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Performer: Gennady Rozhdestvensky

A TRIBUTE TO MAYA PLISETSKAYA: (Review by Lynn René Bayley)

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NOTES INTERDITES: The Red Baton—Scenes of Musical... (Gennady Rozhdestvensky) (Review by Paul Ingram)

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RUSSIAN ARIAS, Vol. 1: (Review by James H. North)

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RUSSIAN ARIAS, Vol. 2: (Review by Joel Kasow)

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SHOSTAKOVICH, TCHAIKOVSKY, GLAZUNOV: (Review by Daniel Morrison)

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WAGNER: Rienzi... (Andrei Chistiakov) (Review by Raymond Tuttle)

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ADAM: Giselle (Review by John W. N. Francis)

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ARENSKY: March in C in Memory of Suvorov (Review by John Bauman)

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BACH: Suite for Orchestra (arr. Mahler). Prelude and Fugue in E-Flat (arr. Schoenberg). Ricercare from “Musical Offering“ (arr. Webern) (Review by William H. Youngren)

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BACH: Violin Concerto No. 1 (Review by Robert Maxham)

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BARTÓK: Concerto No. 1 for Violin and Orchestra (Review by James H. North)

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BARTÓK: Concerto No. 1 for Violin and Orchestra^ (Review by David K. Nelson)

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BARTÓK: Concerto for Orchestra (Review by James H. North)

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BARTÓK: Rhapsody No. 2 (Review by Robert Maxham)

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BARTÓK: Violin Concerto No.1 (Review by James H. North)

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BEETHOVEN: Flohlied. There Once Was a King, Op. 75, No. 3 (arr. Shostakovich; Yevgeny Nesterenko, bass; Chamber Ensemble of the U.S.S.R. Symphony Orchestra) (Review by Royal S. Brown)

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BERG: Violin Concerto (Review by James H. North)

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BERLIOZ: Benvenuto Cellini (Review by Adrian Corleonis)

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BERLIOZ: Symphonie fantastique (Review by Adrian Corleonis)

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BIZET-SHCHEDRIN: The Carmen Ballet (Review by Paul Turok)

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BOCCHERINI: Concerto No. 2 in D for Cello and Strings (Review by John Bauman)

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BÖRTZ: Sinfonias (Review by Benjamin Pernick)

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BOISMORTIER: Concerto in D for Bassoon and Strings, Op. 26 (Review by Stephen Ellis)

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BORODIN: (orch. Rimsky-Korsakov and Glazunov) Polovtsian Dances from Prince Igor (Review by John Bauman)

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BORODIN: Petite Suite (orch. Glazunov) (Review by Barry Brenesal)

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BORODIN: Polovtsian Dances. At the Homes of Other Folk (Review by Barry Brenesal)

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BORODIN: Romance (orch. Glazunov) (Review by Barry Brenesal)

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BORODIN: Symphonies (Review by Barry Brenesal)

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BORODIN: Symphonies (Review by Ron McDonald)

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BORODIN: Symphony No. 2 in B Minor. Petite Suite (orch. Glazunov). Prince Igor (Review by Robert McColley)

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BRAHMS: Concerto No. 2 in E♭ for Piano and Orchestra, Op. 83 (Review by Mortimer H. Frank)

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BRAHMS: Concerto in D for Violin and Orchestra, Op. 77 (Review by James Miller)

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BRAHMS: Concerto in D for Violin and Orchestra, op. Yf. Concerto in A Minor for Violin, Cello, and Orchestra, op. 102 (“Double“) (Review by James H. North)

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BRAHMS: Hungarian Dance in a (Review by Robert Maxham)

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BRITTEN: Simple Symphony for String Orchestra, Op. 4. Prelude and Fugue for 18 Strings, Op. 29 (Review by Donald Seibert)

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BRITTEN: Suite No. 3 for Cello, op. 87 (Review by Mike Silverton)

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BRITTEN: Suite No. 3 for Solo Cello, op. 87 (Review by Alex Ross)

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BRITTEN: The Young Person’s Guide to the Orchestra (Review by Barry Brenesal)

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BRITTEN: Young Person’s Guide to the Orchestra (Review by Dave Saemann)

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BRITTEN: Young Person’s Guide to the Orchestra (Review by Raymond Tuttle)

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BRUCKNER: Symphonies (Review by Peter J. Rabinowitz)

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BRUCKNER: Symphony No. 1 (1891 Haas ed) (Review by Lawrence A. Johnson)

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BRUCKNER: Symphony No. 4 in Eb (“Romantic“) (Review by Ron McDonald)

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BRUCKNER: Symphony No. 5 (Review by Robert McColley)

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BRUCKNER: Symphony No. 8 (ed. Haas) (Review by Robert McColley)

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BUSONI: Concerto for Piano and Orchestra with Chorus of Male Voices, op. 39. Fantasia Contrappuntistica, for Piano (Review by Adrian Corleonis)

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CHAUSSON: Poéme, Op. 25 (Review by Paul Turok)

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CLERAMBEAU: Prelude and Allegro (Review by Robert Maxham)

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DEBUSSY: L’aprés midi d’une faune (arr. Heifetz) (Review by Robert Maxham)

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DEBUSSY: Violin Sonata (Review by Robert Maxham)

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DENISOV-GUBAIDULINA-SCHNITTKE: March for Orchestra (Review by Gavin Dixon)

