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Performer: Roscoe Mitchell

Borah Bergman/Roscoe Mitchell: First Meeting: First Meeting. Deep Delta. Stone Mountain. Clear Blue. One Mind (Review by Art Lange)

alto saxophone 

Borah Bergman/Roscoe Mitchell: First Meeting: First Meeting. Deep Delta. Stone Mountain. Clear Blue. One Mind (Review by Art Lange)

soprano saxophone 

ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl)

alto saxophone 

ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl)

Baroque flute 

ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl)

bass recorder 

ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl)

sopranino saxophone 

ABRAMS, MUHAL RICHARD: Jack 5 (Review by Robert Carl)

soprano saxophone 

DEJOHNETTE: The Museum of Time (Review by Robert Carl)

alto saxophone 

DEJOHNETTE: The Museum of Time (Review by Robert Carl)

Baroque flute 

DEJOHNETTE: The Museum of Time (Review by Robert Carl)

bass recorder 

DEJOHNETTE: The Museum of Time (Review by Robert Carl)

sopranino saxophone 

DEJOHNETTE: The Museum of Time (Review by Robert Carl)

soprano saxophone 

HAMILTON, TOM: Off-Hour Wait State, Some Music about the Subway (Review by Mike Silverton)

alto saxophone 

IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl)

alto saxophone 

IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl)

Baroque flute 

IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl)

bass recorder 

IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl)

sopranino saxophone 

IMPROVISATION, GROUP: Ten Minutes (Review by Robert Carl)

soprano saxophone 

MITCHELL: Chant. This (Review by Robert Carl)

alto saxophone 

MITCHELL: Chant. This (Review by Robert Carl)

Baroque flute 

MITCHELL: Chant. This (Review by Robert Carl)

bass recorder 

MITCHELL: Chant. This (Review by Robert Carl)

sopranino saxophone 

MITCHELL: Chant. This (Review by Robert Carl)

soprano saxophone 

MITCHELL: Far Side/Cards/Far Side. Quintet 2007 A for 8. Trio 4 for 8. Ex Flover 5 (Review by Robert Carl)

flute 

MITCHELL: Far Side/Cards/Far Side. Quintet 2007 A for 8. Trio 4 for 8. Ex Flover 5 (Review by Robert Carl)

saxophone 

MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Robert Carl)

percussion 

MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Mike Silverton)

percussion 

MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Robert Carl)

saxophone 

MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Mike Silverton)

saxophone 

MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Robert Carl)

winds 

MITCHELL: O the sun comes up-up-up in the morning. Sound Pictures, No. 3. Alternate Express. Childe Harolde's Pilgramage, Canto I, Verses 13,14,15. For Styles Holloway and Bubba Barnes. Sound Pictures, No. 4. Spirits Among Stones (Review by Mike Silverton)

winds 

MITCHELL: Prelude. Variations on Sketches from Bamboo, Nos. 1 and 2 (Review by John Ditsky)

winds 

MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl)

bass recorder 

MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl)

flute 

MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl)

percussion 

MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl)

saxophone 

OSHITA: Marche. Textures for Trio (Review by John Ditsky)

winds 

THREADGILL: Leaves Don’t Go Away (Review by Robert Carl)

alto saxophone 

THREADGILL: Leaves Don’t Go Away (Review by Robert Carl)

Baroque flute 

THREADGILL: Leaves Don’t Go Away (Review by Robert Carl)

bass recorder 

THREADGILL: Leaves Don’t Go Away (Review by Robert Carl)

sopranino saxophone 

THREADGILL: Leaves Don’t Go Away (Review by Robert Carl)

soprano saxophone 

THREADGILL: he didn't give up/he was taken (Review by Robert Carl)

percussion 

THREADGILL: he didn't give up/he was taken (Review by Mike Silverton)

percussion 

THREADGILL: he didn't give up/he was taken (Review by Robert Carl)

saxophone 

THREADGILL: he didn't give up/he was taken (Review by Mike Silverton)

saxophone 

THREADGILL: he didn't give up/he was taken (Review by Robert Carl)

winds 

THREADGILL: he didn't give up/he was taken (Review by Mike Silverton)

winds 

 

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