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Performer: Robert Lloyd DONIZETTI: 3 QUEENS Anna Bolena (Julius Rudel) (Review by Joel Kasow) | Rochefort | BARTÓK: Bluebeard’s Castle (Review by Barry Brenesal) | Bluebeard | BEETHOVEN, LUDWIG VAN: Fidelio (Review by Henry Fogel) | Rocco | BEETHOVEN, LUDWIG VAN: Fidelio (Review by James H. North) | Rocco | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (Review by Elliott Kaback) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D minor, Op. 125(“Choral“) (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Christopher Abbot) | bass | BEETHOVEN, LUDWIG VAN: The Nine Symphonies. Leonore Overture No. 3, op. 72a (Review by Paul Sargent Clark) | bass | BELLINI, VINCENZO: I Capuleti e I Montecchi (Review by David L. Kirk) | Capellio | BERLIOZ: Béatrice et Bénédict (Review by Huntley Dent) | Don Pedro | BERLIOZ: La Damnation de Faust— légende dramatique, op. 24 (Review by Adrian Corleonis) | baritone | BERLIOZ: La Damnation de Faust— légende dramatique, op. 24 (Review by Adrian Corleonis) | Mephistopheles | BERLIOZ: Les Troyens (Review by Lynn René Bayley) | Priam | BERLIOZ: Roméo et Juliette—Symphonie dramatique, op. 17 (Review by Adrian Corleonis) | bass | BIZET: Carmen (Review by Leonard J. Brandt) | voice | BIZET: Carmen (Review by Leonard J. Brandt) | Zuniga | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | bass baritone | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | Bottom | DONIZETTI: Anna Bolena (Review by David L. Kirk) | Rochefort | DONIZETTI: Lucia di Lammermoor (Review by Henry Fogel) | bass | DONIZETTI: Lucia di Lammermoor (Review by Henry Fogel) | Raimondo | ELGAR: The Apostles, op. 49 (Review by David Johnson) | bass | ELGAR: The Apostles, op. 49 (Review by David Johnson) | Judas | ELGAR: The Dream of Gerontius (Review by Walter Simmons) | bass | ELGAR: The Dream of Gerontius (Review by Bernard Jacobson) | bass | GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner) | bass | GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner) | Peachum | HANDEL, GEORGE FRIDERIC: Acis und Galatea (Review by Vincent Alfano) | bass | HANDEL, GEORGE FRIDERIC: Acis und Galatea (Review by Anthony D. Coggi) | bass | HANDEL, GEORGE FRIDERIC: Acis und Galatea (Review by Vincent Alfano) | Polyphem | HANDEL, GEORGE FRIDERIC: Acis und Galatea (Review by Anthony D. Coggi) | Polyphemus | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | bass | HANDEL, GEORGE FRIDERIC: Semele (Review by J. F. Weber) | bass | MONTEVERDI: Il ritorno d'Ulisse in patria (Review by Brian Robins) | Nettuno | MONTEVERDI: Il ritorno d’Ulisse in Patria (Review by Lynn René Bayley) | Neptune | MONTEVERDI: Il ritorno d’Ulisse in Patria (Review by Barry Brenesal) | Neptune | MOZART: Die Zauberflöte, K. 620 (Review by Ralph V. Lucano) | bass | MOZART: Die Zauberflöte, K. 620 (Review by Ralph V. Lucano) | Sarastro | MOZART: Don Giovanni (Review by Raymond Tuttle) | Commendatore | MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano) | bass | MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano) | Commendatore | MOZART: La Clemenza di Tito, K. 621 (Review by Mortimer H. Frank) | bass | MOZART: La Clemenza di Tito, K. 621 (Review by Mortimer H. Frank) | Publio | MOZART: La finta semplice, K. 51 (Review by Ralph V. Lucano) | bass | MOZART: La finta semplice, K. 51 (Review by Ralph V. Lucano) | Simone | MOZART: Le Nozze di Figaro (Review by Barry Brenesal) | Bartolo | MOZART: Mass in C Minor, K. 427 (Review by George Chien) | bass | MOZART: Mass in c (ed. Robbins Landon) (Review by George Chien) | bass | MOZART: Requiem in D Minor, K 626 (Review by Elliott Kaback) | bass | MOZART: Requiem, K. 626 (Review by George Chien) | bass | MOZART: Singt dem grossen Bassa Lieder; 0 wie ängstlich; Traurigkeit; Martern aller Arten; Welche Wonne, welche lust; Vivat Bacchus!; Ach, Belmonte! Ach mein Leben; In Mohrenland; Triomphaire; Finale (Review by Anthony D. Coggi) | bass | MOZART: Singt dem grossen Bassa Lieder; 0 wie ängstlich; Traurigkeit; Martern aller Arten; Welche Wonne, welche lust; Vivat Bacchus!; Ach, Belmonte! Ach mein Leben; In Mohrenland; Triomphaire; Finale (Review by Anthony D. Coggi) | Osmin | MOZART: The Abduction from the Seraglio, K. 384. Welch ängstliches Beben, K. 389. Schon lacht der holde Frühling, K. 580. Männer suchen stets zu naschen, K. 433. Musst ich auch durch tausend Drachen, K. 435. Ich möchte wohl der Kaiser sein, K. 539 (K. 389 and K. 433 completed and orchestrated