peter Burwasser)

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THOMSON, VIRGIL: Filling Station (Review by Walter Simmons)

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THORNE, FRANCIS: Symphony No. 7, “Along the Hudson.“ Simultaneities (Review by Lawrence A. Johnson)

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TORKE: Concerto for Saxophone and Orchestra (Review by Paul A. Snook)

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TORKE: Javelin. Run. Saxophone Concerto. December. Charcoal (Review by Robert Kirzinger)

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TOWER, J.: Sequoia (Review by Phillip Scott)

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TOWER, J.: Sequoia (Review by James H. North)

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TOWER, J.: Sequoia (Review by Andrew Desiderio)

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TOWER, J.: Strike Zones. Small. Still/Rapids. Ivory and Ebony (Review by James H. North)

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TSONTAKIS, GEORGE: Anasa. True Colors. Unforgettable (Review by Phillip Scott)

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TSONTAKIS, GEORGE: Anasa. True Colors. Unforgettable (Review by James H. North)

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TSONTAKIS, GEORGE: Mirologhia (Review by Michael Cameron)

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TSONTAKIS, GEORGE: October (Review by Michael Cameron)

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TSONTAKIS, GEORGE: Violin Concerto (Review by Michael Cameron)

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