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Performer: Christophe Rousset

200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter)

conductor 

ARIAS FOR ANNA DE AMICIS: (Review by Bertil van Boer)

conductor 

BAROQUE ZARZUELA ARIAS: (Review by Brian Robins)

conductor 

TRAGEDIENNES 2: (Review by Joel Kasow)

conductor 

BACH: Adagio in G, BWV 968 (Review by Christopher Brodersen)

harpsichord 

BACH: Aria variata in a, BWV 989 (Review by Christopher Brodersen)

harpsichord 

BACH: Capriccio sopra la lontananza del fratello dilettissimo, BWV 992 (Review by Christopher Brodersen)

harpsichord 

BACH: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson)

clavichord 

BACH: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson)

harpsichord 

BACH: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson)

square piano 

BACH: Concertos for Harpsichord and Strings“ (Review by Brian Robins)

harpsichord 

BACH: Concertos for Three Harpsichords, Strings, and Continuo (Review by Heuwell Tircuit)

harpsichord 

BACH: Concertos (Review by George Chien)

harpsichord 

BACH: Double Concertos (Review by George Chien)

harpsichord 

BACH: English Suites (Review by James A. Altena)

harpsichord 

BACH: English Suites (Review by Brian Robins)

harpsichord 

BACH: Fantasy and Fugue in a, BWV 904 (Review by Christopher Brodersen)

harpsichord 

BACH: Fantasy in a, BWV 922 (Review by Christopher Brodersen)

harpsichord 

BACH: French Suites (Review by James A. Altena)

harpsichord 

BACH: Harpsichord Concerto in d, BWV 1059 (Review by Burton Rothleder)

conductor 

BACH: Harpsichord Concerto in d, BWV 1059 (Review by Burton Rothleder)

harpsichord 

BACH: Klavierbüchlein für Wilhelm Friedemann (Review by James A. Altena)

harpsichord 

BACH: Prelude and Fughetta in G, BWV 902 (Review by Christopher Brodersen)

harpsichord 

BACH: Prelude and Fugues (Review by Christopher Brodersen)

harpsichord 

BACH: Prelude, Fugue and Allegro in E♭, BWV 998 (Review by Christopher Brodersen)

harpsichord 

BACH: The Well-Tempered Clavier, Book 2 (Review by Bertil van Boer)

harpsichord 

C. P. E. BACH: Cello Concerto in A, Wq 172 (Review by Burton Rothleder)

conductor 

C. P. E. BACH: Cello Concerto in A, Wq 172 (Review by Burton Rothleder)

harpsichord 

C. P. E. BACH: Four Duets, Wq. 115 (Review by Bernard Jacobson)

clavichord 

C. P. E. BACH: Four Duets, Wq. 115 (Review by Bernard Jacobson)

harpsichord 

C. P. E. BACH: Four Duets, Wq. 115 (Review by Bernard Jacobson)

square piano 

C. P. E. BACH: Symphonia in C, Wq 182/3 (Review by Burton Rothleder)

conductor 

C. P. E. BACH: Symphonia in C, Wq 182/3 (Review by Burton Rothleder)

harpsichord 

JOHANN CHRISTIAN BACH: Duet in G, op. 15 (Review by Bernard Jacobson)

clavichord 

JOHANN CHRISTIAN BACH: Duet in G, op. 15 (Review by Bernard Jacobson)

harpsichord 

JOHANN CHRISTIAN BACH: Duet in G, op. 15 (Review by Bernard Jacobson)

square piano 

W. F. BACH: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson)

clavichord 

W. F. BACH: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson)

harpsichord 

W. F. BACH: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson)

square piano 

W. F. BACH: Flute Concerto in D, BR WFB C 15 (Review by Burton Rothleder)

conductor 

W. F. BACH: Flute Concerto in D, BR WFB C 15 (Review by Burton Rothleder)

harpsichord 

BOCCHERINI: Fandango. Quartets for Two Harpsichords (Review by Edward Strickland)

