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Performer: Rufus Müller THOMAS MOORE'S IRISH MELODIES: Dear Harp of my Country. Erin! the smile and the tear in thine eyes. How sweet the answer Echo makes. Silent, oh Moyle! be the roar of thy water ( The Song of Fionnuala ). Rich and rare were the gems she wore. The twisting of the rope. Joice's Tune. The summer is coming. Carolan's Concerto. The harp that once, thro' Tara's halls. Nanny McDermotroe. The valley lay smiling before me (The Song of O'Ruark, Prince of Breffni). Abigail Judge. Avenging and bright. The Minstrel-Boy. Lament for Own O'Neill. 'Tis believed that this harp (The Origin of the Harp). Come, rest in this bosom. She is far from the land. Come o'er the sea. 'Tis the last rose of summer. Girls, have you seen George? The pretty girl milking the cows. John, heir of the glen. Love in secret. The jointure. How dear to me the hour. Fly not yet. At the mid hour of night. What the bee is to the floweret. Fill the bumper fair! (Review by David Johnson) | tenor | BACH: The Apocryphal St. Luke Passion,... (Wolfgang Helbich) (Review by Ralph V. Lucano) | Evangelist | BACH: The Apocryphal St. Luke Passion,... (Wolfgang Helbich) (Review by Ralph V. Lucano) | tenor | ARNOLD, MALCOLM: Elegy (Review by Tom Moore) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: St. Luke Passion, BWV 246 (Review by James A. Altena) | Evangelist | BENDA, JIŘÍ ANTONÍN: Cephalus and Aurora (Review by David Johnson) | tenor | BENDA, JIŘÍ ANTONÍN: Du kleine Blondine. Du fehlest mir. Venus, wenn du willst mich rühren. Cephalus and Aurora—Cantata. Philint ist still. Philint stand jüngst vor Babets Thür. Ich liebte nur Ismenen. Mein Thyrsis, dürft ich dir doch sagen. Belise starb. Lieber Amor, leihe mir. Mein Geliebter hat versprochen. Faulheit, itzo will ich dir. Eine trunkner Dichter leerte. Mir Armen, den des Fiebers Kraft. Von nun an, O Liebe. Das Andenken. Forte piano Sonatinas (Review by David Johnson) | tenor | BLOW, JOHN: Venus and Adonis (Review by David Johnson) | tenor | CARDON: Variations on 'Ah, vous dirai-je, maman' (Review by Tom Moore) | tenor | DOWLAND, JOHN: The First Booke of Songes (Review by Michael Ullman) | tenor | GIBBONS, CHRISTOPHER/LOCKE, MATTHEW: Cupid and Death (Review by David Johnson) | tenor | HANDEL, GEORGE FRIDERIC: Ariodante (Review by David Johnson) | Lurcanio | HANDEL, GEORGE FRIDERIC: Ariodante (Review by David Johnson) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Ron Salemi) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Lynn René Bayley) | tenor | HANDEL, GEORGE FRIDERIC: Rodrigo (Review by Bernard Jacobson) | Giuliano | HANDEL, GEORGE FRIDERIC: Sing-Along Messiah (Review by Bertil van Boer) | tenor | HAYDN, FRANZ JOSEPH: O tuneful voice. She never told her love. Sailor's song (Review by Tom Moore) | tenor | HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North) | tenor | HOOK, JAMES: The emigrant (Review by Tom Moore) | tenor | JACKSON, WILLIAM: The day that saw thy beauty rise. Time has not thinn'd my flowing hair (Review by Tom Moore) | tenor | LAHTI: of death and the planets (Review by Henry Fogel) | tenor | LINLEY THE ELDER, THOMAS: The lark sings high in the cornfield. Think not, my love, when secret grief (Review by Tom Moore) | tenor | MAIER-RÖNTGEN, AMANDA: Atalanta Fugiens (Review by Bertil van Boer) | tenor | PERI: Euridice (Review by Ronald E. Grames) | Aminta | PINTO, GEORGE FREDERIC: Invocation to nature. Minuetto in A♭. A shepherd loved a nymph so fair. From thee, Eliza, I must go. Eloisa to Abelard (Review by Tom Moore) | tenor | SALOMON: Go, lovely rose. Why still before these streaming eyes. O tuneful voice (Review by Tom Moore) | tenor | SHIELD: Hope and love. Ye balmy breezes, gently blow. 'Tis only no harm to know it, you know (Review by Tom Moore) | tenor | STORACE, STEPHEN: The curfew (Review by Tom Moore) | tenor | TELEMANN, GEORG PHILIPP: Overture in C, TWV 55 (Review by Brian Robins) | Mercurius | TELEMANN, GEORG PHILIPP: Overture in C, TWV 55 (Review by Brian Robins) | tenor |
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