by Eric Smith) (Review by Mortimer H. Frank) | Osmin | MOZART: The Abduction from the Seraglio (Review by Anthony D. Coggi) | bass | MOZART: The Abduction from the Seraglio (Review by Anthony D. Coggi) | Osmin | MUSSORGSKY: (orch. Shostakovich) Songs and Dances of Death (Review by Raymond Tuttle) | bass | OFFENBACH: Les contes d'Hoffmann (Review by John W. N. Francis) | bass | OFFENBACH: Les contes d'Hoffmann (Review by John W. N. Francis) | Lindorf | PUCCINI II, GIACOMO: La Bohème (Review by Henry Fogel) | bass | PUCCINI II, GIACOMO: La Bohème (Review by Henry Fogel) | Colline | PUCCINI II, GIACOMO: La fanciulla del West (Review by James Miller) | Ashby | PUCCINI II, GIACOMO: La fanciulla del West (Review by James Miller) | bass | PURCELL, HENRY: Birthday Odes for Queen Mary (Review by Michael Ullman) | bass | PURCELL, HENRY: Come Ye Sons of Art. Love’s Goddess Sure (Review by Michael Ullman) | bass | ROSSINI: Il barbiere di Siviglia (Review by Lynn René Bayley) | Don Basilio | ROSSINI: Il barbiere di Siviglia (Review by James A. Altena) | Don Basilio | ROSSINI: The Barber of Seville (Review by Henry Fogel) | Basilio | ROSSINI: The Barber of Seville (Review by James Miller) | Basilio | ROSSINI: The Barber of Seville (Review by Henry Fogel) | bass | ROSSINI: The Barber of Seville (Review by James Miller) | bass | SAINT-SAËNS: Samson et Dalila (Review by James Miller) | An Old Hebrew | SHOSTAKOVICH: Symphony No. 10 in E Minor, op. 93 (Review by Raymond Tuttle) | bass | STRAVINSKY, IGOR: Pulcinella (Ballet With voices). Suites Nos. 1 and 2 for Small Orchestra (Review by ROGER DETTMER) | bass | STRAVINSKY, IGOR: Pulcinella (Review by James H. North) | bass | STRAVINSKY, IGOR: Renard (Review by George Chien) | bass | STRAVINSKY, IGOR: The Rake's Progress (Review by Bernard Jacobson) | bass | STRAVINSKY, IGOR: The Rake's Progress (Review by Bernard Jacobson) | Truelove | SULLIVAN: The Yeoman of the Guard (Review by James Camner) | bass | SULLIVAN: The Yeoman of the Guard (Review by James Camner) | Sir Richard Cholmondley | VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson) | bass | VAUGHAN WILLIAMS: Hugh the Drover (Review by John Ditsky) | The Constable | VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson) | The Constable | VAUGHAN WILLIAMS: Hugh the Drover (Review by John Ditsky) | voice | VAUGHAN WILLIAMS: Sir John in Love (Review by Ian Lace) | Ford | VAUGHAN WILLIAMS: The Pilgrim's Progress (Review by Walter Simmons) | bass | VERDI, GIUSEPPE: Aida (Review by Lynn René Bayley) | Ramfis | VERDI, GIUSEPPE: Don Carlo (Review by Barnaby Rayfield) | Monk | VERDI, GIUSEPPE: Don Carlo (Review by Ralph V. Lucano) | Philip II | VERDI, GIUSEPPE: Don Carlo (Review by Barry Brenesal) | Philip II | VERDI, GIUSEPPE: Don Carlo (Review by James Miller) | The Grand Inquisitor | VERDI, GIUSEPPE: Don Carlos (original version, in French) (Review by C. -P. Gerald Parker) | a Monk | VERDI, GIUSEPPE: Don Carlos (original version, in French) (Review by C. -P. Gerald Parker) | bass | VERDI, GIUSEPPE: Don Carlos (Review by Joel Kasow) | Moine | VERDI, GIUSEPPE: Il Trovatore (Review by Anthony D. Coggi) | bass | VERDI, GIUSEPPE: Il Trovatore (Review by Anthony D. Coggi) | Ferrando | VERDI, GIUSEPPE: Macbeth (Review by Henry Fogel) | Banquo | VERDI, GIUSEPPE: Macbeth (Review by Evan Dickerson) | Banquo | VERDI, GIUSEPPE: Macbeth (Review by Henry Fogel) | bass | VERDI, GIUSEPPE: Requiem Mass (Review by Marc Mandel) | bass | VERDI, GIUSEPPE: Requiem (Review by Henry Fogel) | bass | VERDI, GIUSEPPE: Requiem (Review by James A. Altena) | bass | VERDI, GIUSEPPE: Rigoletto (Review by Anthony D. Coggi) | bass | VERDI, GIUSEPPE: Rigoletto (Review by Anthony D. Coggi) | Sparafucile | VERDI, GIUSEPPE: Simon Boccanegra (Review by Bob Rose) | Fiesco | VERDI, GIUSEPPE: Un Ballo in Maschera (Review by Leonard J. Brandt) | Samuel | WAGNER, RICHARD: Der fliegende Holländer (Review by Andrew Quint) | Daland | WAGNER, RICHARD: Der fliegende Holländer (Review by Lynn René Bayley) | Daland | WAGNER, RICHARD: Lohengrin (Review by Lynn René Bayley) | Heinrich | WAGNER, RICHARD: Lohengrin (Review by James A. Altena) | King Heinrich | WAGNER, RICHARD: Parsifal (Review by William H. Youngren) | Gurnemanz | WAGNER, RICHARD: Parsifal (Review by Andrew Quint) | Titurel | WAGNER, RICHARD: Tristan und Isolde (Review by Andrew Quint) | King Marke | WALTON, WILLIAM: Façade 1. Façade 2 (Review by George Chien) | bass |
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