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DENISOV: Peinture (Review by Gavin Dixon)

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DUKELSKY: Epitaphe (Review by Paul A. Snook)

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DUKELSKY: Zéphyr et Flore—Ballet (Review by Paul A. Snook)

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DVOŘÁK: Concerto in B Minor for Cello and Orchestra, Op. 104 (Review by John Bauman)

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DVOŘÁK: Symphony No. 9 in E Minor, Op. 95 (“From the New World“) (Review by Howard Kornblum)

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ELGAR: Cello Concerto in e (Review by Jerry Dubins)

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ELGAR: Concerto in E Minor for Cello and Orchestra, op. 85. RESPIGHi (Review by Richard Burke)

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ELGAR: Violin Concerto (Review by Robert Maxham)

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ELIASSON: Concerto for Bassoon and Strings. Symphony No. i. Ostacoli (Review by Stephen Ellis)

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ENESCU: Romanian Rhapsody No. 1 (Review by Peter J. Rabinowitz)

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ENESCU: Symphony No. 1 in E♭, op. 13. Suite No. 3 in D for Orchestra, op. 27 (“Villageoise“) (Review by Peter J. Rabinowitz)

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ENESCU: Symphony No. 2 in A. Romanian Rhapsody No. 2 (Review by Peter J. Rabinowitz)

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ENESCU: Symphony No. 3 (Review by Peter J. Rabinowitz)

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ESHPAI: Lenin Is Amongst Us—Cantata for Chorus & Orchestra (Review by Royal S. Brown)

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FALLA: Jota (Review by Robert Maxham)

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FALLA: The Miller's Dance (Review by Ron McDonald)

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FAURÉ: Ballade for Piano and Orchestra, op. 19. Nocturne No. 1 in E♭ Minor, op. 33, no. 1. Impromptu No. 2 in F Minor, op. 31 (Review by Royal S. Brown)

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FLEISCHMANN: Rothschild's Violin (completed and orch. by Shostakovich) (Review by Royal S. Brown)

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GLAZUNOV: Finnish Fantasy, Op. 88. Pas de caractère, Op. 68. Wedding March, Op. 21 (Review by John Bauman)

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GLAZUNOV: Symhonies (Review by John Bauman)

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GLAZUNOV: Symphonies (Review by John Bauman)

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GLAZUNOV: Symphonies (Review by John Bauman)

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GLAZUNOV: Symphonies (Review by John Bauman)

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GLAZUNOV: Symphonies (Review by John Bauman)

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GLAZUNOV: Symphonies (Review by John Bauman)

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GLAZUNOV: Symphony No. 4 in E♭, op. 48. Stenka Razin, op. 13. Concerto in A Minor for Violin and Orchestra, op. 82 (Review by James H. North)

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GLAZUNOV: The King of the Jews (Review by David Mason Greene)

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GLAZUNOV: Violin Concerto (Review by David K. Nelson)

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GLAZUNOV: Violin Concerto (Review by Robert Maxham)

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GLAZUNOV: Violin Concerto (Review by Robert Maxham)

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GLINKA: A Life for the Tsar (Review by Daniel Morrison)

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GLINKA: Ruslan and Liudmila (Review by Daniel Morrison)

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GRIEG: Peer Gynt (Review by George Chien)

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GRIEG: Symphonic Dances, op. 64. Six Songs for Voice and Orchestra. Solveig's Song; Solveig's Cradle Song; From Monte Pincio; A Swan; The Last Spring; Henrik Wergeland. Sigurd Jorsalfar (Review by Jon Tuska)

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GUBAIDULINA: Concerto for Bassoon and Low Strings (Review by Stephen Ellis)

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GUBAIDULINA: Offertorium (Review by Gavin Dixon)

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GUBAIDULINA: Stimmen... Verstummen—Symphony in Twelve Movements. Stufen (Review by Alex Ross)

narrator 

GUION: The Harmonica Player (Review by Ron McDonald)

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C. HALFFTER: Tiento del premer tono y Batalla Imperial (Review by Lawrence A. Johnson)

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HAYDN: Cello Concerto in C (Review by Jerry Dubins)

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HAYDN: Piano Trio in D (Review by Peter Burwasser)

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HINDEMITH: Concerto for Cello and Orchestra (Review by James H. North)

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HINDEMITH: Concerto for Violin and Orchestra (Review by James H. North)

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HINDEMITH: Concerto in D for Violin and Orchestra (Review by David K. Nelson)

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HINDEMITH: Pittsburgh Symphony (Review by Lawrence A. Johnson)

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HINDEMITH: Violin Concerto (Review by James H. North)

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HOLST: The Planets (Review by Dave Saemann)

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HOLST: The Planets (Review by Raymond Tuttle)

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HONEGGER: Symphony No. 2 for Strings and Trumpet. Phèdre (Review by Royal S. Brown)

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HOWELLS: Missa Sabrinensis (Review by Martin Anderson)

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HOWELLS: Missa Sabrinensis (Review by Richard Burke)

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HOWELLS: Stabat Mater (Review by Martin Anderson)

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IPPOLITOV-IVANOV: Caucasian Sketches, Op. 10 (Review by John Bauman)

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IPPOLITOV-IVANOV: Caucasian Sketches’ (Review by John Bauman)

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IVAN THE TERRIBLE: Stlkhlra No. 11 in Honor of Pyotr, Metropolitan of Moscow and All Russia (sung in Church Slavonic) (Review by David Hurwitz)