harpsichord 

RICCARDO BROSCHI: Arbace (Review by David Johnson)

conductor 

CAMPRA: Le carnaval de Venise (Review by Brian Robins)

conductor 

CHERUBINI: Médée (Review by James H. North)

conductor 

COUPERIN: Deuxième livre de Pièces de clavecin (Review by Elliott S. Hurwitt)

harpsichord 

COUPERIN: L'Apothéose de Lulli. Le Parnasse ou L'Apothéose de Corelli. Allemande a Deux Clavecins. La Juillet. La Letiville. Musete de Choisi. Musete de Taverni (Review by Edward Strickland)

harpsichord 

COUPERIN: Motets (Review by J. F. Weber)

director 

COUPERIN: Pièces de clavecin, 15th Ordre (Review by Tom Moore)

harpsichord 

COUPERIN: Premier livre de Pièces de clavecin (Review by Brian Robins)

harpsichord 

COUPERIN: Quatre versets (1703). Verset (1702). Sept versets (1704). Motet à Sainte Suzanne. Sept versets (1705). Laudate pueri Dominum (Review by J. F. Weber)

director 

COUPERIN: Quatrième livre de Pièces de clavecin (Review by Elliott S. Hurwitt)

harpsichord 

COUPERIN: Troisième livre de Pièces de clavecin (Review by Kevin Bazzana)

harpsichord 

L. COUPERIN: Harpsichord Suites (Review by Christopher Brodersen)

harpsichord 

dANGLEBERT: Pièces de clavecin (Review by Brian Robins)

harpsichord 

DAUVERGNE: Hercule mourant (Review by Barry Brenesal)

conductor 

DESMAREST: Venus et Adonis (Review by Barry Brenesal)

conductor 

DU MONT: Allemande. Litanies de la vierge. Symphonia à 3. Allemande à 3. Dialógus angeli et peccatone (Peccator, ubi es). Allemande. Pavane. Sarabande. In lectulo meo (1681). Allemande sur les Anches. In Te, Domine. Dialógus de Anima. Pavane in D Minor (Review by J. F. Weber)

harpsichord 

DU MONT: Allemande. Litanies de la vierge. Symphonia à 3. Allemande à 3. Dialógus angeli et peccatone (Peccator, ubi es). Allemande. Pavane. Sarabande. In lectulo meo (1681). Allemande sur les Anches. In Te, Domine. Dialógus de Anima. Pavane in D Minor (Review by J. F. Weber)

organ 

DU MONT: Motets en dialogue (Review by J. F. Weber)

harpsichord 

DU MONT: Motets en dialogue (Review by J. F. Weber)

organ 

DUPHLY: Harpsichord music (Review by Barry Brenesal)

harpsichord 

FORQUERAY: Complete Harpsichord Music (Review by Barry Brenesal)

harpsichord 

FROBERGER: Su/fes (Review by Edward Strickland)

harpsichord 

GLUCK: Armide (Review by Brian Robins)

conductor 

GLUCK: Iphigénie en Aulide (Review by Brian Robins)

conductor 

GLUCK: Le feste d’Apollo (Review by Barry Brenesal)

director 

GLUCK: Le feste d’Apollo (Review by Brian Robins)

director 

GLUCK: Le feste d’Apollo (Review by Barry Brenesal)

harpsichord 

GLUCK: Le feste d’Apollo (Review by Brian Robins)

harpsichord 

GLUCK: Le feste d’Apollo (Review by Barry Brenesal)

director 

GLUCK: Le feste d’Apollo (Review by Brian Robins)

director 

GLUCK: Le feste d’Apollo (Review by Barry Brenesal)

harpsichord 

GLUCK: Le feste d’Apollo (Review by Brian Robins)

harpsichord 

HANDEL: Riccardo Primo (Review by Ralph V. Lucano)

conductor 

HANDEL: Rinaldo (Review by David Johnson)

