|
|
Performer: Timothy Walker MAXWELL DAVIES. Ave Maris Stella, Tenebrae super...: (Review by John D. Wiser) | guitar | ALBÉNIZ, ISAAC: Tango. Granada. Cadiz (Review by John Bauman) | guitar | ANONYMOUS: Romance (“Jeux Interdits“) (arr. Yepes). Er Vito (arr. de Azpiazu). Greensleeves (arr. Cutting) (Review by John Ditsky) | guitar | ANONYMOUS: Romance “Jeux Interdits.“ (Review by John Bauman) | guitar | AYALA: South American Suite (Review by John Ditsky) | guitar | BEBEY: Legend (Review by John Ditsky) | guitar | BOLLING, CLAUDE: Suite for Flute and Jazz Piano (Review by Michael Ullman) | double bass | BOSCO: Masanga (Review by John Ditsky) | guitar | BULLER: Proença, for large orchestra, mezzo-soprano, and electric guitar (Review by John Ditsky) | electric guitar | CARCASSI: Variations on a Russian Folk Tune, Op. 10, no. 12 (Review by John Ditsky) | guitar | CORREA, SERGIO: Desafio (Review by Michael Ullman) | double bass | DAVIES, PETER MAXWELL: Farewell to Stromness (Review by John Ditsky) | guitar | DEBUSSY: Golliwoggs Cake-Walk; Le petit negre (Review by Michael Ullman) | double bass | FALLA, MANUEL DE: Farrucca (Review by John Ditsky) | guitar | GERSHWIN: Three Preludes (Review by Michael Ullman) | double bass | GIULIANI, MAURO: Three Irish Áirs with Variations (Review by John Ditsky) | guitar | GRANADOS, ENRIQUE: La maja de Goya. Andaluza (Review by John Bauman) | guitar | HEATH: Out of the Cool (Review by Michael Ullman) | double bass | HENZE, HANS WERNER: Kammermusik 1958, for Tenor, Guitar, and Eight Solo Instruments (Review by Stephen Ellis) | guitar | JACOBSON, JULIAN: Waltz for Judy (Review by Michael Ullman) | double bass | JOPLIN: Original Rags (Review by Michael Ullman) | double bass | LLOBET: Six Catalan Songs (Review by John Bauman) | guitar | LLOYD, GEORGE: The Five Senses (Review by Michael Ullman) | double bass | MARTINŮ: Scherzo (Review by Michael Ullman) | double bass | MILHAUD: Sonatine (Review by Michael Ullman) | double bass | PIAZZOLLA, ASTOR: Concert d'Aujourd'hui (Review by Michael Ullman) | double bass | PREVIN: Peaches (Review by Michael Ullman) | double bass | RODGERS, SARAH: The Roaring Whirl (Review by Huntley Dent) | guitar | SAINZ DE LA MAZA: Habanera (Review by John Bauman) | guitar | SEGOVIA: Neblina. Estudio sin luz (Review by John Bauman) | guitar | TÁRREGA: Recuerdos de la Alhambra. Three Mazurkas. Lagrima. Minuetto. Five Preludes (Review by John Bauman) | guitar | TIPPETT, MICHAEL: King Priam (Review by Adrian Corleonis) | guitar | TIPPETT, MICHAEL: King Priam (Review by John Ditsky) | guitar | TORROBA: Sonatina (Review by John Bauman) | guitar | WALKER, TIMOTHY: Folkish Fancy. African Hymn and Dance (Review by John Ditsky) | guitar | YOCOH: Variations on an Old Japanese Folk Tune, “Sakura.“ (Review by John Ditsky) | guitar |
|
NOT TO BE MISSED!
Reviews and interviews
Just click and read!
|
