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Performer: Kenneth Hamilton

BACH/BUSONI: Chorale Preludes (Review by Colin Clarke)

piano 

BACH/RACHMANINOFF: Partita in E, BWV 1006 (Review by Colin Clarke)

piano 

BACH/STEVENSON: Komm, süsser Tod (Review by Henry Fogel)

piano 

BACH/STEVENSON: Komm, süsser Tod (Review by Peter Burwasser)

piano 

BACH/STEVENSON: Komm, süsser Tod (Review by Colin Clarke)

piano 

BACH/STEVENSON: Komm, süsser Tod (Review by Peter J. Rabinowitz)

piano 

CASKEN: Shadowed Pieces. Stolen Airs. Six Wooded Pieces. Serpents of Wisdom. Piano Trio (Review by Colin Clarke)

piano 

CHOPIN/BUSONI: Polonaise in A♭, op. 53 (Review by Colin Clarke)

piano 

CHOPIN/BUSONI: Polonaise in A♭, op. 53 (Review by Michael Ullman)

piano 

CHOPIN, FRÉDÉRIC: Ballade No. 1 in g, op. 23 (Review by Colin Clarke)

piano 

CHOPIN, FRÉDÉRIC: Barcarolle, op. 60 (Review by Colin Clarke)

piano 

CHOPIN, FRÉDÉRIC: Barcarolle, op. 60 (Review by Michael Ullman)

piano 

CHOPIN, FRÉDÉRIC: Nocturnes (Review by Colin Clarke)

piano 

CHOPIN, FRÉDÉRIC: Piano Sonatas Nos. 2 and 3. Preludes (Review by Colin Clarke)

piano 

CHOPIN, FRÉDÉRIC: Piano Sonatas Nos. 2 and 3. Preludes (Review by Michael Ullman)

piano 

CHOPIN, FRÉDÉRIC: Polonaise-Fantaisie, op. 64 (Review by Colin Clarke)

piano 

CHOPIN, FRÉDÉRIC: Preludes, op. 28/1, 4, 9, 10, 15, 16, 20, 21, 23 (Review by Colin Clarke)

piano 

CHOPIN, FRÉDÉRIC: Variations on “Je vends des scapulaires,” op. 12 (Review by Colin Clarke)

piano 

CHOPIN, FRÉDÉRIC: Waltzes (Review by Colin Clarke)

piano 

CHOPIN/LISZT/STAVENHAGEN: Mes joies (Review by Colin Clarke)

piano 

CHOPIN/LISZT/STAVENHAGEN: Mes joies (Review by Michael Ullman)

piano 

LISZT: Fantasy and Fugue on the Theme BACH, S 260 (Review by Colin Clarke)

piano 

LISZT: Variations on Weinen, Klagen, Sorgen, Zagen, S 180 (Review by Colin Clarke)

piano 

MERRICK/STEVENSON: Hebridean Seascape (Review by Henry Fogel)

piano 

MERRICK/STEVENSON: Hebridean Seascape (Review by Peter Burwasser)

piano 

MERRICK/STEVENSON: Hebridean Seascape (Review by Colin Clarke)

piano 

MERRICK/STEVENSON: Hebridean Seascape (Review by Peter J. Rabinowitz)

piano 

NOVELLO/STEVENSON: We’ll Gather Lilacs (Review by Colin Clarke)

piano 

NOVELLO/STEVENSON: We’ll Gather Lilacs (Review by Peter Burwasser)

piano 

PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Henry Fogel)

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PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Peter Burwasser)

piano 

PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Colin Clarke)

piano 

PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Peter J. Rabinowitz)

piano 

PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Henry Fogel)

piano 

PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Peter Burwasser)

piano 

PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Colin Clarke)

piano 

PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Peter J. Rabinowitz)

piano 

RACHMANINOFF: Lilacs, op. 21/5 (Review by Colin Clarke)

piano 

RACHMANINOFF: Lilacs, op. 21/5 (Review by Peter Burwasser)

piano 

STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Henry Fogel)

piano 

STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Peter Burwasser)

piano 

STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Colin Clarke)

piano 

STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Peter J. Rabinowitz)

piano 

STEVENSON, RONALD: Peter Grimes Fantasy. 3 Scottish Ballads. Beltane Bonfire. Heroic Song for Hugh MacDiarmid. Symphonic Elegy for Liszt. Chorale and Fugue in Reverse on Themes of Robert and Clara Schumann. 3 Elizabethan Pieces after John Bull (Review by Colin Clarke)

piano 

STEVENSON, RONALD: Peter Grimes Fantasy. 3 Scottish Ballads. Beltane Bonfire. Heroic Song for Hugh MacDiarmid. Symphonic Elegy for Liszt. Chorale and Fugue in Reverse on Themes of Robert and Clara Schumann. 3 Elizabethan Pieces after John Bull (Review by Peter Burwasser)

piano 

TAUBER/STEVENSON: Tauberiana (My Heart and I) (Review by Colin Clarke)

piano 

TAUBER/STEVENSON: Tauberiana (My Heart and I) (Review by Peter Burwasser)

piano 

 

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