conductor 

HANDEL: Scipione (Review by David Johnson)

conductor 

HANDEL: Scipione (Review by Ron Salemi)

conductor 

HANDEL: Serse (Review by Brian Robins)

conductor 

HANDEL: Serse (Review by Ron Salemi)

conductor 

HANDEL: Serse (Review by Barry Brenesal)

conductor 

HASSE: Artaserse (Review by David Johnson)

conductor 

JOMMELLI: Armida abbandonata (Review by David Johnson)

conductor 

JOMMELLI: Armida abbandonata (Review by Brian Robins)

conductor 

LECLAIR: Et toi . . . Noires divinités. Airs des Démons I & II. Brillante fille de Latone (Review by Brian Robins)

conductor 

LECLAIR: Scylla et Glaucus (Review by Brian Robins)

conductor 

LULLY: Armide (Review by Brian Robins)

conductor 

LULLY: Bellérophon (Review by Barry Brenesal)

conductor 

LULLY: Overture (Review by Brian Robins)

conductor 

LULLY: Persée (Review by Brian Robins)

conductor 

LULLY: Roland (Review by Brian Robins)

conductor 

LULLY: Venez, Haine implacable. Passacaille (Review by Brian Robins)

conductor 

MARAIS: Suite d’un goût étranger (Review by Brian Robins)

harpsichord 

MARCHAND: Harpsichord Suites (Review by Barry Brenesal)

harpsichord 

MARTÍN Y SOLER: Il burbero di buon cuore (Review by Barry Brenesal)

conductor 

MARTÍN Y SOLER: Il burbero di buon cuore (Review by Bob Rose)

conductor 

MARTÍN Y SOLER: La capricciosa corretta (Review by Brian Robins)

conductor 

MONDONVILLE: Isbé (Review by Brian Robins)

conductor 

MOZART: Ah lo previdi. Ah se in ciel (Review by Brian Robins)

conductor 

MOZART: Andante for Flute, K 315 (Review by Brian Robins)

conductor 

MOZART: Davidde penitente (Review by Brian Robins)

conductor 

MOZART: La Betulia liberata (Review by Brian Robins)

conductor 

MOZART: Mass in c (Review by Brian Robins)

conductor 

MOZART: Mitridate, rè di Ponto, K 87/74a (Review by Brian Robins)

conductor 

MOZART: Mitridate, rè di Ponto, K 87/74a (Review by Bernard Jacobson)

conductor 

MOZART: Sinfonia concertante in E♭ (Review by Brian Robins)

conductor 

MOZART: Zaide (Review by Brian Robins)

conductor 

PERGOLESI: Salve Regina (Review by David Johnson)

conductor 

PERGOLESI: Stabat Mater. Salve Regina in f. Salve Regina in a (Review by J. F. Weber)

director 

PORPORA: Polifemo (Review by David Johnson)

conductor 

PURCELL: Air in G (Review by Michael Ullman)

conductor 

PURCELL: Air in G (Review by Michael Ullman)

harpsichord 

PURCELL: Chaconne in G (Review by Michael Ullman)

conductor 

PURCELL: Chaconne in G (Review by Michael Ullman)

harpsichord 

PURCELL: Great God, and Just. My Song Shall Be Always (Review by Michael Ullman)

conductor 

PURCELL: Great God, and Just. My Song Shall Be Always (Review by Michael Ullman)

harpsichord 

PURCELL: Ground in C (Review by Michael Ullman)

conductor 

PURCELL: Ground in C (Review by Michael Ullman)

harpsichord 

PURCELL: Ground in D (Review by Michael Ullman)

conductor 

PURCELL: Ground in D (Review by Michael Ullman)

harpsichord 

PURCELL: Lord, What Is Man. Let the Night Perish (Review by Michael Ullman)

conductor 

PURCELL: Lord, What Is Man. Let the Night Perish (Review by Michael Ullman)