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JANÁČEK: Capriccio. Concertino. In the Mists. Piano Sonata (“1 .X.1905“) (Review by William Zagorski)

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JANÁČEK: Taras Bulba (Review by Steven Kruger)

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KHACHATURIAN: Concerto in D minor for Violin and Orchestra (Review by John Bauman)

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KHACHATURIAN: Gayane (Review by Raymond Tuttle)

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KHACHATURIAN: Soviet Police March (Review by Randy A. Salas)

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K. KHACHATURIAN: Violin Sonata (Review by Robert Maxham)

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KHRENNIKOV: Concerto in C for Cello and Orchestra, op. 16 (Review by John Bauman)

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KHRENNIKOV: Violin Concerto No. 1 (Review by Paul A. Snook)

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KNIPPER: Concerto-monologue in C for Cello, Wind Ensemble, and Timpani (Review by Raymond Tuttle)

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KNIPPER: Little Concerto for Violin and String Orchestra (Review by Paul A. Snook)

conductor 

KOVSKY: Variations on a Rococo Theme, op. 33 (Review by James H. North)

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KREIN: Laurencia (Review by John W. N. Francis)

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KREISLER: Country Serenade (Review by Robert Maxham)

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LALO: Concerto In D Minor for Cello and Orchestra. TCHAi (Review by James H. North)

conductor 

LALO: Symphonie espagnole in D Minor for Violin and Orchestra, op. 21 (Review by David K. Nelson)

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LANGGAARD: From the Song of Solomon (Review by Martin Anderson)

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LANGGAARD: Interdict*. Carl Nielsen, Our Great Composer (Review by Martin Anderson)

conductor 

LANGGAARD: Music of the Spheres, BVN 128. Four Tone Pictures, BVN 133 (Review by Paul Rapoport)

conductor 

LANGGAARD: The End of Time (Review by Martin Anderson)

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LEVITIN: Concertino in E Minor for Cello and Orchestra, op. 54 (Review by Raymond Tuttle)

conductor 

LEVITIN: Suite for Cello and Chamber Orchestra (Review by Benjamin Pernick)

conductor 

LIDHOLM: Greetings from an Old World. Toccata e Canto. Kontakton. Ritornell (Review by Alex Ross)

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LISZT: Concerto for Piano and Orchestra (Review by Ron McDonald)

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LISZT: Hungarian Rhapsody (Review by Robert Maxham)

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LISZT: Tasso, Symphonic Poem No. 2 (Review by Adrian Corleonis)

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LUMBYE: Champagne Galop, op. 14. Queen Louise Waltz, Copenhagen Steam Railway Galop. Concert Polka for Two Violins. Salute to St. Petersburg—March. The Lady of St. Petersburg— Polka. Dream Pictures—Fantasy. Polonaise. Britta Polka. Napoli—Ballet (Review by John Bauman)

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MAHLER: No. 10 (Review by Benjamin Pernick)

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MAHLER: Symphonies (Review by Benjamin Pernick)

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MAHLER: Symphony No. 5 (Review by Benjamin Pernick)

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MALIPIERO: Serenata for Bassoon and Ten instruments (Review by Stephen Ellis)

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MARTINŮ: Symphonies (Review by David Johnson)

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MELIKOV: Symphony No. 2 (Review by Paul A. Snook)

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MIASKOVSKY: Symphonies (Review by Paul A. Snook)

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MIASKOVSKY: Symphonies (Review by Royal S. Brown)

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MIASKOVSKY: Symphonies (Review by Peter J. Rabinowitz)

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MIASKOVSKY: Symphonies (Review by Peter J. Rabinowitz)

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MIASKOVSKY: Symphonies (Review by Peter J. Rabinowitz)

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MIASKOVSKY: Symphonies (Review by Peter J. Rabinowitz)

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MIASKOVSKY: Symphony No. 19, op. 46 (Review by Randy A. Salas)

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MILHAUD: Concerto No. 1 for Cello and Orchestra, op. 136 (Review by Richard Burke)

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MINKUS: Don Quixote (Review by John W. N. Francis)

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MUSSORGSKY-DENISOV: Sunless (Review by David Mason Greene)

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MUSSORGSKY-STOKOWSKI: Pictures at an Exhibition (Review by John Bauman)

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MUSSORGSKY: (orch. Rimsky-Korsakov) Night on Bald Mountain (Review by John Bauman)

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MUSSORGSKY: Night on Bald Mountain (Sorochinsky Fair version) (Review by Jerry Dubins)

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MUSSORGSKY: The Marriage (Review by James H. North)

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NABOKOV: Prelude, Four Variations, and Finale on a Theme by Tchaikovsky for Cello and Orchestra (Review by Benjamin Pernick)

conductor 

NIELSEN: Aladdin (Review by Barry Brenesal)

