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Performer: Cyndia Sieden

ADÈS: The Tempest (Review by Robert Carl)

Ariel 

GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner)

Amore 

GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner)

soprano 

GLUCK: Orfeo ed Euridice (Review by John Story)

Amore 

HANDEL, GEORGE FRIDERIC: Alexander Balus (Review by Ron Salemi)

soprano 

HANDEL, GEORGE FRIDERIC: Concertos (Review by Ron Salemi)

soprano 

HANDEL, GEORGE FRIDERIC: Esther (Review by Ron Salemi)

soprano 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Ron Salemi)

soprano 

HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Ron Salemi)

soprano 

HANDEL, GEORGE FRIDERIC: Saul (Review by Ron Salemi)

soprano 

MOZART: Arias (Review by Brian Robins)

soprano 

MOZART: Der Schauspieldirektor,K 486 (Review by Brian Robins)

Mme Herz 

MOZART: Der Schauspieldirektor,K 486 (Review by Bernard Jacobson)

Mme Herz 

MOZART: Die Entführung aus dem Serail (Review by Ivan Katz)

Blonde 

MOZART: Die Zauberflöte, K. 620 (Review by David Mason Greene)

soprano 

MOZART: Die Zauberflöte, K. 620 (Review by David Mason Greene)

The Queen Of The Night 

MOZART: No, no che non sei capace. Alcandro, lo confesso . . . Non sò, d’onde viene. Vorrei spiegarvi, oh Dio. Ah, se in ceil, benigne stelle. Mia speranza adorata . . . Ah, non sai qual pena sia. Popoli di Tessaglia . . . Io non chedo. Nehmt meinen Dank, ihr holden Gönner (Review by Bob Rose)

soprano 

MOZART: No, no, che non se capace, K 419; Alcandro, lo confessore, K 294; Vorrei spiegarvi, oh Dio, K 418; Ah se in ciel, K 538; Mia speranza adorata, K 416; Popoli di Tessaglia!, K 316/300b; Nehmt meinem dank, K 383 (Review by Brian Robins)

soprano 

SCHWEITZER: Alceste (Review by David L. Kirk)

Parthenia 

 

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