harpsichord 

PURCELL: My Opening Eyes Are Purged (Review by Michael Ullman)

conductor 

PURCELL: My Opening Eyes Are Purged (Review by Michael Ullman)

harpsichord 

PURCELL: Sleep, Adam, and Take Thy Rest. Thou Wakeful Shepherd. The Earth Trembled. Now That the Sun Hath Veil’d His Light (Review by Michael Ullman)

conductor 

PURCELL: Sleep, Adam, and Take Thy Rest. Thou Wakeful Shepherd. The Earth Trembled. Now That the Sun Hath Veil’d His Light (Review by Michael Ullman)

harpsichord 

PURCELL: Suite in G (Review by Michael Ullman)

conductor 

PURCELL: Suite in G (Review by Michael Ullman)

harpsichord 

PURCELL: Tell Me, Some Pitying Angel. In the Black, Dismal Dungeon of Despair (Review by Michael Ullman)

conductor 

PURCELL: Tell Me, Some Pitying Angel. In the Black, Dismal Dungeon of Despair (Review by Michael Ullman)

harpsichord 

PURCELL: The Night Is Come. With Sick and Famish’d Eyes. How Have I Strayed (Review by Michael Ullman)

conductor 

PURCELL: The Night Is Come. With Sick and Famish’d Eyes. How Have I Strayed (Review by Michael Ullman)

harpsichord 

RAMEAU: Castor et Pollux (Review by Brian Robins)

conductor 

RAMEAU: Chaconne (Review by Brian Robins)

conductor 

RAMEAU: Chaconne (Review by Brian Robins)

conductor 

RAMEAU: Concerts en sextuor (Review by Barry Brenesal)

conductor 

RAMEAU: Concerts en sextuor (Review by Barry Brenesal)

harpsichord 

RAMEAU: Cruelle mère des amours (Review by Brian Robins)

conductor 

RAMEAU: Harpsichord Suite in a (Review by Barry Brenesal)

harpsichord 

RAMEAU: Hippolyte et Aricie (Review by Brian Robins)

conductor 

RAMEAU: Les fêtes de Polymnie (Review by Brian Robins)

conductor 

RAMEAU: Les indes galantes (Review by Barry Brenesal)

harpsichord 

RAMEAU: Overtures to (Review by Barry Brenesal)

conductor 

RAMEAU: Pièces de Clavecin (Review by Kevin Bazzana)

harpsichord 

RAMEAU: Zoroastre (Review by Andrew Quint)

conductor 

ROYER: Allemande (Review by Barry Brenesal)

harpsichord 

ROYER: La majestueuse. La Zaïde. Les matelots. Tambourin. L’incertaine. L’aimable. La bagatelle. Suite de la bagatelle. La rémouleuse. Les tendres sentiments. Le vertigo (Review by Barry Brenesal)

harpsichord 

ROYER: La sensible. La marche des Scythes (Review by Barry Brenesal)

harpsichord 

ROYER: Le pouvoir de l’Amour (Review by Brian Robins)

conductor 

ROYER: Pieces de clavecin, 1746 (Review by Elliott S. Hurwitt)

harpsichord 

ROYER: Zaïde (Review by Brian Robins)

conductor 

SACCHINI: Renaud (Review by Barry Brenesal)

conductor 

D. SCARLATTI: Sonatas, K 44, 52, 53, 120, 124, 140, 141, 144, 147, 426, 427, 450, 461, 469, and 531 (Review by Leslie Gerber)

harpsichord 

TELEMANN: Quartets (Review by Brian Robins)

harpsichord 

TELEMANN: Six Quartets for Flute, Violin, Viola da Gamba, and Continuo (Review by Brian Robins)

harpsichord 

TRAETTA: Antigona (Review by Brian Robins)

conductor 

VIVALDI: Concerto in B Minor for Four Violins, Strings, and Continuo, op. 3, no. 10 (Review by Heuwell Tircuit)

harpsichord