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NIELSEN: Aladdin, op. 34 (Review by Peter J. Rabinowitz)

conductor 

NIELSEN: Symphonies (Review by Walter Simmons)

conductor 

NIELSEN: Symphonies (Review by William Zagorski)

conductor 

PAGANINI: Cantabile, Op. 17. Perpetual Motion, Op. 11. Moses Fantasy, Op. 24. Caprice No. 24 (arr. Auer). La Campanella, Op. 7 (arr. Kriesler). Eight Caprices from Op. 1 (arr. Schumann). Nos. 7, 2, 3, 5, 9, 11, 17, 20 (Review by Paul Turok)

conductor 

PAGANINI: Caprices (Review by Robert Maxham)

conductor 

PAGANINI: Violin Sonata in e, op. 3/6 (Review by Robert Maxham)

conductor 

PARSADANIAN: Symphony No. 2 (Review by Paul A. Snook)

conductor 

PROKOFIEV: Alexander Nevsky. Op. 78. Zdravitsa, Op. 85. They Were Seven (Review by Henry Fogel)

conductor 

PROKOFIEV: Autumnal Sketch, op. 8 (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Boris Godunov, op. 70 bis (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Cantata for the Twentieth Anniversary of the October Revolution, op. 74. The Stone Flower, op. 118 (Review by Peter J. Rabinowitz)

speaker 

PROKOFIEV: Chout, op. 21 (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Chout (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Chout (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Cinderella (Review by James Miller)

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PROKOFIEV: Cinderella, op. 87 (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Cinderella, op. 87; The Steel Step Suite, op. 4a (Review by Michael Ullman)

conductor 

PROKOFIEV: Concertos for Violin and Orchestra (Review by Royal S. Brown)

conductor 

PROKOFIEV: Festive Poem for the Thirtieth Anniversary of October 1917in A, op. 113 (Review by Royal S. Brown)

conductor 

PROKOFIEV: Le Pas d'acier, Op. 41. Ode to the End of the War, Op. 105 (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Le Pas d'acier, Op. 41. On the Dnieper, Op. 51 (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Le Pas d'acier, op. 41. Russian Overture, op. 72. Ode on the End of War, op. 105. Flourish Mighty Homeland, op. 114 (second edition) (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Maddalena, op. 13 [orchestration completed by Edward Downes] (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: March for Military Band, op. 99 (Review by Randy A. Salas)

conductor 

PROKOFIEV: Ode to the End of the War (Review by Barry Brenesal)

conductor 

PROKOFIEV: On the Dneiper (Review by Michael Ullman)

conductor 

PROKOFIEV: On the Dnieper, Op. 51 (Review by ROGER DETTMER)

conductor 

PROKOFIEV: On the Dnieper, op. 51. Hamlet, op. 77 (Review by Michael Ullman)

conductor 

PROKOFIEV: Romeo and Juliet (choreography by Leonid Lavrovsky) (Review by John W. N. Francis)

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PROKOFIEV: Romeo and Juliet (Review by Barry Brenesal)

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PROKOFIEV: Romeo and Juliet (Review by Michael Ullman)

conductor 

PROKOFIEV: Semyon Kotko (Review by Michael Ullman)

conductor 

PROKOFIEV: Sinfonia Concertante for Cello and Orchestra, op. 125. Concertino for Cello and Orchestra, op. 132 (Review by Michael Ullman)

conductor 

PROKOFIEV: Symphonies (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Symphonies (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: Symphonies (Review by James H. North)

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PROKOFIEV: Symphonies (Review by Raymond Tuttle)

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PROKOFIEV: Symphonies (Review by Royal S. Brown)

conductor 

PROKOFIEV: Symphony No. 1 in D, Op. 25 (“Classical“) (Review by Donald Seibert)

conductor 

PROKOFIEV: Symphony No. 3 (Review by Christopher Abbot)

conductor 

PROKOFIEV: Symphony No. 5 in B♭ (Review by Barry Brenesal)

conductor 

PROKOFIEV: Symphony No. 5 in B♭, op. 100. Concerto No. 1 in D for Violin and Orchestra, op. 19 (Review by James H. North)

conductor 

PROKOFIEV: Symphony No. 5 in B♭, op. 100. Ode to the End of the War, op. 105. Pushkin Waltzes, op. 120 (Review by James H. North)

conductor 

PROKOFIEV: Symphony No. 5 (Review by Michael Ullman)

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PROKOFIEV: Symphony-Concerto for Cello and Orchestra. Cello Concertino. Cello Sonata (Review by Lawrence A. Johnson)

conductor 

PROKOFIEV: The Love for Three Oranges (Review by Jerry Dubins)

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PROKOFIEV: The Prodigal Son, Op. 46. Overture for 17 Instruments, Op. 42 (Review by James Miller)

conductor 

PROKOFIEV: The Stone Flower (Review by John W. N. Francis)

conductor 

PROKOFIEV: The Tale of the Stone Flower, op. 118 (Review by Peter J. Rabinowitz)

conductor 

PROKOFIEV: The Year 1941—Symphonic Suite (Review by Michael Ullman)

conductor 

PROKOFIEV: Violin Concerto No. 1 (Review by Robert Maxham)

conductor 

PROKOFIEV: Waltz Suite, op. 110 (Review by Peter J. Rabinowitz)

conductor 

RACHMANINOFF: Concertos for Piano and Orchestra (Review by James Miller)

conductor 

RACHMANINOFF: Concertos for Piano and Orchestra (Review by Leslie Gerber)

conductor 

RACHMANINOFF: Paganini (abridged; choreography by Lavrovsky) Yaroslav Sekh (Paganini); Ekaterina Maximova (His Muse) (Review by John W. N. Francis)

conductor 

RACHMANINOFF: Piano Concerto No. 1 (Review by Christopher Williams)

conductor 

RACHMANINOFF: Piano Concertos (Review by Peter J. Rabinowitz)

conductor 

RACHMANINOFF: Rhapsody on a Theme of Paganini (Review by Lawrence A. Johnson)

conductor 

RACHMANINOFF: Symphony No. 1 (Review by Lawrence A. Johnson)

conductor 

RACHMANINOFF: Symphony No. 1 (Review by Barry Brenesal)

conductor 

RACHMANINOFF: Symphony No. 2 in E Minor, op. 27 (Review by Ron McDonald)

conductor 

RAVEL: Boléro (choreography by Lavrovsky). Irina Kholina (Woman); Alexander Lavreniuk and Sergei Radchenko (Men) (Review by John W. N. Francis)

conductor 

RAVEL: Daphnis and Chloe (Review by James Miller)

conductor 

RAVEL: Tzigane (Review by Paul Turok)

conductor 

RAVEL: Valses Nobles et Sentimentales (abridged; choreography by L. Lavrovsky). Mikhail Lavrovsky; Natalia Bessmertnova (Review by John W. N. Francis)

conductor 

RAVEL: Valses nobles et sentimentales (Review by Robert Maxham)

conductor 

RIISAGER: Études (complete ballet). Qarrtsiluni. Erasmus Montanus Overture (Review by Stephen Ellis)

conductor 

RIMSKY-KORSAKOV: Capriccio espagnol, Op. 34. Russian Easier Overture, Op. 36 (Review by John Bauman)

conductor 

RIMSKY-KORSAKOV: Concerto in C ♯ minor for Piano and Orchestra, Op. 30 (Review by Harry Townsend)

conductor 

RIMSKY-KORSAKOV: I Waited for Thee at the Appointed Hour, Op. 40, No. 4 (arr. Shostakovich; Alia Abladerdizheva, soprano; U.S.S.R. Symphony Orchestra) (Review by Royal S. Brown)

conductor 

RIMSKY-KORSAKOV: Mozart and Salier* (Review by James H. North)

conductor 

RIMSKY-KORSAKOV: Russian Easter Festival Overture (Review by Barry Brenesal)

conductor 

RIMSKY-KORSAKOV: Russian Easter Festival Overture (Review by Christopher Williams)

conductor 

RIMSKY-KORSAKOV: Symphonies (Review by John Ditsky)

conductor 

RIMSKY-KORSAKOV: Symphony No. 3 (Review by John Bauman)

conductor 

RIMSKY-KORSAKOV: Variations for Oboe and Military Band. Concertstück for Clarinet and Military Band (Review by Randy A. Salas)

conductor 

SAINT-SAËNS: Cello Concerto No. 1 (Review by Adrian Corleonis)

conductor 

SAINT-SAËNS: Cello Concerto in a (Review by Jerry Dubins)

conductor 

SAINT-SAËNS: Havanaise, Op. 83. Introduction and Rondo Capriccioso, Op. 28 (Review by Paul Turok)

conductor 

SAINT-SAËNS: The Dying Swan (choreography by Fokine). Alia Osipenko (Review by John W. N. Francis)

conductor 

SAUGUET: Concerto No. 1 in A Minor for Piano and Orchestra (Review by Royal S. Brown)

conductor 

SAUGUET: Les Forains. Concerto No. 1 in A for Piano and Orchestra (Review by Royal S. Brown)

conductor 

SAUGUET: Melodie concertante in C Minor for Cello and Orchestra (Review by Royal S. Brown)

conductor 

D. SCARLATTI: 2 Keyboard Sonatas (Review by David Denton)

conductor 

D. SCARLATTI: Two Sonatas (Review by Royal S. Brown)

conductor 

SCHNITTKE: Cello Concerto No. 1 (Review by Robert Kirzinger)

conductor 

SCHNITTKE: Concerto Grosso No. 6. Symphony No. 8 (Review by Paul Rapoport)

conductor 

SCHNITTKE: Concerto grosso No. 2 (Review by Robert Kirzinger)

conductor 

SCHNITTKE: Music for Chamber Orchestra. Septet. Schall und Hall. In Memoriam..., for Orchestra (Review by William Zagorski)

conductor 

SCHNITTKE: Symphony No. 1 (Review by William Zagorski)

conductor 

SCHNITTKE: The Census List (arr. Rozhdestvensky) (Review by Gavin Dixon)

conductor 

SCHNITTKE: Viola Concerto (Review by Robert Kirzinger)

conductor 

SCHUBERT: Duo in A, op. 162 (Review by Robert Maxham)

conductor 

SCHUBERT: Konzertstück in D (Review by Robert Maxham)

conductor 

SCHUBERT: Rondo in b, “Rondo brillant” (Review by Robert Maxham)

conductor 

SCHUMANN: Concerto in A Minor for Cella and Orchestra, Op. 129 (Review by John Bauman)

conductor 

SCHUMANN: Concerto in A Minor for Piano and Orchestra, Op. 54. Concerto in A Minor for Cello and Orchestra, Op. 129 (Review by Paul Turok)

conductor 

SCHUMANN: Concerto in A minor for Cello and Orchestra, Op. 129 (Review by James Miller)

conductor 

SCHUMANN: Concerto in A minor for Cello and Orchestra, Op. 129. (Orchestration by Dmitri Shostakovich) (Review by Royal S. Brown)

conductor 

SCHUMANN: Romance in F♯. Novellette in F (Review by Ron McDonald)

conductor 

SCHUMANN: Symphonies (Review by John Bauman)

conductor 

SCHUMANN: Violin Concerto in d (Review by David K. Nelson)

conductor 

SCHUMANN: Violin Sonata in a (Review by Robert Maxham)

conductor 

SCOTT: Lotus Land (Review by Robert Maxham)

conductor 

SCRIABIN: (orch. G. Singer) Fantasy in A minor for Piano and Orchestra (Review by Harry Townsend)

conductor 

SCRIABIN: Piano Concerto. Fantasy for Piano and Orchestra (orch. Rozhdestvensky) (Review by Peter J. Rabinowitz)

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SCRIABIN: Prometheus (Review by John Bauman)

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SCRIABIN: Prometheus (Review by Peter J. Rabinowitz)

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SHCHEDRIN: Carmen Suite (after Bizet) (Review by Henry Fogel)

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SHCHEDRIN: Konyok Gorbunok (Review by Robert Maxham)

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SHCHEDRIN: Lenin in the People's Heart. Workers' Marseillaise. Be Brave, Friends, Do Not Despair. Hymn to Democratic Youth (Review by Henry Fogel)

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SHCHEDRIN: Stikhlra for the Millenary of the Chrlstlanizatlon of Russia (Review by David Hurwitz)

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SHCHEDRIN: Symphony No. 2 (“Twenty-Five Preludes for Orchestra“) (Review by David Hurwitz)

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SHEBALIN: Lenin—A Dramatic Symphony (Review by Henry Fogel)

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SHOSTAKOVICH: Cello Concerto No. 1 in E♭, op 107 (Review by Michael Ullman)

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SHOSTAKOVICH: Cello Concerto No. 1 (Review by Peter Burwasser)

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SHOSTAKOVICH: Concertos for Cello and Orchestra (Review by James H. North)

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SHOSTAKOVICH: Early Music for Orchestra in Manuscript (Review by ROGER DETTMER)

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SHOSTAKOVICH: Festive Overture (Review by Art Lange)

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SHOSTAKOVICH: From Jewish Folk-Poetry, op. 79a (Review by Royal S. Brown)

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SHOSTAKOVICH: Incidental Music to Shakespeare's “King Lear,“ Op. 58a (Review by Royal S. Brown)

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SHOSTAKOVICH: Katerina Ismailova (Review by Art Lange)

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SHOSTAKOVICH: March of the Soviet Police (Review by Randy A. Salas)

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SHOSTAKOVICH: Moskva, Cheremushki, op. 105 (Review by Royal S. Brown)

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SHOSTAKOVICH: Piano Trio No. 2 (Review by Peter Burwasser)

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SHOSTAKOVICH: Scherzo in F minor, Op. 1. Theme and Variations in B, Op. 3. Scherzo in E, Op. 7. Six Romances to Words by Japanese Poets, Op. 21. Alone—Music for a Film, Op. 26 (Suite compiled and arranged by Rozhdestvensky) (Review by ROGER DETTMER)

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SHOSTAKOVICH: Scherzos (Review by Royal S. Brown)

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SHOSTAKOVICH: Scherzos (Review by Royal S. Brown)

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SHOSTAKOVICH: Suite on Verses by Michaelangelo Buonarrotti (Review by James A. Altena)

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SHOSTAKOVICH: Symphonies Nos. 7, 9, 10. The Bolt (Review by James A. Altena)

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SHOSTAKOVICH: Symphonies (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphonies (Review by Phillip Scott)

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SHOSTAKOVICH: Symphonies (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphonies (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphonies (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphonies (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphonies (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphonies (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphonies (Review by Phillip Scott)

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SHOSTAKOVICH: Symphony No 4 (Review by David Denton)

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SHOSTAKOVICH: Symphony No. 1. Symphony No. 3 (Review by Art Lange)

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SHOSTAKOVICH: Symphony No. 10 in E Minor, op. 93; Hamlet (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 10 (Review by David Denton)

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SHOSTAKOVICH: Symphony No. 11 in G Minor, op. 103 (“The Year 1905“) (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 13 in Bb, op. 113 (“Babi Yar“) (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 14, op. 135. King Lear (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 4 in C Minor, op. 43 (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 4 in C Minor, op. 43. Suite No. 1 for Jazz Band (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 4 in C Minor, op. 43. Two Pieces from Scarlatti for Wind Orchestra, op. 17 (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 4 (Review by Art Lange)

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SHOSTAKOVICH: Symphony No. 4 (Review by Christopher Williams)

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SHOSTAKOVICH: Symphony No. 5 in D Minor, op. 47 (Review by William Zagorski)

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SHOSTAKOVICH: Symphony No. 7 in C, op. 60 (“Leningrad“) (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 7, "Leningrad" (Review by Christopher Abbot)

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SHOSTAKOVICH: Symphony No. 8 in C Minor, op. 65. Three Satires from op. 109 (Review by Royal S. Brown)

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SHOSTAKOVICH: Symphony No. 8 (Review by Raymond Tuttle)

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SHOSTAKOVICH: Tahiti Trot, “Tea for Two” (Review by Phillip Scott)

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SHOSTAKOVICH: Tale of the Priest and His Hired Man Balda—Suite from the Music for the Animated Cartoon, Op. 36 (USSR Symphony Orchestra). Two Fables by Krylov, Op. 4 (Review by John Ditsky)

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SHOSTAKOVICH: Tale of the Priest and his Hired Man Balda—Suite from the music for an animated cartoon. Op. 36 (USSR Symphony Orchestra). Two Fables by Krylov, Op. 4 (Galina Borisova, mezzo-soprano; Moscow Conservatory Chorus; Moscow Philharmonic and USSR Symphony Orchestras). Overture to Oresse/'s “Armer Columbus“ Op. 23 (Leningrad Philharmonic Orchestra) (Review by ROGER DETTMER)

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SHOSTAKOVICH: The Bolt (excerpts) (Review by David Denton)

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SHOSTAKOVICH: The Bolt, op. 27 (Review by Royal S. Brown)

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SHOSTAKOVICH: The Bolt (Review by Tom Godell)

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SHOSTAKOVICH: The Golden Age, op. 22 (complete ballet) (Review by Royal S. Brown)

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SHOSTAKOVICH: The Limpid Stream, op. 39 (Review by Royal S. Brown)

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SHOSTAKOVICH: The New Babylon (Review by Royal S. Brown)

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SHOSTAKOVICH: The Young Guards—Suite from the Film Music, op. 75a. October— Symphonic Poem, op. 132 (Review by Royal S. Brown)

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SHOSTAKOVICH: Two Fables of Krilov, Op. 4 (Review by Royal S. Brown)

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SHOSTAKOVICH: Unpublished Manuscripts (Review by Royal S. Brown)

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SHOSTAKOVICH: Unpublished Manuscripts (Review by John Ditsky)

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SHOSTAKOVICH: Unpublished manuscripts (Review by ROGER DETTMER)

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SHOSTAKOVICH: Violin Concerto No. 1 (Review by Robert Maxham)

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SHOSTAKOVICH: Violin Concertos (Review by David K. Nelson)

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SHOSTAKOVICH: Violin Concertos (Review by David K. Nelson)

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SIBELIUS: Concerto in D Minor for Violin and Orchestra, op. 47. Two Humoresques, op. 87 (Review by David K. Nelson)

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SIBELIUS: Concerto in D minor for Violin and Orchestra, Op. 47 (Review by John Bauman)

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SIBELIUS: Pelléas et Mélisande (Review by ROGER DETTMER)

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SIBELIUS: Symphony No. 3 in C, Op. 52. Symphony No. 5 in B-Flat, Op. 82 (Review by Paul Turok)

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SIBELIUS: Violin Concerto (Review by David K. Nelson)

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STRAUSS: Burlesque (Review by Alex Ross)

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STRAUSS: Der Rosenkavalier (Review by Alex Ross)

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STRAUSS: Salome (Review by Alex Ross)

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STRAUSS: Till Eulenspiegels lustige Streiche (Review by Alex Ross)

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JOHANN STRAUSS II: Excursion Train Polka (arr. Shostakovich) (Review by Phillip Scott)

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JOHANN STRAUSS II: Nichevo Polka (Review by Phillip Scott)

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J. STRAUSS: Vergnügungszug, Op. 281 (arr. Shostakovich; Moscow Philharmonic) (Review by Royal S. Brown)

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STRAVINSKY: Le Baiser de la fée. Apollo (Review by James H. North)

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STRAVINSKY: Petrouchka (1911). Symphony in Three Movements (Review by Kyle Gann)

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STRAVINSKY: Pétrouchka (Review by Robert Maxham)

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STRAVINSKY: Scenes de ballet (Review by Tom Godell)

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STRAVINSKY: The Firebird (Review by Kyle Gann)

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STRAVINSKY: Violin Concerto (Review by James H. North)

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SZYMANOWSKI: Concerto No. 1 for Violin and Orchestra, op. 35 (Review by David K. Nelson)

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SZYMANOWSKI: Concerto No. 1 for Violin and Orchestra, op. 35 (Review by James H. North)

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SZYMANOWSKI: Violin Sonata (Review by Robert Maxham)

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TANEYEV: Oresteia—Overture (Review by John Bauman)

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TAVENER: Annunciation (Review by David Denton)

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TAVENER: Song for Athene (Review by David Denton)

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TAVENER: The Hidden Treasure (Review by David Denton)

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TAVENER: The Hidden Treasure (Review by David Denton)

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TAVENER: The Lamb (Review by David Denton)

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TAVENER: The Last Sleep of the Virgin (Review by David Denton)

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TAVENER: The Last Sleep of the Virgin (Review by David Denton)

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TAVENER: The Protecting Veil, for Cello and Strings. Thrinos, for Solo Cello (Review by Mike Silverton)

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TAVENER: The Protecting Veil. Thrlnos (Review by Alex Ross)

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TAVENER: The Protecting Veil (Review by David Denton)

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TAVENER: The Protecting Veil (Review by David Denton)

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TAVERNER: The Protecting Veil (Review by Phillip Scott)

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TCHAIKOVSKY: Cherevichki (Review by George Jellinek)

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TCHAIKOVSKY: Concerto No. 3 for Piano and Orchestra, Op. 75. Allegro in C minor for Piano and Strings (Review by Harry Townsend)

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TCHAIKOVSKY: Concerto in D for Violin and Orchestra, op. 35 (Review by David K. Nelson)

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TCHAIKOVSKY: Concerto in D for Violin and Orchestra, op. 35 (Review by David K. Nelson)

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TCHAIKOVSKY: Francesca da Rimini, op. 32. Serenade in C for Strings, op. 48. Marche Slave, op. 31 (Review by David Hurwitz)

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TCHAIKOVSKY: Moscow (Review by Peter J. Rabinowitz)

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TCHAIKOVSKY: Nutcracker (Review by Tom Godell)

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TCHAIKOVSKY: O Bless You, Forests. The Nightingale. I Should Like in a Single Word. We Sat Together. I Opened the Window. On the Golden Cornfields. Why? Exploit. A Ballroom Meeting. Don Juan's Serenade. None but the Lonely Heart. Accept Just One. The Fearful Minute. The Mild Stars Shone. Serenade. Again, As Before, Alone. Does the Day Reign (Review by David Mason Greene)

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TCHAIKOVSKY: Pezzo capriccioso for Cello and Orchestra, op. 62 (Review by John Bauman)

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TCHAIKOVSKY: Piano Concerto No. 1 in b♭, op. 23/1; Violin Concerto in D, op. 35/2 (Review by Michael Ullman)

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TCHAIKOVSKY: Pique Dame (Review by Henry Fogel)

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TCHAIKOVSKY: Seventeen Songs (Review by David Mason Greene)

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TCHAIKOVSKY: Sleeping Beauty, Op. 66 (Review by Donald Seibert)

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TCHAIKOVSKY: Suite No. 3 in G for Orchestra, op. 55. Festival Coronation March in D (Review by Michael Ullman)

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TCHAIKOVSKY: Swan Lake, Op. 20 (complete ballet) (Review by Howard Kornblum)

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TCHAIKOVSKY: Swan Lake, Op. 20 (Review by Donald Seibert)

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TCHAIKOVSKY: Swan Lake, op. 20 (Review by James Miller)

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TCHAIKOVSKY: Symphony No. 4 In F Minor, op. 36. Romeo and Juliet—Fantasy Overture (Review by Michael Ullman)

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TCHAIKOVSKY: Symphony No. 4 in F minor, Op. 36. Marche slave, Op. 31 (Review by Michael Fine)

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TCHAIKOVSKY: Symphony No. 4 in f, op. 36 (Review by Michael Ullman)

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TCHAIKOVSKY: Symphony No. 4 (Review by Jerry Dubins)

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TCHAIKOVSKY: Symphony No. 4, op. 36. Romeo and Juliet—fantasy Overture (Review by Ron McDonald)

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TCHAIKOVSKY: Symphony No. 5 (Review by Steven Kruger)

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TCHAIKOVSKY: Symphony No. 6 in B Minor, Op. 74 (“Pathétique “). Concerto in D for Violin and Orchestra, Op. 35 (Review by Donald Seibert)

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TCHAIKOVSKY: Symphony No. 6 in B minor, Op. 74 (“Pathétique“). The Storm— Overture (Review by Michael Ullman)

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TCHAIKOVSKY: The Nutcracker, op. 71 (Review by James Miller)

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TCHAIKOVSKY: The Nutcracker (Review by Daniel Morrison)

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TCHAIKOVSKY: The Oprichnik (Review by Christopher Williams)

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TCHAIKOVSKY: The Queen of Spades (Review by Daniel Morrison)

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TCHAIKOVSKY: The Sleeping Beauty (Review by James Miller)

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TCHAIKOVSKY: Trie Maid of Orleans (Review by Donald Seibert)

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TCHAIKOVSKY: Variations on a Rococo Theme for Cello and Orchestra, Op. 33 (Review by John Bauman)

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TCHAIKOVSKY: Variations on a Rococo Theme for Cello and Orchestra, op. 33^. String Sextet in D Minor, op. 70 (“Souvenir de Florence“) (Review by Ron McDonald)

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B. TCHAIKOVSKY: Partita for Cello, Harpsichord, Piano, Electric Guitar, and Percussion, (Review by Benjamin Pernick)

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N. TCHEREPNIN: Narcisse et Echo (Review by Martin Anderson)

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TISHCHENKO: Symphony No. 5 (Review by Royal S. Brown)

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TRADITIONAL: Song of the Volga Boatmen (arr. Stravinsky) (Review by Randy A. Salas)

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VAINBERG: Concerto in C Minor for Cello and Orchestra, op. 43 (Review by Raymond Tuttle)

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VAUGHAN WILLIAMS: Symphony No. 1 (“A Sea Symphony“) (Review by James Miller)

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VERMEULEN: Symphonies (Review by Raymond Tuttle)

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VERMEULEN: Symphonies (Review by Martin Anderson)

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VIVALDI: Concerto in G for Cello, Strings, and Continuo, RV. 413 (Review by John Bauman)

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VLASOV: Concerto No. 1 in C for Cello and orchestra (Review by Royal S. Brown)

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VLASOV: Concerto in C for Cello and Orchestra. Improvisation for Cello and Orchestra (Review by John Bauman)

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WEBER: Turandoti Overture (Review by Adrian Corleonis)

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YOUMANS: Tea for Two (arr. by Shostakovich as “Tahiti-Trott,“ Op. 1 6; Leningrad Philharmonic) (Review by Royal S. Brown)

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YSAŸE: Amitié, for 2 violins, op. 26 (Review by David K. Nelson)

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YSAŸE: Solo Violin Sonata No. 3, “Ballade” (Review by Robert Maxham)

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